Chain modes for SUPER moody solos - You never used modes like this!

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  • เผยแพร่เมื่อ 3 ส.ค. 2024
  • For modal chains you will use modes of the major scale like you never did before! Modal chaining makes use of the common tone modulation. In stead of using a random note, we’ll use the characteristic note of the mode for a real special sound.
    Like this we’ll chain a couple of the same modes but with a different tonic. For instance, C Lydian - B Lydian - A Lydian - Eb Lydian. Anything goes. We can do this with all the modes of the major scale like the Dorian mode, the Phrygian mode, the Lydian mode, the Mixolydian mode, and the Aeolian mode.
    I’ll explain the concept and something about common note modulation. I give you two examples in the Lydian and Dorian mode. The last one sounds a tiny bit like Soil Festivities by Vangelis.
    If you’re note familiar with modes or the characteristic note of a mode (the modal trigger note) the I’ll suggest you watch this video:
    • Modes Explained Effect...
    Chapters:
    0:00 Introduction
    0:31 The concept
    01:11 Modal trigger notes
    02:46 Common note modulation
    03:35 Lydian modal chain
    06:18 Dorian modal chain
    08:38 Conclusion
    Crystal Clear E-BOOKS with audio files:
    qjamtracks.shopify.com
    Tabs and tracks at PATREON:
    / qjamtracks
    *Social Media/contact:
    QJamTracks
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    *Strandberg Guitars
    strandbergguitars.com
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    www.fractalaudio.com
    (c)2024 Rob van Hal, Netherlands

ความคิดเห็น • 71

  • @alexproh3826
    @alexproh3826 20 วันที่ผ่านมา

    Your lessons are the biggest treasure is possible to find for self education 💙 Big respect, sir 🙌

  • @RustyMadd
    @RustyMadd 3 หลายเดือนก่อน +5

    I have heard this sound many times without understanding the theory behind it. Now I see how simple, musical and logical it is. Thank you my teacher. You are a blessing to us that subscribe.

  • @nicolasforfant484
    @nicolasforfant484 2 หลายเดือนก่อน +4

    For the Love of God... go on producing such enlightening videos.

  • @chrisrosencrans
    @chrisrosencrans 3 หลายเดือนก่อน +21

    I still don't understand how you don't have more subscribers.

    • @alkaliforever9051
      @alkaliforever9051 3 หลายเดือนก่อน +3

      This guy should be up there with the music TH-cam legends like Rick Beato and Rhett Shull.

    • @RafCenterMyself
      @RafCenterMyself 3 หลายเดือนก่อน +1

      It will surely change over time. Let the YT algorithm figure it out as well 😂

    • @alvarolazcano3806
      @alvarolazcano3806 2 หลายเดือนก่อน +1

      One of the best guitar channels in TH-cam… can wait to see 1M subscribers!!

    • @johnegan4762
      @johnegan4762 2 หลายเดือนก่อน +1

      Just subscribed!

    • @jfo3000
      @jfo3000 2 หลายเดือนก่อน

      Def the best music theory for guitar channel that I've seen.

  • @ryanbartlett672
    @ryanbartlett672 2 หลายเดือนก่อน +3

    Excellent. Well illustrated and explained. Thanks.

  • @skateebee
    @skateebee 2 หลายเดือนก่อน +2

    As always, fantastic content and very inspirational!

  • @johnupdates2472
    @johnupdates2472 2 หลายเดือนก่อน

    This is why I love this channel. Just great ideas with great examples on how to implement them.

  • @aliaskarpour6609
    @aliaskarpour6609 3 หลายเดือนก่อน

    Really appreciate for this deep and meaningful tutorial 🔥🔥🔥

  • @rsdguitarstories
    @rsdguitarstories 2 หลายเดือนก่อน +2

    gem of a lesson... thank you so much

  • @alexokrayiii9689
    @alexokrayiii9689 3 หลายเดือนก่อน +1

    This video is definitely one of my favorites of yours. I will try this method this weekend.

  • @radicalrecordings
    @radicalrecordings 2 หลายเดือนก่อน +2

    ik kijk altijd uit naar een nieuwe video, jouw uitleg is ongeëvenaard

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน

      Dank je!

  • @slickwillie3376
    @slickwillie3376 2 หลายเดือนก่อน +1

    Wow! This gives me some great material to practice for several days. Gonna learn some intervals.😊

  • @johnmac8084
    @johnmac8084 3 หลายเดือนก่อน +1

    What an amazing idea!

