What Is So Special About The Panasonic LUMIX S5IIX?
ฝัง
- เผยแพร่เมื่อ 16 พ.ค. 2024
- Everyone is talking about the new Panasonic LUMIX Cameras so I had to know what the big deal was! In this video, I'll go over my personal list of 11 standout features after having used the S5IIX for a few months.
Previous LUMIX S5IIX Videos:
Open Gate→ • Why Filming "Open Gate...
V-LOG → • Are You LOSING QUALITY...
Make a Cinematic Vlog → • How To Make A CINEMATI...
Check out the Panasonic LUMIX S5iiX here → geni.us/Nvyao5
Get my V-LOG ETTR Monitor LUT here → www.dunnadidit.com/store/lumi...
*Disclaimer* The SSD I showed plugged in the video is NOT on the approved LUMIX SSD list. However, the newer version of it is. Find it here→ geni.us/bW3kvC
List of LUMIX approved SSD's here → av.jpn.support.panasonic.com/...
Huge thank you to Panasonic LUMIX for sponsoring this video!
Table of Contents:
0:00 - What Is So Special About The Panasonic LUMIX S5IIX
0:46 - Feature #1
3:14 - Feature #2
4:05 - Feature #3
5:03 - Feature #4
5:38 - Feature #5
6:45 - Feature #6
7:31 - Feature #7
8:06 - Feature #8
8:49 - Feature #9
9:30 - Feature #10
10:02 - Feature #11
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![[TH] 2024 PMSL SEA W2D1 | Summer | ถ้าไม่พร้อมลุย ได้ไปคุยกับรากมะม่วง](http://i.ytimg.com/vi/XlkKtVvBxac/mqdefault.jpg)
Everything in Video. Open Gate, Phase Detect Auto Focus, SSD video capture externally. Fan cooling for long video capture sessions. All the tools. Full Frame, L mount, Ergonomics that only Sony is beginning to grasp. Panasonic has always been a brand for the creator. The venerable GH5 for years if you could tolerate the Contrast Detect Auto Focus. You do so much and more. Panasonic has stomp the world of video in a mirrorless with the complete package. And being a Sony shooter. Yeah, I want one.
One thing i like about watching this TH-camr's vids is that when some one asks who made the vid, you get to say Dunna Did It did it
Haha well thank you for telling people about me
Great video! Love the new line of Lumix cams.
Cheers, I appreciate it! They're definitely great!
Absolutely happy to see one of my favourite TH-camrs using the using and reviewing the camera I use as well
Heck yeah!
He’s not, he was given it by Panasonic to try.
Great review! Just wondering was the talking head shot with s5 iix autofocus? and have you had any autofocus problems, I have heard that it can struggle.
Always killing it with these camera reviews Dunna! Love the details and walkthrough, almost want to switch to Lumix now, the open gate would be soooo helpful
Hardly a review when it's sponsored by Lumix. It's a showcase.
@@nickthaskater doesn’t make a difference to me. I like Dunna’s videos and the features in the camera looks amazing, no matter if they sponsored the video or not - I also trust that Dunna still stays true to what’s good or bad and wouldn’t make the video if it wasn’t actually a good camera 😊
Do it! This is the best value camera I've ever owned. Image and color are superior to Sony and the camera is more useable than Canon for video. It may be the best hybrid you can buy.
Fantastic video. Practical and usable for professionals.
Great video, lots of information. One question, is it possible to set a button to switch resolution ? Ex: If I shoot at 4k 30p but for a specific scene, I want to quickly switch to 4k 60p to have a quick slow mo, it is possible? Tks in advance!
Luminance spot meter is great, especially when shooting in Log. Also, the camera has superior stabilization
False color would be great too. I think it's the best value camera I've ever owned. Good lenses too that are affordable.
Good review. This is a wonderful camera, with a beautiful image and color, and super easy to use.
Panasonic is kicking it right now.
Merry Christmas Dunna!
May I ask what camera did you use to film this video?
Hi ¡¡ Great video. Do you know if The S5IIX record proxys files ??
I current shoot on the Canon EOS R, but the recording limit, 4k crop, hit-or-miss AF, plus no 3rd party lenses makes me tempted to move to a new platform. At the moment i am *possibly* going to trade in my gear to mpb for a r6 mak II. Would a Lumix S5 IIx be a better camera for product/edc photo and video for TH-cam?
