Thank you. This really gives me hope in trying to learn from my wildest influences. from Aphex Twin to Tigran Hamasyan. I have to figure out hot to do all that on guitar.
Uncanny timing to come across this video. I had just pulled my Line6 Variax and Helix Floor out of the attic. It’s easy to do altered tunings with this gear combination. I’ll start experimenting with this immediately! Thanks!
8:06 Simple. Just use a different tuning. E standard could be considered a “quartal” tuning since the strings are tuned a perfect 4th apart with the exception of G to B which is a major 3rd. I haven’t had a chance to sit down and work it out yet, but my guess would be that an open tuning like open D minor (DADFAD) might work and then just use a capo to transpose to your desired key. In any case, it’s simply a matter of retuning the guitar to get the notes of the chord closer together on the fretboard so they’re easier to reach. Great video, by the way! 👍 Edit: 10:15 Nevermind. 😅 I was close. I guess I should watch the whole video first before commenting lol.
1:48 I am so glad you put that on the neck pickup. I have the same guitar. Have an FM3 and a GP-10 to sort out though. OK, good to get away from Barry Harris here. Hard to do him on guitar. Sorry, just woke up... again. Carry on!😆
Love those chord voicings. If I remember well, the first time I had seen those in arpeggio forms was in Joe Satriani Mystical Potato Head Groove Thing.. all in high speed legato... Completely out of my reach but sounds so good.
Sorry, but nothing new here harmonically, (Retuning was FIRE though). Dave Creamer showed Satriani these exact chords 30 yrs ago. They were profiled by Satriani in an etude in Guitar Player magazine. They were also not "invented" by Dave Creamer, but a staple of modern harmony. Funny how 30-40 yrs later these are now "revolutionary". LOL
I see what you mean :) I don't have the intention to present this as revolutionary since m11 and maj7#11 chords are commonly used. It's just the voicing that Kenny Barron used for these chords was particular. Projecting this on a guitar is the real challenge and creates sounds that we normally wouldn't come up with that quickly, because of our physical limitations .Who the inventor was is of no importance indeed. Like you said, its a staple of modern harmonic ideas that come fourth out of quartal and quintal harmony voicings. But... Joe and we can benefit from it. I think it's a great sound right?
This is the best guitar site in the universe. THAAAAANKS!
😆
Thank you!
this channel is amazing great guitar content
I can’t wait to try this!!!
Brilliant presentation! Way above my present level, but very inspiring!
The arpeggios work really well on bass as well.
Absolutely!
Thank you. This really gives me hope in trying to learn from my wildest influences. from Aphex Twin to Tigran Hamasyan. I have to figure out hot to do all that on guitar.
Your pedagogy is excellent!!! Extremely clear!!!
Word!
As in the word Pedagogy.
Had to look it up.
Thank you.
Yep.
Agreed.
Well said.
Yeah whatever gogy he peda, he's the best!😆
Gracias maestro 👨🏫
Just gorgeous, man. Thanks!
Thanks v much. This definitely works best as arpeggios.
Uncanny timing to come across this video. I had just pulled my Line6 Variax and Helix Floor out of the attic. It’s easy to do altered tunings with this gear combination. I’ll start experimenting with this immediately! Thanks!
I love quartal - but now I also love quintal. Thank you, Rob.
Yes, beautiful sounds...
8:06 Simple. Just use a different tuning. E standard could be considered a “quartal” tuning since the strings are tuned a perfect 4th apart with the exception of G to B which is a major 3rd. I haven’t had a chance to sit down and work it out yet, but my guess would be that an open tuning like open D minor (DADFAD) might work and then just use a capo to transpose to your desired key. In any case, it’s simply a matter of retuning the guitar to get the notes of the chord closer together on the fretboard so they’re easier to reach. Great video, by the way! 👍
Edit: 10:15 Nevermind. 😅 I was close. I guess I should watch the whole video first before commenting lol.
Hat’s off 🎩 …. One of the best YT channels!👍
bravo, rob! this is one of the greatest videos in the history of the internet 🔥
Very cool Rob
Welllllllllldone Mr. Rob as always. the best moment in youtube life is to see ur channel notification. time to grab guitar and learn somthin new.
Good to hear!
1:48 I am so glad you put that on the neck pickup. I have the same guitar. Have an FM3 and a GP-10 to sort out though.
OK, good to get away from Barry Harris here. Hard to do him on guitar. Sorry, just woke up... again. Carry on!😆
This is an asolutely gorgeous sound! I wish you were my guitar teacher.
juste super un grand merci pour le partage salutations Olivier.
Thank you Olivier :)
Your channel is eye opening and inspiring!!
Thanks Chris!
11:40...beautiful sounds!
Love those chord voicings. If I remember well, the first time I had seen those in arpeggio forms was in Joe Satriani Mystical Potato Head Groove Thing.. all in high speed legato... Completely out of my reach but sounds so good.
😂❤
Good job
Joe Satriani, used these on the vinyl incert from guitar player magazine back in the 80s before the crush of love track
Yes I learned that from a comment above. I didn't know that. I wonder how Joe Satriani solved the voicing. Two parts also?
do you have a file with the presets on your Fractal unit or are they all factory presets?
Is that an FX two unit?
I use only a couple of factory presets in combination with the Neural DSP PliniX plugin.
Yes that is AxeFX II.
Luckily there is a thing called Spider Capo!
That's an idea indeed!
Sorry, but nothing new here harmonically, (Retuning was FIRE though). Dave Creamer showed Satriani these exact chords 30 yrs ago. They were profiled by Satriani in an etude in Guitar Player magazine. They were also not "invented" by Dave Creamer, but a staple of modern harmony. Funny how 30-40 yrs later these are now "revolutionary". LOL
@@Esb906 nah
I see what you mean :) I don't have the intention to present this as revolutionary since m11 and maj7#11 chords are commonly used. It's just the voicing that Kenny Barron used for these chords was particular. Projecting this on a guitar is the real challenge and creates sounds that we normally wouldn't come up with that quickly, because of our physical limitations .Who the inventor was is of no importance indeed. Like you said, its a staple of modern harmonic ideas that come fourth out of quartal and quintal harmony voicings. But... Joe and we can benefit from it. I think it's a great sound right?
did he just say his mom's a mutant?
;)
Sorry Mum