  • @nickname3798
    @nickname3798 3 หลายเดือนก่อน

    THANK YOU FOR THIS LESSON

  • @dangrather1280
    @dangrather1280 2 หลายเดือนก่อน +1

    Such a simple concept. Yet it never dawned on me. Thanks.
    Almost sounds like something Vai would do.

  • @anandgodane8022
    @anandgodane8022 2 หลายเดือนก่อน +2

    Thank you so much sir ❤️❤❤❤

  • @geghardazarian3831
    @geghardazarian3831 2 หลายเดือนก่อน +1

    Thx a lot🤘👏 this is a gem

  • @cristinamarin9041
    @cristinamarin9041 3 หลายเดือนก่อน

    Really interesting and beautiful!

  • @mackermaldrill2656
    @mackermaldrill2656 3 หลายเดือนก่อน

    Excellent video.

  • @pariah206
    @pariah206 2 หลายเดือนก่อน +4

    You have, by far, made the most informative and clear videos with absolutely helpful examples. You understand it's not just explaining a concept, it's also how can this concept be used. And that is equally as important as knowing a concept.

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน

      Thanks!

  • @TerebiJoke
    @TerebiJoke 3 หลายเดือนก่อน

    Cool idea! I'm excited to try this

  • @claudiotrivino1364
    @claudiotrivino1364 3 หลายเดือนก่อน

    oro puro !!! muchas gracias ! espectacular canal

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน

      Gracias!

  • @jpsilvermusic
    @jpsilvermusic 2 หลายเดือนก่อน +1

    Wow interesting concept

  • @nipu5840
    @nipu5840 2 หลายเดือนก่อน

    Thank you

  • @hecateswolf6007
    @hecateswolf6007 2 หลายเดือนก่อน +1

    Very helpful many thanks for the upload. I don't play guitar I play saxophone and this is great.

  • @timshadgett
    @timshadgett 3 หลายเดือนก่อน

    Awesome idea, thanks! I’m keen to test out some variations on this. Great way to get a song moving in a different direction or breakout of a pattern, I think.

    • @QJamTracks
      @QJamTracks  3 หลายเดือนก่อน

      Thank you Tim!!

  • @greenvelvet
    @greenvelvet หลายเดือนก่อน +1

    Wow!
    I wonder if this is the technique that Erik Satie used for Gnossienne 2.
    He seems to be changing a modes every two bars and I have no idea how it does it, but now I think it might be modal chaining

  • @j.a.949
    @j.a.949 3 หลายเดือนก่อน

    very good.

  • @ryanhass8716
    @ryanhass8716 2 หลายเดือนก่อน

    Oh my goodness, I'm so happy this came up in my recommended feed! It's not often that something makes me so inspired like back when I was first learning guitar, but this did the trick! Can't wait to start using this more in my music! Thank you!

  • @Arthur_My_Dear
    @Arthur_My_Dear 3 หลายเดือนก่อน

    I love this and also The Fast Show

  • @lisapatscheider
    @lisapatscheider 2 หลายเดือนก่อน

    Amazing video! Thank you!

  • @cristobalholmgren7497
    @cristobalholmgren7497 2 หลายเดือนก่อน +1

    Nice lesson...I read years ago a guitar magazine where Satriani talked about "pitch axis theory", in which the common note is the root instead of the "colour" note of the mode

  • @johnegan4762
    @johnegan4762 2 หลายเดือนก่อน

    So taking that concept further, could you end on any chord tone and then rethink the note in the context of the characteristic note of any mode? So going from Dorian to Mixolydian to Lydian and then Aeolian for example. Or it is better just keep it at one mode?

  • @pierregaude1528
    @pierregaude1528 2 หลายเดือนก่อน +1

    Awesome video as usual. A breakthrough in my understanding of "modes" and a bit over my head at the moment.
    However being a long term fan of Joe Satriani I now understand where all of his music comes from.
    A further study in modal interchange using Melodic and harmonic minor scales would be greatly appreciated as well.

  • @axismusicman
    @axismusicman 2 หลายเดือนก่อน +1

    Great examples! However I still dont get how do we decide on the last note of the phrase? Like in lydian we end the phrase on major7 but in dorian we end on a root? How do I choose the last note of the other modes?

