Excellent shots. Truly cinematic. Gorgeous skin tones and color. One of the finest examples of what this amazing camera can deliver. Other people who have posted footage shot on Komodo are miles away from this example. Which tells you that the camera is not the problem. Their skills or lack thereof are.
@@wcsdiaries Being a D.o:P. first of all you have to properly put your lights in the right place. Second you have to expose in the right way and last, but not least, you need a good colorist like my son Lorenzo Gabriele is. LOL
JacksMagicBean it was colored and graded in Da Vinci Resolve by my son Lorenzo Gabriele . Check out his Instagram profile: Gabercolorist or on the Framexs Multimedia TH-cam channel. th-cam.com/video/j65N5PhxUb8/w-d-xo.html
I've watched this video six times now and I can't get over how gorgeous this footage looks. Truly amazing work, very inspiring! The Komodo plus some CP.3's is actually what's on my wishlist, the image is just so beautiful. Keep up the good work!
Thank you very much. It is a very good camera. I love the nice dynamic range and its clean paste. For about 20 minutes of shots 300 gigabytes...storage is quite hard. But it’s a very good price to pay for such a good quality
@@framexsmultimedia5416 whoa thank you for the information too regarding the storage. JEEZE. thats A LOT :/ .. but Its worth it. can you get good quality from the prores then? I doubt ill be shooting raw unless its in really harsh conditions.
Director Cyclone yes, i shot simultanely on my NinjaV in prores. It was about 110 gigabytes for the same duration. But it was only 4k resolution the maximun allowed
Director Cyclone not a massive difference actually. The matter is that you can not work on the file asthe wat you can do on the Raw one. I would say you have 50% range... but in any case if you properly light the scene you would be satisfied..
I saw the lenses, what filters did you use? This look is beautiful, the best I’ve seen on this camera. Can you a video discussing how you’ve achieved this look?
Thank you kimberly. I used shneider Nd filters, 06 and 1.2. For the shoots near the window I properly exposed on the external background and compensate on the talent buy using a 300 x Aputure light with lightdome2 softbox. The fantastic dynamic range of the camera did it’s job nicely. For closeup shoots I shoot t 2.9 iris to reduce the depth of field. ( I always prefer open iris execpt for the landscap shoots) My son Lorenzo, graded the video on davinci resolve and that’s it.
Kimberly Walker no, he didn’t. He graded starting from applying the color space IPP2 and than contrast, sharpness, tint, shadows, hilights and so on, till the final look.
Bravo! What was the lighting setup like at 0:55? Is that natural light? I like the mixed lighting, but wondering if you used practical lighting or professional lighting instruments. Now a days with light sensitivity from cameras it is hard to tell.
WOW! This is amazing. Absolutely beautiful. I see you used the Zeiss Cp3 lenses. Did you have a speed booster on the Komodo? Does the sharpness get worse since these lenses crop. I'm asking because I am very interested in buying one or two of these for the Komodo. I just want to make sure they are sharp and that the crop doesn't make the image quality worse since they are full frame lenses. Any help would be greatly appreciated.
Thank you very much Nick. What can I say? Cp 3 lenses seem to have been created for this amazing camera. This is my opinion. No matter if the sensor is super 35. In that cas I was using a canon RF to EF mount cause my cp3 lenses are EF. I am in love with both camera and lenses. Keep in touch and thanks again
@@framexsmultimedia5416 Thank you for your quick response. Your input is greatly appreciated. I would love to see more examples of the Red Komodo and the Cp3 if you are still interested and have time to make more. Seriously, you have truly made a perfect video. Thank you
This is absolutely transcendently beautiful. Could you please list your RED Komodo setup? I'm about to order it and need to know what lenses, mounts and cage are most suitable. Also, I'd love to know if you used a certain LUT to achieve this milky look or if you could at least tell us the settings you made for the color grading.
