Dinu Lipatti is considered by the piano chairs of major universities in Europe and almost all over the world to be one of the most virtuoso and special pianists in the history of this instrument.
To all the listeners around the world, This Lipatti/Karajan 1948 recording is especially famous and popular in Japan because it was used as BGM for the las scene of a Tokusatsu TV program “ULTRA SEVEN” (1967). Almost all the people around the world would hardly be able to imagine how deeply we Japanese Tokusatsu fans love and thank for this beautiful, emotional play by the these great pianist, conductor and orchestra. With tears.
I didn't know that and I've got in My own Record Collection the 1955 Columbia Reissue on a 10-inch Blue and Gold label Record Number 33C-1001 as well as the Grieg Piano Concerto in A Minor Op 16 again on Columbia 33C-1040 and both Performances are as good as the Solomon Recording I've got on a His Master's Voice White and Gold Stereo off Solomon Playing the work Record Number ASD-272 which came out in the late 1950's and both Performances are equally as good in both of terms of being as good as each other in Recording's and the Lipatti Grieg and Schuman was issued on a Australian Blue and Gold Columbia 33CX-7518 and I should imagine that is very Rare as I've never seen it on a British Blue and Gold and the Blue and Gold went out of Production in 1965 the after His Master's Voice changed all there Record labels
The Schumann A minor piano concerto played bi Dinu Lipatti forms the basis of my earliest childhood memories. My parents had a vinyl LP that had Grieg's A minor piano concerto on one side and Schumann's piano concerto on the other side, both played by Lipatti. I don't recall who the conductor was, though, but it may have been different conductors for the two performances. At any rate, I was only three years old when I was introduced to the magical world of Grieg and Schumann, and these two pieces formed a crucial part of my childhood fantasy world as I was growing up in Flagstaff, Arizona!
Yes, Lipatti was a genius and with Karajan at his side he is doing an amazing job, but what amazes me here is also the quality of the recording. Bravo Deucalion Project!
This is the first recording I would give to any young pianist or anyone interested in one of the finest interpretations from both soloist and orchestra of one of Schumann's crowning achievements.
Прекрасна комбинация Шуман-Липати-Караян и този отличен оркестър! Възторжени чувства и преклонение пред Великите Майстори от Миналото !!! Вдъхновени от Бог!!! Благодарим Ви!!!
Knut Hartmann if you want to buy the 1950's Columbia Reissue it's on 33C-1001 and it's also on 33CX-7518 and Coupled with the Grieg Piano Concerto in A Minor and I should imagine that 12inch Australian Blue and Gold is very Rare as I've never seen another copy
Having got a copy of Both this and the Grieg Piano Concerto's in A Minor on two 10-inch Blue and Gold Columbia LP Records from 1955 the Grieg is 33C-1040 and this one 33C-1001 I can listen to both these two Recordings for hours on end as well as the Solomon Recording on His Master's Voice White and Gold which I've also got in My own Record Collection Record Number ASD-272;and it was such a shame that Dinu Lipatti died so Tragically young at 33 on Saturday December 2nd 1950 just six years before I was Born and I was Born on Saturday December 22nd 1956 and even today some 73 years after his Death his Records are still selling and both the Grieg and the Schuman Piano Concerto's in A Minor have been Transferred to a 12-inch Blue and Gold Columbia LP Record and the Record Number is 33CX-7518 and I put the Release Date as Between 1957-1960 just 10 Year's after his Death at the age of 33 and I should imagine that My 12-inch and the two 10-inch Blue and Gold Columbia Reissues are very Rare more so on the former as I've never seen another copy off the two Recording's on the Blue and Gold Columbia label I've Seen the HMV Reissues on Concert Classics Record Number XLP-30072 and on HMV Treasury HLM-7042
More colorful beautiful piano sound than Lipatti=Wilhelm Kempff Emil Gilels Radu Lupu Artur Rubinstein Vladimir Ashkenazy Grigory Sokolov! More genius than Lipatti=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Stanislav Bunin Maria Grinberg! More powerful louder than Lipatti=Mikhail Pletnev(Prokofiev piano concerto no 1 by Pletnev!) The Second Loudest ever was Lazar Berman! The 3rd Loudest was Erwin Nyiregyhazi! Horowitz his technique better than Lipatti's technique!!
@@helenkurdin At least I know no pianist who was such a Master at 33 years old... Michelangeli was as great as Lipatti technically at the same age but not musically (he found his unique style in the late 50', when he approached the 40 y.o.) Mmh... as Arthur Rubinstein said, there is no such thing as "the greatest", but only great artists. And Lipatti was indeed a very, very great artist. Perfect? No, that's exagerated. No one was perfect, not even Michelangeli in his best years, nor Richter in his highest moments. They made choices, and were apllying it the best they could.
