This was soooooooo helpful! I'm an artist that has been trying to figure this out forever and now I feel energized and ready to create! Thanks for the advice and experience.
Hey Todd, thank you very much for such a nice comment. I made this video thinking on the struggles that I had when I was starting in Digital Painting, so I'm glad that it could help you.
Omg the base layer mask and the clipping method! That’s the method I’ve been looking for all over the internet, and teachers never really explained in design school for me! What a life saver! Thank you so much 🙏🏾
I dont see it as a mistake, I was always taught to utilize any ideas or to have experimental layers for certain key detail you want to add when you begin the clean up. You'll build your own method the more you become efficient in other areas of studies TRUST ME.
recently i try to do that, i find that if im sure what the illustration gonna be like or its actually simple, unfinished sketch is fine, but if its kinda detailed and have a lot of planes to plot, that unfinished sketch literally just make me spend much more time on rendering stage ._.
I’d love that greyscale tutorial. I’d even love a more detailed tutorial of this video that explains what a clipping mask is, how to do it and so forth. Maybe you’ve already made a video like that, I’ll go on the hunt!
good tutorial for people that are already advanced users of photoshop. The methods you're showing look useful but I have no idea how to implement any of them.
I just realised why I struggle so much with painting digitally. I’m not really a painter but rather a sketcher, and painting in the first method overwhelms me as a beginner in digital painting. The multiply and the workflow method really helps me stay organised and keep things simple and clean.
Wooow the video is really amazing!!! I need to know how he did that at 10:47 how can you go to grayscale to do the lighting and then go back to normal mode
Personally, I do something like this: - go to View > Proof Setup > Custom, - in the proof customization window change "Device to simulate" to "Dot Gain 20%" and change "Rendering Intent" to "Perceptual"; I also tick the "Black Point Compensation" box, - save the preset, - it should automatically set it so all you gotta do is click Ctrl+Y, in case it doesn't it's saved at the bottom of the "View" options 👌
Create an adjustment layer>grayscale. At the bottom of your layers window there is a circle divided in two, hover over it for a second and it should say adjustment. It is non-destructive so you can delete it without messing up your original artwork.
I guess Im randomly asking but does someone know a way to get back into an instagram account..? I was dumb lost the login password. I would appreciate any assistance you can give me
I wanted to draw a character like this, but it was good that you taught me the basics slowly. It's amazing how the screen doesn't stop and I keep drawing. It's magical! I'll try my best to learn. Thank you!!
Would love to see the tutorial on shadows in greyscale! Would be very helpful to know how you execute your brush strokes during the coloring process as well!
At 8:20 a faster way to color the entire character is to use the wand tool on the surrounding , then expand or grow by a pixel or 2(to remove the white space) and then invert it. After, simply use fill. Note that this is assuming ur character has clean line art and has no holes. Props to kienan lafferty for this method, and the guy who taught it to him xD
Absolutely Nyx! Thank you for watching and leaving a comment. If you have any questions I will be happy to answer. Hope that this video eased Photoshop a little bit :)
I'm a yolo kind of guy but sometimes, when I get tired of the colors I wanted, I like to go black and white first and then play with gradient maps to discover colors I never knew I wanted
Thanks a lot man!! this is super useful!! great tip about the shadows in b&w that allows seeing the values more clearly. man you content is so valious, as a (starting) concept artist i can say that everything you share in your videos is very well-grounded and helps a lot to us, thanks again man!
My pleasure Andres. People like you is what makes it worthy. I understand the struggle of finding the right information, and thb, being an artist is hard enough already hahaha. Glad that you found it useful 🙌
Thank you so much! That was so very helpful! I love the first method look, the YOLO! But it makes sense that first we must use the 2nd and 3rd method and then use the first method for the final artistic look of the painting!
This was incredibly helpful. I see how undisciplined and impatient I am when it comes to illustration. This was also humbling in that I'm learning the more I know, the more I realise I don't know.
