Elvis Presley - Wearin' That Loved On Look | REACTION
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- เผยแพร่เมื่อ 30 ม.ค. 2024
- I am reacting to EVERY ELVIS SONG EVERY RECORDED in release order "or close"!
This is my reaction to Elvis Presley Wearin' That Loved On Look. This is also my first time hearing Wearin' That Loved On Look 1969 reaction
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This song is a perfect example of how Elvis could sing everything and anything and make it believable. Can you imagine Sinatra, Pavarotti or even MJ singing this one??? Elvis could sing like them, but they couldn’t do what he does. I love the grit and menace in his voice. Great comments, Seph! A double banger for sure.❤❤❤
Elvis has his own style and ohhhhh what a style :DDD
Proves there will never be anyone like him!😊
Elvis had a sore throat during this time, so its cool he was able to do this despite being unwell.
Elvis had chronic tonsillitis and enlarged tonsils. Crazy isn't it?
@jjbud3124 yeah, Elvis went through so, so much through the years it just isn't fair. He was definitely one of the strongest people I've known.
This is just the best album; it's pure Elvis. And I love this song. It's bluesy and soulful and makes you move whether you initially felt like it or not. That hoarseness/rasp in his voice from his laryngitis just works in this song, which I think was probably deliberate on his part. The man knew music and he knew what worked. ❤️
This is true about the laryngitis! Elvis was amazing, even while sick in a way that would have sidelined most singers! --Marie
@@MMVDupont 👍 The man's been gone almost 50 years and he's still amazing people.
A superb opening song to the best album since "Elvis Is Back". What a performance as he attacks it and rips it apart, from start to finish. 🔥🔥
Elvis is on fire here
"If you want singing he's your man, he sings up a storm" --- Teddy - Skip Young - Loving You.
The songs on this album are all so good A must for everyone
Perhaps a guilty look? "The floor neeeds a touch of a mop!"
hahaha
When this was recorded, Elvis was really sick with a cold and sore throat. So he had to push hard as you’ll hear it in his voice at times. It sounds like he’s straining his voice at times. He did several songs while sick including 32 takes for in the Ghetto. After two days, they sent him home on a Friday to rest over the weekend. They’d never do that today straining a stars voice when their sick and have to strain to sing. 😮😮❤❤❤
Oh Seph ,in his recording of this song ,his voice cracks in the beginning of it ,and his laugh is so contagious
This song is amazing ...the combination of his voice and the chorus is incredible .....
Yep a double banger, and to me is the Heartbreak Hotel of 1969 with the same type of gut wrenching desperate vocal delivery. Both songs were recorded in the month of January and while Heartbreak Hotel led the global onslaught in 1956, this song led the big time renaissance of Elvis.
Elvis was fighting a cold and later laryngitis. I love this "cold" sound of his voice.
This song was recorded in Chip Moman's American Sound Studio.
Thank you for the great reaction!💚☀️
So true an example of how Elvis pushed on even when his health wasn't good sometimes to his detriment. Thanks
Realllyyyy cant hear it though!
This album From Elvis In Memphis and Elvis Is Back from 1960 are my personal favorites.
My top two, also!!❤❤❤
BANGER BANGER BANGER ALL DAY LONG!!!!! ❤❤
I read all the liner notes on Elvis albums and he had a cold when he went in to start recording this album. Long Black Limousine was the first song he recorded in this session and the raspy voice from his sore throat just made all these songs even better
that's what I'm talking about! Agora estamos entrando nas melhores gravações de Elvis. Com músicos de primeiras e ótimas músicas. Essas gravações de 69 deram uma revigorada na alma musical do Elvis. Ele se encontrou novamente com grandes gravações e preparou ele para os anos 70, a melhor fase musical e artística do Elvis carimbando de vez seu nome na história da música como o Rei do Rock
It is a raunchy song 🎵 and you can hear it in the tone of Elvis voice whew its hot in hear 🔥 you disbribed that loved on look very well Seph
Hi Seph! Missing you. Hope you're all better. This is a great album isn't it? This is Elvis at his best. I've got one song I hadn't heard in years and I've re-fallen in love with it all over again. Can't wait until you hear it - but not until 1973. It's also one that you want to MOVE to. 😀 Yes, raunchy and danceable.
