Past_Notes3
Past_Notes3
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Aram Khachaturian: Symphony No. 2 in E major "The Bell" (1943) [DDD]
Robert Schumann Philharmonic Orchestra conducted by / Orquesta Filarmónica Robert Schumann dirigida por Frank Beerman.
I. Andante maestoso (0:00)
II. Allegro risoluto (15:53)
III. Andante sostenuto (26:25)
IV. Andante mosso - Allegro (38:56)
It would be unfair to brand Aram Khachaturian (1903-1978) as a one-work composer, and that it is a miniature from his ballet Gayaneh. His works include several instrumental and chamber music, ballets, film music, symphonies and virtuoso concertos which are also quite popular. His Second Symphony of 1943 became gradually Khachaturian’s War Symphony and his “Requiem against all kinds of violence”. Its nickname “The Bell” comes from the tolling leitmotiv that dominates the work.
Sería injusto clasificar a Aram Jachaturián (1903-1978) como compositor de una sola obra y que ésta es apenas una miniatura de su ballet Gayane. Sus obras incluyen varias piezas instrumentales y de cámara, ballets, música para películas, sinfonías y conciertos virtuosos que también son populares. Su Segunda Sinfonía de 1934 se volvió gradualmente su Sinfonía de Guerra y su “Requiem contra toda forma de violencia”. Su apodo “La Campana” viene del motivo tintineante que domina la obra.
Imagen/image: Battle of Stalingrad fused with Tsar Bell. / Batalla de Stalingrado fusionada con la Campana Zar.
มุมมอง: 897

