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Ciao. Sará disponibile dal 20/05 su Prime Video

Zeiss cp3 cinema lenses. In this case 35-50-85 mm

Sorry if I am late bro… As I wrote, I used a Zeiss cp3 cinema lenses kit. No lut. The short has been graded by mu son Lorenzo Gabriele in Davinci Resolve. Thank you

@@framexsmultimedia5416 thanks man. Truly cinematic. I’m in the process of getting a Komodo, so I love to see how far artists like yourself push to get these great results!

Thank you very much. Yes I did.

Hi, I used Zeiss CP3 lenses…

@@framexsmultimedia5416 thank you!

matter of taste my friend

​@@framexsmultimedia5416 I believe chromatic aberration is an issue not a flavor :)

This video is the result of our precise choice of grading. For me, the camera doesn't have the problems you are saying

Thank you Jeff.

I am against all wars. I try to do what I can. We all know how difficult that situation is.

Grazie per le belle parole, molto gradite.

Grazie di cuore

Thank you for your valuable tips.

I’ll post them on fcb page asap

@@framexsmultimedia5416 thx. What did you use for lighting?

@@dargoo00 APUTURE lights and modifiers

Thank you very much. It’s very kind of you

Thank you very much Nick. What can I say? Cp 3 lenses seem to have been created for this amazing camera. This is my opinion. No matter if the sensor is super 35. In that cas I was using a canon RF to EF mount cause my cp3 lenses are EF. I am in love with both camera and lenses. Keep in touch and thanks again

@@framexsmultimedia5416 Thank you for your quick response. Your input is greatly appreciated. I would love to see more examples of the Red Komodo and the Cp3 if you are still interested and have time to make more. Seriously, you have truly made a perfect video. Thank you

@@NickVolkersENVY ti will be done asap. I vosited your youtube channel. Congratulation. You are an artist and a very good DOP as well.

Buon anno pure a te

@@framexsmultimedia5416ma veramente sincero: mmonnezza da non credere. Quando poi realizzi che sta monnezza la raccattano col credito d'imposta e il sostegno della Regione Lazio, ti spieghi tutto. Desolato solo per Pannofino.

@@giacotubo non c’è problema, i gusti sono gusti. Regione Lazio sostiene in automatico e secondo leggi e regolamenti precisi e senza giudizi di merito tutti i progetti cinematografici che vengono girati nel territorio e l’intero film è stato girato a Tivoli. Il tax credit è l’unico strumento che tiene in piedi il cinema indipendente italiano e fa si che maestranze e padri di famiglia possano lavorare come ad esempio nel nostro caso. Il mio gruppo ha curato la parte tecnica , il reparto fotografia etc. e abbiamo cercato di fare il nostro lavoro onestamente. Sulla storia e sul film invece non metto bocca… ma non è nè meglio e nè peggio di tanti film leggeri e a basso budget. Ma tu fai bene e sei liberissimo di dire quello che pensi ci mancherebbe.

Thank you so much.

Hello, We used 35mm and 85mm zeiss cp3 lenses. Thanks for watching

Thank you very much Sebastian. It’s very kind of you. I used a 35mm and 85mm Zeiss CP3 cinema lenses with Aputure lights

@@framexsmultimedia5416 wow great great job, as all the above said its the best footage ive seen coming out of the red komodo.

Sebastian Brenner thank you. It means a lot. All I try to do is to give camera a chance to express its best in the right situations.

@@framexsmultimedia5416 in another comment you said 35 and 50mm. Can you confirm?

@@jasonrey9095 I do

Thank you very much. Unfortunately just mp4 4k export maximum bitrate

Aputure lights.

@@framexsmultimedia5416 i'm not about light devices but about set schema - where to stay etc.

Zeiss Cp3

As I wrote in the credits I used Zeiss CP3 cinema lenses

Thank you so much

@@framexsmultimedia5416 do you sell luts? need these colors in my life lol

also what housing did you use at 0:46?

Thank you very much. Yes, may be, a little bit

That’s absolutely true

I use an Aputure 120d mkIi with fresnel 2x adalpter to compensate the natural backligh of the window. An Aputure 300x on the left with a lightdome 2 on the talent drinking tea. Two aputure mc little lights on the background

Julien, thank you very much. It’s really very kind if you. You’re doing the right choice... Happy new cinematic year. Keep in touch

Thank you very much. In that case I used a ST white RED KOMODO ( one of the first in Italy, thanks to my italian dealer PANATRONICS). Just the camera, two Zeiss CP3 lenses ( 35mm and 85mm) a Athomos Ninja V monitor, two canon batteries and the c-fast card. In any case, to be complete, you actually need a Tilta cage, a wireless or simple follow focus. And that’s it

@@framexsmultimedia5416 I actually have in plan to buy the Tilta Cage Kit E plus, the left wood handle and the tilta simple follow focus. Speaking of, how did you find the focus system on the Komodo? Can you actually rely on it without needing a follow focus?

No, my friend, I usually work with a focus puller, I got a DJI radio focus kit and a Nucleus but not in the case of this video...

Thank you very much.

e viva Italia ;) !!!

Thank you so much

Thank you kimberly. I used shneider Nd filters, 06 and 1.2. For the shoots near the window I properly exposed on the external background and compensate on the talent buy using a 300 x Aputure light with lightdome2 softbox. The fantastic dynamic range of the camera did it’s job nicely. For closeup shoots I shoot t 2.9 iris to reduce the depth of field. ( I always prefer open iris execpt for the landscap shoots) My son Lorenzo, graded the video on davinci resolve and that’s it.

@@framexsmultimedia5416 did your son use a lut for the coloring?

Kimberly Walker no, he didn’t. He graded starting from applying the color space IPP2 and than contrast, sharpness, tint, shadows, hilights and so on, till the final look.

It’s a great camera, to me... trust me. You only have to use it properly...