Loved on look for me: Pink cheeks and avoiding eyes. Elvis does raunchy really well.
Amazing! Great song, great album!
What a naughty little song. You made me chuckle, Seph. I don't think I've heard this in a long time.
I love this album this was at American Studios, where Elvis created a difference sound, gritty and raw. He was working with Chips Moman. The Colonial did not like it and eventually destroyed their relationShip.. Another great thing the Colonel screwed up. Thank Seph. You can't go wrong with the album.
Great blast off song for this album & the first few words leave you in no doubt that Elvis is going to tear this apart, & boy does he ever! The slight coarseness from his cold only adds to the grit in his voice, a real asset to these lyrics. Seph, your description of what maybe a "loved on look" had me laughing so hard, messed up hair, messed up make-up, bra straps all hanging down & a bit of the sweaty going on hahaha 🤣🤣🤣
I know!! Seph is so funny, I loved that part, too.❤❤❤
@@jennyjorgensen9935
Yes, Seph is a natural comedian for sure, haven't laughed so much for awhile😅
When I first heard this song a long time ago, it became my instant favorite, listened to it in repeat a couple of months every time I had some time over. Once I picked up a couple of girls around twenties that was hitchhiking and this song came on, I turned the sound up high and no surprise they started singing and bopping to it and asked to hear it again. I asked if they knew who sang it, they guessed on some different artists first, so I told them it was Elvis, they were totally surprised. Maybe this encounter made them interested in finding more or not. The only thing I don't like in this song, it lacks a good ending. Fading out a song bc it lacks a proper ending is a shame. I love when the girls go gospel in the middle of the song. Only devoted Elvis fans know about this hidden gem.
@@Barbara-lb5yt A fast paced song should never have a faded ending, unless it's the Elvis ending. Slow songs it's ok with faded endings imo.
@@Barbara-lb5yt Yep I got it fixed.👍
@@Barbara-lb5yt I wrote to you about the notifications being fixed in Who Am I reaction a couple of days ago.
@@Barbara-lb5yt Everything works just fine now. 👌
Did you sort out the Notifications?
Damnnnnnn introduced to Elvis by Rob :DDD sounds like a good way :D
Great reaction and a double banger - absolutely love this song it's one of my favourites - everything about it is just bang on - can you imagine Elvis singing it live! How amazing would that have been! Notice that you still have Rubberneckin' and Let Us Pray from the film Change of Habit to react to💕💕
Banger 3 times
QUADRUPLE BANGER ❤❤❤❤
Yup love, love, love. Favorite. The raspy voice - love. Yes, Seph you have the look down!
Killer song 🔥🔥🔥
Great song and album ❤ Great reaction ❤
😱 🔥🔥🔥🔥🔥🔥🔥😱
You are my favorite, thank you for your reactions
Truly some of his best work thanks Seph ❤
Fantastic song, love it, and all on the album 😍😍
Amazing classic!! AWESOME SEPH!!
One of My favorites, but I think I’ve commented that like 100 times now!
Haha 😂 Seph. Love this song 💃 💃 banger
Yeah!!!!! One of my absolute favorites, love seeing you dance around to it! Fun facts: Elvis had a cold when recording this. He ad-libbed the "shoop shoop" and the backing vocals, which were recorded later, copied that line from him.