วีดีโอ

Jan van Gilse: Symphony No. 3 in D major "Elevation" (1907)
มุมมอง 2.6K7 ปีที่แล้ว
Netherlands Symphony Orchestra / Orquesta Sinfónica de los Países Bajos dirigida por David Porcelijn. Soprano: Aile Asszonyi. I. Langsam (0:00) II. Leidenschaftig und heftig bewegt (8:46) III. Sehr langsam und schwermütig (20:43) IV. Lebhaft und sehr kräftig (30:23) V. Äußerst langsam und sehr ruhig (41:08) Jan van Gilse (1881-1944) was a Dutch composer. Belonging to the same generation as Alph...
Samuel Barber: Die Natali Op. 36 (1960)
มุมมอง 5K7 ปีที่แล้ว
Bournemouth Symphony Orchestra conducted by / Orquesta Sinfónica de Bournemouth dirigida por Marin Alsop. Samuel Barber (1910-1981) was one of the foremost composers of the 20th Century in the USA. His style is diametrically opposed to the nationalism promoted by Copland or to the populist approach by Leonard Bernstein. Instead, Barber opted for a postromantic vein that included avant-garde and...
Mario Castelnuovo-Tedesco: La dodecissima notte (Twelfth Night) Op. 73 (1933)
มุมมอง 1K7 ปีที่แล้ว
West Australian Symphony Orchestra conducted by / Orquesta Sinfónica del Oeste de Australia dirigida por Andrew Penny. Mario Castelnuovo-Tedesco was one of the most promising Italian composers of his generation. Castelnuovo wrote music inspired by many Shakespearean plays; one of them is The Twelfth Night. In this overture, the musical references in the play appear across its several sections, ...
Alan Rawsthorne: Symphony No. 1 (1950)
มุมมอง 1.1K7 ปีที่แล้ว
Bournemouth Symphony Orchestra / Orquesta Sinfónica de Bournemouth dirigida por David Lloyd-Jones. I. Allegro tempestuoso (0:00) II. Allegro (7:11) III. Allegro non troppo (15:05) IV. Poco maestoso - Allegro risoluto (18:40) Alan Rawsthorne (1905-1971) was a British composer. In the same generation as Walton and Rubbra, his music found unfortunately less fame than his two contemporaries; much i...
Bright Sheng: Nanking! Nanking! A Threnody for Pipa and Orchestra (2000)
มุมมอง 6477 ปีที่แล้ว
Hong Kong Philharmonic Orchestra conducted by / Orquesta Filarmónica de Hong Kong dirigida por Samuel Wong. Pipa: Qiang Zhang. Bright Sheng (n. 1955) is one of the foremost Chinese composers of this generation. A product of the Cultural Revolution, he pursued his musical education in the USA and acquired double nationality after the country reopened its gates to the world by the late 1970’s. Hi...
Aaron Copland: Hear Ye! Hear Ye! (1934)
มุมมอง 3.6K7 ปีที่แล้ว
Detroit Symphony Orchestra conducted by / Orquesta Sinfónica de Detroit dirigida por Leonard Slatkin. Aaron Copland (1900-1990) is one of the most famous American composers; his music has been heard all over in political as well as in public events, and it has been since honored or parodied by several composers after him. His first period is however a bit of an obscure time, as he ascribed to m...
William Bolcom: Symphony No. 5 (1989)
มุมมอง 4.1K7 ปีที่แล้ว
American Composers Orchestra conducted by / Orquesta de los Compositores Estadounidenses dirigida por Dennis Russell Davies I. Pensive (0:00) II. Scherzo mortale (6:02) III. Hymne à l’Amour (12:42) IV. Machine (19:02) William Bolcom (n. 1938) is one of the foremost composers of the Class of 1937-38. His style passed through several mutations before arriving into a powerful neoromantic language....
Henry Cowell: Piano Concerto (1930)
มุมมอง 1.1K7 ปีที่แล้ว
San Francisco Symphony conducted by / Sinfónica de San Francisco dirigida por Michael Tilson Thomas. Piano: Jeremy Denk. I. Polyharmony / Multi-armonía (0:00) II. Tone Clusters (3:48) III. Counter rhythm / Contravoz (10:55) Henry Cowell (1897-1965) was one of the first American radical composers, so to say. Superseding the polytonal inventions proposed by Charles Ives, Cowell is credited for de...
Andrzej Panufnik: Symphony No. 6 "Sinfonia Mistica" (1977)
มุมมอง 3.7K7 ปีที่แล้ว
London Symphony Orchestra conducted by / Orquesta Sinfónica de Londres dirigida por David Atherton. Andrzej Panufnik belongs to the same generation as Witold Lutoslawski, yet unlike his youth friend, he fled to Capitalist West. Panufnik lived in England for most of his life, returning briefly to his native Poland only when a liberal regime was established in 1990. His Sinfonia Mistica muses on ...
Lou Harrison: Concerto for Organ and Percussion Orchestra (1951)
มุมมอง 2.3K7 ปีที่แล้ว
