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@@KarelDebedts (unless I’m missing something) the “auto connect” is still going through the monitor’s menu and selecting your previously saved camera. Although it saves your camera info, you still have to select it and tell it to connect. So, not very “auto” in my opinion.

@@captainfilmmaking Yes, but it’s very particular. I already owned the Deity mics before getting the Rode Wireless Pro II set, and the deity are just superior microphones in both quality and size. (much easier to hide on talent) The Rode mics that come with the kit are great, and we still use them sometimes when the Deity aren’t available, but I’m grabbing the Deity first every time.

@@RossBarnett02 thanks for the reply. I’ve just realised that the Deity don’t come with a 3,5mm jack.. The adapters I’ve found look rather big and are quite expensive too. What solution do you use and what adapters would be recommended?

@@588ta appreciate the comment!

@@JoJo-og3zg dang, give Video Cam Repair a run. They treated me well and fixed my A7S up right. Appreciate the comment!

@@RossBarnett02unfortunately im from Romania and it just doesn't make sense to contact them. But now that i kinda know what's going on I'll go to the main mirrorless repair shop in Bucharest. Have a good one

@@dominiquerichardson yep! Touch to focus works great on this monitor when you’re wirelessly connected.

The fact you’re commenting means you probably have run into the same issue… and for that, I’m sorry 😢

Appreciate that so much!

Yeah, I would say that. There are some cases you can make money with an iPhone video. But if you’re going to be making money with a camera (shooting video) there really isn’t an option under $1,000.

I get that - they are pricy. But, out of all the PM branded things, the Nomatic 35L is by far worth the money. It’s hard to describe, but the quality of the bag and the wear it’s able to put up with is great. It’s less about PM and mainly because Nomatic is such a quality company. That + the lifetime warranty on the bag itself is worth every penny. The ND filters are meh, yes they work but there’s nothing innovative. But I’ll stand by the 35L bag all day every day!

⁠cool you found your bag! When I shoot weddings I have a weist bag and I carry on me batteries, mist filter, and of course microphones, memory cards I have one from ulanzi I am not happy with it. It’s kind of stiff so it doesn’t work well. Do you use something like that? So I open for recommendations

Tripod size is all relative to your camera size + movement needed. For my style, the lighter the better! My main rig with the monitor is pushing the limits - but to record the ceremony & speeches I just need a stable shot - hardly any panning/tilting required. So, they’re perfect for me. 🙌🏼

Zoom F3 is where it’s at. Honestly the best piece of gear for a wedding videographer. 🤙🏼

Oh man, so many factors come into play here. What model iPhone? Also - what app are you using on iPhone? Monitor+? There’s a few tests you can do - first - I’d plug the hdmi into a regular TV/monitor to make sure the HDMI out is setup properly. Next, double check your iPhone model is supported on Monitor+ website. I’ve unfortunately never used this setup with iPhone, only with a USB-C iPad.

@@RossBarnett02 thanks a lot for responding…we are using iPhone 15 (usb-c) and “Camerafi Live” app…does this only work with a specific app?

We are trying to live stream from canon camcorder hdmi using iPhone as monitor ( with “Camerafi Live” app to stream on to TH-cam)

Appreciate that!

Yeah, testing things beforehand might just be the route. Filmed 3 interviews since this day and you can GUARANTEE I had extra parts ready and accounted for 😂 Appreciate the comment!

For me, it’s less about the brightness and more with the reflective display that makes it difficult to see in direct sunlight. However, it’s much better than the standard monitor on the camera / so, it could be better - but it’s one of the tradeoffs. Technically a sunhood would help but in my opinion it’s not worth the extra weight/size. As far as the 8bit - I don’t mind it at all. I’ll save the 10bit for editing/delivery. Mainly I’m using a monitor for framing and not color accuracy. I know my cameras/exposure well enough to not need perfect 10bit color out of an on camera monitor. Most of the day I tend to be using the monitor for framing and watching the waveforms for proper exposure.

I definitely ordered a few extra of these light stand pieces after this day….

Ahhh, it’s easy to forget wireless camera control isn’t a feature available to all. Surprised Fuji doesn’t offer that - especially on their more video-focused line.