Thank you very much. In that case I used a ST white RED KOMODO ( one of the first in Italy, thanks to my italian dealer PANATRONICS). Just the camera, two Zeiss CP3 lenses ( 35mm and 85mm) a Athomos Ninja V monitor, two canon batteries and the c-fast card. In any case, to be complete, you actually need a Tilta cage, a wireless or simple follow focus. And that’s it
@@framexsmultimedia5416 I actually have in plan to buy the Tilta Cage Kit E plus, the left wood handle and the tilta simple follow focus. Speaking of, how did you find the focus system on the Komodo? Can you actually rely on it without needing a follow focus?
I use an Aputure 120d mkIi with fresnel 2x adalpter to compensate the natural backligh of the window. An Aputure 300x on the left with a lightdome 2 on the talent drinking tea. Two aputure mc little lights on the background
Sorry if I am late bro… As I wrote, I used a Zeiss cp3 cinema lenses kit. No lut. The short has been graded by mu son Lorenzo Gabriele in Davinci Resolve. Thank you
@@framexsmultimedia5416 thanks man. Truly cinematic. I’m in the process of getting a Komodo, so I love to see how far artists like yourself push to get these great results!
It was t 2.9, 85 mm zeiss cp3 + shneider 0.6 nd filter. I used Aputure 300x with fresnel mount to compensate the backlight coming from outside Sorry about my english bro. I try to do my best. Hope you can understand me.
@@framexsmultimedia5416 Thanks! Your English is good, no worries. Zeiss CP.3? Wow, expensive lens man, lol! I have a Milvus 85mm f1.4 but my images don't look as good on the Komodo, hahaha. My skills is probably not at your level. Will keep trying. Thanks for the response.
@@framexsmultimedia5416 If you own a Atomos monitor, could you check to see if the Komodo outputs 23.98 at 60i? I looked at the 23.98 footage and it didn't look true. Maybe that's a result of the lack of a 3:2 pulldown
Thank you for your comment. I shoot raw. As you surely know, in the grading phase you can choose different looks. This is my point of you. The sensor is absolutely fantastic and the file is flat, very flat , with an huge dynamic range... sorry about my english... the best I can...
@@framexsmultimedia5416 No there is nothing you need to be sorry about. Thank YOU for explaining your point of view, and sharing it with all of us. I apology if my comment seems too direct but it is how I feel. Besides the skin tones everything else great.
@FrameXs Multimedia, well I kinda agree with Y.Zhao, to me everything is amazingly great, but the flat skin is maybe the only average point here, at least to my eyes.Probably the makeup didnt help on her face, which is also fully lit (without real light ratios between left&right?). But that may also be an artistic choice of course, so this isnt criticism by itself, more a question related to the technical aspects of the Komodo.Do you think this could have been changed in post, or is it more the way the camera handle subtilities under high exposure? Again thank you for sharing this amazing shot!
@@nightmusic1974 I posted the comment when I was doing research for the komodo and I agree it is an amazing job, hope the comment was not taking personally. I think it is mostly like the result of grading done to the skin tone layer. I see this quite often when people try to enhance the skin tone in resolve. Definitely not the Komodo sensor since I've ordered it earlier this month. The only problem I found with the komodo sensor as of right now is the color fringing, by that I mean one side green and opposite side purple when against a bright/white back ground. First I though was the chromatic aberration but later I found the same fringings even in footage shot with the sigma art 18-35, which I know shouldn't look like that. However the Komodo is still my first choice in image quality under possibly 13k.
Y. Zhao thank you for clarifying this, that’s very reassuring to know such tone layer can be fully graded in post on the Komodo.Color fringing isnt good news though...did you manage to correct the color aberration on post eventually?
Excellent shots. Truly cinematic. Gorgeous skin tones and color. One of the finest examples of what this amazing camera can deliver. Other people who have posted footage shot on Komodo are miles away from this example. Which tells you that the camera is not the problem. Their skills or lack thereof are.