I have this very album
👑✌️
*SEPH LOL MAYBE YOU GOT YOUR BRA STRAP DOWN A BIT AND SWEATY OMG YOUR KILLING ME* Elvis had a BAD Cold - and Laryngitis HE SOUNDS FANTASTIC RECORDING THIS *AMERICAN SOUND STUDIO* CHIPS MOMAN PRODUCER
Elvis' American Sound *INFO* GRACELAND WEBSITE
January 1969. Elvis was back in the spotlight following the smashing success of the ’68 Special, which aired in December. He was ready to record new music - something he normally did in Nashville or Hollywood. This time, however, Elvis decided to try a studio about 10 miles north of Graceland. It would be the first time he recorded in Memphis since his Sun Studio days.
American Studio was founded by producers Chips Moman and Don Crews in 1964. Located at 827 Thomas Street, the studio produced more than 120 hits in its roughly 8-year existence. American Sound had a house band, The Memphis Boys, made up of Gene Chrisman (drums), Tommy Cogbill and Mike Leech (bass), Reggie Young (guitars), and keyboardists Bobby Emmons and Bobby Wood. These guys played on a slew of hits for a variety of artists.
Just a few of the hits recorded at American Sound include “Sweet Caroline” by Neil Diamond; “The Letter” by the Box Tops; the Academy Award-winning “Raindrops Keep Fallin’ on My Head” by B.J. Thomas; and Dusty Springfield’s Grammy Award-winning album, “Dusty in Memphis.”
Elvis and producer Felton Jarvis discussed recording in Hollywood and Nashville, but it was one of Elvis’ entourage, Marty Lacker, who suggested American Sound. Several of Elvis’ friends like Marty, George Klein and Red West had worked with Chips Moman, so Elvis decided to give the studio a try.
Elvis recorded at American Sound from January 13-16 and 20-23, and again on February 17-22. He recorded with The Memphis Boys, plus The Memphis Horns and background vocalists such as Millie Kirkham and the Holladay Sisters (Ginger and Mary Holladay and Susan Pilkinton).
Chips had to rearrange the studio’s recording schedule to accommodate Elvis, who liked to record at night. Elvis was thrilled to hear that one of his favorite singers, Roy Hamilton, was recording at the same studio in the daytime. Elvis came in early one night to meet with Roy, and, in classic Elvis generosity, he gave Roy one of the songs he’d planned to record, “Angelica.” That song turned out to be Roy Hamilton’s last single. That summer, he suffered a stroke and died at the age of 40.
Elvis suffered a bout of laryngitis during the first round of recording sessions, but that didn’t slow him down much. The King of Rock ‘n’ Roll recorded some soulful, bluesy tracks at American Sound. At American Sound, in both January and February 1969, he recorded:
“Long Black Limousine”
“This is the Story”
“Wearin’ That Loved On Look”
“You’ll Think of Me”
"A Little Bit of Green”
“I’m Movin’ On”
“Gentle On My Mind”
“Don’t’ Cry Daddy”
“Inherit the Wind”
“Mama Liked the Roses”
“My Little Friend”
"In the Ghetto”
“Rubberneckin’”
“Hey Jude”
“From a Jack to a King”
“Without Love”
"I’ll Hold You in My Heart”
“I’ll Be There”
“Suspicious Minds”
“It’s My Way/This Time/I Can’t Stop Loving You”
“True Love Travels on a Gravel Road”
“Stranger in My Own Home Town”
"And the Grass Won’t Pay No Mind”
“Power of My Love”
“After Loving You"
“Do You Know Who I Am”
“Kentucky Rain”
“Only the Strong Survive”
“It Keeps Right On A-Hurtin’”
“Any Day Now”
“If I’m a Fool (For Loving You)”
“The Fair is Moving On”
“Who Am I?”
Elvis had a great time recording at American Sound, and at several times during sessions, he and the band experimented with a few songs. “Hey Jude” was one experiment, as was “From a Jack to a King.” The country song was one of his father’s favorite songs, and Vernon Presley had stopped by the studio one night - so thatinspired Elvis to sing the tune.
