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Goobster's Room
เข้าร่วมเมื่อ 6 ก.ค. 2019
Goobster's Room is a Music Production Studio that encourages Creativity, Consistent Growth and Quality Music through Learning, Exploring New Ideas, and Having Fun!
Tutorials, Entertainment, Vlogs, and everything audio!
For all business inquiries, contact the email listed down below.
Tutorials, Entertainment, Vlogs, and everything audio!
For all business inquiries, contact the email listed down below.
The BEST Plugins For Beginner Audio Engineers (2024)
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How To Sound Like OHGEESY - "Shoreline Mafia" Vocal Tutorial [Pro Tools]
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Ever consider Shaperbox to do exactly this? One fell swoop.
@@QueMusiQ duck by devious machines >
18:40 Now, it may be because these are solo’d kick/808/SynBass? But what I’m hearing in the cans (Sony WH-1000XM5’s, basically prosumer and not my pro mixing Senns so not “ideal”, but still telling nonetheless) What I’m hearing is the saturation on the kick attack and 808 body from the boom buss conflicting with the synthtacularity (😂) of rhe SynBass. It may behoove a sound nerd such as we are to analyze with an oscilloscope where that saturated upper freq is on the boom buss is, and add another node in Soothe (which in fairness I’ve never used, but I do see other dots there? I’m guessing you can activate one of those?) to duck the synth as well, but just a smidge 🤏 and with a much quicker release. I say a smidge because in the higher frequencies, a little goes a longer way than the lows. (Think Nyquist). So if you cutting the lows with a hpf as is here, that’s knocking out ALL the lows via sidechain. Okay. A bit extreme, but there are use cases. In the higher sizzle area (where you may create some phase issues unaccounted for via that one HPF node, use a band curve with whatever Q value makes it least noticeable to the listener, and adjust the attack to whatever is needed to cancel the problem, and use a faster than you’d expect release. Faster release = less noticeable Dibia$e/STLNDRM-esque slump beat pumping. The key of all this is to make it sound the same, but tighter (without phase cancellation) as without anything. This is all done for an audience of ☝🏾 one: your mastering dynamics. Like you said, it makes it so you don’t need a bunch of comps in a clearly overdone mastering chain (glares at himself, who uses EVERY comp in Slate Digital, Izotope AND Fg-X to master because I can and this ain’t my real job 😂). Less of these low freq transient buildups = less need to grab a clipper on your buss or master, and less noticeable distortion if you do. It allows the master bus dynamics processing to work on tone and LUFS, not as an eraser. It cannot do both. So louder but with preserved overall dynamics. Like Jayson said: he already 2db ahead of you just by doing the first thing of drawing in volume automation. It’s not for YOU to hear or notice, it’s for the computer to appreciate during your stereo mix.
1:24 “clip” automation. “CLIPPING” automation sound like you automate a clipper plug in.
This method is way too long!!! 😴 😴 Why not sidechain the kick to the 808 and adjust threshold, attack, release and all?!
@@tomgee3361 read the reply under pinned comment. If you want basic approach that isn’t as effective go ahead and do you
this is game right here
@@matth3wgray thank you for watching!
#1 you can do this with a sharp/fat side-chain compression, or side-chain soothee
Pro Tools is a joke when it comes to sequencing. Also… garbage company that requires constant online connection.
@@ghfjfghjasdfasdf I can agree with you on that one. Not a big fan of avid as a company but I still do like it for engineering compared to other daws
Yeah, I understand it’s what people use for big sessions. Copy that
Open pitch shift and instead of tuning it down a lot only turn it on -0.50 and turn down the format to your liking
@@prodbyNoSauce-h1t the only song he pitch shifted was all red everything else was all him
Travis
Love your channel bro!!
@@mispillionrecordings3469 thank you very much for watching! 🙏
You doing the most.. All you gotta do is Sidechain the kick & 808. Using soothe 2 is the easiest cuz you can dip the frequencies where your kick lives in your low end without dipping the whole low end.
