Three Deluxe Reverbs: My very Short History; featuring RJ Ronquillo
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Clearly from the thank you's above, I had a lot of help on this one, :).
This is my personal experience using the Fender Deluxe Tone Master and 64 Custom Deluxe Reverb Amps. It is NOT a paid promotion in any way. It is simply my experience with the amps and ....it was a good one. I look forward to hearing your experiences as well. I read all the comments and enjoy everyone that is a part of five watt world.
Thanks for watching.
Keith
***Five watt world participates in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn commissions by linking to Amazon. In simpler language, this means that whenever you buy something from Amazon from a link on here, I receive a small percentage of its price. - เพลง
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I made it into a Five Watt World video. I have made it. Thanks, Keith!
Everyone should go watch your video. Then they'd know where I know anything about Deluxes. :)
I've been to Zacs video on DR'S more then once in my DR search before. A pleasure to be able to watch you two, really.
I've been a Marshall guy all my life, I started wanting to try different flavors, so I brought a Vox AC 10, and boutique amp a Cusak king snake, They were great but I still wasn't happy, My amp guy said, Dude get a Fender Deluxe reverb and be done with it... So I got a 68 reissue, with blue tolex, and cremeback M, And I haven't looked back since....
I arrived here via Zach’s video. 😎✌🏼
Yea Zac it’s all your fault I got a deluxe reverb - thanks 🙏🏼
I'm waiting for Keith to come out with a Short History of some random topic that has nothing to do with guitar and for everyone to still watch it because Keith's mini documentaries are calming, interesting, and not too long.
@@HIWATTSteve An astute observation. Couldn't put my finger on it, but it is definitely a Bob Ross-like delivery.
I have been here since Keith got off the Arc with Noah carrying a pair of Deluxe amps. It was lonely back then ;-)
I'm waiting for the rebranding of his character into Keith Burns, guitar historian.
@@naciremasti I think he is already there :-)
Totally! 🪄🎩
Been trying to decide between a Deluxe Reverb or a Princeton Reverb, so I settled on the TrueFire lessons instead. I’ll decide on the amp question later when I can play better. Very happy so far...
Good plan Scott!
Either one will make you smile but better guitar skills will make smile more.
Great choice.
Good idea... But I would go the Fender Deluxe Blonde. Because blondes have more fun...!
The 65 PRRI has gone up $400 since i bought mine not long ago.
In college, i used some extra financial aid money to buy a 1969 silver face deluxe. Amazing amp. I had if for a few years, but because of a flaky roommate, i had to sell it to make up for his half of our rent one month. Haven't spoken to the guy in almost 20 years and don't miss him, but damn i miss that amp.
I get music gear checks at the beginning of the semester. I use the leftovers to pay tuition.
That really fukkn suxx. Been there, you are not alone. .. what is it with musicians anyway ??
A bandmates father gave me his 68 drip edge.. I was a young man at the time and didn't really know to much about it but I knew it sounded good. 15 years later I still have it and play it to this day and will till I'm dead.
The deluxe reverb is simply what a guitar amp should sound like.
@L Smith I agree with the jensen. Swap with a creamback or redback and it all comes together.
I brought the blonde one … I have a 64 Deluxe too … but it’s old and needs a little looking over … it still works but it has a bug or two… so brought this new tone master … it’s pretty close to why I kept my 64 Deluxe all these years … my mom brought it for me back then as a Christmas gift when I was 12 … I’m now 70 and actively play gigs and open mics … and yes it he tone master is light and solved a lot of problems weight wise … and everyone tells me it sound great at our shows ❤
Don’t forget all the fantastic kits out there if you need a high reliability tube amp but can’t afford a Custom Deluxe. I Highly recommend any kit from Mojotone.
Yeah! Their tweed deluxe kit is the bomb!
Ayeeeeeee getting a cup of coffee now!
Don't spit your coffee when the big blonde bearded guy pops up on the screen.
Thanks again Fluff!
Got my whiskey and Coke 🤘
Hi fluff.
I appreciate the heads up.🙂
Coffee is a key component of my five watt world experience.👍
How about history of Toakai les Paul Keith ?? Are u too big to take requests now Keith ?