Chips Moman had to reschedule one of Neil Diamond’s recording sessions to fit in Elvis’ sessions, and Neil agreed to the schedule change - so long as Elvis recorded one of his own songs. Elvis sang Neil Diamond’s “And the Grass Won’t Pay No Mind” at American Sound.
“Rubberneckin’” was recorded in Memphis but would be a part of Elvis’ career in Hollywood - it was used in his final feature film, “Change of Habit.”
The biggest hit to come out of the American Sound sessions was, of course, “Suspicious Minds.” Several guys in Elvis’ entourage suggested he sing it, so he did, on January 22. The track, written by Mark James, became Elvis’ 18th and final No. 1 single in the U.S. It’s ranked at 91 on Rolling Stone’s list of 500 Greatest Songs of All Time.
It’s a BANGER BANGER BANGER Seph!🎉🎉❤❤
❤❤❤❤❤❤❤❤❤❤
❤❤❤❤❤😊
Hey there Seph 🙋
So this is going to be a longer one I think because of new songwriters and too an Elvis Easter Egg I stumbled across when I read the recording session log book 😊
So just getting right into it then!
"Wearin' That Loved On Look" was written by two Nashville songwriters Dallas Frasier & A.L. "Doodle" Owens. (More on them later.)
Recorded at American Sound Studio in Memphis, Tennessee on January 14, 1969 Hours: 2:00 a.m.- 5:00 a.m.
Producers: Felton Jarvis/ Chip Moman.
Engineers: Al Pachucki/ Roy Shockley
Musicians:
Guitar: Elvis Presley
Guitar: Reggie Young
Drums: Gene Chrisman
Organ: Bobby Emmons
Bass: Tommy Cogbill
Bass: Mike Leech
Piano: Bobby Wood
Take 1: False Start 0:20
Take 2: False Start 0:17
Take 3: 0:42 "A little less conversation..."
Take 4: 0:07 "Oh... shit, man..."
Take 5: Long False Start 1:03
Take 6: False Start 0:22
Take 7: False Start 0:30
Take 8: False Start 0:06
Take 9: False Start 0:32
Take 10: Playback 3:05
Take 11: Long False Start 1:39
Take 12: False Start + False Start 0:30
Take 13: Long False Start 1:10
Take 14: Playback 3:14
Take 15 (Master) Unrepaired Master 1:07- 1:22 used for final Master.
Overdub (Master) Backup Vocals on January 19, 1969
Overdub (Master) Guitar Overdub on January 22, 1969
Vocal (Master) 3:06 Elvis's vocal replaced on January 24, 1969
Composite (Draft) 2:46 Unused composite of replaced vocals (0:00- 0:55) original vocals (0:55- 1:24) replaced vocals (1:24- 2:48)(after backup vocals and guitar overdub)
Overdub Master 2:47 Additional backup vocals to Master composite on March 20, 1969
And now for songwriter info!
Dallas Frazier (October 27, 1939 - January 14, 2022) was an American country musician and songwriter who had success in the 1950s and 1960s.
Frazier was born in Spiro, Oklahoma, on October 27, 1939, but was raised in Bakersfield, California. As a teenager, he played with Ferlin Husky and on the program Hometown Jamboree; and released his first single, "Space Command", at age 14 in 1954. As he told writer Edd Hurt in a 2008 profile for the music website Perfect Sound Forever, "We were part of The Grapes of Wrath. We were the Okies who went out to California with mattresses tied on the tops of their Model A Fords. My folks were poor. At twelve I moved away from home, with my folks' permission. Ferlin [Husky] offered me a job, and I started working with him when I was twelve. Then I recorded a side for Capitol Records when I was fourteen, and I did some country. I cut in the big circular building that's still out there on Hollywood and Vine."