Thank you very much. It’s very kind of you.
I agree, this is so much better than 99% of the footage out there right now. Stellar work.
0 1 thank you so much
@@framexsmultimedia5416 How does one get colors like this on komodo footage?
@@wcsdiaries Being a D.o:P. first of all you have to properly put your lights in the right place. Second you have to expose in the right way and last, but not least, you need a good colorist like my son Lorenzo Gabriele is. LOL
This is the image that Red should use as an official marketing video of what the Komodo can do. The best so far 🙏🏿
Thank you so much for your comment. Keep in touch. It’s very kind of you
@@framexsmultimedia5416 What was your color grading process for this? any LUTS used?
BRAVO, one of the best Komodo footage I've seen so far.
Thank you so much.
This is literally the only good Komodo video on the internet. Great shots, and the colorist is the real deal.
Kaster, thank you so much.
@@framexsmultimedia5416 Was this color graded in premier pro? Amazing.
Also how would one hire the colorist for similar jobs like this?
JacksMagicBean it was colored and graded in Da Vinci Resolve by my son Lorenzo Gabriele .
Check out his Instagram profile: Gabercolorist or on the Framexs Multimedia TH-cam channel.
th-cam.com/video/j65N5PhxUb8/w-d-xo.html
I've watched this video six times now and I can't get over how gorgeous this footage looks. Truly amazing work, very inspiring! The Komodo plus some CP.3's is actually what's on my wishlist, the image is just so beautiful. Keep up the good work!
Julien, thank you very much. It’s really very kind if you. You’re doing the right choice...
Happy new cinematic year.
Keep in touch
What a beautiful cinematic video! Really well done. And you did a really great job in grading. I really like the contrast and color fidelity.
Thank you Marten, it means a lot... keep in touch
That's beautiful! A genuinely compelling sequence, as well as a good advertisement for the camera.
Finally a video that makes the Komodo look worth upgrading to. good grading man
Thank you very much. It is a very good camera. I love the nice dynamic range and its clean paste.
For about 20 minutes of shots 300 gigabytes...storage is quite hard. But it’s a very good price to pay for such a good quality
@@framexsmultimedia5416 whoa thank you for the information too regarding the storage. JEEZE. thats A LOT :/ .. but Its worth it. can you get good quality from the prores then? I doubt ill be shooting raw unless its in really harsh conditions.
Director Cyclone yes, i shot simultanely on my NinjaV in prores.
It was about 110 gigabytes for the same duration. But it was only 4k resolution the maximun allowed
@@framexsmultimedia5416 ohh!! and did u see any huge quality difference?
Director Cyclone not a massive difference actually. The matter is that you can not work on the file asthe wat you can do on the Raw one. I would say you have 50% range... but in any case if you properly light the scene you would be satisfied..
Breath taking footage👊🏾🔥🔥🔥
Amazing color gamut, amazing depth of field. In a word u did a good job. Red Komodo is very good.
Thank you very much. It’s very kind of you
RED always seems to lean towards green to me in skin tones. It's like they can't help it. Still marvelous footage.
This is MAAAAD! Best footage by far. You really know how to work that light 👌🏾👌🏾
Thank you very much.
This is actually breathe-taking work man...I'm at a loss for words.
It’s very kind of you. Thank you so much
Bravo. Very well done.
Thank you Jeff.
Risch, sharp, nice motion. Truely cinematic presentation !
Thank you so much.
This looks silky smooth. Very impressed!
Thanx a lot
Fantastic. Nice work.
Thank you
Just wonderful! Amazing shots. I‘m speachless.
Thank you very much my friend.
@@framexsmultimedia5416 What lens was this shot with? Incredible!!
You’re always going to have haters, but forget what “THEY” say, this footage is AMAZING...
Looks real nice! Were the exterior shots lit at all?
No, my friend, they weren’t. Only natural light for the external.
Thank you for watching and comment.