For weddings, I’m all handheld these days. But I still have a gimbal laying around for the every so often commercial shoot where I need a smooth tracking shot of a walking subject. If you’re comfortable handheld, I say build a style around it. 🤙🏼

I feel like in that situation (especially for weddings) I would always grab one or the other for ease of use. Sounds like you’re more tuned into the gimbal so it’s easier to grab and go. If I had both (which I try to bring both) I would 100% always grab the handheld because I’m faster with it. Interesting stuff!

I mean, makes sense. My channel (and professional life) are very much ‘not Fuji.’ So, although the pros can’t use autofocus fill time, they definitely are able to offer some good insight. 😉

Interesting!

@@RossBarnett02 I have several series of images taken at around 15 meters. Stationary objects and all images are out of focus even though I re-focused again and again. Same issue on my X-H2 with wide angles.

I feel like with most cameras, once you learn the limitations and learn how to work around the quirks you’re good to go. But, I get it. I love me some good quality autofocus.

I agree, there are no better alternatives. I was talking with a friend this weekend on the film simulations and how even if I wanted to edit Sony photos, I couldn’t get the look that the x100vi can give me straight out of camera. It’s in a league of its own. Which, is why even though there are things I hate about it - it’s still a phenomenal camera.

Ok - I do only know 8 Fuji shooters personally who shoot full time Fuji professionally. 3 of which work for the same company. But, all 8 are big time manual focus guys. 🤷🏼‍♂️

Ah. makes sense with that + the Frame.io - but all the others are still off. 😅

2-4 second photo transfers would be fantastic!

I guess we’ll have to save that for another video…

Oooo - I’ll check that out and see what I have it set to. Appreciate that!

I’ve read a good bit about how it could be a lens issue not being able to keep up with the newer software. Since it’s still the same old lens from the V. Even in all of the example photos that were shown, the software in camera recognizes a face/person. But the autofocus just misses still subjects sometimes. 🤷🏼‍♂️

Man I learn so much from this app. Appreciate the comment. I took an hour this morning to dive back into the menus and manual and you’re right. I’m not 100% sure how or what made me have that thought process. Edited the video to not misinform others 🤙🏼

Interesting! I’ve only ever commented on the size of using the built in monitor - never thought to consider it could be the UI/brightness level. Now I’m interested to see how a z6 compares.

@@RossBarnett02 The UI isbquite friendly screen brightness is good. Even during sunny days image is still visible enough to shoot

@@RedStar89 all good things to have! But also - a 7” behemoth of a monitor on top of your camera to see your framing is always a nice touch 😅

@@RossBarnett02 Indeed I do have one but I don't always use it. It really depends on what I do. Sometimes I shoot photos and take videos at the time for small highlight clips

I’ve heard the term “eBay scalper” a few times regarding this camera. Makes sense, but I also know I bought 2 of my 4 Sony A7SIII cameras from eBay in 2020 waiting on preorders. So, I guess anything on back order can be considered an eBay scalper camera. Supply and demand.

@@RossBarnett02 More power to you bro to have the disposable income to spend above and beyond the msrp. For us mere mortals, we will wait as we are just not waiting to buy the camera at the right price but also for the warranty it gives us when we buy it from an authorized retailer.

The list of things I hate in life is very slim, but that traffic in ATL is definitely on the list.

Hello, Fujifan

So far I’ve learned that Fuji’s Autofocus stands no chance for a 2 year old on the kiddy slide at the local water park.

So what you’re telling me is that Fuji people just have a natural desire to want to pull that focus manually. Regardless of the situation - they live to have their pointer finger & thumb resting on a focus ring. So, when they adopt the Fuji system, they feel right at home and never want to leave. Not that they’re forced into manual focus because they have no other option in life. Makes sense.

That’s a good solution, but running a separate $200 recorder alongside this system that claims to do it already is what’s annoying. But, that’s unfortunately the best route to go. Just make sure you’re running 3.5 to dual XLR mono cables to utilize all 4 inputs. At that point though - you’re almost $500 invested into a non 32bit float 4 lav system with no mic cables, so you’d be better off going the DR-10L route.

For iPhone mirroring I’m more excited about the drag and drop file transfer for video file upload. We’ll see what it’s like when the full software releases. Appreciate the comments!