I'd love it if you expand on all of them. I really want to learn the latter two. I've always wanted to do this professionally but i don't understand all the photoshop tools that are industry standard
Lucas gercekten cok başarılı bir çalışma olmuş, ellerine sağlık bu bir sanat işi ve sen bunu hakkını vererek yapıyorsun. Bu işe yeni gönül vermiş biri olarak söylüyorum başarı; arzulu kişilerin ulaştığı bir yer olsa gerek. Umarım bende bu kıvama gelebilirim 😊. Kolay gelsin
I like how you breakdown these methods. I'm using almost the same concept of mixing Yolo methods rendering and Quick masking one. But not as detail as yours. Because if we work on complex background and many characters, this will surely slows us down. Almost forget. Here you using black flat background. Background lighting surely effected on characters lighting too, especially on the midday
It's amazing Lucas - Good Job - We were talking from the live in instagram and you showed us little bit of the video and I loved it so much and now when i see it full its just .... Thank you!
Hey Umer, thanks man! Yeah hahahaha you got the sneak peak before the release 😁. It could be fun to always share the video in the Livestream before. To the VIP group Hahaha
I use a variation of the second method to fix the problem with colours: I do my rendering in b&w for the most time, after I finish rendering, I duplicate the rendered layer twice, so I have 3 of them. I set 2 of them to "soft light" blending mode, then set the last one to "hard light" at 50% opacity and give it a gradient map with the colours of the scene.
so whats crazy is i use all three methods i use multiply for blotching in shadows and using masks to easily keep colors in line, and then go with the singular method to go over the flatted in color to add depth and change things up as i want, then if i go for a lineless style i remove the line art section to then pull the finishing bits all together on one layer above the colors but below the shadows keeping most things seperated to help make minor changes i want to make while keeping whatever style possible at my fingertips
Thank you for putting together this helpful tutorial and covering the different workflows! P.S. I love that the character is wearing a Capsule Corp. jacket. 😄
@@LucasPeinador thanks alot bro I find myself always struggling when it comes to coloring this help me alot to understand it and have better ways to hit it
all three of those methods are beautiful, can you make a tutorial about the brushes you use and how to blend and all that stuff, I recently got my pen tablet and these things are a bit tricky to get a hand on, thanks :)
Hey for sure congratulations on the new tablet I I am just about to release my brushes this month finally if you want to get notified and also some exclusive bonusss you can check this out. Lucaspeinador.com/brushes
Thank you for the video. I should cheat a little more with the lazy multiply. Think i'll incorporate it more ^^. I would love a detailed explanation of vector masks and clipping masks. How they can be manipulated separately and how to treat them. I can see how useful they are but i'm a complete noob at understanding how they work. So that's a video idea if u're up for it.
Thank you for the idea H3, clipping masks I could certainly explain, vector masks I don't use them ever, so I could use a explanation video myself hehe. Thanks for sharing!!
Learned digital coloring the lazy multiply way! Still use it a lot these days. As a software developer by trade, the maintainability is very appealing. Been playing around with the YOLO method though, since it’s fast and fun. And you can play around so much and discover new stuff. Plus, I really love rough and painterly looking stuff. :D
Hey Anika, for sure. I think that the closest I have to what you are looking for is the caveman one. Check that one out. I'll for sure upload more content like that in the future.
This was beautiful! Liked and subbed. Love the rim lighting idea especially. I don't quite understand clipping masks. Why do you use them for each separate part, as opposed to a new layer? Maybe you already have a video about this?
The clipping mask is so that I don’t paint on anything other the the part that I want. It makes things more organized, clean and easy.🙃 Hope that I explained it …
Very clear and concise. Helpful yes. I'd like to see how to make your character a part of backgrounds/environment after you've created the character, this is something I've struggled with.
I use Lazzy Multiply to do the environment simulations in my work (replace a smooth wall with a tile surface simulating all the lights and shadows). I've never used it to draw and I think it's time ... Thanks for the video!! :D
Hey Anabumby! I didn't know that that had a name, Environment Simulations, sounds like serious stuff hehe. Yeah! use it, it is super fast for character paintings :) Thank you for sharing!