Still can't find better image quality off this camera, uploaded on TH-cam or Vimeo. Yours should be the standard.
I think I'm sold, gotta get one now! great footage
I understand you. Thank you
Now months since the stormtroopers came out and now production, still the best example footage on youtube
Thank you very much Peter...
It means a lot.
I saw the lenses, what filters did you use? This look is beautiful, the best I’ve seen on this camera. Can you a video discussing how you’ve achieved this look?
Thank you kimberly. I used shneider Nd filters, 06 and 1.2.
For the shoots near the window I properly exposed on the external background and compensate on the talent buy using a 300 x Aputure light with lightdome2 softbox. The fantastic dynamic range of the camera did it’s job nicely.
For closeup shoots I shoot t 2.9 iris to reduce the depth of field. ( I always prefer open iris execpt for the landscap shoots)
My son Lorenzo, graded the video on davinci resolve and that’s it.
@@framexsmultimedia5416 did your son use a lut for the coloring?
Kimberly Walker no, he didn’t. He graded starting from applying the color space IPP2 and than contrast, sharpness, tint, shadows, hilights and so on, till the final look.
Looks better than some footage shot on the more expensive RED cameras.
Amazing video bro!
Thank you so much
Bravo! What was the lighting setup like at 0:55? Is that natural light? I like the mixed lighting, but wondering if you used practical lighting or professional lighting instruments. Now a days with light sensitivity from cameras it is hard to tell.
in that particular shot I used an APUTURE 300x light with Lightdome 2 soft box on the left
What lens did you use? looks great!!!
WOW! This is amazing. Absolutely beautiful. I see you used the Zeiss Cp3 lenses. Did you have a speed booster on the Komodo? Does the sharpness get worse since these lenses crop. I'm asking because I am very interested in buying one or two of these for the Komodo. I just want to make sure they are sharp and that the crop doesn't make the image quality worse since they are full frame lenses. Any help would be greatly appreciated.
Thank you very much Nick. What can I say? Cp 3 lenses seem to have been created for this amazing camera. This is my opinion. No matter if the sensor is super 35. In that cas I was using a canon RF to EF mount cause my cp3 lenses are EF.
I am in love with both camera and lenses. Keep in touch and thanks again
@@framexsmultimedia5416 Thank you for your quick response. Your input is greatly appreciated. I would love to see more examples of the Red Komodo and the Cp3 if you are still interested and have time to make more. Seriously, you have truly made a perfect video. Thank you
@@NickVolkersENVY ti will be done asap. I vosited your youtube channel. Congratulation. You are an artist and a very good DOP as well.
You just won a like and a subscriber
really good and strong color over japanese cameras just like Kodak CCD Vs cmos
Thank you so much.
Missing cinematic items: tea, smoke, milk, wet lips, swallowing throat & savouring smile/satisfaction. Shots & footage may go. Good luck from MAURITIUS.
Thank you for your valuable tips.
Incredible
Woah, nice shots Sir! Beautiful!
Thank you Bence. It’s very kind of you.
This girl is so amazing! And footage looks also nice=)
Thank you
over all amazing! color is on point! only thing I'd say is on 2:54 you see some purple tint on right side roof.
Thank you very much. Yes, may be, a little bit
Very very nice colurs. Thanks for sharing.
Thank you Noel
Only cam come close to the cinematic cadence below 10k, however those lenses will help that.
That’s absolutely true
this is EPIC 👏👏
Thank you so much
This is absolutely transcendently beautiful. Could you please list your RED Komodo setup? I'm about to order it and need to know what lenses, mounts and cage are most suitable. Also, I'd love to know if you used a certain LUT to achieve this milky look or if you could at least tell us the settings you made for the color grading.
Thank you very much. In that case I used a ST white RED KOMODO ( one of the first in Italy, thanks to my italian dealer PANATRONICS).