San Francisco Symphony Percussions conducted by / Percusiones de la Sinfónica de San Francisco dirigidas por Michael Tilson Thomas. Organ/órgano: Paul Jacobs I. Allegro (0:00) II. Andante (5:47) III. Largo (7:57) IV. Canons & Choruses (14:53) V. Allegro (18:09) Lou Harrison (1917-2003) was one of the first American composers who was successful in blending Western with non-Western musical tradit...
Mario Castelnuovo Tedesco: Dances of Love's Labour's Lost (1953, ed Marangoni 2011)
มุมมอง 1.7K7 ปีที่แล้ว
Mälmo Symphony Orchestra conducted by / Orquesta Sinfónica de Malmö dirigida por Andrew Mogrelia I. Sarabande / Zarabanda (0:00) II. Gavotte / Gavota (5:35) III. Spanish Dance / Danza española (9:26) IV. Russian Dance / Danza rusa (12:38) Mario Castelnuovo-Tedesco was one of the most promising Italian composers of his generation. Castelnuovo wrote music inspired by many Shakespearean plays; amo...
Leo Brouwer: Concierto para guitarra No. 9 "De Benicassìm" (2002)
มุมมอง 13K7 ปีที่แล้ว
Real Filarmonía de Galicia dirigida por / Galicia Royal Philharmonia conducted by Óliver Díaz. Guitarra/Guitar: Miguel Trápaga I. Allegro (0:00) II. Lento (12:04) III. Allegro (24:06) Leo Brouwer (n. 1938) es el compositor cubano más reconocido y prolífico de hoy en día. Sus obras van desde el folclorismo afro-cubano, pasando por el vanguardismo atonal y el minimalismo, hasta llegar a una sínte...
Julio Gómez García: Balada para orquesta (1920) [MUST-HEAR]
มุมมอง 1.5K7 ปีที่แล้ว
Orquesta de Córdoba dirigida por / Cordoba Orchestra conducted by José Luis Temes. Julio Gómez García (1886-1973) fue un compositor español. De la misma generación que Turina y Guridi, su música pasó casi desapercibida muy a pesar de la rica vena lírica y melódica de muchas de sus composiciones. Fue maestro de varios compositores más jóvenes, de entre los que destaca Antón García Abril. Su Bala...
Johan Svendsen: Norwegian Rhapsody No. 3 Op. 21 (1877)
มุมมอง 8K7 ปีที่แล้ว
Bergen Philharmonic Orchestra conducted by / Orquesta Filarmónica de Bergen dirigida por Neeme Järvi. Norwegian composer Johan Svendsen (1840-1911) was a contemporary and rival to Edvard Grieg. His Norwegian Rhapsodies were built on the guise of Liszt’s own; some of which he orchestrated. The tunes collected in here are of popular extraction, belonging to Lindeman’s collection of Older and Newe...
Nino Rota: Sinfonia sopra una canzone d'amore (1947)
มุมมอง 28K7 ปีที่แล้ว
Nino Rota: Sinfonia sopra una canzone d'amore (1947)
Goffredo Petrassi: Salmo IX for chorus, brass, percussion & string orchestra (1934-36)
มุมมอง 7357 ปีที่แล้ว
Goffredo Petrassi: Salmo IX for chorus, brass, percussion & string orchestra (1934-36)
Herbert Howells: Sine Nomine, A Fantasia Op. 37 (1922)
มุมมอง 3.9K7 ปีที่แล้ว
Herbert Howells: Sine Nomine, A Fantasia Op. 37 (1922)
Kenneth Leighton: Symphony No. 2 "Sinfonia Mistica" Op. 69 (1973)
มุมมอง 4.7K7 ปีที่แล้ว
Kenneth Leighton: Symphony No. 2 "Sinfonia Mistica" Op. 69 (1973)
Malcolm Arnold: Sweeney Todd Suite Op. 68a (1959/84)
มุมมอง 1.2K7 ปีที่แล้ว
Malcolm Arnold: Sweeney Todd Suite Op. 68a (1959/84)
John Corigliano: Phantasmagoria (2003)
มุมมอง 3.5K7 ปีที่แล้ว
John Corigliano: Phantasmagoria (2003)
Vincent d'Indy: Symphonie No. 2 en Si bémol majeur Op. 57 (1902-03)
มุมมอง 1.7K7 ปีที่แล้ว
Vincent d'Indy: Symphonie No. 2 en Si bémol majeur Op. 57 (1902-03)
Kamran Ince: Concerto for Orchestra, Turkish Instruments and Voices (2002, rev. 2009)
มุมมอง 4.2K7 ปีที่แล้ว
Kamran Ince: Concerto for Orchestra, Turkish Instruments and Voices (2002, rev. 2009)
Mario Castelnuovo-Tedesco: Much Ado About Nothing Op. 164 (1953)
มุมมอง 6477 ปีที่แล้ว
Mario Castelnuovo-Tedesco: Much Ado About Nothing Op. 164 (1953)
Mieczyslaw Weinberg: Symphony No. 3 in B minor Op. 45 (1949)
มุมมอง 32K7 ปีที่แล้ว
Mieczyslaw Weinberg: Symphony No. 3 in B minor Op. 45 (1949)
Einojuhani Rautavaara: Four Songs from "Rasputin" (2012)
มุมมอง 8957 ปีที่แล้ว
Einojuhani Rautavaara: Four Songs from "Rasputin" (2012)
Joly Braga Santos: Alfama Ballet Suite (1956, arr. Cassuto 2010)
มุมมอง 2.6K7 ปีที่แล้ว
Joly Braga Santos: Alfama Ballet Suite (1956, arr. Cassuto 2010)
Johan Svendsen: Norwegian Rhapsody No. 2 Op. 19 (1876)
มุมมอง 8K7 ปีที่แล้ว
Johan Svendsen: Norwegian Rhapsody No. 2 Op. 19 (1876)
Dag Wirén: Symphony No. 4 Op. 27 (1952)
มุมมอง 3.7K7 ปีที่แล้ว
Dag Wirén: Symphony No. 4 Op. 27 (1952)
Mario Castelnuovo-Tedesco: King John Op. 111 (1941)
มุมมอง 5397 ปีที่แล้ว
Mario Castelnuovo-Tedesco: King John Op. 111 (1941)