Lucas Peinador environment simulation it’s the beautiful way to say: I take a good foto of a room (kitchen, living room or bathroom) and change the walls to see how a tile model could looks in “real environments “ , it’s useful. I work in tiles world.
I wanted to hit the Like button 3-4 times during this video hahah :D Each thime I realized it was the same video and only one Like :D Great material! Thank you for the advice!
My FREE brushes here ➜ bit.ly/3zODzn1
Thanks 😊
Hi, thank you, great tutorial! I cant find where you download the brushes, it just links the site
@@nuja302 same
This was soooooooo helpful! I'm an artist that has been trying to figure this out forever and now I feel energized and ready to create! Thanks for the advice and experience.
Hey Todd, thank you very much for such a nice comment. I made this video thinking on the struggles that I had when I was starting in Digital Painting, so I'm glad that it could help you.
Omg the base layer mask and the clipping method! That’s the method I’ve been looking for all over the internet, and teachers never really explained in design school for me! What a life saver! Thank you so much 🙏🏾
Hey Wakanda! Very glad that the video was helpful, thank you very much for taking the time and leaving me the comment!
The first method is my favorite. Looks more painterly and realistic less digital which is what I prefer.
That is fair enough, I like to go over my whole painting at the end to remove a bit of that digital look
Yeah I agree. The last one is great but the first one had a different feeling.
my common mistake is painting even tho my sketch is not finished. I'm so impatient. lol
Hey Jetdraw, I feel you. I pay it always in the rendering if I didn't construct my sketch good enough 😬
same here.... how
does one know when its finished
I dont see it as a mistake, I was always taught to utilize any ideas or to have experimental layers for certain key detail you want to add when you begin the clean up. You'll build your own method the more you become efficient in other areas of studies TRUST ME.
LaDarius Livingston you’re right. Not everyone needs to have the same method.
recently i try to do that, i find that if im sure what the illustration gonna be like or its actually simple, unfinished sketch is fine, but if its kinda detailed and have a lot of planes to plot, that unfinished sketch literally just make me spend much more time on rendering stage ._.
I’d love that greyscale tutorial. I’d even love a more detailed tutorial of this video that explains what a clipping mask is, how to do it and so forth. Maybe you’ve already made a video like that, I’ll go on the hunt!
@LucasPeinador have you already made a grayscale tutorial?
I really need to find a tutorial where people aren't just talking over a sped up recording of their paintings 😩
I recommend Mohammad agbadi.
Exactly
0:54 - info start
8:18 - painting and rendering
Thank you for the time stamps
good tutorial for people that are already advanced users of photoshop. The methods you're showing look useful but I have no idea how to implement any of them.
Thank you for the feed back, I’ll do more basic tutorial
I just realised why I struggle so much with painting digitally. I’m not really a painter but rather a sketcher, and painting in the first method overwhelms me as a beginner in digital painting. The multiply and the workflow method really helps me stay organised and keep things simple and clean.
Wooow the video is really amazing!!!
I need to know how he did that at 10:47
how can you go to grayscale to do the lighting and then go back to normal mode
Personally, I do something like this:
- go to View > Proof Setup > Custom,
- in the proof customization window change "Device to simulate" to "Dot Gain 20%" and change "Rendering Intent" to "Perceptual"; I also tick the "Black Point Compensation" box,
- save the preset,
- it should automatically set it so all you gotta do is click Ctrl+Y, in case it doesn't it's saved at the bottom of the "View" options 👌
hey there phillip
Create an adjustment layer>grayscale. At the bottom of your layers window there is a circle divided in two, hover over it for a second and it should say adjustment. It is non-destructive so you can delete it without messing up your original artwork.
filip qué haces acá JSHSJSH
I guess Im randomly asking but does someone know a way to get back into an instagram account..?
I was dumb lost the login password. I would appreciate any assistance you can give me
I wanted to draw a character like this, but it was good that you taught me the basics slowly.
It's amazing how the screen doesn't stop and I keep drawing. It's magical!
I'll try my best to learn. Thank you!!
awesome, you can do it
You did great thing by creating this lessons.ive been looking for this for long.