I’ve been thinking about switching from my Sony kit. Are you still with Sony or are you thinking about switching?
The LUMIX S5IIX is definitely at the top of my wish list. It’s really hard to overlook the video features. I’d like to see how the autofocus performs in crowded spaces. As a solo creator I rely heavily on autofocus.
That would be an interesting test for sure! I rely on AF a lot too but rarely film in busy spaces.
I've used it at events. It holds up well. Usually switch it to center focus or point focus to stay on the person I want.
I find the priority focus point (orange focus box) doesn't work well as it will switch regardless.
Af is not meant to film in busy spaces with lots of faces. I do lots of streetfilming and i never use af. Ven the best af system gets confused with many faces. How ahould the camera know which face you want? Manual focus is much easier for this task and its less stressful as well because it only happens what you want. Thats one of the reasons why movies are shot manual.
@@castielvargastv7931 Thank you for the answer. I’ve never heard of Ven. You learn something new everyday. Happy Holidays.
@@castielvargastv7931 for event filming we do not have the luxury of focus pullers and we are usually on a gimbal focusing on one desired person in a group (bride, the award winner, etc) here focus priority can be set using auto focus.
If we record on a ssd, do we get option to dual record? On card and on ssd?
Best all-round lenses for aps-c, suggest me one lenses full confusion in my mind 😢
That crop though
Cheers so much
How’s the battery? Same as S5ii or different?
May I know what lens did you use here 4:44?
The S5iix is one camera that I am considering to upgrade to. I've heard that there is an issue with moire patterns. Have you come across this issue? If so, how did you deal with it? Thanks for sharing your experience.
Thats not something I've run into at all luckily!
@@dunnadidit Thsts good to hear. From the demonstrations I’ve seen of it, I think it can be avoidable. Plus, being able to record to BRAW is huge. I had the BMPCC4K, and I miss working with BRAW.
I have this camera for months and this problem hasn’t ever appeared.
im new to photography and am thinking about this one
It absolutely love this camera and am sooo close switching completely from Fujifilm to Panasonic cause of all of the convenience functions like custom framing markers. Shooting for Instagram I can just enable 5:4.and never have to crop something out that was in frame while shooting
I was looking for full frame camera that can shoot videos with some features others than better than Sony and Canon. Does this S5IIX can shoot unlimited time without Overheat? Does it has the rolling shutter issue like Sony a7iv ?
Dunna did it again!
I shoot 100fps a lot for my wedding films and I've noticed the Nikon boys have it built in to their native systems without having to convert to PAL. I was hoping this had that as well since I don't want to have to format a card everytime I want to switch to 100fps for that extra bit of slow motion (120fps is too slow).
What about the moiré effect that this camera produces?
Just bought mine ten days ago. Still haven’t unboxed it! Thanks for the added impetus to open it and get filming!
Wtf
@@chandu_yb7 😂😂😂
How is it so far? Photos and vids?
@@commanddarklord4293 videos surpass photos by some margin. It can’t compare to say a Sony A74 for autofocus in photography but man alive, it’s a video beast.
I just read a review that said the photographer experienced “constant moire” in videos. Specifically t-shirts but also appeared on walls. Did you experience this? If so any solutions/remedies?
I have shot a few finished videos with it and I have not noticed it.
All the traditional moire rememedies would work.
LUMIX almost has me ready to “UPgrade” my gh5ii. Believe me it’s an incredible feat
I think the streaming capabilities are important too.
What about rolling shutter?
Looks a great camera and Panasonic definitely seem to be making a big push on these, lots of sponsored videos at the minute. Some incredible deals on them as well.
Yeah it really is a solid option! They've definitely been pushing it lately as well! That time of year for all the big tech companies I suppose!
@@dunnadidit If wasn’t invested in Sony I’d make the jump, some of the deals are ridiculous.
@@jamessonfield i left panasonic for a reason, everything seems fine but not all tales are fairytales.... i still love the brand but the disappointment after waiting the new phase for 4 years was real... hope they make better decisions in the future, we need cameras like that
@jamessonfield crazy value hey!?
@@dunnadidit for somebody getting into video it’s a no brainer.
Is that a camera good for beginners?
This is a great review lots of info. But please charge your camera the battery bar is giving me anxiety while watching haha
Great review. I was thinking about going back to LUMIX. Had this not been limited to apsc in 60 fps I would have bought one. I went for the G9II instead. Functionality wise it’s pretty much the same camera but with even less limitations. I’m surprised how far they’ve pushed the m43 sensors since the original G9. It now definitely feels much less of a compromise.