Just the camera, two Zeiss CP3 lenses ( 35mm and 85mm) a Athomos Ninja V monitor, two canon batteries and the c-fast card.
In any case, to be complete, you actually need a Tilta cage, a wireless or simple follow focus.
And that’s it
@@framexsmultimedia5416 I actually have in plan to buy the Tilta Cage Kit E plus, the left wood handle and the tilta simple follow focus. Speaking of, how did you find the focus system on the Komodo? Can you actually rely on it without needing a follow focus?
No, my friend, I usually work with a focus puller, I got a DJI radio focus kit and a Nucleus but not in the case of this video...
Great work!! what were your TH-cam export settings?
Thank you very much. Unfortunately just mp4 4k export maximum bitrate
Looks amazing!! Did you shoot in HQ quality? Thanks
Thank you very much. Yes I did.
Amazing 😍 Which lens did you use for these gorgous footage? 👏🏻☺️
Thank you Hendrik. Zeiss cp3 35mm and 50mm were used.
Damn! I feared it 😂 Such a good lens but also so so expensive 🙈☺️
Hendrik Blankenstein you are right. But they deserve every single penny
Aputure ligths did the rest... lighting properly, to me is the most important thing
I agree with everyone. I thought the komodo looked like a vlog camera compared with reds usual quality but this looks much more cinematic.
It’s a great camera, to me... trust me. You only have to use it properly...
Hi , any chance for some shots in R3D format to play? I'm conisdering komodo, yet there aren't many good samples in the wild.
What lens?
Zeiss Cp3
The colorists is amazing! That red really popped
Thank you so much
Rich image quality and beautiful lady.
Thank you very much
did you have making off shots or photos? i would like to see your light setup for some scenes. thanks!
Aputure lights.
@@framexsmultimedia5416 i'm not about light devices but about set schema - where to stay etc.
Thanks !
e viva Italia ;) !!!
Do you have any BTS footage? (Yossy from Y.M.Cinema Magazine).
I’ll post them on fcb page asap
@@framexsmultimedia5416 thx. What did you use for lighting?
@@dargoo00 APUTURE lights and modifiers
what lens u used for this video
Hello, We used 35mm and 85mm zeiss cp3 lenses.
Thanks for watching
Great job!
But what is lens use it in this footage?
Thank you. We used 35mm and 85 mm Zeiss CP3 lenses.
Dope! What Lens?
Aputure lights: 300x - 120D fresnel2x
beautiful picture 🥰🥰🎥can you tell me what lens you used
Thak you very much. I used 35mm and 85 mm ZEISS CP3 lenses
What lights did you use and how many for this shoot, if I can ask?
I use an Aputure 120d mkIi with fresnel 2x adalpter to compensate the natural backligh of the window.
An Aputure 300x on the left with a lightdome 2 on the talent drinking tea. Two aputure mc little lights on the background
What lens used ?
As I wrote in the credits I used Zeiss CP3 cinema lenses
Inspirational. Love to see what the CP3’s can produce.
Which maker lenses do you use?
Zeiss cp3 cinema lenses. In this case 35-50-85 mm
Lenses bro.. What lenses did yo use? Any diffusion? LUT's?
Sorry if I am late bro…
As I wrote, I used a Zeiss cp3 cinema lenses kit.
No lut. The short has been graded by mu son Lorenzo Gabriele in Davinci Resolve.
Thank you
@@framexsmultimedia5416 thanks man. Truly cinematic. I’m in the process of getting a Komodo, so I love to see how far artists like yourself push to get these great results!
Amazing and beautiful !! What lenses did you use ? Wow
Thank you very much Sebastian. It’s very kind of you. I used a 35mm and 85mm Zeiss CP3 cinema lenses with Aputure lights
@@framexsmultimedia5416 wow great great job, as all the above said its the best footage ive seen coming out of the red komodo.
Sebastian Brenner thank you. It means a lot. All I try to do is to give camera a chance to express its best in the right situations.
