Satie's music is an invitation to contemplation... much like the moments I experience with my Eurorack or when I encounter "happy accidents" within it. Merging these two elements is a way to reinterpret and, above all, blur the original idea in a manner akin to impressionism. In the end, I found myself feeling a bridge between the real and the dream world... a blurred canvas of electronic sounds.
Satie's notes faded and reappeared, playing with modulation on the Make Noise DXG, reverb from Sealegs, and the granularity of Mutable Beads... like fragmented memories in the mind of a dreamer. The familiar arpeggio disintegrated into a sea of oscillations and filters, over which a glitchy rhythm emerged, finding stability in the kick drum that helped it find itself.
The clarity of "Gymnopédie No. 1" transformed into a mist of frequencies, creating what ultimately feels like an abstract soundscape emerging from the place where reality and dreams converge.
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