In the past I've always had tiny amps for apartment life and huge amps for gigs and never really had anything in the middle. Maybe if I lived in a house I could explore these amps. Thanks for posting.
I had a 6 watt tube amp before I moved into an apt in Nashville years ago, and quickly discovered my neighbors preferred me unplugged.
Now that I have a house the 6 watts is about right; actually still a little too loud. One watt tube is perfect. The deluxe reverb would be really pretty in my little gear corner but it would still be way too loud for what I need. I’m looking forward to checking out that new fender vibroverb that’s coming out; 5 watts fender tube for about $750
Many a times I've done a gig with a 5 watt (or less) Valco amp mic'd and running loud enough through a floor monitor. I always loved the surprised look on peoples faces when they saw the shoebox sized amp with the huge tone.
A couple of years ago I got the 64 hand wired DRRI. I have never heard a better amp. So inspiring to play through.
You and Zac are two people I trust to be honest and astute whenever you comment on gear. I actually bought a blonde Tone Master before I heard your reviews, and I've been so pleased with the sound. I bought it because I really needed a lighter amp and though I know a lot of people like Princetons, I always preferred the sound of a Deluxe. I'm a Fender guy through and through and I love that Fender keeps living up to its reputation.
Call Keith the "Home Run King" of guitar content. Hail to the King!
Hail to the King baby!
Hey Keith, I own two '66 Deluxe reverbs. That's all I ever played. When my show was in Chicago last year , we got the Deluxe Tone master to use on stage. It was great! A perfect amp for gigging. Thanks as always for great videos and info! Rick B
So.......when the daily grind is getting me down and my psyche meds just aren't working ..........I just put on a "Five watt world" joint on TH-cam and I quickly am transcended into a world of calm with that added bonus of a little bit of knowledge ! Thanks Keith ! Life's good after all ! This is clearly the most underrated TH-cam channel for musicians the world over !
The entire mantra of the “too big is a fit” is totally valid. I use a 100w in live settings, which is soo overkill in 90% of every gig, but the occasional gig where it’s outside and there are no mic - guess who the audience gets to hear!
Love it, love it, love it. Thanks for all you do, Keith.
Played many amps including Fender. But never had the opportunity to play a DR.
Tried the DRTM and found my sound right there without any massive twiddling with EQ.
Have found my amp.
At some point Keith just needs to write a book, because I can certainly tell you that I would buy it. What a wonderful channel and amazing delivery.
Thanks!
Great video as always. The 'Five Watt World' logo behind your head would make a killer t-shirt by the way...
I'm working on that.
@@fivewattworld Has a "That Thing You Do" vibe. Yes please.
I've been meaning to tell you, Keith that your intro with the glowing tube is one of the best things going. It's always been a great touch.
Love your content, Keith! Thanks so much for all your hard work!
Love sitting down and learning from these videos. Thanks Keith!
I come in from a long frustrating day and see brother Keith as 22:30 of excellence waiting for me. Looks like my day is going to end on a high note.
Keith, your statement at 3:30 to 4:00 is such an authentic and genuine commentary about why you do what you do for us--the citizens of the 'Five Watt World'. Thank you. I truly appreciate all of the 'Short History' series--keep up the great work!
Very nice video! Thank you!
Like a month ago I bought my first Deluxe Reverb and wow I was in shock when I tested it! It sound amazing but what I REALLY LIKE is that this amp sounds thick and it could sound very clean and bright but in the same time like dark and that is something that I like alot especially because I use alot distortion.
It’s been amazing to watch this channel grow so quickly. Almost 150k now!
Great video. I've always had the same philosophy as Zac and I make sure to bring a backup amp. I'd do the same with the new amps, tube or modeling.
One thing I do know is that now that you've gone this far, you need to go all the way and borrow some vintage fender blackface amps, Keith! I searched for years for THAT sound and I finally got it with the acquisition of two amps with in a few months of each other: early '68 blackface circuits, a Deluxe and a Super. There is just something special there. I played a '74 DR and '65 Bassman for over a decade...they were close but it's the AB763 circuit that has the magic!
