Dag Wirén: Symphony No. 4 Op. 27 (1952)
ฝัง
- เผยแพร่เมื่อ 29 มิ.ย. 2024
- Norrköping Symphony Orchestra conducted by / Orquesta Sinfónica de Norrköping dirigida por Thomas Dausgaard.
I. Tempo Moderato (0:00)
II. Molto Vivace (7:49)
III. Tempo Moderato (10:12)
Dag Wirén (1905-1986) was a Swedish composer. His music covers various styles, composing both in academic and vernacular veins, notoriously a 1965 song for the Eurovision contest. He wrote music for ballets, concertos and symphonies, yet his most famous work is a Serenade for Strings. His music ranges from the delicate to the powerful, yet always containing a driving impulse. Such characteristics are present among his orchestral works such as his Fourth Symphony, a small yet concise piece in the genre.
Dag Wirén (1905-1986) fue un compositor sueco. Su música abarcó varios estilos, componiendo tanto en venas académicas como vernáculas, notoriamente una canción para el concurso de Eurovisión de 1965. Escribió música para ballets, conciertos y sinfonías, pero su obra más famosa es una Serenata para cuerdas. Su música va desde lo delicado hasta lo poderoso, siempre conteniendo un impulso ferviente como guía. Dichas características están presentes en sus obras orquestales como su Cuarta Sinfonía, pieza pequeña pero concisa del género.
Image/imagen: Work in Kiruna City Hall / Obras del Ayuntamiento de Kiruna. Axel Törneman, ante. 1925.
A fun and energetic work. Thks
Ciertamente concisa pero poderosa....muchas gracias
The 2nd movement (scherzo?) reminds me of Vaughan Williams, Ravel, and Holst.
I'm sure nervous French horn players love this symphony...
Why this painting?
Thought you cane for the music.
Why not the painting? That's the question.
@@maxgregorycompositions6216 🤔That's easy-a spookier painting would better match the music.
@@darrylschultz6479 It’s totally and utterly subjective though, isn’t it.
@@maxgregorycompositions6216 Yes it's subjective-and O.P. Christopher Rose's curiousity about why it was chosen appears to indicate he's one of those subjects that found the painting to not quite match the music as well as other paintings would've done.