Frazier's 1957 song "Alley Oop", later taken to No. 1 in the US by The Hollywood Argyles, was his first hit. After Hometown Jamboree went off the air, Frazier moved to Nashville, Tennessee, and found work as a songwriter. Among his early successes was "Timber I'm Falling", a hit for Husky in 1964, and "There Goes My Everything", a big hit for Jack Greene in 1966, that earned him a nomination for the Grammy Award for Best Country Song.
In 1966, he released his solo debut album Elvira, containing his song "Elvira". His follow-up, Tell It Like It Is (1967), was also a success.
While his singing success was limited, Frazier became an oft-covered songwriter. His tunes were recorded by O.C. Smith, George Jones (who recorded an entire album of Frazier's songs in 1968), Diana Ross, Engelbert Humperdinck, Jerry Lee Lewis, Jack Greene, Connie Smith (who also recorded an entire album of Frazier's songs in 1972), Willie Nelson, Brenda Lee, Carola, Charley Pride, Waylon Jennings, Merle Haggard, Gene Watson, Elvis Presley, Moe Bandy, Roy Head, Charlie Louvin, Rodney Crowell, Dan McCafferty, Poco, "Gonna Go Down The River" composed by Buddy Mize & Frazier by The Kingston Trio, and Ronnie Hawkins. In 1970, Frazier earned his second Grammy nomination for Best Country Song, which is awarded to the songwriter rather than the performer, for "All I Have to Offer You (Is Me), which became a No. 1 hit for Charley Pride. Many of the songs became hits into the 1980s; examples include the Oak Ridge Boys cover of "Elvira" and Emmylou Harris's version of "Beneath Still Waters". The cover of "Elvira" by the Oak Ridge Boys was a crossover hit, peaking at No. 1 on Billboard's Hot Country Singles and Tracks chart and No. 5 on the all genre Billboard Hot 100; and earned Frazier his third Grammy nomination for Best Country song. Anne Murray with Glen Campbell, George Strait, Randy Travis, and Patty Loveless have all also recorded Frazier tunes. Frazier himself charted eight times on the U.S. country chart. He was inducted into the Nashville Songwriters Hall of Fame in 1976.
In 1988, Frazier left the music industry and became a minister. Frazier suffered two strokes in late 2021, and died from related complications at a care facility in Gallatin, Tennessee, on January 14, 2022, at the age of 82.
Arthur Leo "Doodle" Owens (November 28, 1930 - October 4, 1999) was an American country music songwriter and singer. He had a long songwriting partnership with Dallas Frazier, with whom he wrote "All I Have to Offer You (Is Me)" (1969), "(I'm So) Afraid of Losing You Again" (1969), "I Can't Believe That You've Stopped Loving Me" (1970) and "Then Who Am I" (1974), all number-one country hits for Charley Pride. In the 1980s, Owens wrote many songs with fellow songwriter Dennis Knutson for George Jones and other artists.
Owens was born is Waco, Texas. As a singer, his only charting hit was "Honky Tonk Toys", written by Owens with Gene Vowell, which made it to number 78 on the country charts in 1978.
Charley Pride's version of "All I Have to Offer You (Is Me)" was nominated for a Grammy Award for Best Country Song in 1970. Owens was inducted into the Nashville Songwriters Hall of Fame in 1999.
Owens died in Nashville, Tennessee, at the age of 68.
Finally: Elvis Easter Egg: In the recording session log book right before the recording of "Wearin' That Loved On Look" there was a rehears recording of a song titled "Come Out Come Out (Wherever You Are)(track) that took place on January 14, 1969 between the hours of 2:00 a.m.- 5:00 a.m.
So out of curiosity I decided to see if there were any uploads of this song that I had never heard of (nor do I recall ever reading about it in any of the online literature about the American Sound Studio recording sessions).
The following link is that of an intrumental rehearsal recording only of "Come Out Come Out (Wherever You Are) for anyone that is interested & also if anyone has any info on why this song was scrapped I would appreciate it 🌹💐: m.th-cam.com/video/g2MI_9Z2UD8/w-d-xo.html
And that is it Seph & everyone!