@@framexsmultimedia5416 in another comment you said 35 and 50mm. Can you confirm?
@@jasonrey9095 I do
love it ♥
What F-stop is the shot at 0:18? So sharp! Thanks.
It was t 2.9, 85 mm zeiss cp3 + shneider 0.6 nd filter.
I used Aputure 300x with fresnel mount to compensate the backlight coming from outside
Sorry about my english bro. I try to do my best. Hope you can understand me.
@@framexsmultimedia5416 Thanks! Your English is good, no worries. Zeiss CP.3? Wow, expensive lens man, lol! I have a Milvus 85mm f1.4 but my images don't look as good on the Komodo, hahaha. My skills is probably not at your level. Will keep trying. Thanks for the response.
High Desert Entertainment (HDE) I visited and subscribed your channel. You are very very good. Love your style. Keep in touch.
@@framexsmultimedia5416 Thank you, love your work! Subscribed!
What lens did you use? What software did you use?
Hello, we used 35mm and 85mm Zeiss CP3 lens. Edited and graded in Davinci Resolve
Hey what lenses did you use?
Hi, I used Zeiss CP3 lenses…
@@framexsmultimedia5416 thank you!
Is it easy to use?
It’s a cinema camera. If you mean the ergonomic, yes it is.
Never mind
what frame rate was this shot in?
I shot R3D RAW HQ 6k 25p...
@@framexsmultimedia5416 If you own a Atomos monitor, could you check to see if the Komodo outputs 23.98 at 60i? I looked at the 23.98 footage and it didn't look true. Maybe that's a result of the lack of a 3:2 pulldown
RED Komodo is amazing camera for its price, but those ugly green/magenta edges makes me still hesitating to upgrade to Komodo.. :(
matter of taste my friend
@@framexsmultimedia5416 I believe chromatic aberration is an issue not a flavor :)
This video is the result of our precise choice of grading. For me, the camera doesn't have the problems you are saying
I don't know why but the skin tones look dull, like a nikon or Fuji, I hope it's the grading not the sensor.
Thank you for your comment. I shoot raw. As you surely know, in the grading phase you can choose different looks. This is my point of you. The sensor is absolutely fantastic and the file is flat, very flat , with an huge dynamic range... sorry about my english... the best I can...
@@framexsmultimedia5416 No there is nothing you need to be sorry about. Thank YOU for explaining your point of view, and sharing it with all of us. I apology if my comment seems too direct but it is how I feel. Besides the skin tones everything else great.
@FrameXs Multimedia, well I kinda agree with Y.Zhao, to me everything is amazingly great, but the flat skin is maybe the only average point here, at least to my eyes.Probably the makeup didnt help on her face, which is also fully lit (without real light ratios between left&right?).
But that may also be an artistic choice of course, so this isnt criticism by itself, more a question related to the technical aspects of the Komodo.Do you think this could have been changed in post, or is it more the way the camera handle subtilities under high exposure?
Again thank you for sharing this amazing shot!
@@nightmusic1974 I posted the comment when I was doing research for the komodo and I agree it is an amazing job, hope the comment was not taking personally. I think it is mostly like the result of grading done to the skin tone layer. I see this quite often when people try to enhance the skin tone in resolve. Definitely not the Komodo sensor since I've ordered it earlier this month. The only problem I found with the komodo sensor as of right now is the color fringing, by that I mean one side green and opposite side purple when against a bright/white back ground. First I though was the chromatic aberration but later I found the same fringings even in footage shot with the sigma art 18-35, which I know shouldn't look like that. However the Komodo is still my first choice in image quality under possibly 13k.
Y. Zhao thank you for clarifying this, that’s very reassuring to know such tone layer can be fully graded in post on the Komodo.Color fringing isnt good news though...did you manage to correct the color aberration on post eventually?
What lens is used?
Hi Chris. I used 35mm and 85mm Zeiss CP3 lenses