Schumann - Piano Concerto in A minor | Francesco Piemontesi | WDR Symphony Orchestra
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- เผยแพร่เมื่อ 15 มิ.ย. 2024
- Schumann - Piano Concerto in A minor | Francesco Piemontesi | Lionel Bringuier | WDR Symphony Orchestra
Robert Schumann's Piano Concerto in A minor, op. 54, performed by pianist Francesco Piemontesi and the WDR Symphony Orchestra conducted by Lionel Bringuier. Recorded live at the Kölner Philharmonie on May 27, 2023.
Robert Schumann - Piano Concerto in A minor op. 54
00:00:00 I. Allegro affettouso
00:15:40 II. Intermezzo. Andantino grazioso
00:21:05 III. allegro vivace
WDR Symphony Orchestra
Francesco Piemontesi, piano
Lionel Bringuier, conductor
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Work Introduction:
What a pop star is today was the equivalent of the traveling virtuoso in the 19th century. Think of the 'devil violinist' Paganini or the 'keyboard lion' Liszt. Aiming for a downright circus-like music-making was not Robert Schumann's thing, however. As an ideal, he envisioned an antithesis to the virtuoso concerts of his time: What attracted him to a concerto was not the grasping paw or furiously sparkling dexterity, but the perfect interlocking of the sounds of the protagonists involved, i.e. the solo instrument with the orchestra. A lofty goal: Schumann took four attempts to achieve it - and each time he abandoned the compositional attempt. So he himself also fell short of his idea, and he was even more unable to find it among his contemporaries.
This led him to a humble statement in 1839: "And so we must confidently wait for the genius who will show us in a new and brilliant way how the orchestra can be combined with the piano, so that the person who rules the piano can unfold the richness of his instrument and his art, while the orchestra can do more than just watch and weave the scene more artfully with its manifold characters.
At that time, Schumann did not yet dare to believe that a few years later he himself would be the genius who would create a higher art form through the interaction of the two equal sound partners. His four failed piano concerto attempts were still in his bones. Two years later, however, he made a new attempt, not with a traditional concerto, but with a fantasy for piano and orchestra. Clara found in it exactly the ideal he was striving for: "The piano is most finely interwoven with the orchestra - one cannot imagine the one without the other." However, Schumann was initially unable to initiate a public performance. And a publisher could not be found either. In 1845, he decided to thoroughly rework the Fantasy and add two movements to it - and thus achieved his final breakthrough.
(Text: Otto Hagedorn) - เพลง
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F. Piemontesi spielt brillant und das Zusammenspiel mit dem Orchester ist super. Wer kann schon während dem Spiel dem Dirigenten zulächeln
Dankeschön :)
👏👏
So expressive❤! Quasi improvisando e in dialogo merviglioso con orchestra e Maestro Bringuier! Grazie mille!
Excelente composición de Schumann ..magia de la música y la interpretación de Francesco Piamontesi fantástica ,,,Gracias
Gracias! 🤗
Piemontesi davvero un grande interprete
A wise person wrote to me this week . Basically they said , " Really it is unessesary to make dramatic gestures or dress in provocative clothes to say the piano and play impressively . Just dress smart and play well. " I totally understand what this person meant . This performance from this excellent virtuoso proves this well. Entrancing playing .
Afinetada na pianista chinesa? Inquestionável que é exímia pianista. Mas, de fato, o palco erudito não é exatamente o lugar para tanta sensualidade.
How about "live and let live"? Just a thought. 😊
@fabiusgraco5296
I'm so glad Yuja Wang & Lang Lang doesn't listen to bigoted, petty comments. They've got nothing to prove to no one! And their concerts are always sold-out. So apparently, I'm not the only one that think so. Jealousy of others is a disease folks!
Piemontesi magico
Missed when it premiered. Just streamed this enchanting concert! Great pleasure and joy! Robert Schumann: Piano Concerto performed by fantastic Francesco Piemontesi with WDR Symphony Orchestra under the baton of Impeccable Maestro Lionel Bringuier was so charming, loved every minute of it. Both the conductor and pianist were flattering each other with such ease, smile bringing the fabulous concerto to the end. Bravo!