Wow, genius. Finally I done with struggling how to arrange my workflow, not anymore. I wish I can give you x1000 likes. Anyway, thanks a lot.
Happy to hear that it was useful🙂
Would love to see the tutorial on shadows in greyscale! Would be very helpful to know how you execute your brush strokes during the coloring process as well!
At 8:20 a faster way to color the entire character is to use the wand tool on the surrounding , then expand or grow by a pixel or 2(to remove the white space) and then invert it. After, simply use fill. Note that this is assuming ur character has clean line art and has no holes. Props to kienan lafferty for this method, and the guy who taught it to him xD
Awesome videos, just started transitioning into digital art and your videos have been extremely helpful. Keep up the good work man.
Hey Nega, thank you very much, glad that I can help you in your adventure :)
I haven't thought about using a layer dedicated for shadow in multiply.
God. This is super helpful. Thank you.
accidentally stumbled on this and it turns out veeeerrrryyyy helpful!! you made my day really, glad i found this
Thank you Im having difficulty on Photoshop cause Im just starting
Absolutely Nyx! Thank you for watching and leaving a comment. If you have any questions I will be happy to answer. Hope that this video eased Photoshop a little bit :)
This video is probably up among the top best videos about digital art!! Loved this one.. Subbed!!
I'm a yolo kind of guy but sometimes, when I get tired of the colors I wanted,
I like to go black and white first and then play with gradient maps to discover colors I never knew I wanted
A bowl of Miso soup love your tip/method! definitely gonna try it
Thanks a lot man!! this is super useful!! great tip about the shadows in b&w that allows seeing the values more clearly. man you content is so valious, as a (starting) concept artist i can say that everything you share in your videos is very well-grounded and helps a lot to us, thanks again man!
My pleasure Andres. People like you is what makes it worthy. I understand the struggle of finding the right information, and thb, being an artist is hard enough already hahaha. Glad that you found it useful 🙌
Thank you so much! That was so very helpful! I love the first method look, the YOLO! But it makes sense that first we must use the 2nd and 3rd method and then use the first method for the final artistic look of the painting!
Glad it was helpful!
This was incredibly helpful. I see how undisciplined and impatient I am when it comes to illustration. This was also humbling in that I'm learning the more I know, the more I realise I don't know.
Glad it was helpful! Just keep on practising.
this video saved my job last year
I'd love it if you expand on all of them. I really want to learn the latter two. I've always wanted to do this professionally but i don't understand all the photoshop tools that are industry standard
Hey, thank you for watching. In my latest video I explain a different workflows.
@@LucasPeinador will check it out!
This video was extremely useful! Thank you so so much for that!
Glad it was helpful!
Lucas gercekten cok başarılı bir çalışma olmuş, ellerine sağlık bu bir sanat işi ve sen bunu hakkını vererek yapıyorsun. Bu işe yeni gönül vermiş biri olarak söylüyorum başarı; arzulu kişilerin ulaştığı bir yer olsa gerek. Umarım bende bu kıvama gelebilirim 😊. Kolay gelsin
sorry I don't understand
I like how you breakdown these methods. I'm using almost the same concept of mixing Yolo methods rendering and Quick masking one. But not as detail as yours. Because if we work on complex background and many characters, this will surely slows us down. Almost forget. Here you using black flat background. Background lighting surely effected on characters lighting too, especially on the midday
It's amazing Lucas - Good Job - We were talking from the live in instagram and you showed us little bit of the video and I loved it so much and now when i see it full its just .... Thank you!
Hey Umer, thanks man! Yeah hahahaha you got the sneak peak before the release 😁. It could be fun to always share the video in the Livestream before. To the VIP group Hahaha
@@LucasPeinador Yeah #feelsVIP 😂❤️
One of the best Workflows, Thanks mate.
Masking is the coolest but I have to agree with you, mixing the workflows is really interesting
Lol, this man is legit. I’ve known all three, but I’ve never used all together and soo smooth. Coming out of retirement, this man knows his shit 🤌🏽
Very useful. Gonna try all of this. Keep up the great work.
