thank you so much. I have been trying to wrap my head around the use of whole tone scales in improvisation and this is the clearest lesson I have found to date.
This is a fantastic lesson. You really expend a lot of effort to make these and hold nothing back. Thank you for these wonderful lessons. I have learned a lot from your channel. Also, love your guitar playing and musical compositions.
Thanks for taking the time to share with creating these incredible videos. They are the most easy to understand, fully broken down music theory for guitar on the tube. I recommend your videos to all of my guitar friends! Your music and playing is top level and tastefully entertaining as well.
I study the scale or got it under my fingers decades ago...( twightZONE) You can explain it...bu if you cant get it under your fingers..it's harder. Plus Im familar with PATTERNS and can make the transition on the B string. It over laps..example A melodic or harmonic min...( possible C , E, G#, AUG) A melodic min b2 = Bb lyd AUG #6 ( in a nutshell it's just a WHOLE TONE with a maj7 passing/option note) I can keep it simple A min.....C aug D aug/Bb....E aug or Mix b2, b6...or Mix b6 into A min ...............Or........D mix #4.. I can simply play D 3, b7....against the Open B, E... then simply hammer/pull the #4 with my pinky Or I can even do the SAME THING over the B chord B aug,...B7 or B #4, 7.... Then slide Up 2 frets to Db/C#...or the N6 chord of C MAJOR or min or the so call....TRITONE SUB of G7...( which I know I could alter to whatever) but AUGMENTED..if you want I could play C# dim into D min G7 into C or................A7 /AUG into D min G7 into C...if you want. So it''ll be just like playing C# aug or phrygian dominant or phrygian b4 into F# harmonic min or Gb Harmonic MAJOR.. If I play G7 into C MAJOR....it's bascailly the SAME.... ............G7 is the N6 of F#/Gb...Harmonic A min.....B #4, b7..agaisnt open B, E.....C# aug...against open B and E Then F# min E aug or E7 into A min or this... Eb maj7 or AUG Ab min G AUG..Then B aug..B #4, b7...ect E7 into A min chord.. It's actaully EASY to play A min Bb aug into Eb Maj7/C min.. The Ab minor is just Lyd #2 or Lyd b3 of Eb Harmonic MAJOR or C Harmonic min The G7 or AUG is just phry b4 or phry domiant Just use the same concept of playing B dim or AUG into C Maj/Amin or B7/G into E7 into A min Just use your PINKY to play the G note( #5/b6) on the low E or F note on the D string... If you slide down to E7 or aug into A min... or if you slide UP 2 frets to G# dim or AUG ( loc b4 or loc b4, bb7) A min D7/Bb Eb min Gb MAJOR ( F# aug) G# aug into A min or just make F# dyad..against the open top 4 strings. It overlaps A min F# aug....G# aug or E7 or aug into A min You can even play B min as B dor b2 to A melodic min F# 7 or AUG into B min E7 into A min or A min F# 3, b7...then #4, B7...Then shuffle your finger a little C aug/F#...C# aug E7 into A min or C aug/F# B min E7 or aug into A min If you play the Bb note ( A Mel odic min b2) maj3 of F# While playing F# 3, b7 at the second fret.... Just shuffle your INDEX finger between Bb ( A string) and G# note on G string The C note is the #4 ( with your PINKY) Then C# aug then E7 into A min ( the b7 of E is #5/b6 of F#) If you FINGER PICK it..It sounds totally SICK
Hi, this is not crystal clear for me this time :( So if you may, we can use this scale on ANY # 5 chords minor and major ? When we talk about Minor chords it has to be a min MAJ7 only ? the pattern you give at 10'50'' is for any 7/9 chords adding this #11 for an outside sound ? Arf i don't even no if my questions are cristal clear :)
Keep playing guitar, add to your knowledge of theory gradually. When you learn a new song, learn to play the vocal melodies, bass melodies, keyboard melodies, then, this is important, figure out what scale they all reside within. For pop, rock, most metal, this should be pretty easy, as they will usually all reside within only one scale! That will be a major or natural minor scale (which are actually the same intervals anyway, just starting a different point on the sequence). Understand this part of music construction first. Then move on to less often used tools like whole-tone scale, diminished, augmented. Keep playing the music you like, have fun!
Crystal Clear E-BOOKS with audio files
qjamtracks.myshopify.com/
thank you so much. I have been trying to wrap my head around the use of whole tone scales in improvisation and this is the clearest lesson I have found to date.
So glad, you didn’t stop posting lessons.
One of the best channels for guitar music theory!
You deserve a lot of subscribers......
Thank you for sharing, regards from Darjeeling,India.
👍 Very good teacher. Thank you very much!
very interesting - you are a gifted teacher!
This is a fantastic lesson. You really expend a lot of effort to make these and hold nothing back. Thank you for these wonderful lessons. I have learned a lot from your channel. Also, love your guitar playing and musical compositions.
Thanks!!
Very intersting video!
I love the hexatonic scale flavour
Christal clear. Works well on cavaquinho as well. thx👌
Thanks for taking the time to share with creating these incredible videos. They are the most easy to understand, fully broken down music theory for guitar on the tube. I recommend your videos to all of my guitar friends!
Your music and playing is top level and tastefully entertaining as well.
