ฝัง
- เผยแพร่เมื่อ 25 ส.ค. 2024
- New episode: Movements
The concept of movement in music can be related to the importance of movement in life. Movement is not only necessary for physical health, but also for mental and emotional well-being. Just like music that stays stagnant can become dull and uninteresting, a life without movement can lack excitement and growth.
In music, movement can create tension and release, and can take the listener on a journey. In life, movement can help us explore new places, meet new people, and gain new experiences. It can also help us break out of old patterns and habits, and find new ways of thinking and being.
In both music and life, movement can bring about transformation and growth. So, let us embrace the power of movement, both in the music we create and in the lives we lead.
In this video, I experiment with sounds that move and flow like the wind. The new Chase Bliss Mood mk2 allows us to explore beyond the limits, taking us on a sonic journey full of unexpected twists and turns.
My beloved Op-1 field is the main source of melodies by routing all of its sound directly into Mood mk2, which is responsible for adding new variations and movement to the sound..
Additionally, the use of the Elektron Octatrack mk2 adds a dimension of movement to the mix, like a breeze that plays with the branches of a tree.
The live session was like a dance with the wind, where each sound moved and changed with the flow of the music. The Elektron Octatrack mk2 becomes the perfect partner for this dance, with its ability to break down and treat the signal like dry leaves swirling and twirling in the air.
The nostalgic orchestral winds I use in the sound layers complement the feeling of being in the middle of a musical storm.
All of this comes together in a single video, where movement and wind become the protagonists of a magical and immersive sonic journey.
What do you think?
I hope you like it.
#ambientmusic, #experimentalmusic, #minimalmusic, #darkambient, #noisemusic, #cp88, #teenageengineering, #op1, #noisemusic, #op1field , #vongonultrasheer, #chasebliss , #chaseblissmood , #octatrack
love the swirling nature of this piece
thank you very much for your words my friend. 🖤 Certainly this piece is a very special one for me too. Maybe because of the minimalistic and melancholic mix of sounds and the fact that a contact test with Mood Mk2 triggered the rest of the inspiration.
once again you've created an amazing blend of control and happenstance.....brilliant and welcome
Thank you so much for your kind words Will! ALERT SPOILER: part 2 it's finished and ready to be uploaded soon ;)
The way you marry the visuals and sonic elements is just so peaceful and a true elevation of the quiet moments of beauty that can define this existence. This is incredible.
Woof woof.
Sincerely,
Guard Dog Records
I'm humbled by your words and grateful for your support - thank you so much for your kind feedback.
Ooh I like this a lot!! Visually and sonically stunning
Thank you so much! I'm so glad you enjoyed the video - thank you for letting me know!
this is musical as usual:)
Thank you so much for watching and for your kind words!
Wow this blows my mind. So so good! Such an inspiration
Thank you so so much my friend. I’m proud you liked it! 🖤
Beautiful, I love it!
thank you!!! 🙏🙏I'm glad you like it! 🖤
Yes, Mood Mk2 is lovely pedal, and so is your session.I like how you describe the movement in the box, there is so much to learn.
I appreciate your support and encouragement - thank you for liking the video!
Weird and interesting. I like it
thank you so much! 🙏Happy that you find it interesting.
fantastic!!
Thank you so mic!🙏✨
You're using all of this equipment to the fullest but it never becomes overpowering. I could listen to this all darn day my friend.
6. Your words have put a huge smile on my face - thank you so much for your kind feedback!✨🙏
This is truly magical... congrats. Love the stereo field of the piece and the "orchestral" vibe of it. In some moments I just thought Björk was about to start to sing :)
Thank you so much for your kind words. ✨🤣🙏🙏now that you mentioned it… It would be amazing if suddenly Björk’s voice started …yes 😱
@@Hessencemusic hahaha I bet it would be a big surprise, haha
I'm really feeling this, the sax (?) is giving it all such a nice sad tension and the swirling sounds through the cb mood just sound superb, it's really moving, in the best way 🙂
thank you so much.. I'm really glad you liked it! I hope you enjoy the channel . Thanks for coming
I can listen to that on loop, so calming.
What makes this pan slowly from left to right, is it the Mood or a post production thing?
Thank you so much. There is no post processing … the left and right movement is done in real time by cocoquantus making self-modulation.
back for another ear....................(BTW - I'm planning to purchase a CB MOOD 2 when my Cosmos sells • I feel it will take me to more ethereal places, quicker)
happy to see you here :)
I think that mood mk2 has another kind of surprises ... it's more direct than cosmos, and combining FX+clock+short.term sample.. but definitely different. I'm pretty sure you would find it interesting.
That was my thinking..............thanks
@@willswitchcraft it's a pity we don't live closer.... I would be happy to let you try them.
True, that would be awesome.......Luckily, my best friend collects keyboard gear - he just doesn't have a MOOD ......yet
wow, very cool. a few questions: 1) where does the trumpet like sound come from? and, 2) what device creates the ping pong stereo effect?
thank you!!! 🖤
The winds comes some wav files loaded on two octatrack static machines that I recorded previously playing Spitfire Brass&reed library. The left-right "movement" is done by Cocoquantus using self-modulatation.
@@Hessencemusic thanks, awesome. so the octatrack is only used for playing back samples and routing the audio from op-1/mood, or is it doing anything else?
@@tendingtropic7778 The flow is OP-1 to Mood to Coco to OT inputs. OT is responsible not only for triggering free sync samples from those static machines but also I'm using FX per track for filtering Coco signal and some subtle delay and dark rev with also gentle LFO to those FX. But I'm using OT in a free way with no sequencing. I'd like to play things with sort of freedom , so I'm looking for a way to use OT on a different way more "fluent"
@@Hessencemusic Thanks, learning a lot from this. So its a mixer, sample player and fx unit for you in this video.
@@tendingtropic7778 that is! :) I feel that there is more things around when you don't use a grid over it... in fact, you can perceive that the song has not clock or beat restrictions