Best tutorial on youtube.
just found this channel today. loving the content. i definitely still use yolo often because of my history with acrylics
Thank you so much for this rendering video tutorial! You are so informative and touch the subject deeply in a great way!
Thanks Gruzerman!! Glad that it was helpful
Wow dude, thank you very much!!! I've been looking for this explanation for years and finally !!!! It's awesome!
Yo Alex 👍 you are very welcome, glad you found it useful!
Please make a more detailed video about lazy multiply !
This so smart I will have to try!
Thank you for sure🙂
I use a variation of the second method to fix the problem with colours: I do my rendering in b&w for the most time, after I finish rendering, I duplicate the rendered layer twice, so I have 3 of them.
I set 2 of them to "soft light" blending mode, then set the last one to "hard light" at 50% opacity and give it a gradient map with the colours of the scene.
awesome 👍
Amazing video, can you do a more in depth tutorial in the masking process, thank you.
so whats crazy is i use all three methods i use multiply for blotching in shadows and using masks to easily keep colors in line, and then go with the singular method to go over the flatted in color to add depth and change things up as i want, then if i go for a lineless style i remove the line art section to then pull the finishing bits all together on one layer above the colors but below the shadows keeping most things seperated to help make minor changes i want to make while keeping whatever style possible at my fingertips
Great vid Lucas!
Thank you Kreion!!
I LOVE result! YOLO lots of texture of great visual value
Thank you for putting together this helpful tutorial and covering the different workflows! P.S. I love that the character is wearing a Capsule Corp. jacket. 😄
Happy to hear that🙂 haha
Thanks, Disfruté bastante tu video! además this saves a lot of time and money....
Hey David, me alegra que te haya servido el video 😁
My common mistake as a beginner in digital painting is that i overblend colors and do not use masking pretty well in layers. Thanks for this tutorial!
Amazing! Thank you so much!
Thanks to you Sonia!
OMG a new videoooo 😍😂
Sorry for Not beeing there in yesterdays Stream.
Hey Theo! Thanks for the comment man, don't worry :D You are there every day. Cheers dude!
Actual video. Good work.
i love the texture the yolo method offers and I love how it feels. It is for sure a pain though to make changes and keep lines crisp..
thank you very much 👍 happy you like it
Please explain masking and lazy multiply elaborately
Would love to see more of #3 love this video
Hey Ron, Thank you for telling me, I will make sure to expand on it in next videos :)
@@LucasPeinador thanks alot bro I find myself always struggling when it comes to coloring this help me alot to understand it and have better ways to hit it
Thanks for this! You deserve more subs ;)
Gracias Lucas!!!
Happy that you like it.
this made my life so much easier thank you so much
this is the best tutorial i've ever seen
I love this video
Thank you very much Raen :)
thanks man I use the multiply method but i like the others u showed
It is a very fast workflow. Hope you got something out of the others too 😊
Lucas Peinador i did thanks man 🎨🎨🎨🎨👌🏾👌🏾👌🏾
I genuinely love watching things like these but I just am not used to or comfortable digital work and a bunch of applications
You can always go with a single layer and straight up painting, then it becomes simpler than traditional :)
Didn’t know you were from CR. So proud of you mae... 👍🏻
Thank you very much this was very helpful
Hey Kaya!! Happy to hear that. I didn't know if it was obvious information so I was hesitating to share it.
@@LucasPeinador no its perfect
all three of those methods are beautiful, can you make a tutorial about the brushes you use and how to blend and all that stuff, I recently got my pen tablet and these things are a bit tricky to get a hand on, thanks :)
Hey for sure congratulations on the new tablet I I am just about to release my brushes this month finally if you want to get notified and also some exclusive bonusss you can check this out. Lucaspeinador.com/brushes
THIS IS VERY HELPFUL OMG THANK YOU SO MUCH
Thank you Lucas
You're wellcome
Art tutorials are cool, but when are u going to make a tutorial on how to be as handsome as you? ❤️
Keep the amazing work dude u killing it 🔥
Hahahaha Bei, this comment made made me laugh so much 😁.
