How to make Drums Hit Harder in a mix
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- เผยแพร่เมื่อ 23 ก.ค. 2024
- Avoid drums and percussion mixes from sounding dull and lifeless. Nobody like overly squashed drums anyway! Get the plugins: link.waves.com/3plv3
In this video, Bradley Denniston shows you how to make your drums hit harder using a range of parallel processing techniques.
0:00 Intro
0:52 Jaycen Joshua’s drum mix buss technique (modified)
1:51 Drum Parallel compression with SSL Compressor
3:15 Building a parallel drum saturation buss
7:30 Before and after parallel tube saturation
8:47 Before and after all drum processing
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NLS: link.waves.com/kh1
SSL G-Master Buss: link.waves.com/5uz
BB Tubes: link.waves.com/55m
SSL EV2: link.waves.com/33y
REQ: link.waves.com/793cq
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really dope way of bringing out the top end of a drum mix. thanks bradley hd!
Cheers fam!
Most decent API/"old school transformer console" plugins will let you use a sidechain filter input for the compressor......
Just active the "filter", set the HP to 600, the LP to 2.5k-ish, and send this signal as 'SC'. Now the compressor will only respond to this bandwidth (600-2.5k).
As long you set a slow attack and fast release, you should get a nice smack sound.
Keep the channel EQ at the end of the signal path and then you can touch up the low end and add some 'air' as you need.
Nice!!
Cheers!
I love waves audio plugins 🔌 🎶
Classics.
With the NLS are they just the buss version? Do you have the channel version feeding into the busses? Why so many? I’m now wondering if I’ve been using that NLS pack wrong )))
Super 🔥🔥🔥🔥🔥
Cheers fam! Hope it helps, for real!
Modern mix made easy;
saturation
Hi pass
compress
Eq
more saturation/color
Paralell compression
Multiband compression
Bus saturation and limiting
-Do it on each track
-Repeat on the group busses
-Repeat again on the Master bus
Great drums, wish I could say the same about the lyrics....
Good thing I didn't write the song for you! ;)
I run my hat and overheads into the parallel but I try 2 things... I always DeEss the hat and overheads. Take it a step further I may DeEss the parallel bus a tiny bit to where it catches the aggressive hi end and it smooths it out a bit. Give it a shot!! Btw I'm liking this technique you're showing I wanna try it as well!!! Keep the dope vids coming!!!
Cheers! Thanks for adding to the convo!
Overheads can be lowpassed, but yes, de essing at least the hats is essential
@@peterheinen6110 I do that sometimes with the SSL EQ!!!!
Never thought about the NLS - I have plenty of alternatives already. Don't forget what too much does with CPU power.
This is directly from Jaycen Joshua... As explained in the video. He's got like 15 Grammy's for mixing, so I pay attention to his advice.
🔥🔥🔥🔊🔊🔊
SPICE! Let’s go bro!
The editing on this video with the never ending snap zoom is distracting. And if you're going to demo something on the kick and snare....maybe solo the kick and snare? Otherwise good info.
Thanks for the feedback fam!
Your transients hurt my face... those things are slapping hard
SPANKIN!! Haha...
Why would saturation give you more punch? Isn’t saturation shaving the transient off. Never understood this.
HARMONICS! That's really the answer... Imagine you have a fundamental freq at 1k and you add odd and even harmonics to that 1k sine wave...
Someone can correct me if I'm wrong, but I think saturating the signal while shaving off the transient still provides the same "perceived" loudness while making the signal punchier due to added harmonics
Saturation - gives you harmonics the way up, but less loud. So total loudness is perceived more. Harmonics the way down is not very interesting for acoustic drums - there's synths for that
This is sounding kind of synthetic to me, it is good don't get me wrong, but compared to the rock songs Chris lord alge is mixing I find his drums are sounding more natural and i like that better..
A lot of it is about the source. CLA mix some of the best drummer around and recorded in the best studio. Those tracks are also recorded through his wall of analog hardware. That's just how it was back in his hey day.
Completely different styles... These drums should NOT sound natural, that's not what I was going for at all on this song.
@@eilzaanpro1223 Different genres completely... These are NOT acoustic drums
these drums are not acoustic drums though. its supposed to sound programmed
@@MariJu1ce Exactly.
stereo snare and hes bothered about transients haha
Comment makes no sense... Rethink it.
@@RadiumRecordsHollywood if you don't understand its ok
@@rickyred001 Yea sorry, I've only been mixing and mastering for 20 years, I don't have the experience that you probably have... Still learning and growing everyday!
@@RadiumRecordsHollywood yeah i can tell by your humbling modesty, like i said, its fine, move on dude..
@@rickyred001 Nah, you made the comment... I'm trying to learn from you, explain so everyone understands what you meant. "Stereo snare and hes bothered about transients haha"... What do you mean by that? Simple conversation and if you make a comment, you should be able to back the comment with some science or fact or something, right?
You're talking about drum sounds, yet the bloody vocals make it difficult to hear what you're trying to achieve. Thumbs down from me