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน +1

      It's not important what the function of the end note is in the active key or mode. Just make sure the end note is the characteristic note of the mode in the next bar.

  • @thebigbadbone7238
    @thebigbadbone7238 3 หลายเดือนก่อน

    How do you figure out trigger notes for other scales like for example Phrygian Dominant and Hungarian minor?

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน +1

      Always compare the scale to a either a minor or major scale depending on the quality of the scale itself. Sometimes a scale has more than one characteristic note. The double harmonic minor (Hungarian minor) for instance is obvious a minor scale. The major 7th is a characteristic note, but not unique. Think of the harmonic minor scale and melodic minor scale for instance. Both are minor scales and have a major 7th. But the combination of the augmented 4th and major 7th is unique. So, both notes are characteristic for this scale and especially the combination.

  • @svenjansen2134
    @svenjansen2134 2 หลายเดือนก่อน +1

    Yo Dutchy lol. Thanks!

    • @QJamTracks
      @QJamTracks  หลายเดือนก่อน

      Graag gedaan Sven ;)

  • @matthewmargetts8516
    @matthewmargetts8516 2 หลายเดือนก่อน +3

    Brilliant presentation and idea. The Lydian chain certainly did evoke Steve Vai. I am a seasoned guitarist but had never heard of this technique before. I will definitely use it in my compositions. Thank you

  • @asrafulhaque3598
    @asrafulhaque3598 3 หลายเดือนก่อน

    ❤🎉

  • @gilmardgilmard
    @gilmardgilmard 3 หลายเดือนก่อน

    Two things at this time at this age are fantastic for me : TH-cam and You

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน

      Thank you !

  • @Ingchao
    @Ingchao 3 หลายเดือนก่อน

    Not sure how much i followed, but is this a more advanced form of pitch axis theory ?

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน +1

      Yes, it is connected with no doubt, but pitch axis means that you evolve modes around one and the same note. This is different, because you'll use target notes for the modes that are all different. In pitch axis the modes change and the pivot note stays the same, while in modal chaining the mode stays the same and the pivot notes change...

  • @johnp.johnson1541
    @johnp.johnson1541 3 หลายเดือนก่อน

    Lydian modal chain was gorgeous sounding.
    The trick then is play the Lydian "scale" for each named chord getting your tones in so you can be on the next chords' root tone, which is shared with the Lydian scale of the previous chord.

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน +1

      You should end your line on the characteristic note of the mode of the next chord...

    • @johnp.johnson1541
      @johnp.johnson1541 2 หลายเดือนก่อน

      @@QJamTracks Thank you!

  • @saperlipopette7546
    @saperlipopette7546 2 หลายเดือนก่อน

    crystal clear

  • @AlejandroGonzalez-wo5fk
    @AlejandroGonzalez-wo5fk 2 หลายเดือนก่อน +2

    You gave me the missing puzzle piece i was looking for

  • @GuitarooMan93
    @GuitarooMan93 2 หลายเดือนก่อน

    Very inspirational !
    Now it would have been nice to see an example of a chain between different modes. For example, to say whatever, from Dorian to Phrygian.

  • @chrisdaviesguitar
    @chrisdaviesguitar 3 หลายเดือนก่อน

    Lydian, my favourite of all the (major) modes.

  • @marsb.2216
    @marsb.2216 3 หลายเดือนก่อน

    Lydian modal chain definitely screams "Steve vai" !

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน +1

      Yes, I love that sound :)

  • @Arthur_My_Dear
    @Arthur_My_Dear 3 หลายเดือนก่อน

    Really novel (to me) and interesting

  • @robertosicam6240
    @robertosicam6240 3 หลายเดือนก่อน

    Great way to change to mood of a song using Music Theory math.
    oGreat way to change to mood of a song using Music Theory math. Like your series in Negative Harmony

  • @alkaliforever9051
    @alkaliforever9051 3 หลายเดือนก่อน +2

    How did you learn all this, did you have to get the infinity stones or aomething cause I swear your knowledge is endless.

    • @QJamTracks
      @QJamTracks  2 หลายเดือนก่อน

      This is not something you would learn on a music academy, but maybe more by experimenting and of course listen to others and try to get the same effect :)

  • @MichaelUhler
    @MichaelUhler 2 หลายเดือนก่อน +1

    Sounds like some Pat Metheny shit.