ความคิดเห็น

  • @evilBreadD-jf9go
    @evilBreadD-jf9go หลายเดือนก่อน

    Beautiful recording, but if I’m not mistaken these preludes are Barber’s op 37, and op 36 is his Toccata Festiva for organ and orchestra, no?

  • @sierrasix2003
    @sierrasix2003 หลายเดือนก่อน

    This is my favorite Copland work. It never fails to make me smile!

  • @jslasher1
    @jslasher1 2 หลายเดือนก่อน

    Surely one of Copland's most heartfelt works. It never fails to impress. An evocation of an America that one was, but, sadly, no longer is.

  • @user-wb1kz6it3k
    @user-wb1kz6it3k 2 หลายเดือนก่อน

    What a genius Copland was to put a break in this piece at the 16 min mark so that a commercial could run. Most composers leave a little space at the start so we can see ads.

  • @whyyyyou
    @whyyyyou 3 หลายเดือนก่อน

    0:00 Scene 1 Prelude 1:47 Scene 2 The Courtroom 2:22 Scene 3 Dance 4:17 Scene 4 Dance Of The Prosecuting 6:34 Scene 5 The Night Club Hostess Sworn In 7:16 Scene 6 The Chorus Girls' First Dance 11:07 Scene 7 First Pas-de-deux 14:26 Scene 8 Pas-de-deux and Murder 18:03 Scene 9 The Courtroom 18:45 Scene 10 The Honeymoon Couple 19:26 Scene 11 The Chorus Girls With Doves 21:53 Scene 12 Second Pas-de-deux and Murder 25:45 Scene 13 The Courtroom 26:27 Scene 14 The Waiter Sworn In 27:03 Scene 15 The Chorus Girls' Third Dance 28:48 Scene 16 Third Pas-de-deux and Murder 32:28 Scene 17 The Verdict 32:47 Scene 18 The Courtroom

  • @mayankprajapat4591
    @mayankprajapat4591 3 หลายเดือนก่อน

    I have been listening this recording for about 6 months, and this is the best one i found of lady Macbeth, the tragedy!!

  • @viniciodecheco3433
    @viniciodecheco3433 4 หลายเดือนก่อน

    Supremamente bello,de toda beldad,ultra romántica,hasta el paroxismo de los sentidos...

  • @albertorocabert1005
    @albertorocabert1005 5 หลายเดือนก่อน

    ¡Maravillosa sinfonía! Gracias por compartir.

  • @user-td6cv7hr5d
    @user-td6cv7hr5d 5 หลายเดือนก่อน

    Maestro, de mi Mtro. Domingo Lobato.

  • @rodterrell304
    @rodterrell304 5 หลายเดือนก่อน

    Beautiful Music from an amazing composer.

  • @aidandavis7657
    @aidandavis7657 5 หลายเดือนก่อน

    Boring asf

  • @gerardbegni2806
    @gerardbegni2806 6 หลายเดือนก่อน

    Mieczyslaw Weinberg was a Jewish Polish composer who emigrated to USSR.. He was greatly supported by D. Shostakovitch. Their style was however very different. Weinberg's lyricism is more conventional, and we do not find the desperate feeling of loneliness and absurdity which make the most noticeable Shostakovitch's compositions, in his symphonies and string quartets. Nevertheless, Weinberg's compositions have an originality of their own. .

