Fantastic. Love that we get an entirely different take on this song so soon after the last one. As far as I'm concerned, we could have every musician do a version each week!
Yea!! I enjoyed it!! and I especially liked how the bass player knew how to kick the uptempo off at 6:13. Just to SEE him do it was expecially pleasant
Where did Joel get the vibraphone used on this gig? Is this the musser that was made for PASIC? I haven’t seen it anywhere else, it’s awesome, I want one
Great stuff. Only beef is I wish they hadn't stayed so close to the Gil Evans arrangement. They had rather different things to say than that arrangement sets up... Using Monk's changes might've helped, too. But that's just me, sorry. (ps do I hear a hint of Dick Twardzik's amazing version toward the end?)
One of my favorite jazz artists is Milt Jackson, xylophonist with the Modern Jazz Quartet. He had an inimitable sense of rhythm that had a bouncy feel. The xylophonist here lacked that. He always played straight verbatim to the melody line. He did come alive around 9:10 but that was too little too late. The pianist played too many notes and needlessly. He's like a guy who talks too much. We already got his point but he keeps on talking and embellishing his point needlessly. While I think John Henry, of the Modern Day Jazz Quartet, was an inadequate pianist, Cohen is a better pianist but he overplays his point. Musicians should never forget the beauty of silent rhythm. That is what is good about Oscar Peterson, his attention to silent rhythm. The bassist should have removed his mask for the video.
Fantastic. Love that we get an entirely different take on this song so soon after the last one. As far as I'm concerned, we could have every musician do a version each week!
Fantastic rendition and fantastic song.There is a good reason why this song is the most recorded jazz standard in the world.
absolutely sick
jazz will never die
this song's been played at the highest level thousands of times and this rendition still blew my mind
Yea!! I enjoyed it!! and I especially liked how the bass player knew how to kick the uptempo off at 6:13. Just to SEE him do it was expecially pleasant
BEAST
Glad I stayed to the end. Love the Bach-like cadenza 🔥🔥
thanks for u wonderful music jazz friends from PERU USA lot of blessings all over gracias
Blown away by such a masterpiece rendition!
Emmett Cohen is the real deal!
wow - just fantastik - all the colorsand textures - heavenly - love the vibraphone - nice touch
Emmet, this was special.
Votre musique nous protège - un temps- de la fureur du monde … plein de merci 🙏🙏🙏
You have the best recipe for this number. Everyone gets to shine. Love it !!! Top quality!!!🎉❤❤🎉❤❤🎉
masterclass
great, i swear i liked this. thanks.
Rockin TY
Keep the flame boys!
freakin awesome
As great as jazz gets!
Super 💖
TOO COOL!
fantastic!
Emmet man ❤️
Wow very good
Absolutely terrific rendition of a masterpiece
this is beautiful
daily jazz ear treatment - wonderful and recorded great once again! Thanks!
BravooooO !!!!!
Espetacular!!!!
Beautiful song. Very very well interpreted!!!. Congratulations!!. Greetings to all!!.
Fine musicians!
Awesome!
Cudowne, dziekuje za radosc która daje każdy twój muzyczny występ 🎹 wspaniałe wykonanie 👍🏻
Great upload ! Thanks !
Excellent
Awesome
five stars!
nice
awesome , first part sounds like "amor em paz by Vinicius de Moraes a bossanova classic , fantastic ensemble and composition
Where did Joel get the vibraphone used on this gig? Is this the musser that was made for PASIC? I haven’t seen it anywhere else, it’s awesome, I want one
Great session, would love to see the audio recording setup for this.. mic placement etc…
Bobby Hutcherson reincarnation!!! BRAVO!!!!!!
ブラボー❗
SUTEKI!!!
superlative
2:35 THE VULFPECK LICK!!!
it's called a cadence
Great stuff. Only beef is I wish they hadn't stayed so close to the Gil Evans arrangement. They had rather different things to say than that arrangement sets up... Using Monk's changes might've helped, too. But that's just me, sorry.
(ps do I hear a hint of Dick Twardzik's amazing version toward the end?)
One of my favorite jazz artists is Milt Jackson, xylophonist with the Modern Jazz Quartet. He had an inimitable sense of rhythm that had a bouncy feel. The xylophonist here lacked that. He always played straight verbatim to the melody line. He did come alive around 9:10 but that was too little too late.
The pianist played too many notes and needlessly. He's like a guy who talks too much. We already got his point but he keeps on talking and embellishing his point needlessly. While I think John Henry, of the Modern Day Jazz Quartet, was an inadequate pianist, Cohen is a better pianist but he overplays his point. Musicians should never forget the beauty of silent rhythm. That is what is good about Oscar Peterson, his attention to silent rhythm. The bassist should have removed his mask for the video.
Modern day Milt Jackson
toy