Great video as always. I am very fortunate that very early on in my guitarist life, someone suggested I bought a Deluxe Reverb, and I have had it since. Now even though I've got more expensive and more boutique amps, I still love playing my DR and it's the first one I'll grab for a gig.
I have a deluxe reverb clone, hand wired etc from Flynn Amps in Glasgow. Instead of using an attenuator, I got it built with an Eminence Reign maker speaker which works great for getting the authentic sound at usable volume at home and rehearsal. Great video Keith.
This was a pleasure to watch, Keith. Thank you for your content!
Great video, as always. I love my original TM Deluxe with the firmware update. It's still too big for my tiny house, and when I'm home, I fire up the Deluxe Reverb patch I've made on the PodGo through my monitors or headphones, but when I meet my friends for a jam, the TM does it all: smallish spaces, my buddy's garage, or the Sunday jams in the big open spaces of the auditorium at the high school where I teach. I always smile to myself when I see my buddy lugging his 50lb AC15 around, although that amp sounds great too.
Fantastic Job Sir....thank you especially for the info on updating the Tone Master and Speaker Upgrade!...You're videos just keep getting better and better...
My first amp was a 1964 Fender Deluxe (non reverb) which I bought used in '83 for $200. I still play through it every day, in fact the tubes have been toasty for hours now. I used to haul a Marshall stack around because I thought I needed to, but for the last few years it's just the old Deluxe. I underestimated her for decades!
You sir and this channel are a gem amongst the endless gravel. May the 5 Watt world continue and good fortune come your way!
Thanks again keith. The short history stories are may favorite segment on youtube.
It was a mistake watching this video. Between watching Ask Zac’s video and yours now I need a tone master. I love your videos.
I love playing my 71 Super Reverb! Good stuff Five Watt!!
That definition of what is “enough” really hit home. Thank you for that.
RJ Ronquillo! YES!! The brother is a ridiculously talented guitarist, and can belt out a tune as well when he sings.
This was so helpful and informative Thank you Keith you really do some deep dives.
Your pearls of wisdom that you've collected are great. So are your informative videos. I was never a Fender amp fan as a player but I sure enjoyed them when someone was playing. For some reason my ear & hands reactions couldn't find the sweet spot with them. Anyhoo, thanks for sharing.
Always the best contact! Thanks again.
Excellent episode! I always appreciate your thoroughness. I also love the DR. I have a 64 reissue I have re-tubed.
I like what you stated, 90% is still an "A".
Thank You
I lugged around a 1977 Twin (not considered a very desirable amp) to gigs for years because it was what I had and I couldn't afford a variety of different amps at that time-one of those "too big is a fit" situations . I used a clean boost and a Tube Screamer in front of it and could get decent sounds at not ear crushing volumes. I switched to a Deluxe Reverb 11 years ago and since then I have picked up a Princeton, Vibrolux, Pro Reverb, '59 Bassman, and various other non-fender amps. I don't use the Twin for gigs anymore, not because it doesn't sound good, but because it's just so heavy-given the choice of hauling a Deluxe/Vibrolux/Pro Reverb or a Twin up and down multiple flights of stairs I'm going to go with the lighter amp. Interestingly, during the many years I used the Twin I was often complemented on my tone, many times from other guitar players who erroneously thought I was using a Vibrolux or Pro Reverb. When I said it was a Twin they were surprised. I think you can get a lot out of most gear if you learn how to make it work for you. ; )
With each SH you kick it up a notch. I'll be watching this one a couple more times.
Thanks for the continued fantastic content!
Great video as always. Thanks for another great episode.
Hi, after 27 years with a Fender Twin Reverb I have now a Hughes&Kettner Tubemeister 20 Deluxe. My backbones say thank you.
Another informative, enjoyable video, Thanks Kieth
Fender amps have always been fantastic. My first was a '64 Twin Reverb. Now I am growing fond of push pull 6v6's. I always preferred my 2x6973's but vintage tubes are through the roof! Love the hand wired Fenders!
