A superlative recording in 1963 with Rita Gorr and Jon Vickers with George Pretre as conductor with the French National Opera company is as they say a Bench mark .EMI France .
Hhahahaha soooo beauuutiifuul 😍😍 so excited to watch it on live from NY the met, the 20th October at the cinemas all around the world 🌍 Xxxx from france
Dans tous les cinéma Pathé Samedi 20 Octobre 2018 19h00 Une superbe mise en scène avec Elina Garanca et Roberto Alagna. Bonne séance (vous pouvez réserver en ligne au besoin) TG
I wasn't disagreeing with you. It's just that recently she sang an absolutely sensational Octavian (trouser role) in Rosenkavalier at the Met. Take a look at the reviews. If you want to see it, you can on demand on the Met's website.
May I suggest the complete performance with Jon Vickers and Orelia Dominguez- both titanic voices in a powerful performance, the way these roles were meant to be sung. Available on Opera Rara album. Also the EMI recording with Jon VIckers and Rita Gorr- stupendous, white hot performances with Georges Pretre at the helm. true dramatic voices.
Great pupil of magnificent soprano Virginia Zeani - now 94. Their superb technique goes right back to the Garcia family - Pauline Viardot and Maria Malibran
Anita Rachvelishvili will sing Dalila in next March in the same production. I wish to hear Alagna and Rachvelishvili sing this aria together. He won't sing Samson in March.
Amazing voice, controlled but expressive at the same time, she has everything in her. I would have like a slightly faster tempo so that when requires to stretch it, one would feel more the emotion.
Wow. I think I do like this version better than Anita's. Sound more balanced (Anita is too quiet in the beginning), sensuality is just off the charts, absolutely mesmerizing. Wish this was a longer scene posted.
She was wonderful but it was WAY too overindulgent in tempo and the conductor in an actual full production would NEVER have allowed her to sing it that slow. He say the audience would leave. It would make the evening twice as long.
Non, il n'est jamais trop tard pour se cultiver. J'adore l'opéra mais ça ne m'empêche pas de connaître I belong to you de Muse. La musique classique et l'opéra sont partout, films, pubs... Beaucoup de gens, comme vous, découvrent l'opéra au détour d'une musique de film ou autres.
I watched this on Met On Demand. Of course Elina and Roberto are spectacular, but the staging and directing felt very flat and unexciting to me. The set designs were stunning however, so hats off to the artistic director.
WHY DO THEY ALWAYS HAVE TO USED A CLOSED "E" ON TENDRESSE? (It's ten (nasal) dress then a schwa, not drayss)...i understand it's low in the range so they want more sound but it's not proper French. Before a double consonant, an E is always open.
Fully agree. This is not her role. Not her repertoire. I have heard her singing this piece live. Bearly audible... just for the books - I like her a lot in bel canto repertoire, she has great top notes indeed.
I agree. It's all swallowed or placed in a mask. Very boring to listen to. I've never been convinced by her. Even when I first heard her sing Dorabella at ROH. Very beautiful looking, but that's it. The question is, is she worse than Irina Mishura, Domashenko or Denyce Graves, all of whom took on the role while Borodina was singing at the house? My answer; No!
Absolutely! But don't dare saying anything negative about Garanca! She has her legion of fans who don't know much about opera! Her voice is totally "fake" as a mezzo, and she is anyway no mezzo! Her lower notes are purely grotesque! And BTW Dalila is not an operatic role and it is intended for an ample contralto. Which she is not. But the public is content with that pale Ersatz of a mezzo!
@@georgesclermont1911 I dipped into the Met stream of the complete production last night and was equally horrified. Only Garanca's sumptuous tone and presence made some of it watchable.
@@georgesclermont1911what the fuck is with her wig and her costume and makeup? She looks like a 59 year old Nordic woman trying to be Pippi Long stocking going to her prom
Just saw this on streaming HD. She is just incredible (had seen her in Carmen, Roberto Devereux, etc but here she NEEDS to be sensual and sexy. Alagna is no John Vickers! I thought Zeffirelli's Turantdot was the summum of kitch but this beats it by a mile and then. Dreadful.