  • @strangeown423
    @strangeown423 6 หลายเดือนก่อน

    Great musical composition. she has the whole spirit of personal freedom.

  • @norwalltino
    @norwalltino 6 หลายเดือนก่อน

    Fantastic music and number one composer

  • @camilofrias4466
    @camilofrias4466 7 หลายเดือนก่อน

    el 2o movimiento está basado en uno de mis temas favoritos de la banda sonora de Memorias del subdesarrollo. apenas reconocí la melodía se me puso la piel de gallina. grande leo brouwer

  • @lawrencelolli7666
    @lawrencelolli7666 8 หลายเดือนก่อน

    A great man, a greater composer. Love him

  • @salvatoreschembari2700
    @salvatoreschembari2700 8 หลายเดือนก่อน

    Grandioso ❤

  • @carlnutt2809
    @carlnutt2809 8 หลายเดือนก่อน

    3.40 Hedwig’s theme?

  • @sergeomiller4267
    @sergeomiller4267 8 หลายเดือนก่อน

    One day I will be there. In freedom world. I can dress how I want, love who I want and not be afraid for my life...

  • @SoupyMold
    @SoupyMold 8 หลายเดือนก่อน

    I feel heartened to see that this humanitarian tragedy finally got its own Threnody. This piece should have more views.

  • @emreozman743
    @emreozman743 9 หลายเดือนก่อน

    I think, İnce is one of pioneers of the new Turkish culture which is pressed traumatically between the east and west.

  • @sidpheasant7585
    @sidpheasant7585 9 หลายเดือนก่อน

    Nothing can exist this beautiful, meaningful, deep and soulful without God, without there being a God...

  • @srothbardt
    @srothbardt 9 หลายเดือนก่อน

    Good performance.

  • @robertmacphail5086
    @robertmacphail5086 10 หลายเดือนก่อน

    Such a wonderful and reinvigorating symphony! I just love it!

  • @peterfeltham5612
    @peterfeltham5612 11 หลายเดือนก่อน

    First time I have listened to this astonishing music.My God why oh why is his music not more widely played,scandalous.

  • @Varhostak
    @Varhostak 11 หลายเดือนก่อน

    Jedna z mála symfonií, která se vám neoposlouchá. Poprvé jsem ji slyšel na konci 90. let 20. století a stále mě baví. Tuto nahrávku považuji za vůbec nejzdařilejší.

  • @johnpcomposer
    @johnpcomposer ปีที่แล้ว

    I love the textures and harmonies here in the early going. Rich and mysterious.

  • @robertosierra5028
    @robertosierra5028 ปีที่แล้ว

    Muy Propia! y Tiene las Cadencias De La Rumba!

  • @GweegeStudios
    @GweegeStudios ปีที่แล้ว

    69 secs of rigor and then float away on a river of clouds...

  • @bowerdw
    @bowerdw ปีที่แล้ว

    I like intense dramatic orchestral works. This one qualifies.

  • @juliolarraz583
    @juliolarraz583 ปีที่แล้ว

    No credit for the art work. Who cares.