My first expensive tube amp was a ‘65 DRRI. I had Trace Davis at Ithaca, NY’s (at the time) Voodoo Amps do his Platinum Mod. Amazing. I sold it a while ago, chasing different tones. I just sold my last boutique tube amp (a fabulous Victory Duchess V40) and bought a black face Tone Master Twin. I’ve come full circle to the newest version of my first great amp. I’m really happy with my purchase. Great video, Keith!
Loved it, as usual. And am a fan of all these cats who let you share their mojo and clips. Good stuff. Cheers!
I have several Fender amps - I am the original owner of them all.
My main gig "go-to's" are my original Brown '62 Vibrolux for large venues -
and my original '64 BFDR and a '62 Tweed Deluxe for smaller venues -
-- Tones to DIE FOR -- Never an Issue -- Always Amazing --
I've owned all since my dad bought them for me 'Way Back in those dayz"!
Thanks for this video Keith! I’m ultra intrigued by the tone master amps and I’m gonna have to get one in my hands soon!
With a plethora of amps in my home studio, my Fender ‘64 Custom Deluxe Reverb HW gets used the most. My desert island amplifier. Great watch, Keith. Enjoy the videos.
Thanks for this! I’m a Deluxe Reverb guy. I’ve got all three of those amps and a 1968 Silverface that I’ve had since 1972. I am in a country band where everyone is mic’d through the PA, so I gig the two Tone Master amps. The 64 Custom Deluxe is a thing of beauty though. My favorite is the 1968, but it gets left at home.
I keep coming back here! By far my favorite/most timely offering.
I bought the Twin Tone Master. It now goes with me everywhere, and my 1965 Vibrolux Reverb stays home in my studio.
bought an open-box “used” custom 64 hand-wired princeton a few months ago. it’s killer. i’ve played a few superb vintage bfp’s in the last few years-a friend collects and he’s very picky. this sounds as good as those.
without the endless maintenance hassle and expense.
i don’t love the tonemasters but the tweaked blonde deluxe sounds noticeably better imo
Excellent video, as always. I have a Twin Reverb I keep for nostalgia and for playing loud when needed and a Princeton that I play 90% of the time. I'm thoroughly happy with both amps but I see the attraction of a Deluxe Reverb. Has the virtues of the other amps with few of the vices!
Man, this is content!! 😁
From one Keith to another, thanks for this video! I got the original Tone Master Deluxe at the beginning of quarantine and it's become my favorite amp. The firmware upgrades are icing on the cake. For the record, I just got a Revv G3 overdrive and have been playing metal very happily through my TMDR with a PRS Mark Holcomb SE.
You’re a great guy! Thanks for all the gear info!
Thanks Keith for your wonderful insights into the TM DR amps and the Custom DR. I myself after moving around a Twin Reverb RI from gig to gig for the past 20+ years, hardly turning the volume above 4 and hurting my back in the process decided to try out the TM DR (Cream version) and have never looked back. Love it to bits....at home I pair it with the Twin and the sound is awesome, when I need to play out I virtually throw the virtual amp in the car and off I go. Thanks for the videos Keith. Love your content. Cheers Marty from Melbourne🇦🇺
I love the DR. I built a custom mojotone handwired Princeton Reverb reissue with a 10” Weber. LOVE IT! I initially installed a 12” cannabis rex which was great but he change to the Weber was nearly euphoric.
As always, Nice work Keith!
I want to say your content is so enjoyable and functional. I own a Tonemaster Deluxe with the upgraded software and a Creamback. I did this as soon as the software was available before your video. I am so happy to feel validated with your conclusions. I agree with Zak and you, this is the one amp solution. No matter what pedals I put in front of this amp, I am never disappointed. Thank again.
Has anyone ever told you that you are the Tom Selleck of the guitar world. The voice the look and everything. It’s awesome! Great video!
But with Tom Skeritt sensibilities.
Thanks Keith, Everything you do on this channel is very appreciated! I'm a sponge for information delivered this way. I don't get a chance to join you during your live shows, I do a thing with my friends that cannot be rescheduled but I do always watch the replay afterwards. I also wanted to mention that if you ever needed information about Garrison Guitars for short story purposes I can help you out with info links, personal stories, pictures of the building, I'd try to get you an interview with the person who made it happen. garrison's were built in the late 90's to mid 00's-ish about a mile from my home. They were sold to Gibson but they had a great story that would be deserving of a short story. Thanks Keith 😃Cheers from Newfoundland !