E infatti Sansone....sarebbe stato un cretino se si fosse fatto sfuggire la Garanca! A 46 anni è più bella che mai, la bellezza muta nel tempo ma rimane per sempre. Standole così vicino Alagna ci avrà pensato certamente…..l’unica cosa che mi lascia interdetto è l’emissione della voce, così centrale. D’altra arte il mezzo soprano ha la necessità di ispessire il timbro e, appunto, prediligere i centri.
Sensuale senza dubbio come Dalila, ma poco adatta al personaggio come vocalità... troppo piccola la voce che inizia già a traballare sugli acuti e sul passaggio... fotocopia di Anna netrebko! Splendide artiste che si stanno distruggendo da sole!
wait till next year's headline "Alagna fired because of improper contact on stage with soprano Garanca". This is far worse than Vittorio Grigolo behaviour in Tokyo
I don't believe I have ever heard a singer at the international high level who has bored me beyond my ability to articulate properly as Elina Garanca. Anja Harteros is a close second. And yet, I also acknowledge that so many others are so much worse than these two. Sigh.
LOL I soooo agree! She bores me to death, and I don't like her technique and the color it gives her voice. She came up at the same time as Netrebko as her sort of mezzo alter-ego, but her sound is very overrated IMO. However, I absolutely admire her achievements, her commitment, and I also really like her personality. Plus this particular staging seems absolutely spectacular, so "Yay!", I guess?
Bravo Luca OMG the Stalker is back! As a stalking troll, you should see by now that I comment both negatively and positively on vids. Why are you looking for fights with everybody? We're discussing - having an opinion. Don't like it: move on! You're such a weird person, like a fixated crusader! I can't understand why you're trying again and again, under every video, to prevent people from having opinions. It's 1) silly as hell, 2) weird as hell, 3) against the principle of free speech which the Internet, especially TH-cam, is governed by, and 4) not even in the spirit of the Met, who would disable the comments if they didn't want people to express their opinions. Again: get-a-life. Oh, and learn to spell.
@@angelineamaya6832 See for me it's the contrary, I don't mind her personality, but I find her voice unthrilling. But again that's quite personal lol, I don't wanna get "cussed" out over this, as is so often the case in these Met comments, whether you post something good, neutral or bad.
I like Garanca normally but she is just terrible in this part...who directed her? She is about as sensual as a dustmop in this scene and he's even more boring. And who decided on the Little Orphan Annie wig for Delilah...honestly this is the MET...can't they come up with something creative?
Meh. Nice production, boring singers as usual. At least the Met realised that it has to sell HD tickets and people don't go to the cinema to watch state sponsored Regierubbish.
![[TH] 2024 PMSL SEA W2D5 | Summer | วันอาทิตย์ จะขิตหรือจะรอด!](http://i.ytimg.com/vi/-4JLNwQRK-Y/mqdefault.jpg)
She ' s GREAT in each Role.... VERY smart & professionally ... BRAVO !!!
BRAVA!!! (she is definitely a WOMAN)
Fantastic !!! Her voice is wonderful!! Love this opera...know this music since I was a little kid...
Love seeing these two together again!!!
Wow, what a great voice. And then the chemistry between them, how sensual.
Ime vocalite enorme.
N
I agree
This is the most beautiful aria in musical history
right?
Agreed! It's EVERYTHING 🎉
I saw this performance at the cinema - simply breathtaking!! E. Garanča was superbe in this part!
sublime quel plaisir cela et divin magnifique bravo et merveilleux interprètes merci
Un couple exceptionnel...que d’émotions m’envahissent à les entendre !
Formidable. Avec une telle emotios avec une telle voix une Dalila exceptionelle et merveilleuse.
Gorjana Ilic Justin
Elle est superbe, Garanca, dans le rôle de la femme fatale. Sa Dalila est simplement fantastique, ainsi que sa Carmen. Brava!
Best rendition I've seen. Moving.
Perfect performance 🌷🌷🌷🌷❤️❤️❤️❤️
C'est très beau quand ils chantent ensemble !
Magnifique spectacle, magnifique oeuvre, superbes interprètes !
