Dope channel brother. I would love to see you do a video on the Huncho Jack Jack Huncho sound. That super fried autotune sound with lots of delays and crazy reverbs. I think it'd be a sick video that lots of people would fw, especially since they're talking about dropping part 2.
@@jstarr_llc for sure bro I would have to look into it but I do got Travis Scott and don toliver videos which kinda mirror that sound so I would recommend to check those out if you haven’t already in the meantime 🔥🔥
@@flamersss I could possibly do that but it would take some time to develop properly so not anytime soon. But the mixing principles still apply regardless of whatever DAW you’re in
Ay bro. With the nt1a 5th gen condnsr mic, how should i position the mic. Down to get the bass and mix it afted or keep it facing me even if the bass dont catch as good as it do when it pointing down but i wna work professionally, so holla at me when u got tiempo for mic and performance techniques bro please and thank u raza.
I don't have a fabfilter exclusive video but I do have a Lil Uzi video itself th-cam.com/video/7kTZmGqP9po/w-d-xo.htmlsi=MJSY7oCgkIVUDVSo Same principles apply and you can get a similar sound if you use plugins similar to what I show in the video, any simple eq comression eq would work if you know how to use it right
That's a very deep subject so as far as a course goes that probably wont come anytime soon but I will release individual TH-cam videos explaining my process on full track-out mixes in the near future
100% you should see the Swae Lee video that ones even funnier it was only 1 Q point lmaoo. But yeah that's why having quality recordings is a crucial part before mixing haha!
If you're not recording with an analog compressor I would still typically always use an EQ first still to just clean up the vocals before adding any compression. That's my preference!
@@goobstersroom thanks for the quick response bro. I want to get more into mixing vocals but I don’t have the waves subscription, I’ve just been using like stock fl studio vsts mostly but I’m slowly getting the hang of it.
At 10:22 I brushed over this which it can if you’re too heavy handed or not careful but I felt like these vocals needed it so I didn’t see an issue. Again it varies from song to song, source to source you just have to reference other songs and use your best judgment
I got a new PC with maxxed out specs and I cant fix bad latency while live monitoring in ableton live... ive tried all the tutorials and cant find the fix is ableton just garbage or what am I doing wrong? I had zero latency on my macbook with worse specs and the same gear im using now
I'm not too sure I don't use ableton so I can't really say... If you're using a lot of plugins while recording just try to make sure they have a low latency mode for recording. If you can lower your buffer length as low as you possibly can that would help. And this is more of a pro tools thing but there's a delay compensation option that helps keep all your tracks in sync together I'm not sure if Ableton has a feature like that but just look up delay compensation and see if you can find something online. If you have a maxed out computer then it should just be a setting that you probably don't have on right whether that be on a plugin or in the DAW Another thing is to make sure that you have the most up to date drivers for your audio interface because that could cause issues as well. To find them just look up whatever the make and model of your interface is on google and then put drivers after that and you should be able to find them. Once you download and install the most recent up to date drivers make sure to restart your computer and then test it from there. If none of that works you could join my Patreon (link in description) and I have a membership option that's $15/month where we could hop on a call and I could provide technical support to help you with the issue but I would try everything else I mentioned out first unless you want to just get straight to the point then you could book the call immediately. Up to you tho but if you do want to book a call also DM me on Instagram when you join and we can set it up . Good luck
Do u use the same aux bus for the lead and the stack, and on the stack do u remove a lil more of the bass or sub frequencies on the lead dub or u leave it and only remove whatever bad frequencies stick out or get in the way?. How bout the stacks?? R they on the same lead vox bus as the lead and dub bus?? Holla back. Been looking for a video like thiz for 10 months since i got out of jail homie. Good shit
Yeah bro you basically got it I do route all the stacks to the same lead bus and as far as the processing goes I go over that in the stack section, I remove lowend frequencies so they don’t pile up bad when paired with the lead vocals same thing with the dubs. Such as removing the lows and making space for the clarity of the vocals to shine through by cutting the frequencies in the stack where I wanted the presence of the lead vocals to shine through
@@goobstersroom Thank yu for passing on this knowedge yur explanations are very simple and easy to follow on with tym and yu ineract with yo audience❤💯 l grew tremendously after discovering yo channel🤞💯🤘
It’s all in the recording, you have to record like there’s No mixing, mix like there’s no mastering. Jayblicky got it right with it all being proper Room treatment, microphone technique, gain staging, preamp and compression etc… That’s why getting the cleanest possible recording is super important because if you do that then the mixing process will be much more enjoyable and take less to get to a better end result! If you wanna learn more I have a video on my channel called, “Why your vocal recordings suck!” Which goes more in depth into all these other concepts!