I had a Fender Super Twin (6-6L6's) with 2 JBL 12's that I gigged with in the late 70's. It was so loud, it could melt the paint off the cars in the club parking lot. I swear that amp is the reason I have disc problems with my back now, not to mention the tinnitus.
I am grateful that you make these vids for me to watch.
I just visited my friend a long way from here and he had a 63’ deluxe reverb, the one without a Fender badge. He’s an amp tech and has many pristine old Fenders. He sent this when I got back home...”I think it's interesting that you picked the '63 deluxe reverb that has what now is considered a low-fi 1967 12" Jensen speaker that was meant for a Hammond organ. It fucking ripped ass - listening to it”
I usually play through more modern Marshall DSL’s and high gain tube amps.
When I plugged into that 63’ I got lost in a wash of pure tone heaven that inspired me to play completely differently that what I usually do. It was so harmonically rich I didn’t desire anything else. Then he said hit one of your overdrives (Strymon Riverside, or an OCD. Good gravy man! It was like the tone was being spun by angles.
Those things are magical man.
My current rig is based around a Blackstar HT-5R and it rarely comes of the overdrive channel as its clean channel is really lackluster. Because of this, when I needed to track a cover of The Doors' Light My Fire for my studio apprenticeship a few years ago, I borrowed a friend's '68 Custom Reissue Deluxe. I absolutely fell in love with this amp. It doesn't have the Marshally drive of the Blackstar I dearly love, but those cleans are just perfect. They're bright and crystal clear, but remain very warm and lively. The spring reverb is in a league of its own and while in general I prefer the smoother pulse of a bias tremolo, the Deluxe's optical tremolo isn't too choppy and is really nice at lower depth settings. If I could, I'd do a two amp setup, with a Deluxe for my cleans and the HT-5R for the drive, and I'd be a very happy camper.
I could listen to Keith for hours. Great job 5 Watt. Nice to see Fluff with a cameo.
Thanks again Keith. Another must see now want.
Awesome video Keith! I also have found a Deluxe Reverb style amp is my home base. They are simply a fantastic platform for making great sounds.
I learned a ton here. I think the Two Notes Captor is exactly what I’m looking for to get the most out of my Super Reverb. It breaks up nicely with my Les Paul but the sweet spot is too loud for the home studio. Thanks for another great one, Keith!
Be glad Keith. It has been your videos thgat has shown me the knowledge to appreciate much lower wattage amps.
That was the clearest, no BS comparison of the venerable Deluxes I've heard - thanks. Too Big Is A fit is exactly what I was thinking when I bought the Twin Tone Master when it first came out. I will have to see if there is a digital mod or even a need to do that to the Twin. Also, I like the company you keep - I watch all of your cohorts on a regular basis and TrueFire has been my source of "learning" for a long time (just wish I had the discipline to match. Thanks again for your work, it calms me down when I need to stop the merry-go-round. You and Zac are the adult version of Mr. Rogers and that is just what is needed on the menu these days.
Great video as usual Keith!
Another illuminating video. Thank you. It helped me to make up my mind to dive back into the world of owning an amp, and not just using headphones. I grabbed a blonde tonemaster deluxe reverb that came up for sale. What a revelation. Running a helix into it for effects or some preamps it’s simply sublime. And surprisingly capable of higher gain tones. I’m typically only on the lowest attenuation setting, and it’s still flipping loud. Sometimes even with volume knob barely above one. I think in my house it’s a definitely a point two five watt world.
Solid vid! I’ve got a limited edition 65 Princeton Reverb with a 12” Jenson I love. I consider a Deluxe Reverb every once in awhile but the Princeton does everything the DR does just a few watts less. I don’t know though, the 64 would be a dream rig to own! Keep rockin, thanks for the effort
This video was just as timely as can be. I just got my Tonemaster and am awaiting my HX Stomp. A video on the pairing of the two would really be awesome. It seems like it's a fairly popular combination. Once again, love the channel, and love my 5WW t-shirt!
love the "Too big to fit " analogy. I have the Deluxe with Bassman circuit in the left channel and silver face in the right . Love it!!