@@Skyraemusic your understanding is very surface level, not that that’s wrong or anything but go ahead and do that if it’s easier for you… When you duck only low end frequencies from a sound without ducking the entire sound itself, you introduce more phase issues to whatever sound's low end frequencies are being ducked because... In order to duck ONLY frequencies in the low end region, the phase has to be shifted at that given crossing point. Which is why frequency focused ducking on a specific region isn’t really the move. And did you not watch the part where I showed how the attack & release time is very limited with soothe? There’s literally a whole section explaining where soothe is not the move, & how THAT’s doing too much and is redundant… Controlling the phase of your low end is VERY crucial which is why the first method is better than any side chain compression because unless you’re using an oscilloscope to dial in your side chain compression settings, You’re not going to accurately be able to control the peaks with simple compression settings via sidechain such as attack & release time, threshold, & ratio of the compression down to the very last cycle of the waveform 99% of the time, Because there's too many variables you have to get right making the first method in this video 1000x better than traditional sidechain compression WHICH is the main question/comment I received for this video "Can't you just use sidechain compression bro? You're literally overcomplicating it when sidechain compression does the same thing" Yes technically is does, but very poorly and limited at that for reasons I already provided. (i.e not being able to control whatever's being sidechain compressed down to the very last cycle to fully maximize the waveforms peak performance) But again, Go ahead and be my guest and do that if you want the two samples to add up or cancel out in some weird unfavorable way which again could affect the overall impact of your low end... Anyways do whatever you think is easiest for you, but the videos right here explaining everything. If it’s too much and you don’t want to do it this way that's fine, But I’m not gonna explain again why soothe or basic/traditional sidechain compression isn't the best when it’s literally right there in the video 😅
@@goobstersroom homie really didnt watch the video lol
@@RP14_Music foreal
Nah. Common mistake. You just randomly sidechain COMPRESS? You’re forcing the compressor algorithm to do something it isn’t primarily designed for: clip gain. JUST sc compressing is an intermediate level trick. What this whole video is showing you is how NOT to make the compressor struggle. If you just sidechain compress to do this, you’re going to increase some of the inherent distortion that comes with, and it’s not going to be fast enough to grab that bass and duck it. Add clip gain FIRST? Your compressor will do a better job sidechaining and will give you an overall better result. But I do agree to clip gain each wave is tedious and unnecessary because you can side chain that as well with Shaperbox, which ALSO allows you to sc compress. All one plugin. Excellent utility to just slap on your template and you have MUUUUUUCH better control over that automation curve to lo key trace the shape of the incoming signal (kick) AND you can make it so it only clip gains the frequency range you want in the low end. But I still use both clip gain and sc compression as is done here, just with BOTH triggered by sidechaining.
You said in order to duck just the low frequency- but that’s literally the second half of the video. You ducked only the lows. 🤷🏽♂️
so firee bro 🔥why in 12:28 wihout any plugins but only autotune the vocal is so melodic and shine already?
@@trawisiusz that’s just what happens when you get a good recording and a good performance
great Video Mane🔥
@@mafmane thank you for watching!
You should do a Chris brown vocal mix tutorial next
22 minutes of; "sidechain" it like no one has ever heard of it before.
you clearly don't get it, this is better than sidechaining
@@goobstersroom It's not I've tried it... have you? Try to sidechain with soothe and compare it to sidechaining with Pro -Q or anything else, it's not better. If it was better I'd be doing it, and I'm not, so have you even EVER tried it?
I mean the soothe sidechain is a cool trick but at that point you could accomplish the same thing with a hi pass filter up to 100 hz.
Yeah i'm not a fan of it either i think it's very OD
cmon make a tory lanez preset or live, how to sound like tory lanez 80's
Are you sure that the Trim Tool mentioned in the video "Pensados" is about Gain and not Volume?
@@fabio_coc_2409 yes 100% that’s why I bring up the mix with the masters video as well as a reference because that’s what he’s talking about
Yo bro… “It’s Lit”!!!! How you bypassed a number of plugins but not the whole row of them. Only selected ones. Is there a shortcut for that?
@@officialrenocorelli8288 you gotta hold the windows key on windows or the control key on Mac and click on a plugin and based off whichever plugin you pick it’ll bypass only all the plugins that follow not the ones before. Then if you highlight the track you want to bypass the plugins you could also hit Shift + A to bypass all plugins Shift + E to bypass only EQs Shift + C to bypass compressors only Etc there’s more online but just look for the ones you’re looking for I think shift + r bypasses reverb and shift d bypasses delay plugins
That’s love bro thank you man. You are glorious no 🧢 💯. My fav TH-camr hands down
great video man very well spoken
@@dudedudedude36 thank you for watching! 🙏
Good for him, but there's a lot of producers that handle it. We were doubling kicks and instruments with drum machines when we couldn't own MPC's. Quit blowing yaself up. We did it DR-5's and Gemini 824's and 1224's. Y'all need to stop like Y'all know sumn.