Ja the g9 is an almost perfect video camera.
May I ask why the G9ii? Since the crop of the S5IIX is APSC which is still wider than the G9ii M43 without crop? I am genuinely curious because I hear many people making the same decision
@@elieh.studio lenses you get for the m43 have the system crop already already calculated into the focal length equivalent. This means that if you want a lens that will give you same field of view as 24-70 lens on full frame you will buy a 12-35 lens. If you use a 24-70 full frame lens on s5II in 50 fps or more and apply the crop you will end up with a field of view of 36-105 equivalent. G9II will not have its field of view affected in any of the recording modes. This is a bit simplified but hopefully makes sense
Thanks for the input ! I get it's a bummer to have to move forward or backward whenever you change your frame rate, but I think the depth of field difference is much more noticeable and is much more of a problem than that, at least for me. The DOF of a 2.8 lens on a FF and a M43 is very different and it makes the M43 look "not very good" in my humbe opinion, or is there something I am missing? @@LiveMyJourneyTom
@@elieh.studio it all depends on what you’re going for. Shallow depth of field is not the magical bullet. It can be used for nice effect but it’s very easy to over do it. I think m43 strikes a good balance. Once again the like you’ve observed the with fov the depth of field can also be affected with increased distance from the subject. Consider that human eye has a f2.2 aperture at about 43mm focal length. You also don’t notice the background blur so much as when you shift your focus it changes.
There are up sides and drawbacks of each system and each can be used to great effect in the right hands.
Been using this camera since I got it back in May. I love using it. I've got a GH6 as well. Being able to offer open gate to clients has won me a ton of retainers and I actually am almost able to be a full time videographer.
so the question is ..... are you switching?????? haha that video never gets old i guess
really wish the open gate had at least 50fps
What’s special about it to me is that it came out like 3 months after I bought my S5 Mk.1 😂😂😂 could’ve just waited a bit longer and gotten the S5IIx
The only reason I got rid of my S5IIX was its size. It was just too chunky.
I would absolutely buy one again if it came in a A7C form factor even with a lot less features.
The open gate mode really does it for me. However, I still can't choose between this and the Fuji X-H2s.
In the end, its if you value low light performance and a lesser iso value in log profile as opposed to the S5II.
VLOG starts at 640 and second at 4000
Although, the S5II only does 6k 4:2:0 not 422 like the XH2s in open-gate mode. Also through HDMI for BRAW the XH2s can do open gate but the S5II only does 16:9 or 17:9, (something with fuji ignoring the HDMI rules for this).
The XH2s doesn't really have any dual iso, the base is at 1250 in FLOG2 which is significantly better than FLOG1 in terms of dynamic range but you lose so much light control and you're forced to shoot with an ND Filter or stop down, losing either your creative imagery or in terms of depth separation for bokeh.
L Mount is on the rise for sure, I ultimately got rid of my XH2s for the A7IV then realized the A7IV sucked and went to the S5II.
The upgrade path for the S5II is quite nice as well if you want to go to the cinema path the BMCC6k that just released is the same mount or you can wait for newer Panasonic cameras down the road like the S1R2 or S1H2 which is due upon us!
It's down to whether you need the low light performance and Stabilization of the S5IIX vs the higher frame rates and reduced rolling shutter of the XH2S.
@@Wildridefilms I honestly wouldnt consider the 4k 120 on the XH2s even usable, it's such a noise fest i'm not sure what fuji was thinking, you have to be shooting a non-log profile for it to be pretty clean which disappoints me even more, as anything above 4k 60 drops the 14bit DR into 12bit and hurts it that even more too!
@@SouthboundProduction Sure, the quality is not ideal, but you atleast have an option. And I believe the 14bit readout is only upto 30 fps. So even 4k60 takes a big hit in terms of DR and noise.
@@Wildridefilms oh yeah I meant to say that, I probably worded that wrong but eh there’s a reason the XH2s isn’t widely used atm, too many problems atm. Few little updates, Fuji seems to have abandoned it.
The XH2s image is just too digitally sharp in my personal enjoyment case.
Still no FLOG2 support via CST in Davinci resolve, hurts the workflow a lot. Generally it’s up to Fuji to contact BM to give them that information but they still have YET to do that…???
