Boss DD3 Tricks
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- เผยแพร่เมื่อ 19 เม.ย. 2014
- I take some time to demonstrate what you can do with a Boss DD3 digital delay. For the nerds: It's a blue label, japanese edition (not sure of the year, don't care). These are not the standard sounds like the "Edge" sound or some others you see quite often. These are just some sounds I found by messing around with the delay that I haven't heard before.
In the first part I take a short delay with fairly high feedback to create a trashy reverb sound. It works quite well but beware of feedback or bass booms while you're recording. The setting on the speed switch is on the shortest setting.
The second sound is meant to emulate a short bass loop with the hold function on the pedal. You can play any kind of pattern you manage to cram in that short time passage after you find the octave of your desired tempo. Octave of your desired tempo = first set a tempo you like to play over, play a note then speed up the delay time until you hit the octave of that note. After that, you drop it back to the original tempo. That's it.
The metallic overtones are produced because of very short d. time and high feedback and the delay starts to go into self oscillation. It's reminiscent of some playable ring mod sounds.
The glitchy riff effect is hard to achieve at first, but after some practice it's possible to get it right. The key is to play in one scale to sound musical. I mean, you can play any assortment of notes you wish. Be creative and have fun. The more delay time you set, the more notes you can play in a sequence. Don't expect to get a repeatable result!
I hope you enjoyed the demonstration. I have more sounds and I'll show them later.
Have fun and take care.
Cloudeater - เพลง
2014 seems so distant now. I want that glitchy song at the end to be an anthem to when I used to care a lot about music, guitar pedals and funny noises. Simpler times.
I hear you man.
this hit me right in the... yeah
I subscribe to you fabian
Nothing changed, it stays the same
Same uneasy
that bass loop thing genius
3:05! I've listened to this glitchy riff song over a hundred times and I still have yet to get enough--I want the extended version and a remix album! Thanks for bringing many smiles over many days....
Thank you so much! This comment made my day :D
Yea same, I've watched this video so many times to try to figure it out!
Does anyone know if you can/cannot achieve that kind of sound on the later DD pedals with the hold setting?
maybe on a dd6?
that's what i'm gathering, but i want some solid confirmation before i get one.
I don't think I've ever commented on a TH-cam video before but that glitch thing with the Hold switch is one of the coolest things I've ever seen in my life.
The 3:05 glitchy is awesome! Makes me want the dd3 more, so many possibilities with this kind of trick!
The "warmth" factor of the DD-2 and DD-3 make them the most unique delay pedals along with their versatility. While their enclosures are white, they'll always be the gold standard for my playing! The DM-2 is a close second but still a pretty good separation as far as the flexibilities of the DD-2 and 3. You can have all the "boutique" pedals you desire but give me a DD-2 and or 3 and I'll make magic happen!
man there are sure some creative people out there!....thanks man...."glitchy riff" is now my inspiration for tomorrows session!
i could just listen extensively to any of these "sounds" on their own - really nice.
Love the glitch riff you made! Sounds so sick. I'm probably going to be trying to recreate that.
I was looking for some good usage for the Hold function and this video did not dissappoint! Great ideas!
That was really cool work man. I obviously haven't played around with mine at all... :( Loved the glitchy rock thing at the end.... So cool.
The best demo, it's art!
this is an awesome demo!
BOSS DD3 Tricks by someone named Cloudeater? I knew I'd love it, and I did! Thank you, Cloudeater
That glitch riff is dope as hell
these were nice tricks, especially the last one. thank you!
You are a genius sir. I have the DD2 Japan pedal but I reckon I can still achieve this madness
Great to know someone else is doing crazy stuff with this pedal too. I particularly love to use those metallic overtones. You have to fine tune it, though, to make it work well. But you knew that.
Thanks...this is awesome and educational. Love the last bit of glitch......
that glitch riff just blew my freaking mind
Great demo! very helpful
Master of a tone !!! That glitchy riff is awsome man !!!
love your guitar playing on top of the neat effects. Heh, neat
Love it! Thanks for sharing. Very creative.
The glitchy loop at the end was amazing
amazing demo !
Very nice .. got a dd3 recently and they are cheap and underrated.
Great pedal thanks for sharing.