Elina est divine, Alagna au top.
Her signature aria...always great!
ELANA, A GREAT MEZZO, & SHE & ROBERTO, DID MY FAVORITE CARMEN. MON COEUR, SURELY HAS MY HEART
Esa voz profunda, mate, dramática…maravillosa…Elina…..
So wonderful ! Such a beautiful aria ! So much sensuality and musicality !
Brava, Elina!
This is a beautiful and beautifully performed
A superlative recording in 1963 with Rita Gorr and Jon Vickers with George Pretre as conductor with the French National Opera company is as they say a Bench mark .EMI France .
I thank muse for covering this in their song “I belong to you” brought me here 🙌🏼
Maravillosa Ópera. Una súper producción
Hhahahaha soooo beauuutiifuul 😍😍 so excited to watch it on live from NY the met, the 20th October at the cinemas all around the world 🌍 Xxxx from france
Me too so excited I love this Opera and the stage seems Amazing. Vivement le 20. Je vous conseil Aida du Met avec Netrebko et surtout Anita R.
Thierry Gasnot Bonjour, ce sera quelle date exactement pour le suivre en direct ? Et où ? Merci d'avance !
@@cameliacamelia5544 le 20 octobre 2018 à 18h55 dans les cinémas qui l'organisent (Ex: Valenciennes, France) partout dans le monde...
Dans tous les cinéma Pathé Samedi 20 Octobre 2018 19h00 Une superbe mise en scène avec Elina Garanca et Roberto Alagna. Bonne séance (vous pouvez réserver en ligne au besoin) TG
Thierry Gasnot Super ! Merci bcp pour l'info !
Elina is a great for femme fatale roles 💕
Did you see her Octavian in Rosenkavalier? ;))
@@TedinNY no but thank you for telling me 🍃
I wasn't disagreeing with you. It's just that recently she sang an absolutely sensational Octavian (trouser role) in Rosenkavalier at the Met. Take a look at the reviews. If you want to see it, you can on demand on the Met's website.
Superbe voix Bravo !!
Is Great!!
Marvelous, marvelous Elina
Sensual in body and voice.
Rapturous!
Bravissimo Elina!
BELLISIMO...ELINA...BELLISIMO
So beautiful! garanca is the best but i want full version of this aria
May I suggest the complete performance with Jon Vickers and Orelia Dominguez- both titanic voices in a powerful performance, the way these roles were meant to be sung. Available on Opera Rara album. Also the EMI recording with Jon VIckers and Rita Gorr- stupendous, white hot performances with Georges Pretre at the helm. true dramatic voices.
One of the world's leading Mezzo-sopranos tcx
Great pupil of magnificent soprano Virginia Zeani - now 94. Their superb technique goes right back to the Garcia family - Pauline Viardot and Maria Malibran
Merveilleux !!!!
Her voices has grown but it's still wonderful. She has to care of that vibrato!
Thanks
Elina divina (fa pure rima!)
Bravissima. Che meravigliosa voce!
One of the more sensual scenes. Beautiful voice!!!
Preciosa aria
This is right up there with liebestod from Tristan and several Puccinis All amazing 💥💥💥
Brava🎼🌷🌷🌷🌷🎼
waouh ! quelle dalila !!!!
Je peux pas attendre...!!!
Eres genial
Latvian Elīna Garanča sings Dalila’s Act II aria on Opening Night - this is the most amazing aria and the best performance!
These two have really great Chemistry...
Anita Rachvelishvili will sing Dalila in next March in the same production. I wish to hear Alagna and Rachvelishvili sing this aria together. He won't sing Samson in March.
Anita is a real Delilah Voice!
In Italy, in this time, is a music of a telephone publicity...(TIM)
I want to live in italy even more now
Amazing voice, controlled but expressive at the same time, she has everything in her. I would have like a slightly faster tempo so that when requires to stretch it, one would feel more the emotion.
You are right. A slightly faster tempo would have made it even better !
Elina Garanca can do no wrong.
Jose Hill Strident top and ugly chestvoice, you don’t hear that?