Oh! I 🎶Almost🎶 forgot: You never cease to surprise me Seph! FABULOUS REACTION! THANK YOU EVER SO MUCH!
(Not feeling well currently so my apologies for lack of heaps of emoji praise 🙏)
Peace ✌, light 🌞, love 💖, & blessings 🙏 to you & yours & to one & all here as well 💕
Hey Sammy, have to go out so will read your info properly when I get home. Just to say, sorry you are off colour & hope you feel better soon 🤗😊❤
@@janetb.8683 Thank you ever so much Miss Janet 🍯🐝🙏💕 Really appreciate your kindness 😊 B🐝 well & stay safe out there Miss Janet 🍯🐝💗💞
Dear Sherlock, upon reading this, I decided that this could be the perfect Easter Egg Hunt for your trusty assistant Watson 🕵️
So I set off & covered a lot of territory, investigating every lead I could find, but it seems to be a mystery, as to why Elvis did not record a vocal to this song. I listened to a version by a group called "Raintree Minority" released in 1968 & you can only imagine what Elvis might have done with it. In saying that though, I don't think Elvis particularly wanted to record it, or he most certainly would have. Certainly an interesting topic Sammy, no need to reply if not well, take care & thank you for all the other info 🌷❤️
@@janetb.8683 My initial gut feeling was that Elvis chose not to record that song as well. He had full control over what he wanted to record. So on that I do agree with you Miss Janet 🍯🐝
And thank you so very much for being my assistant on this one- I do so appreciate the additional info! I'll have to give a listen to the Raintree Minority version, so interesting!
Thank you very much Miss Janet 🍯🐝 for the kind sentiments & well wishes, you're very sweet 💜🌹🙏 Much love to you & yours 💖💜💙💛💕💕💕💕
@@sammy_the_uncool2702 Okay so to be honest when I saw the title Come Out Come Out Where Ever you Are - I was like she can't mean Elvis. The title is so juvenile - like olly olly oxen free. I can't even imagine what the lyrics to this would sound like!
Again, love this one!! ❤❤❤. Wouldn’t want him to sing it to me though!😂😂
I also forgot: "If you ever loved me then Bonnie & Clyde loved the law" lyric explained: During the Great Depression here in America there were some glorified by newspapers (and later Hollywood) bank robbers.
Bonnie Parker & Clyde Barrow was one such bank robber couple.
They became leaders of a bank robber gang and the two of them came to a rather violent end by law enforcement officials that basically wanted them dEaD or alive. It didn't matter. Because Bonnie & Clyde broke the law & so therefore had no love or respect for the law.
Again this is a really watered down short explanation of that lyrical line.
It had some real Americana historic context there.
Which as someone who is a history buff always appreciates & adores 😍
There was a movie made about Bonnie Parker & Clyde Barrow with Warren Beauty playing Clyde.
However it is Hollywood's version of their story.
Still I highly recommend. It's a good movie. Just not an entirely historically accurate one.
Thanks for the link. That was a really funky track. I can just imagine what it would have sounded like if had Elvis had sung it. Grooving.
@@jjbud3124 You're so welcome! It's funny you called it a "funky track" because that's exactly what the track was unofficially called in the log book "a funky track" 😉
@@sammy_the_uncool2702That IS funny. That word came into heavy use around the 50's regarding music - when I was a teen. We used it a lot. Weird that it used to mean "smelly" or "sticky."
@@jjbud3124 I have always found the evolution of both proper & popular (read 'slang') English vernacular went through. I'm an American so the evolution of American popular language (or slang) is something I am more aware of than say the changes of British or Australian English went through down through the ages.
Probably my least favorite song of all the Memphis sessions. My man is under the weather and you can hear it. He really struggles to deliver that first couple lines. I know a lot of people like this song.
Boy howdy, that's a full on being a ho song. Nothing inocent to see here. 😆