@@jamesking6583 you sound like you’re blowing “yaself up” Like if you “know sumn”
@@goobstersroom I do know plenty young'n. You can love it or leave it. It's just what it is.
I think adjusting the attack on the 808 fairly small will work. Hey fl studio users. adsr
Cant even understand his words
@@BIGROSE7 yeah his performance wasn’t the strongest tbh I thought he was gonna do something completely different
I wish your artist a stfu lol just keep recording goofy
how do you get psyscope in protools
@@galliondigital4296 it’s windows only but if you download the vst then use bluecat patchwork to open up the vst in pro tools
10:18, did you ever get around to doing that video?
Not yet but we'll get there tho!
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So I followed this and it sounds great, however I'm having some latency issues? Which is weird because none of the other tracks in the same session are having these issues. I've tried everything in the book to solve it. Lowered the buffer size to 32, enabled low latency etc. Anybody else having this issue?
@@graphikmusic1066 there’s certain plugins that I’m using that do not have a low latency mode, For example you can NOT record with little alter boy on because it’ll cause latency as well as plugins like soothe, any limiters, etc The best way to fix that is to make the high cpu plugins that cause a lot of latency when recording inactive. To do that just right click the plugin then hit make inactive but you could also look up the shortcut for that online. And the way to see which plugins are causing you a lot of latency is to command click on Mac or control click on windows on the volume fader on whichever track has plugins in the edit window (screen where it shows playlist, audio waveforms, tracks etc) And then look for the one that says dly which is delay, Then look at the numbers and whichever is the track has the highest sample delay you have to go and make specific plugins inactive and see which ones are causing you the most latency when recording. Then once you finish recording you make the plugins active again Does that make sense lmk if you have questions
Bro sub grown-up
@@JaayleeMusiq yuhhh just hit 6k today 🙏
@@goobstersroom 100k by next year 🙏
@@JaayleeMusiq Real one haha just gotta keep it going thank you!
@@goobstersroom you will 🙏
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Bro how you lose that much weight that fast homie. Serio. I need them ingredients wit my fat asz stomach homie. This extra weight is caca hahaha
🔥 👏
Ahh I’ll be at work. Will the stream stay on your YT so I can rewatch?
Aw man bro no worries! But yeah if you miss it you could always catch the replay on the channel 🔥
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Lit
@@ranendown9011 you f with it?
@@goobstersroom Yes Sir. Keep making content and short form vids like this. You're on to something!
@@ranendown9011 appreciate you Brodie thank you for watching! New stream tonight too 😏
🔥
@@JaayleeMusiq appreciate you Jaylee!
@@goobstersroom anytime bro
Great stream keep going g
Thank you bro! 🙏
W or L Stream? Lmk guys!
W
@@yungfelicia2 appreciate you yung Feli fel!!
Travis
I’ve been using Duck. It has very intuitive envelope shaping. It’s by Devious Machines. I wonder if you’ve tried it.
I'm actually gonna do a video on that because that is the better more efficient way to pull this off the only reason why I didn't mention it in this video is because Jaycen Joshua doesn't use this himself from what I've seen so I was just staying true to the video concept
@@goobstersroom For sure, that makes sense. Another thing I really love about Duck is that you can see the waveform of the kick and the bass overlayed on each other in the same window. It helps when adjusting the envelope. (I also use Duck for other things besides side-chaining. Such a great plugin)
Live tonight at 4:30pm PST on this channel! See you there!
Hey man I got a serious question what key is Ab minor I got a lot of good beats with it but there isn’t that in auto tune some people tell me it’s C Major some people say F# Major so I’m confused?
Great video thanks for sharing it. For my ears, the music/mix examples could come up in the mix compared to your voice which seemed a lot louder in the video.
I agree that was something I had caught after I uploaded the video but I got it fixed for sure now tho! Thank you for watching!
Def looking forward to that roast session
@@FredStarsVideos im aiming for 2 streams this week and that’ll be one of them but imma promote it on the first livestream of this upcoming week! 🔥🔥
@@goobstersroom Cool Bro!!!
Presets are fake cap!
how long does shipping take?
Been doing music stuff basically all my life and somehow this is the first time I’ve ever seen that psyscope thing and it looks awesome haha crazy how there is still software that slips thru the radar.
Great advice bro📝💯💯💯
Thank you for tapping in!!