I was hoping the XH2s would’ve had more to its name but it’s just a semi glorified video camera that was outshined by the XS20 already at such a lower price.
I bought the XH2s upon release for $2500 and def don’t think it’s worth that price. I changed to the S5II ages ago.
the way you se the camera battery deplete in some shots stresses me out XD
Rolling shutter is the only thing holding me back.
The only thing I wish they had added into this camera is false colors exposure metering.
Its a great camera. The main problem that I see when compared to the competition i.e. Sony is that Panasonic doesn't have the range of professional lenses suitable for video. Yes there's the L mount alliance but most of thoses lenses are not designed for video. With Sony their GM lenses allow for Click and De-Click, Auto or Manual Iris control, and there's Focus Breathing Elimination in their newer bodies. Sony GM lenses areally are designed for both photo and video. Sony really practices the One Mount to Rule them All idea. Panasonic has great video centric mirrorless cameras with great UI but the lenses are where it all comes apart.
Not one of my clients who has paid me thousands of dollars has given me this complaint.
That's because you likely are behind the camera 100% of the time and you're paid to do all the manual camera and lens work. I don't need to make money by shooting for other people. To each his own. @@MaranaVisuals
That's just not true... Sony's lenses are heavily photo focused with many of them having non-linear focus control, heavy focus breathing and widely range in weight and size. Sure some of their new GM mkii lenses are starting to combat that but the vast majority of the existing line up are terrible video lenses. Lumix allows you to set the focus from non-linear to linear on all lenses, also allows you to control the focus throw so you can dial that in perfectly for follow focus work. Lumix also doesn't need focus breathing compensation because they build most of their lenses to be breathing controlled... their pro series are all very well breathing control and the same goes for the f1.8 primes. The f1.8 primes also are all designed at the same size and weight, making it a perfect set up in a small cinema rig, with a follow focus on rails where you dont need to shift and recalibrate the gearing every time you change the lens, also makes them great for stabilised work on a gimbal as no rebalancing is required. Yeah thats fair about iris control... although most people running mirrorless cinema rigs are going to control it in-body anyway and if you're running a more serious cinema set up, lets be honest, you're going to be using proper cinema lenses with gearing anyway. At least thats what I'd be doing. So i guess thats a point to sony... but a rather small one. The only thing on Sony that competes with the f1.8 primes are the third party viltrox autofocus cine primes and that isn't a complete series yet.
I'm coming from the viewpoint of a "run and gun" solo / volgging, and video on tripod / desktop setup. And I'm focusing on just the few key lenses I need. Not comparing nor needing the entire line up of Sony FE mount lenses. Also I tend to gravitate towards f2.8 zooms. Not primes. Except my one 24mm f1.4 GM which is exceptional.
For the lenses I'm concerned with, which are the "most common and essential focal lengths", the GM range solves all the problems for me - Breathing elimination, auto iris, de-clicked iris when I want artistic control, relatively light weight, weather sealed. And did I mention AF that is second to none?
Don't get me wrong, I want to like the Panasonic system. I have the GH5 and some lenses and I like the far superior handling, intuitive UI, video centric features, and rugged feel. I assume the same carries over in the full frame bodies.
But alas, the lenses are still the shortcoming IMO. Yes some primes are the same size and Sony's lenses aren't. So what? That doesn't bother me much. I don't run gimbals and I don't need my moving image to be "cinematic".
Linear focus isn't a big deal for me. I'm not shooting or don't intent to shoot highly scripted or cinematic videos. Yes its nice to have. Also Sony's newer bodies and lenses have linear control I believe.
I guess for now I'll still be using M43 and Sony 35mm Full Frame but trending towards completely using Sony. I like the idea of the G9 II with its much improved AF, smaller overall kit, video centric features too. But for now I guess Sony also gives me far better image quality. I shoot both stills and video.
BTW, next time learn to type in paragraphs. Makes for easier reading.
@@jockslifeatliftvideoproduc8528
What is so special about the S5II and S5IIX is the first time we see PDAF in a Panasonic camera, but also the first time we see a downgrade in image quality compared to the previous GEN.
The S5II(X) is a nice camera with Open Gate, good DR, good AF and very good IBIS, but it is also more digital because of very weird edge sharpening and with worse fine details than the first S5 (especially with standard profiles). The most surprising is when using BRAW on the S5II, the image is much better than when using internal recording, so the issue is really their new engine and certainly not the PDAF.
I still don't understand why they put this bad internal processing on the S5II(X).