We are gonna keep the work (and the skincare routine)
GROW BONKER FACIAL HAIR
I hope sir your next video not so fast.because I want to learn a lot more in drawing using the Photoshop..But you are an amazing..salute sir..
Thanks for the tips!
Sure thing Layxee!
I love your voice...thanks man!
Hahaha thank you Rafa 😁
Here is an actual tutorial on how to actually do it. Thank you!
Glad I could help! Thank you 👍
This is exactly what I needed. THANKS U SO MUCH
Awesome work!
this really helped me out wow
This is sooo helpful, great job!!
Glad it was useful Fra! Thank you
Why do you only have 22k subscribers? Damn your vids are so helpful. I really want to become a character designer 🙆♀️
Hey Mohammad, thank you so much! Well, slowly going up, on the road to 100 k one day :) I am happy that my videos help you achieve your goals
@@LucasPeinador I hope I can see you reach a hundred or more in the future. Thanks again man!
Thank you! This is exactly what I’m searching for!
Yes! Video on grey scale!
Thanks for sharing... This tutorial was very helpful...
Love it 🥰
Thank you very much Sama!!
Thank you for the video. I should cheat a little more with the lazy multiply. Think i'll incorporate it more ^^.
I would love a detailed explanation of vector masks and clipping masks. How they can be manipulated separately and how to treat them. I can see how useful they are but i'm a complete noob at understanding how they work. So that's a video idea if u're up for it.
Thank you for the idea H3, clipping masks I could certainly explain, vector masks I don't use them ever, so I could use a explanation video myself hehe. Thanks for sharing!!
Learned digital coloring the lazy multiply way! Still use it a lot these days. As a software developer by trade, the maintainability is very appealing.
Been playing around with the YOLO method though, since it’s fast and fun. And you can play around so much and discover new stuff. Plus, I really love rough and painterly looking stuff. :D
Second and third best for Pro work
Great educational video. Thank you!
Amazing. Thanks for all the tips.
What a nice video dude, you're good af
Thanks Ramses 👊
this was really helpful and also i love your accent
Can u do in-depth videos on rendering?
Hey Anika, for sure. I think that the closest I have to what you are looking for is the caveman one. Check that one out. I'll for sure upload more content like that in the future.
Love it🥰
Hola bella!! Thank you 💙 You are fast hahahaha
This video is very helpful, Thank You! Can you make a video going more into detail about the masking, please :)
I'm very happy that you found it helpful, and yes, of course! thank you for leaving a comment!
This was beautiful! Liked and subbed. Love the rim lighting idea especially. I don't quite understand clipping masks. Why do you use them for each separate part, as opposed to a new layer? Maybe you already have a video about this?
The clipping mask is so that I don’t paint on anything other the the part that I want. It makes things more organized, clean and easy.🙃 Hope that I explained it …
@@LucasPeinador Yes thanks very much, got the hang of it :)
Very clear and concise. Helpful yes. I'd like to see how to make your character a part of backgrounds/environment after you've created the character, this is something I've struggled with.
Man of taste has Ruan Jia wallpaper. Subbed.
I use Lazzy Multiply to do the environment simulations in my work (replace a smooth wall with a tile surface simulating all the lights and shadows). I've never used it to draw and I think it's time ...
Thanks for the video!! :D
Hey Anabumby! I didn't know that that had a name, Environment Simulations, sounds like serious stuff hehe. Yeah! use it, it is super fast for character paintings :) Thank you for sharing!
Lucas Peinador environment simulation it’s the beautiful way to say: I take a good foto of a room (kitchen, living room or bathroom) and change the walls to see how a tile model could looks in “real environments “ , it’s useful.
I work in tiles world.
oh my god this is exactly what i've been trying to figure out how to do
Excelente Lucas. Gracias!
I wanted to hit the Like button 3-4 times during this video hahah :D Each thime I realized it was the same video and only one Like :D Great material! Thank you for the advice!
I feel like I've been looking for this video for years, thank you
awesome! this will help me a lot. Thanks!
Glad you say that Vidrio 😁
@@LucasPeinador welcome.