No I don't. You are reaching.
genial!!!,,,no hi han paraules
Wow. I think I do like this version better than Anita's. Sound more balanced (Anita is too quiet in the beginning), sensuality is just off the charts, absolutely mesmerizing. Wish this was a longer scene posted.
Oi, Marísia. Abraços. Gostei.
Parabens pra você ROBERTO ALAGNA Juliána Alagna PALHAGLICCI palavras frança Europa Rio Janeiro París Brazil españha comigo conhecer
This looks much better close up. In the house it looks clumsy and a bit as if they are pawing each other.
PERFECT. Time to take a cold shower.
X rated
One of the greatest Love Arias..right up there with Wagner
Mon cœur se ferme à ta voix 🙂
Bravo Luca Aaaand again, LOL. Do you get paid for this? Oh, and it's "you're".
😂😂😂
Why didn't you let the aria finish?
so glad they cut out the Alagna debacle; but let's be honest, Garanca wasn't exactly scintillating either.
Awww she sang it better
Search for Jessye Norman's “Mon cœur s’ouvre à ta voix." It's like a wholly different aria.
No one beats Shirley Verrett and Norman in this aria
Bravo Luca Spelling.
Christa Ludwig is unsurpassed in this role IMO. th-cam.com/video/uqzQHIZ3DbA/w-d-xo.html
She was wonderful but it was WAY too overindulgent in tempo and the conductor in an actual full production would NEVER have allowed her to sing it that slow. He say the audience would leave. It would make the evening twice as long.
Немножко грузно внизу, раньше она пела это легче. Костюмы очень красивые
Finally a believable love story. Usually the great soprano weighs 300+ pounds.
The best part of this whole presentation, unfortunately.
Roberto Alagna JYLIANA Alagna samson Dalila
je suis francais et je ne connaissait même pas, j'avoue être là grâce a un groupe anglais,muse. Traitez-moi d'inculte, c'est mérité.
Non, il n'est jamais trop tard pour se cultiver. J'adore l'opéra mais ça ne m'empêche pas de connaître I belong to you de Muse.
La musique classique et l'opéra sont partout, films, pubs... Beaucoup de gens, comme vous, découvrent l'opéra au détour d'une musique de film ou autres.
I watched this on Met On Demand. Of course Elina and Roberto are spectacular, but the staging and directing felt very flat and unexciting to me. The set designs were stunning however, so hats off to the artistic director.
Хороша.
Jackie Wilson sang the English version "Night". Fabulous!
WHY DO THEY ALWAYS HAVE TO USED A CLOSED "E" ON TENDRESSE? (It's ten (nasal) dress then a schwa, not drayss)...i understand it's low in the range so they want more sound but it's not proper French. Before a double consonant, an E is always open.
jajajaj .Samson con bototos Hush Puppies.
Judging from the trailer, the NYTimes critic was right: a kitch show with some voices completely out of their dephts.
Where are the good old days mezzos? Her sound is all swallowed in the back.
Bravo Luca Trolling again, I see. Can you not learn to agree to disagree with people? How old are you, jeez.
Fully agree. This is not her role. Not her repertoire. I have heard her singing this piece live. Bearly audible... just for the books - I like her a lot in bel canto repertoire, she has great top notes indeed.
I agree. It's all swallowed or placed in a mask. Very boring to listen to. I've never been convinced by her. Even when I first heard her sing Dorabella at ROH. Very beautiful looking, but that's it. The question is, is she worse than Irina Mishura, Domashenko or Denyce Graves, all of whom took on the role while Borodina was singing at the house? My answer; No!
simon chaussé what is your opinion of retired singer Marilyn Horn?
Absolutely! But don't dare saying anything negative about Garanca! She has her legion of fans who don't know much about opera! Her voice is totally "fake" as a mezzo, and she is anyway no mezzo! Her lower notes are purely grotesque! And BTW Dalila is not an operatic role and it is intended for an ample contralto. Which she is not. But the public is content with that pale Ersatz of a mezzo!
norma n
What a hideously kitsch production!!!!
Absolutely. The worst I have ever seen.
@@georgesclermont1911 I dipped into the Met stream of the complete production last night and was equally horrified. Only Garanca's sumptuous tone and presence made some of it watchable.