Hi Jimmy. So nice to here this! :) Thanks!
Great lesson
Thanx
Excellent lesson and presentation. Hope you keep it going.
Great channel. Thank you.
Thank you very much for this great lesson❤
Congrats on the new guitar. I love my 8 string Strandberg too!
It's pretty sweet indeed. Got myself a GOC Materia7
Thank you for this! Great lesson
Very glad I found this channel ⚡
"The more ambiguous the more expressive"
-Leonard Bernstein
Great examples given, thx!
excellent as always, thank you
Awesome lesson Thanks
What next ?:) harmonic Major super clear?(and his modes)
That's a sick looking and sounding guitar 🎸 ❤️
good one
Happy Thanksgiving brother!
great work....congrats...
Thank you!
Bro 4:58 final fantasy suspenseful scene
I study the scale or got it under my fingers decades ago...( twightZONE)
You can explain it...bu if you cant get it under your fingers..it's harder.
Plus Im familar with PATTERNS and can make the transition on the B string.
It over laps..example
A melodic or harmonic min...( possible C , E, G#, AUG)
A melodic min b2 = Bb lyd AUG #6
( in a nutshell it's just a WHOLE TONE with a maj7 passing/option note)
I can keep it simple
A min.....C aug D aug/Bb....E aug or Mix b2, b6...or Mix b6 into A min
...............Or........D mix #4..
I can simply play D 3, b7....against the Open B, E...
then simply hammer/pull the #4 with my pinky
Or I can even do the SAME THING over the B chord
B aug,...B7 or B #4, 7....
Then slide Up 2 frets to Db/C#...or the N6 chord of C MAJOR or min
or the so call....TRITONE SUB of G7...( which I know I could alter to whatever)
but AUGMENTED..if you want
I could play C# dim into D min G7 into C
or................A7 /AUG into D min G7 into C...if you want.
So it''ll be just like playing C# aug or phrygian dominant or phrygian b4
into F# harmonic min or Gb Harmonic MAJOR..
If I play G7 into C MAJOR....it's bascailly the SAME....
............G7 is the N6 of F#/Gb...Harmonic
A min.....B #4, b7..agaisnt open B, E.....C# aug...against open B and E
Then F# min E aug or E7 into A min
or this...
Eb maj7 or AUG Ab min G AUG..Then B aug..B #4, b7...ect
E7 into A min chord..
It's actaully EASY to play
A min Bb aug into Eb Maj7/C min..
The Ab minor is just Lyd #2 or Lyd b3 of Eb Harmonic MAJOR or C Harmonic min
The G7 or AUG is just phry b4 or phry domiant
Just use the same concept of playing B dim or AUG into C Maj/Amin
or B7/G into E7 into A min
Just use your PINKY to play the G note( #5/b6) on the low E
or F note on the D string...
If you slide down to E7 or aug into A min...
or if you slide UP 2 frets to G# dim or AUG ( loc b4 or loc b4, bb7)
A min D7/Bb Eb min Gb MAJOR ( F# aug) G# aug into A min
or just make F# dyad..against the open top 4 strings.
It overlaps
A min F# aug....G# aug or E7 or aug into A min
You can even play B min as B dor b2 to A melodic min
F# 7 or AUG into B min E7 into A min
or
A min F# 3, b7...then #4, B7...Then shuffle your finger a little
C aug/F#...C# aug E7 into A min
or
C aug/F# B min E7 or aug into A min
If you play the Bb note ( A Mel odic min b2) maj3 of F#
While playing F# 3, b7 at the second fret....
Just shuffle your INDEX finger between Bb ( A string)
and G# note on G string
The C note is the #4 ( with your PINKY)
Then C# aug then E7 into A min ( the b7 of E is #5/b6 of F#)
If you FINGER PICK it..It sounds totally SICK
So much for keeping it simple....lol
Hi, this is not crystal clear for me this time :( So if you may, we can use this scale on ANY # 5 chords minor and major ? When we talk about Minor chords it has to be a min MAJ7 only ? the pattern you give at 10'50'' is for any 7/9 chords adding this #11 for an outside sound ? Arf i don't even no if my questions are cristal clear :)
Dope guitar
I watch lessons like these and I say to myself "Why even bother trying to learn guitar?" Demoralising.
Keep playing guitar, add to your knowledge of theory gradually. When you learn a new song, learn to play the vocal melodies, bass melodies, keyboard melodies, then, this is important, figure out what scale they all reside within. For pop, rock, most metal, this should be pretty easy, as they will usually all reside within only one scale! That will be a major or natural minor scale (which are actually the same intervals anyway, just starting a different point on the sequence). Understand this part of music construction first.
Then move on to less often used tools like whole-tone scale, diminished, augmented.
Keep playing the music you like, have fun!
the clean tone on that guitar kinda sucks eh
or dry tone, I guess would be more accurate
I can't help it, but for me, guitars should have 6 strings, unless it's a bass.
the future is now, old man.jpeg
:)
My bass has 6 strings
@@Audioslayer 8-string guitars sound like real life: a guitarist and a bassist play together, except the bassist can't play...
I am bassist and my basses have 5 6 and 7 strings and my guitars have 7 and 9 strings On them.
Can't help it but i to find it normal.