SSD speed is more than enought to edit directly from it, and speaking of "moving" to what drive? NVMe is faster, but both SSD and NVMe have limited lifespan and write cycles.
Moving huge files back and forth will just tear and wear that drives, literally. And while files are huge now a days, even if lifespan is hundreds TBs, it's not that much...
I don't see advantages to move and not edit from SSD - regular 500Mb/s reading speed is about 4.000 (!) Mbit bitrate.
It's 4k60p uncropped away from being a perfect camera at this price point.
I guess this will be in version 3
Brother when I tell you it’s not that big of a deal. I shoot professionally with this daily and the perceived problem of the crop becomes a benefit in some weird way 😅 after a few shoots.
No regret no complaint. Too much upside to hamper on that one thing.
@@moneyboys2010 I do real estate videography, and my differentiating factors and my current clients prefer wider field of view. So it depends on what you shoot. It's unfair to generalize just because you don't need what we need.
@@Slipsch You assumed I did not shoot wide 😂 you did the very same thing you accused me of 🤣. I said I shoot Professionally one of the verticals is Real Estate… I have a Canon 10-18 (15-27 Equivalent) that proves to be an image Clients love.
I log about 40 to 60 hours a week shooting, between Weddings, Real Estate, Commercials, Documentary, I was offering insight which the free comment section is for right ?
I get you don’t like the idea of the crop in 4K/60 let’s leave it at that.
@@moneyboys2010 15mm is not wide enough for me. Yes another assumption. Idk why you are bragging how "professional" you are, claiming you shoot 40-60 hours. No one cares? You call it insights but it seems like you're trying to force your ideals onto others. You assume I don't know what I need? You assume you are better than me because you shoot 40-60 hours and it's been working for you. Well done. Big fish in small pond.
Never really understood why every camera doesn't shoot open gate. Allows way more flexibility in post.
Same with freakin' shutter angle. ANY camera that shoots video....should have this option.
I don't know why so many content providers think that what they have to say will not be heard unless they have some trick-or-treak background track competing with their voice. Bailing.
This camera is not so great.The crop factor in 4k is a major minus,it's very dificult to adapt full frame lenses...i have to film often in tiny spaces and poor light,it's very frustrating not to beneficiate a full sensor quality at 50p frame rate...not so good in my opinion,i buy it but i'm not so satisfied...i regret now to not buy the Canon r6II. Sorry for my english.
I don't have one
I think the S5IIX makes for the greatest value professional studio camera right now. However, if you are a solo creator filming yourself and you also want a camera to take on trips, run and gun, etc without other equipment, the Sony ZV-E1 has some advantages and why I ended up with one:
1. Stabe - stabilisation is not in the same universe, you have motion data for gimbal like in post or dynamic active for straight out of camera, there are no weird corner/image wobbles with wide lenses like on the S5IIX, it's totally game changing.
2. Autofocus - while the S5IIX is definitely a huge leap vs the non phase detect systems, the AI chip in the ZV-E1 is something to behold, other than things like animal, bird, insect, etc being much better, it detects a person and face much further, in far more conditions, in low light and it can predict where a person will be to pre-focus there, you can register a face for it to always prioritise (e.g. yourself or a bride), it's incredible. It's hard to use anything else when you've experienced it.
3. Portability - it's tiny, it's smaller than an A7C while giving you the same sensor as the FX3/A7SIII and the same AI chip as the A7R V, that's incredible.
4. Rolling Shutter - 5ms vs 20ms+, it's just a much better camera for hand held non studio stuff, run and gun, etc if you're not using a gimbal - if you are using a gimbal, the S5IIX crushes it though.
5. Low Light - the second dual native ISO12,800 gives you the same quality and noise levels as ISO640 but with a fraction of the light (tested by CINED), that's insane, that's 4+ stops or 20x less light for the same quality. In terms of practically what it means is you get the same noise with a 20W COB light and some 5W LED lights as a 400W COB light and 100W panel lights - that gives you a lot of flexibility as a solo creator filming in different environments and conditions and allows you to reduce the weight of your kit