The original Rode Wireless came in a white color as well and the very few times I used that mic to mic a bride it was all the way down her dress anyways. I rarely ever need to mic a bride, but regardless if it’s white or black it still needs to be hidden on a dress - so the black mics work just fine.

Technically 2 minutes and 13 seconds since “my history with zoom” doesn’t have anything to do with the F3 review. But, I get your point. Appreciate the comment!

@@RossBarnett02 I just subscribed. BTW: my latest problem in video land is a GREAT video I have put together and for 2 seconds my kid yells in another room. Capcut does not remove it (I'm a the pro level). Adobe Podcast removes it but then it changes my audio to not sound as good. Any ideas?

@@jannarkiewicz633 hmmmm, tough one there without seeing the file… If it’s for TH-cam - I say post it as is. I have a 2 year old yelling downstairs in some of my videos and it’s hard to notice. Could go the Adobe Podcast route and turn the default 90% correction down to something like 50%. If you’re using Adobe Podcast I recommended exporting the entire track - not just the bad part - so it’s all even. Hope that helps!

Appreciate that!

It’s the slow booting PLUS the additional steps to get wireless connected that adds to the boot up process even more. For me, it really took some time to get into the habit of not turning off the camera after grabbing a few clips. But I’m finally getting more used to the workflow 😅

@@RossBarnett02 Yeah I get that but I am not into carrying a VM battery. I turne of the camera and I am located in Greece 🇬🇷 it’s getting very hot here so I want the camera to cool down. I have the ninja V it’s kinda heavy and it’s eats a lot battery. Have you ever used this godox monitor? godox monitor gm6s

It’s changed some of how I work - but overall I have been enjoying it 🤙🏼

th-cam.com/video/wypPmda5a9A/w-d-xo.html Here's a general overview of the rig, cables have changed slightly just to have better management. It's a fairly simple 3 cable setup. I run a usb-c to usb-c from the Smallrig V-Mount battery to the USB-C on the camera. This lets me keep a normal Sony battery in the camera body which charges the camera all day and has better reliability overall than a dummy battery setup. (camera can still run even if the v-mount dies/unplugs) Then, a barrel cable from the 8v out of the Smallrig v-mount battery to the 8v connector onto the monitor. Then, of course, right angle HDMI to HDMI cable for the monitor feed.

If you have affiliate links to everything I’ll use them. Looking specifically for the cables you used to power the monitor and hdmi

@@GUNMENusa I appreciate that - give me a day I’ll get it all set up. 🤙🏼

@@GUNMENusa product links have been updated in the description! Including the usb-c cable, power cable + right angle HDMI that I've used for the last 2+ years. Appreciate you!

All power cables have been added as affiliate links in the description below the video.

How will the smallHD fit your needs better?

@@RossBarnett02 - Better overall color accuracy and camera control functionality. Also, it’s the industry standard. I hate the price though and they always say you gotta pay to play.

@@chrisjenkins9978 true - of all of those camera control seems to be my biggest need. From what I understand camera control on smallHD is only for the big names in cinema (arri, red & Sony Venice). Not Sony alpha. I might be wrong about that, but from what I’ve read that’s what I understand.

@@RossBarnett02 - Might be time to join the big-boys.

Hey there! I’m typically on the Sony A7Siii or Sony FX30!

@@RossBarnett02 LH5PII is suitable for both! It can control them via wifi and control cable!!!

@@PortkeysMonitor if you’d like to send me one I would love to be a part of raising awareness for others. 👀

@@RossBarnett02 Hi~For cooperation, you can contact us via email

I have no idea what that could be - but I’m fairly certain it would have nothing to do with the LH7P since the HDMI out of the A7S works independently of the recording. I would try a new SD card.

Hi there, could you please send the video of the issue to us via FB or email? Thanks a lot~

Also for it prob disconnected cause 2.4 wifi signal was probably having interference from everyones phone/more devices?

@@SCINEMACREW my thoughts exactly. I’m not entirely sure what the issue was that particular night, but I’ve used it at 3 receptions since with no issues. Still has its quirks, but I’m starting to love this monitor more and more. Follow up video coming soon!