One more question about this way of mixing. I fuck wit the vocal chain on here for this style G, but my next question is, lets say we didnt record in/print with a compressor in the recording stage, does the order of the plugins change. Like should i add a 1176 by waves first then glue it after wit the CLA2A ONE AFTER THE OTHER, or throw a comp on, then eq, then throw a 2A then eq again if needed? Lmk these r things ive been tryna figure out for a long time.
If you didn’t record with compression I would use an 1176 or something a bit faster first to tame the transients and dynamics of the vocals first always that’s the right idea! Use that 1176 first only for the transients so that way when you hit it with another compressor such as the CLA2A. That way each compressor isn’t doing too much which will help the vocals sound more natural with less audible pumping or artifacts coming from one compressor doing too much
![How To Sound Like Lil Uzi Vert - "Pink Tape" Vocal Tutorial [Pro Tools]](http://i.ytimg.com/vi/7kTZmGqP9po/mqdefault.jpg)
![How To Sound Like Lil Uzi Vert - "Pink Tape" Vocal Tutorial [Pro Tools]](/img/tr.png)
![How to Sound Like Travis Scott - "UTOPIA" Vocal Tutorial [Pro Tools]](http://i.ytimg.com/vi/-SkPmgDdCGE/mqdefault.jpg)
![MIXING R&B VOCALS START TO FINISH - PRO TOOLS [NO BS]](http://i.ytimg.com/vi/TPtTaLzwdns/mqdefault.jpg)
![How To Sound Like Swae Lee - "R&B" Vocal Tutorial [Pro Tools]](/img/n.gif)
Man we need a mastering tutorial from you definitely
@@RichMindset-RM I’ll see what I can cook up 👨🍳
I learned so much things from this video, hopefully one day I can make a track like this. Thanks bro
You'll get there! Just stay consistent and always be curious to learn new things!
Don't stop what you do bro. Love it. Big thanks!
More videos coming soon! Thank you for watching!
Always come back to this one homie. Ay can you do one vocal chain with Larry june type vocals with waves plugins
Dope channel brother. I would love to see you do a video on the Huncho Jack Jack Huncho sound. That super fried autotune sound with lots of delays and crazy reverbs. I think it'd be a sick video that lots of people would fw, especially since they're talking about dropping part 2.
@@jstarr_llc for sure bro I would have to look into it but I do got Travis Scott and don toliver videos which kinda mirror that sound so I would recommend to check those out if you haven’t already in the meantime 🔥🔥
nice job bro really good teacher
Appreciate you thank you for watching!
Great video
Thank you for watching!
Would u ever consider making templates for FL studio ?
@@flamersss I could possibly do that but it would take some time to develop properly so not anytime soon. But the mixing principles still apply regardless of whatever DAW you’re in
Ay bro. With the nt1a 5th gen condnsr mic, how should i position the mic. Down to get the bass and mix it afted or keep it facing me even if the bass dont catch as good as it do when it pointing down but i wna work professionally, so holla at me when u got tiempo for mic and performance techniques bro please and thank u raza.
Man thank you !!
Of course glad you enjoyed the video!
do you have any fabfilter tutorials to achieve similar vocals? like uzi?
I don't have a fabfilter exclusive video but I do have a Lil Uzi video itself
th-cam.com/video/7kTZmGqP9po/w-d-xo.htmlsi=MJSY7oCgkIVUDVSo
Same principles apply and you can get a similar sound if you use plugins similar to what I show in the video, any simple eq comression eq would work if you know how to use it right
Can you give me an instrumental mix course as well?
That's more important than vocal mix.
That's a very deep subject so as far as a course goes that probably wont come anytime soon but I will release individual TH-cam videos explaining my process on full track-out mixes in the near future
Do a juice wrld breakdown
what can i replace with that PanMan for the adlibs if i only have Waves plugins ?
@@flamersss you can use waves mondomod
🔥
Clean mixing fr. Good chain order, and you’re not using 300 points on the proQ3 🤣. That’s the magic of a good recording I guess!
100% you should see the Swae Lee video that ones even funnier it was only 1 Q point lmaoo.
But yeah that's why having quality recordings is a crucial part before mixing haha!
What mic/pre/comp was used?
For the song we recorded we the chain we used was a
Neumann U87 -> Art Pro MPA II - > Tubesessor -> Focusrite Clarett +8 Pre
will you ever make ken carson type shit ?
For sure just gotta finish others but it'll be there
@@goobstersroom less gooo
u a goat
@@DEVDLXRD Of course I got you!
Should I put the compressor first in the vocal chain if I'm not recording into a analog compressor?
If you're not recording with an analog compressor I would still typically always use an EQ first still to just clean up the vocals before adding any compression. That's my preference!
@@goobstersroom thanks for the quick response bro. I want to get more into mixing vocals but I don’t have the waves subscription, I’ve just been using like stock fl studio vsts mostly but I’m slowly getting the hang of it.
@@KhaledBeatz92 Soon
But is the vocal not getting thinner once you hit it with the Pro Q3 for the second low end cut ?