6. SlowMo 4K - 4k60 no crop, 4k120 only 10% crop, great for wildlife and sports, very fun to have.
But the S5IIX has dual card slots, 6K open gate, raw/ProRes, no overheating (though ZV-E1 only overheats at 120fps 15+ min takes, no big deal), full size HDMI, much better screen, viewfinder, etc, etc, etc - a much better camera in many ways, but ones that may be less important specifically for 1 man content creators, especially on the go, food for thought! :)
The ZVE1 stabilization heavily relies on high shutter speeds. The Catalyst browse softens and downscales the bit depth and colour fidelity of images. None of those problems on the S5IIX. Sure, you get corner wobbling on ultrawide lenses but they fixed that completely on the G9II with Electronic stabilization and I would'nt be surprised if this camera gets it through a firmware update like they recently added handheld high res mode. Which is a weak point for Sony, not very good with FW updates. About AF, yeah the ZVE1 is probably better but no AF is flawless yet, so not a big difference now since both are very reliable for the most part. And the rolling shutter is a noticeable difference (10ms vs 21ms) but not a huge deal with the excellent stabilization. And about low light, the ZVE1 will only pull ahead from extremely high ISO levels (25600+) at which point neither camera will look good but the S5IIX is actually noticeably sharper and cleaner between 1600 and 12800 which is a significantly more useful range. Slow motion is hands down better on the ZVE1.
To conclude, I think the ZVE1 is a better beginner creator camera and the S5IIX is a better pro content creator camera and mini cinema camera.
@@Wildridefilms Maybe you're thinking of the E10? - Both ZV-E1 and S5II X have similar performance IBIS for video (Panasonic is superior for photos though). Just Sony has better image processing with wide lenses. EDIT: Correction, S5II IBIS alone is vastly superior after watching Richard Wong's comparison, I stand corrected.
If it's digital/electronic stabe alone, then yeh, you need 1/200s or higher, but with IBIS you can get away with around 1/100s or even 1/50s if you're very careful. Catalyst supports IBIS unlike Gyroflow and other software for really impressive results.
I don't know what you mean by "none of those problems on the S5II X" - it's the same problems except also a wobbly image on the Panasonic. But the S5II X does not keep motion data, so you cannot fix it in post like on the Sony.
The stabe from the G9II is never coming to the S5II X, it's not a software feature but a hardware one. It has an amazing 8 stop IBIS in combination with software, maybe we will get something closer to Sony's Dynamic Active on the S5II X, but not something like the G9II or Sony IBIS + Catalyst.
AF it depends on your use cases I suppose, in a studio, no difference. Out travelling, it can pick your face out of a crowd and auto focus on that (you upload an image of your face to the camera). It can track a body (or any subject with tap to track) from very far away in low light, I used to use manual or single point focus a lot previously but I havent' used it in months on the ZV-E1. It is pretty close to perfect. On the Panasonic your subject must be a large % of the image with reasonably good light before autofocus latches on, then it's equally good.
@@Wildridefilms Just watched the Richard Wong comparisons, you're right, that is quite a dramatic difference isn't it! - ok, I think I have to give the stabe win to the S5II X!
If you want Full Frame slow motion , there's no working autofocus. Even fhd 50-60p
Wait, seriously? Like it’s disabled or it just falls apart?
@@TwoOneSe7en it's switch to DfD aka shitty pitty AF.
Boooo! There’s always one or two things with lumix that are deal breakers for me. Eventually I think I’ll buy one of their cameras again but right now Sony has my heart.
@@DJILLEE Dude my almost four year old A7SIII is still mostly perfect. Is there faster AF now? Sure. But this thing has been the ultimate workhorse for me and built my channel. A7IV is a close second. Just give me open gate, ProRes options, and record to SSD with Sony and it’s more than game over.
@@DJILLEE All other specs are better than sony's a7iv or same(but also has bad audio preamps and wierd ghosting in LCD)
Let’s talk lenses…
ProRes doesn't mean higher quality, it's just uncompressed so easier to edit
Less digital IQ bm > Lumix > Sony
TBH I'm not sure what "Digital IQ bm" is? Referring to.
@@dunnadidit Yes wrong punctuation. Blackmagic is least digital then Lumix then Sony iq is most digital
OOOOOOHHHH I see what you're saying! Interesting thoughts!
@@RafalGendarz s1h image is the least digital i ve seen in a modern mirrorless camera ...even than Blackmagic, imo
@@sardanapalos i don't have the s1 but per my youtube investigation, bm wins (even over s5iix ;)
no special😂
Why are you wearing a hat indoors?
Yet another sponsored Panasonic video….. Not trustworthy, sorry.
If lumix would change to global shutter it would be game over I really hope the s1h2 going to have a global shutter