    • @sidpheasant7585
      @sidpheasant7585 7 หลายเดือนก่อน

      My dear friend, as I listened to this stunning wonderful music of divinity, I came across your comment, and it opened up a new vista for me, for which I thank you so much! I have come to this TH-cam multiple times and thus seen "Road to Rhome" (1938) by Alexandre Hogue. And, indeed, the painting with the sign actually does seem to be a kind of ... SIGN. As you may know, Copland and his male lover wanted this Opera to be full of certain tensions, but that just never worked out, because the beauty and truth here is just too great and people want treat the music "straight", as a celebration of rural America - that tender land coaxed by love and hard work into offering the promise of living... But the painting actually offers further tension, as it is intended to illustrate the beginnings of the erosion that led to the Dust Bowl! It was one of a series actually given the name "Erosion". The title is a pun from the start as we know that all roads lead to R(h)ome, which is in Texas, as is Decatur, though both are close to the NM border. The road is apparently State Highway 114. Rhome honours Col. Byron Crandall Rhome, who brought Hereford cattle into that region. Decatur (TX) is one of a number across the USA named after the hero of the Revolution. Mr Hogue, who died aged 96 in 1994 was raised by his own mother to believe in "Mother Earth" - he took it so literally that he always tried to tread softly on the soil, making as little noise and disturbance as possible. This is kind of amazing as I do this too (at least when I am in a certain kind of mood which the Holy Spirit can inspire). In contrast, his dad was a Presbyterian Pastor who may have espoused the belief that human beings has the right to rule nature. On that basis it is quite interesting to note the CONTRASTING New Testament emphasis in which Jesus tells us that the Earth provides us with food (without us needing to worry about it) thanks be to God. While Jesus surely refers a lot to cultivation and farming and gardening, as well as fishing, the dominance over an exploitable Earth noticeable in the Old Testament is not writ large at all. When Hogue saw what was happening to the land, he wanted to condemn his fellow Texans, not praise them in any way. So the picture actually DOES match Copland's desire for tension, better than it matches any iddylic visions of ours. In the series he also includes a stark work called "The CRUCIFIED Land", which is again a great paradox as the music here is "The Tender Land"!! Another in the series is "Mother Earth laid bare", and we actually see her lying there exposed by erosion! Hogue believed workers should be on and in the land, finding jobs in that way (as in the "Promise of Living" song which is the core element of this work of Copland's). Hogue had no time for tractors (meaning machines that pull), and in fact learned from the culture of the Pueblo people that no metal should ever be brought to the land for fear of harming Mother Earth! Hogue's fears about exhausting the Earth put me in mind of the marvellous movie "Interstellar" in which Matthew M's character says something about the Earth becoming tired of humankind - that scene made my cry, in a movie that has the same effect. It was filmed in Alberta - a place that ought to still support the native grasslands that Hogue loved so much. Hogue believed his paintings HAD to continue in this primal way, and so he made great efforts to avoid having his style more sophisticated or more influenced by other art or artists! He presumably believed he had something pure to convey that could not be transformed in any way. Apparently, Alexandre Hogue did care (as we can read in somebody's academic thesis atcore.ac.uk/download/pdf/17213882.pdf) . And so do I. I hope you do too!

  • @briangriffin4515
    @briangriffin4515 ปีที่แล้ว

    A bit Prokofiev, a bit Shostakovich, and wholly Rawsthorne.

  • @Garinioss
    @Garinioss ปีที่แล้ว

    o.o

  • @JiroTheRaptor
    @JiroTheRaptor ปีที่แล้ว

    If ever there was an all-encompassing American classical composer whose music has truly come to embody the American spirit, it would be Copland. Certainly not the first American composer to experiment with sounds divorced from the European canon, but the first of renown to create a cohesive, specifically American sound.

  • @emilsabatini4038
    @emilsabatini4038 ปีที่แล้ว

    That's Aaron Copland ! His music helping man to see the world in a better and true light!

    • @sidpheasant7585
      @sidpheasant7585 ปีที่แล้ว

      TBH, that's also the Holy Spirit, reaching out to the atheist composer ... whether he even realised it or not! I got the same treatment, DID realise it (probably because I had been broken and reduced to begging for mercy and cleansing), and was changed. I look back on my comments regarding this piece, whose beauty I could alwayse see - but then I noticed the poignance and melancholy because all things pass and change, including out on the American farmlands. But now I come back to the piece and (also) see the ecstatic joy of it, in it and through it.

  • @user-zt2ob3dn3h
    @user-zt2ob3dn3h ปีที่แล้ว

    Helsinki, La Habana and now this! A superb orchestral composition for the guitar by master Leo.