At 10:22 I brushed over this which it can if you’re too heavy handed or not careful but I felt like these vocals needed it so I didn’t see an issue. Again it varies from song to song, source to source you just have to reference other songs and use your best judgment
@@goobstersroom Got ya, thank you!
what mic did u/he use for recording?
We used a Neumann U87 into a Art Pro MPA II Followed by a heritage audio Tubesessor
I got a new PC with maxxed out specs and I cant fix bad latency while live monitoring in ableton live... ive tried all the tutorials and cant find the fix is ableton just garbage or what am I doing wrong? I had zero latency on my macbook with worse specs and the same gear im using now
I'm not too sure I don't use ableton so I can't really say...
If you're using a lot of plugins while recording just try to make sure they have a low latency mode for recording. If you can lower your buffer length as low as you possibly can that would help.
And this is more of a pro tools thing but there's a delay compensation option that helps keep all your tracks in sync together I'm not sure if Ableton has a feature like that but just look up delay compensation and see if you can find something online.
If you have a maxed out computer then it should just be a setting that you probably don't have on right whether that be on a plugin or in the DAW
Another thing is to make sure that you have the most up to date drivers for your audio interface because that could cause issues as well.
To find them just look up whatever the make and model of your interface is on google and then put drivers after that and you should be able to find them. Once you download and install the most recent up to date drivers make sure to restart your computer and then test it from there.
If none of that works you could join my Patreon (link in description) and I have a membership option that's $15/month where we could hop on a call and I could provide technical support to help you with the issue but I would try everything else I mentioned out first unless you want to just get straight to the point then you could book the call immediately. Up to you tho but if you do want to book a call also DM me on Instagram when you join and we can set it up .
Good luck
@@goobstersroom ill join the patreon. Couldve swore I saw you using ableton but it mustve been pro tools
@@BigWickVic Yeah it's pro tools brodie
@@goobstersroom still gonna try the patreon out after I set pro tools up. Love your videos man so underrated
Do u use the same aux bus for the lead and the stack, and on the stack do u remove a lil more of the bass or sub frequencies on the lead dub or u leave it and only remove whatever bad frequencies stick out or get in the way?. How bout the stacks?? R they on the same lead vox bus as the lead and dub bus?? Holla back. Been looking for a video like thiz for 10 months since i got out of jail homie. Good shit
Yeah bro you basically got it I do route all the stacks to the same lead bus and as far as the processing goes I go over that in the stack section, I remove lowend frequencies so they don’t pile up bad when paired with the lead vocals same thing with the dubs.
Such as removing the lows and making space for the clarity of the vocals to shine through by cutting the frequencies in the stack where I wanted the presence of the lead vocals to shine through
Pls can you make Travis Scott vocal effect on GODS COUNTRY
I have a whole video covering Utopia. I mention Gods country in there too! Here’s the link
th-cam.com/video/-SkPmgDdCGE/w-d-xo.htmlsi=c2PSlmgcNcfkTIZc
@@goobstersroom Thank you
Yezzzir 🫡👌
Appreciate you!
please do kid cudi🙏🙏
P-p-pretty green bud
@@goobstersroom Thank yu for passing on this knowedge yur explanations are very simple and easy to follow on with tym and yu ineract with yo audience❤💯 l grew tremendously after discovering yo channel🤞💯🤘
@@vikqblakq0023 I love to hear that I'm glad you're able to learn a lot from these videos and thank you for tuning in!!
how you get your vocals to sound basically mixed before mixing 😭
Preamp and Compressor Doesn’t Really Need One You Can Print Like The Hardware In Protools
Also Room Treatment, Mic Technique and Performance
It’s all in the recording, you have to record like there’s No mixing, mix like there’s no mastering. Jayblicky got it right with it all being proper Room treatment, microphone technique, gain staging, preamp and compression etc… That’s why getting the cleanest possible recording is super important because if you do that then the mixing process will be much more enjoyable and take less to get to a better end result! If you wanna learn more I have a video on my channel called, “Why your vocal recordings suck!” Which goes more in depth into all these other concepts!
I liked the pre mixed version better no lie
Kid cudi
One more question about this way of mixing. I fuck wit the vocal chain on here for this style G, but my next question is, lets say we didnt record in/print with a compressor in the recording stage, does the order of the plugins change. Like should i add a 1176 by waves first then glue it after wit the CLA2A ONE AFTER THE OTHER, or throw a comp on, then eq, then throw a 2A then eq again if needed? Lmk these r things ive been tryna figure out for a long time.
If you didn’t record with compression I would use an 1176 or something a bit faster first to tame the transients and dynamics of the vocals first always that’s the right idea!
Use that 1176 first only for the transients so that way when you hit it with another compressor such as the CLA2A.
That way each compressor isn’t doing too much which will help the vocals sound more natural with less audible pumping or artifacts coming from one compressor doing too much
🔥
🔥