Hey, Keith. Watching this video really got me thinking. I think we are from the same era, just different genres. (HS grad 1987). Your study on the Deluxe Reverb really spoke to me.
When I was in my early teens (early 80s) my folks divorced. And in his obvious mid-life crisis :) my dad bought a 70s Quad Reverb. Damn, I loved that thing. I used it for playing my guitar, making my own "mix tapes" using the outputs to my Hi-Fi creating 8 track recordings when it was just really adding a take on top of a cassette playing through, to DJ-ing for Jr High and HS parties.
Even though I went through a 20+ year hiatus in playing, your video reminded me that Fender amps are really part of MY history.
Thanks for that.
Definitely agree about spending time to get to know gear. Used the same amp (Egnater Tweaker) from 2011-18, then had my 10w Anniversary Edition Blackstar combos since summer '18. Still finding new tones.
Love these videos. Have the ToneMaster and loved everything except the speaker. Based on your HX Stomp video, I purchased a PowerCab+. I now run the DR-TM from the XLR out with the amps IR turned off, into the PowerCab which lets me load different IR's or use the single speaker IR's on the Cab. Opens up a bunch of different options. The Powercab even came loaded with a 64 Deluxe Reverb IR that sounds great.
The DR as always been my go to amp. I purchased a reissue several years back and had it modified to the specs of an original black face. The mod also made the amp more touch sensitive. Hence, I got the tone with reliability 🙂. I have purchased different amps but I end up selling them after a while and returning to my DR.
Always great!
Excellent video Keith! I'm on this Deluxe journey now, and want to try all 3 options too, like you did. Love your integrity, and the quality of your videos is one reason why I watch. It's obvious you put a lot of effort into these. I am drawn more and more by a similar ethos to what you usually discuss here, and find myself trying to do more with less-and what I have is good enough. Yet, I too still need to clean out the accumulated fluff. Maybe a custom Deluxe is in my future once I do. (edited:forgot to say Thanks to RJ! Love listening to his playing.)
I really appreciate that it’s your story Man.
I've had the original TM Deluxe for a year and I'm happy with it. I replaced the speaker with a Speaker Warehouse Reaper and I use a Origin Effects Revival Drive which gives me a good variety of tones. Thanks for the video and telling me about the firmware upgrade from the blond amp. I'll give it a try.
I respect your idials so much. Love to hear your voice talking. It's very eloquent
Love it! Had a similar journey myself, albeit three back surgeries almost guaranteed the Tonemaster would get my attention, no matter how good it sounded. Thank goodness it sounds sooo good; I went with the Blonde one when it was released, and having traded my '65 DRRI for it, was feeling I had 'better' tone on balance, with the Celestion and virtual bright-cap removal being closer to my 'ideal' Blackface sound. Similar to Keith, I have a Rivera Dolce (22W, 6V6's, reverb, Blackface 'clean', but with a Marshall-esque 'crunch' channel and a Greenback in mine) with an (original) Captor attenuating or silencing it, and feeding a C.A.B. IR loader that can drive headphones as well as my interface... a setup I had been using with my '65 DRRI. Having the 'real thing' tube amp that can stay at home, and the Blonde Tonemaster for any place I need to carry an amp has been interesting, in that I thought I'd always use the Rivera at home... mostly, I *just* use the Tonemaster, except recording specific tracks, because the Tonemaster just works so well. I have always wanted a Princeton, and I like to run Wet-Dry, but I'm really starting to think another (maybe a used, original) Tonemaster is a better bet... and will probably allow me to play 'out' ten years longer by being able to do even the biggest gig with just 2 x 10kg amps :-)
Last night I played out for the first time through my Standel 25L15. Glorious tone, but an absolute back breaker. I came home and start searching for hand trucks...or a lighter amp. The TM might be what I’m looking for. Thanks, Keith.
Awesome. Most credible guitar channel on youtube. Cheers!
I appreciate your honesty and knowledge thanks for the video