@@georgesclermont1911what the fuck is with her wig and her costume and makeup? She looks like a 59 year old Nordic woman trying to be Pippi Long stocking going to her prom
Just saw this on streaming HD. She is just incredible (had seen her in Carmen, Roberto Devereux, etc but here she NEEDS to be sensual and sexy. Alagna is no John Vickers!
I thought Zeffirelli's Turantdot was the summum of kitch but this beats it by a mile and then. Dreadful.
Nomi did it better ;-)
Nothing on Jessye.
E infatti Sansone....sarebbe stato un cretino se si fosse fatto sfuggire la Garanca! A 46 anni è più bella che mai, la bellezza muta nel tempo ma rimane per sempre. Standole così vicino Alagna ci avrà pensato certamente…..l’unica cosa che mi lascia interdetto è l’emissione della voce, così centrale. D’altra arte il mezzo soprano ha la necessità di ispessire il timbro e, appunto, prediligere i centri.
someone was paid for that set and those costumes?
anti-voluptuous in look and sound, is what i see and hear.
Sensuale senza dubbio come Dalila, ma poco adatta al personaggio come vocalità... troppo piccola la voce che inizia già a traballare sugli acuti e sul passaggio... fotocopia di Anna netrebko! Splendide artiste che si stanno distruggendo da sole!
There is no tension in the orchestra because Eldar is taking the aria very slow. And Garanca does what she always does - she sings with no emotions.
CALL "ORALIA DOMINGUEZ" !!!!!!
No she is not a dramatic mezzo. Chestvoice is ugly and not properly placed. Sing what you can instead.
wait till next year's headline "Alagna fired because of improper contact on stage with soprano Garanca". This is far worse than Vittorio Grigolo behaviour in Tokyo
Очень одномерное пение. Как всегда у Гаранчи мало нюансов, наличествует монотонность, а отсюда - скука.
She could've been Tebaldi, bit she chose this! Such a shame!
I don't believe I have ever heard a singer at the international high level who has bored me beyond my ability to articulate properly as Elina Garanca. Anja Harteros is a close second. And yet, I also acknowledge that so many others are so much worse than these two. Sigh.
LOL I soooo agree! She bores me to death, and I don't like her technique and the color it gives her voice. She came up at the same time as Netrebko as her sort of mezzo alter-ego, but her sound is very overrated IMO. However, I absolutely admire her achievements, her commitment, and I also really like her personality. Plus this particular staging seems absolutely spectacular, so "Yay!", I guess?
Bravo Luca OMG the Stalker is back! As a stalking troll, you should see by now that I comment both negatively and positively on vids. Why are you looking for fights with everybody? We're discussing - having an opinion. Don't like it: move on! You're such a weird person, like a fixated crusader! I can't understand why you're trying again and again, under every video, to prevent people from having opinions. It's 1) silly as hell, 2) weird as hell, 3) against the principle of free speech which the Internet, especially TH-cam, is governed by, and 4) not even in the spirit of the Met, who would disable the comments if they didn't want people to express their opinions. Again: get-a-life. Oh, and learn to spell.
doGreatartistsgrowontrees? I perfectly agree. Nice vocalizations; shallow, sterile emotions
I think that's because her personality is not explosive. Well, to me her voice sounds honest and pleasant hahah
@@angelineamaya6832 See for me it's the contrary, I don't mind her personality, but I find her voice unthrilling. But again that's quite personal lol, I don't wanna get "cussed" out over this, as is so often the case in these Met comments, whether you post something good, neutral or bad.
I like Garanca normally but she is just terrible in this part...who directed her? She is about as sensual as a dustmop in this scene and he's even more boring. And who decided on the Little Orphan Annie wig for Delilah...honestly this is the MET...can't they come up with something creative?
Awful. Her voice is so constricted. Yuck
Meh. Nice production, boring singers as usual. At least the Met realised that it has to sell HD tickets and people don't go to the cinema to watch state sponsored Regierubbish.
Not even close to Anita Rachvelishvili.
Boring
BAD DICTION ELINA.SORRY.