I was a bit lost with the pedal as I just bought it, thanks for sharing these tips
youre playing is so frusciante esque. great demo, just bought one of these :D
Same here, waiting patiently during quarantine for my pedal to arrive. Cant wait to try some of these soundscape tricks
Awesome! Good job, man
That’s amazing! Thanks! Great and very useful video
heavenly glitchy riff
that glitch is gorgeous
Love that glitchy sound! Reminds me of Radiohead
Ha! Cool. I have a dd2 and a dd3 on my board and I don't think I have ever used the Hold feature. Might have to go play around with that later.
Great video. Appreciate it.
sounds so damn good! Got some Frusciante vibes, too...
Clever and useful tricks
that Glitchy Riff
its so inspiring! great job! :)
very interesting, thanks for this video
最後のグリッチリフが良過ぎる…
DD-3欲しくなってくる動画ですね👍
Simple yet quite interesting.
Love the This Modern Love intro
great video!
Just because I see the question in the comments a lot...the glitch loop trick is a feature unique to the dd3 and won’t work with the other ones in the series afaik.
creativity and nice shoes. excellent
Great tips, thanks!!!
Love glitchy riff
Good vídeo!
That glitchy riff is siiick
Amazing!
so cool. thanks!
DD3 the best digital delay!
They need to make a Waza version of this one: more delay time, modulation, trails, exp pedal input... All with the same variable sample rate principle used in the DD-3. Something like a poor man's Lexicon PCM 42... A Waza DD-3 :)
Very helpful!
Christ - who did your flooring, Michael J. Fox?
Dude, Yugoslavia.
Looks like he did the camera work too.
This why I love TH-cam - completley irrelevant replies that make me laugh out loud.
:)
Cloudeater Haha, for real.
+Cloudeater gotta be Serbia, then
Very interesting !
Ever tried the Dive Bomb fx that Eddie used on the end of Eruption. You can do it with the DD3 you got close to the concept @ 1:29. Trick is One repeat & hit not cut vol & change the timing to drop down way Low.
Very cool demo! I really like that octave down thing that you did, I wasn't aware of that trick at all! Seems really useful for recording or just kind of jamming solo. Thanks a lot man I've subscribed and liked! When is your next video coming out?
you are the master
Cool tricks.
I bought a Boss DD1 to replace my Watkins Copicat Mk-IV back in 1985. Okay okay, I wasn't one of THOSE guys. I kept the Copicat. Although there was so much old gear to be had for cheap in the early days of digital. See that word "vintage" didn't come into vogue, and never leave, until the 90's. By then ten year old digital gear was called vintage. In 85' when living in Hollywood, 'going to the GIT' I would hit up the guitar stores for old gear. I paid $15 for a working Maestro Phase Shifter. One day I paid the sales guy $75 and he gave me 3 amp chassis- A brown face Fender Bassman, a black face Fender Bassman (1964), and a black face Fender Twin Reverb. All of the transformer were good and the repairs were minimal.
That's how I learned to service amps. I bought a compete set (I think 4) of 1950 US Army Electronics course. Between that and my 1936 RCA Tube Manual, a VOM, a white noise generator I made, a bunch of alligator clip wires, and a ton of parts I amassed from Hollywood's electronics junk stores...well I learned how to service and modify guitar amps. The PIV MASTER VOLUMES are the #1 amp mod. No high powered Marshall, Ampeg, Orange, Hi-Watt, Sound City, Laney, or similar (Not Fender, Gibson, they se a diffrent type MV) should be without. A Master Volume allows you to distort your preamp! Not just for 'bedroom levels', but all levels, even loud. Understand? Even your brand new reissue Plexi Marshall needs a PIIV MASTER VOLUME...Only 1 dual potentiometer, 2 capacitors, and you just lift two junction, that's it! Put the knob on the back of the amp... Will it detract from the value of the aamp? NO, because they were a Commons upgrade of the era the amps were sold. A MASTER VOLUME 's knob can be installed in an existing hole, like one of the INPUTS on te front of the amp, on the back in place of the AUX SPKR jack. 😊
READ THIS EXCERPT from 'The Gear Page: "Trainwreck Modd?? Or Other Master Volume Mods?)
Oct 3, 2004 #9
8nthatK
8nthatK
Supporting Member
Messages:2,203
Joined:Jan 15, 2003
FYI...
"The reason that the PPIMV works so well in most Marshall circuits is
because a significant component of the distorted tone in a classic Marshall
style amp comes from PI distortion, not output section distortion. It fails
to achieve the same degree of success in BF and SF Fender amps because most
of their distortion occurs elsewhere in the circuit.
