Great lesson! A lot of new ideas coming from this info, as I was just looking at sus4 arpeggios as well, and they are a little tricky to play based on fingerings on guitar vs piano. Thanks!
I love your videos so much man. Your videos are the sole reason I've reached the level I'm at today, thank you so much for your amazing content and I hope your channel continues to grow.
You still getting me with your sense humour ie min penta - boring or called Matteo "Manusco" :) - Another great lesson, always striking a good balance of crystal clear theory, examples, and summary. There are a couple of mistakes (one major, and one minor - no pun intended): at modal examples the chart title shows Fmaj7 for D Dorian example and Dm7 for F Lydian, and at 2:35 the chart Em7(11) shows a 7 (instead of b7) on tab display (top right corner). Hope these can get corrected prior to publishing book, etc. See I was not sleeping in class!
Hey man! Yet another very interesting lesson, thank you! This actually was particularly interesting to me, even though very jazzy.... still very useful. Have you ever thought about 7 strings? maybe drop runing and composing chords for prog music... would that be an interesting endeavour...? Thanks and moi moi 🤘👽
I've been doing something similar forever faking a dark fusion sound with my very limited rudimentary knowledge of theory (im trying to catch up now)...but thanks for Putting this into a logical context it has opened up a way more vocabulary for me .(hopefully ill sound less like a noodling poser !) music really is the pure beauty of math
I have also been composing with quartile chords and shell chords, not using any theory formulas, just going by ear...so yes, Rob to the rescue! He helps us out once again.
Yes that right. Sus chords can be arranged to be a quartal chords, like quartal chords can be arranged to be quintal chords. The arrangement determines the sound.
Gorgeous sounds and a lot to think about! Great channel.
Great lesson! A lot of new ideas coming from this info, as I was just looking at sus4 arpeggios as well, and they are a little tricky to play based on fingerings on guitar vs piano. Thanks!
I admire not only your musical knowledge and talent, but also your skills to present all these. Perfect content and graphics.
Thanks!
Probably the best channel for guitar tuition, presenting so many theoretical approaches in a concise and clear manner.
Thank you.
Thank YOU!
What a great content presented in such a structured and clear way. Thank you so much! Instant subscription
Thank you!
Dude this channel is a treasure! Teaching me so many new things! Thank you!
I found this at the perfect time. I'm quickly integrating these concepts. Just like all new ideas I've just scratched the surface. Thanks!
maybe the most important video i ever/ watched for years
Thank you !
Another great video, you’ve put so much work in to produce this. Thank you.
Very intuitive , thank you.....
I love your videos so much man. Your videos are the sole reason I've reached the level I'm at today, thank you so much for your amazing content and I hope your channel continues to grow.
Nice to hear!
Excellent presentation and playing as well 👏👏👏.. I’ll be getting to work on this. Thank you!
Fantastic video! I really dig the history lessons. It's a really unique addition that you don't get much anywhere else.
Thank you!
Your videos are always helpful. Thanks for sharing.🎸
Brilliant lesson.
Thanks for the knowledge. Very Nice video
You still getting me with your sense humour ie min penta - boring or called Matteo "Manusco" :) - Another great lesson, always striking a good balance of crystal clear theory, examples, and summary. There are a couple of mistakes (one major, and one minor - no pun intended): at modal examples the chart title shows Fmaj7 for D Dorian example and Dm7 for F Lydian, and at 2:35 the chart Em7(11) shows a 7 (instead of b7) on tab display (top right corner). Hope these can get corrected prior to publishing book, etc. See I was not sleeping in class!
Thanks!
Unfortunately I can't make any corrections after the video is published....
oww, my mind!
great stuff Rob, very cool and thank you so much for sharing!
Thanks!!
Its worth noting that a stack of five perfect fourths gets us the minor 11 chord, or minor pentatonic. Five p5s gets the major pentatonic.
I'm still working on quirkle arpeggios!
I hope to get to this, soon. ❤️
These fingerings are NEW to me.
Thanks for all the inspiration ;)
I’m thankful I took time writing Roman numeral chart in front of me years ago
Great ! You are my guitar guru ..really cool cuartal sound
super Merci beaucoup
Enjoying these posts. I need to get off my arse and start writing again.
8:08 Man, that sounds so damn cool! Really enjoying this lesson. Thank you!
Reminds me of barred sus arpeggios
Very useful lesson, well taught, and demonstrated. 👍Subscribed
Thank you for subscribing!
What is the function of the capo or wrap on the first fret?
it's to stop the open strings from sounding, that way you'll get a cleaner sound overall. I'm using a 50 pence hair tie for this.
Hey man! Yet another very interesting lesson, thank you! This actually was particularly interesting to me, even though very jazzy.... still very useful.
Have you ever thought about 7 strings? maybe drop runing and composing chords for prog music... would that be an interesting endeavour...?
Thanks and moi moi
🤘👽
Yes that would be a interesting path!
I've been doing something similar forever faking a dark fusion sound with my very limited rudimentary knowledge of theory (im trying to catch up now)...but thanks for Putting this into a logical context it has opened up a way more vocabulary for me .(hopefully ill sound less like a noodling poser !) music really is the pure beauty of math
I have also been composing with quartile chords and shell chords, not using any theory formulas, just going by ear...so yes, Rob to the rescue!
He helps us out once again.
Theory can come in very handy, but in the end your ears should be the judge :)
I thought C, F and Bb was an F sus 4.
Yes that right. Sus chords can be arranged to be a quartal chords, like quartal chords can be arranged to be quintal chords. The arrangement determines the sound.
uah! 🐻💥💥💥👍
Terrific video as usual! Very well produced and insightful
Thanks Zuice ;)
Really cool idea, flushed out. A little less reverb would be nice though
Is there a pdf for purchase with the other modal video mentioned? What’s the title?
I'm working on it at this very moment :)
Could that be a major 🤔 9/6 also
👍👍👍
😊👍