  • @brianlemaire4221
    @brianlemaire4221 ปีที่แล้ว

    Mario Castelnuovo-Tedesco: an Italian composer. 1895 - 1968. He went to the US when Mussolini took over. Midsummer Night's Dream was written in 1940. While working in Hollywood, Tedesco taught or influenced many younger greats: Henry Mancini, Nelson Riddle, André Previn, and John Williams.

  • @Ravelin10
    @Ravelin10 ปีที่แล้ว

    Una maravilla!

  • @markkozlowski3674
    @markkozlowski3674 ปีที่แล้ว

    Distortion of "The Star Spangled Banner: thirty-five years before Jimi Hendrix at Woodstock.

  • @gianalessandro
    @gianalessandro ปีที่แล้ว

    Anche il valzer del Commiato è stato scritto prima del Gattopardo ed utilizzato in un film neorealista con Valentina Cortese nell'immediato dopoguerra

  • @walterdennisclark
    @walterdennisclark ปีที่แล้ว

    Turn up the volume ! ! !

  • @walterdennisclark
    @walterdennisclark ปีที่แล้ว

    This is an incredible work, better even than Bocharinni's version. Yet there's so few people listening to it. What does Sierra have to do to be famous. Damn.

  • @garydavidderby
    @garydavidderby ปีที่แล้ว

    GREAT FIND

  • @crazyorganist1609
    @crazyorganist1609 ปีที่แล้ว

    Amazing performance ofvan amazing work

    • @MrInterestingthings
      @MrInterestingthings 24 วันที่ผ่านมา

      He was heavily influenced by SirMichael Tippet and he is accessible so rare for contemporary music!

  • @albertomanoelruschel4458
    @albertomanoelruschel4458 ปีที่แล้ว

    Ouvindo o Aaron Copland por aqui esperando o Caetano scatena me passar o seu celular !!!

  • @andrewpetersen5272
    @andrewpetersen5272 ปีที่แล้ว

    I like it!

  • @Buckbury
    @Buckbury ปีที่แล้ว

    An early work from Elgar demonstrating his command of both choral and orchestral arrangement.

  • @matthewnell
    @matthewnell ปีที่แล้ว

    I’m loving this composer’s work! So glad I’ve stumbled upon his symphonies and sonatas. There’s so much brilliant 20th century repertoire out there.

    • @DressedForDrowning
      @DressedForDrowning 6 หลายเดือนก่อน

      I totally agree. I found him about 1 year or so ago and Weinberg hooked me from scratch.

  • @francispanny5068
    @francispanny5068 ปีที่แล้ว

    The 2nd movement (scherzo?) reminds me of Vaughan Williams, Ravel, and Holst.

  • @stephenkamens587
    @stephenkamens587 ปีที่แล้ว

    After reading All of your beautiful comments, regarding this "Piece", by Aaron Copland, and on his "Other Works". YES, his Music does speak To, and Of, the Human Spirit. At times, I can hear it while reading, "The Human Comedy". Or watching the Movie, "Best Years of Our Lives". There were even times, that I could hear "Copland" in my ear during my trials, as a combat medic, in Vietnam. Especially, this piece being played right now. God Blesses you, Aaron Copland, you Get it.

    • @sidpheasant7585
      @sidpheasant7585 ปีที่แล้ว

      Reading that, in combination with "The Promise of Living" playing in the background drew yet a further tear from my eye, Stephen. And the way you end your post is a triumph. So right... The Holy Spirit showed me how to see, when He came to me (when I begged) on 28-2-21. Now I Get it a little bit ... Copland likewise (atheist though he probably tried to be). And so do you, my friend! These are such awful times we live in, but you will already have done some awful times in your life, I see. May we both (and all) come through on to the other side of 2022! In whatever way that happens.

    • @josephcarlbreil5380
      @josephcarlbreil5380 ปีที่แล้ว

      Hugo Friedhofer, who composed the Oscar-winning score for "The Best Years of Our Lives" stated that Copland's lean diatonic 'Americana' style was the perfect model for his composition.