This actual PPIMV circuit was included in some of the Marshall JCM800 amps
that featured a master volume control. Its first use as a "mod" for
Marshall style amps is attributable to a fellow named Joe Varela. It was
first published as a "mod" for Marshalls, and credited to Joe Varela, in
Craig Anderton's "Electronic Guitar" column in Guitar Player magazine in
December 1982. The publishing date was 12/1982, page 113.
The PPIMV actually pre-dates Rich, who apparently copied it from one of
the MV-equipped JCM800 Marshalls and has made a name for himself, at least
at the LPF, by applying it to older Marshalls.
Interestingly, when copying the MV circuit from the MV JCM800, Rich
apparently failed to recognize the safety value of the final pair of
coupling caps and omitted them from his version of the PPIMV mod. By
omitting these coupling caps, his implementation of the PPIMV mod fails to
isolate the master volume control (and the front panel of the amp) from DC
voltages, which is a major safety faux-pas.
For safety reasons, I'd recommend using Joe Varela's circuit, not Rich's
abbreviated version of Joe's circuit, as the last pair of coupling caps
serve to keep DC voltage off of the master volume control, and off of the
front panel.
Instead of calling it the Rich Mod and giving credit to the wrong guy, it
looks like we should really be calling it the Joe Varela Mod, or the Joe
Mod. ;)"
nice stuff
Nice shoes man !
Very Cool!!!
thank you !!!
Thank u for sharing
Damn I miss my DD3. I regret having sold it.
long live to the nerd empire
increíble la ultima parte :)
I took her out, it was a Friday night. I wore cologne, to get the feeling right.
Bravo 👏👏
so tasteful :')
That glitchy riff effect is awesome! I don't think my dd6 has that hold function though.
of course it has it.
@@AGVersace100 boss changed it, the hold mode on newer DD pedals is now a looper
@@drearynonsense203 can't speak for dd7's but my dd8 has that and is called glitch mode.
early dd3 t has the same chip as dd2
Dsd2 is a dd2 but it can store and play back sounds and you can quantise the delay repeats to things like drum machine with the trig in
I might be losing the point.
The circuitry is different but the result is the same if I'm not mistaken.
Great video, thanks for inspiring
2:25 Wayne by John frusciante?
Muito bom!!!
I picked up a dd7 for $90 used like new. It could do a fake chorus ensemble in the modulation mode.
Never owned a dd3 but the dd7 could do what previous models could do but I would stack them one for long delay other short delay etc etc.
so bad ass.
fuck, the glitchy riff is amazing.
Can you do the glitch effect thing at 3:05 on a DD-8?
I use the fake reverb one all the time. I never liked how much of a reverby effect the pedal added then I realized that I could just use the pedal as a reverb pedal
I mean before the beginning by John frusciante :)
I love the glitch effect. Does anybody know if this can be done with any self oscilating delay? I'm interested in getting an EQD Avalanche Run that has a self oscilating function but I don't know if the Boss does anything special that the EQD doesn't.
Hi. Can the glitch riff be done with the DD6 using the warp mode?
if you max the level and the feedback oscillates too,nice pedal have one
Rispekt!
That was epic dude! What are the chords playing over the glitchy riff?
Riff at 1:30 is awesome!
Ah! I can't get the hold function short enough on the dd3. I wanted a dd6 I guess.
I wonder if you have the 'long chip' version of the dd-3
i heard john frusciante *_*
mee too
Before the Beginning
smiled so much to find your comment before mentioning it myself
Me too, and funkadelic !
Also at 3 : 37
it sounds very lofi like it
Cool
can the glitchy effect be made on a dd7 ?
Really cool! I think I also hear some John Frusciante influences...
Can you do the same tricks with Boss DD7?
my thoughts exactly....
You can with The RV-3 it's a Delay & Verb lots of crazy stuff can be conjured outta that one to. Btw Eddie use a delay to get that Dive bomb at the end of Eruption you can do it with the DD3 one of his secrets he uses a whammy bar to do it live now. But if you listen to the record you can get that low of a note w/the bar depressed fully down. He used a Delay one repeat cut the vol on Guitar & turn the time & it does the detuning aka Dive bomb heard at the end of Eruption.
Fantástico
Prelepo