Thank you, WDR Klassik, for the description as well.
Thank you very much 🤗
@@WDRKlassik You are welcome.
Francesco Piemontese is an excellent pianist.
У вас классный канал! Столько красивой музыки в шикарном исполнении! Подписался😊
Thank you! 🤗
The director and soloist giving each other a look at 15:15 when everyone starts clapping is perfect
yep except they are not supposed to clap at that time...
IMÁDOM A DARABOT,ÉS NAGYSZERŰEN JÁTSZIK PIEMONTESI!
i heard his playing of brahms piano concerto no.1 last year in person. it was really wonderful~ :)
Bravo Maestro 😊
😊
A great addition to the finale!
😊
成熟したグラデーションの音色が素晴らしいです。❤
Fantastisch! Großartige Interpretation
🥰
Wonderful !
Bravo! 👏
Bravissimo e bravissimi! 👏👏👏
Grazie mille!
감사합니다❤
Yo también agradezco! (我还要感谢你！)
👏👏❤
Finally a good performance. Great stuff
Thank you!
Спасибо! Замечательно!!!🏵🏵🏵
We are happy that you like it. 😊
ジョー熱家でいらして、シューマンに似合っておられますね、木管がとても美しく掛け合いも素晴らしく、感激いたしました。
ありがとうございました！
👏👏👏👏
30:12
⚘⚘⚘⚘⚘
슈만 같아요! 듣기 좋아서 거의 매일 듣습니다!!!😊
Thank you 😊
0:50❤
Le Concerto pour piano en la mineur, Op. 54, de Robert Schumann est son unique œuvre concertante pour cet instrument. Le maître allemand souhaitait composer une œuvre qui emprunterait à la fois la symphonie, au concerto et à la grande sonate. Le résultat de cette alliance inédite ? Une Fantaisie pour piano et orchestre, qui deviendra plus tard le premier mouvement du concerto pour piano.
La structure de la pièce est en trois mouvements. Le premier de ceux-ci (la fantaisie originelle) ayant une forme cyclique, est un « Allegro Affetuoso » dominé par un thème, l'un des plus beaux de Schumann, que le piano expose après quelques brillantes mesures d'introduction. L'ensemble de lignes concentrées et dirigées par le thème principal qui constitue à lui seul un microcosme musical achevé. Les deux autres parties « Intermezzo » et « Allegro vivace » sont en parfaite harmonie avec lui. L'Intermezzo est un dialogue intime entre le piano et l'orchestre. L'écriture en est délicate, raffinée, l'alliance des cordes et des instruments à vents est habilement dosée, le solo du violoncelle qui chante dans la partie centrale du mouvement accentue son style de musique de chambre. Dans les dernières mesures, les bois préparent en concept le Finale « Allegro vivace » qui s'enchaîne sans interruption. Son thème éclate au piano, rayonnant de joie et de lumière. Il est issu du motif central du premier mouvement. La valeur lyrique a souvent été soulignée.
La diversité thématique, notamment, en est remarquable. Plus intimiste et moins brillant que ceux de Chopin ou de Liszt, mais très éloigné du dramatisme des concertos de Beethoven. Ce concerto compte aujourd’hui parmi les œuvres les plus aimées du registre. Ses élans passionnés, son lyrisme et sa poésie sont les reflets d’une âme tourmentée et profondément romantique. Schumann n’en écrira pas d’autres, mais son unique contribution au genre éveilla l’attention de grands compositeurs, notamment Edvard Grieg dont son concerto en tonalité similaire doit tant au modèle schumanien. Le musicien crée un véritable dialogue avec l’ensemble, qui joue
un rôle plus prépondérant encore que dans d’autres œuvres concertantes. Le concerto pour piano de Robert Schumann est certes
un des sommets du genre, mais aussi le témoignage musical d'une belle histoire d'amour. *Lucien*
Merci 😊
9:20
29:56
한국으로 와주세요 😂😂
Bravo the pianist! But I didn't like how the orchestra was conducted. Mechanical and cold. He deserved much more.
Non si applaude tra un tempo e l'altro.