One of my favorite pianists. Too bad, I THINK, that the conductor was Karajan. I can imagine how much better would it have been with Klemperer or Furtwangler.
I agree. Lipatti, that least ego-driven and most brilliant of pianists, deserved better than the self-centerdness of Karajan's accompaniament. Still, I rather have his Schumann, even with Karajan, than not...
Agree. Karajan loses the concept of forward motion, of tension moving forward. Lipatti finds space for his genius details, but the purpose would be artistically "higher" and more dramatic with a different conductor.
Having watched the Daniel Barenboim Concert and listening to this Historical 1948 Recording of the Schuman Piano Concerto in A Minor Played by Dinu Lipatti I think I Prefer this Recording as both Herbert Von Karan and Dinu Lipatti seamed to Compliment each other
Karajan literally destroys the poetry of Schumann and Lipatti. It is insulting for two immortal poets of music as both were. Otherwise, this Lipatti's performance could have been the most sublime ever conceived.
Karajan is so vastly over-rated! It's extremely regrettable that Lipatti's uniquely brilliant performance has been compromised by uniquely lacklustre orchestral accompaniment.
I simply cannot understand his way of playing the piano. Too academic, cool, cannot feel warm sympathy toward the composer. Well played, but I cannot sense his love to the composer.
Dinu Lipatti is considered by the piano chairs of major universities in Europe and almost all over the world to be one of the most virtuoso and special pianists in the history of this instrument.
amazing!! he's absolutely one of the greatest artist
To all the listeners around the world,
This Lipatti/Karajan 1948 recording is especially famous and popular in Japan because it was used as BGM for the las scene of a Tokusatsu TV program “ULTRA SEVEN” (1967). Almost all the people around the world would hardly be able to imagine how deeply we Japanese Tokusatsu fans love and thank for this beautiful, emotional play by the these great pianist, conductor and orchestra. With tears.
I didn't know that and I've got in My own Record Collection the 1955 Columbia Reissue on a 10-inch Blue and Gold label Record Number 33C-1001 as well as the Grieg Piano Concerto in A Minor Op 16 again on Columbia 33C-1040 and both Performances are as good as the Solomon Recording I've got on a His Master's Voice White and Gold Stereo off Solomon Playing the work Record Number ASD-272 which came out in the late 1950's and both Performances are equally as good in both of terms of being as good as each other in Recording's and the Lipatti Grieg and Schuman was issued on a Australian Blue and Gold Columbia 33CX-7518 and I should imagine that is very Rare as I've never seen it on a British Blue and Gold and the Blue and Gold went out of Production in 1965 the after His Master's Voice changed all there Record labels
Es.muy conocida la música.
Lipatti’s handling of rhytmics is here beyond masterly. And the tone: incredibly poetic yet never sentimental.
この演奏は個人的な想いが強い演奏です。このリパッティ盤を聴くと、どうしてもウルトラセブンの最終回が思い出されてなりません。劇中の演奏はこのリパッティ盤でした。
やはりそうなんですか。いろいろな人のが出てますが、リパッティ版が一番悲壮感がある感じですね。
,
f c
@@iseimor ccc . c
Best version of all times
sublime, assolutamente perfetto
This recording stands head and shoulders above all others. What a difference even to the Ansermet recording.
One of the very best performances of this concerto.
one of the real recording of the century
Amazing clarity for a 1948 recording - great re-mastering!! Favorite piano master!!
Impressive performance of a genius. Schumanns pianoconcerto never played better. So clear, vibrant and sensitive. It moves me every time i hear it.
One of my favorite pianists. He was taken way too early... I think this is the best recording of Schumann Concerto.
Every note on that piano is made of pure diamond.
The Schumann A minor piano concerto played bi Dinu Lipatti forms the basis of my earliest childhood memories. My parents had a vinyl LP that had Grieg's A minor piano concerto on one side and Schumann's piano concerto on the other side, both played by Lipatti. I don't recall who the conductor was, though, but it may have been different conductors for the two performances. At any rate, I was only three years old when I was introduced to the magical world of Grieg and Schumann, and these two pieces formed a crucial part of my childhood fantasy world as I was growing up in Flagstaff, Arizona!
I understand you. I was 9 years old when I was introduced to that Concerto and that of Grieg. It is still for me so special.
@@francoiseduffy584 I was given that same recording (Schumann/Grieg) when I was a sophomore in college and played it till it wore out. Lovely memory.
Yes, Lipatti was a genius and with Karajan at his side he is doing an amazing job, but what amazes me here is also the quality of the recording. Bravo Deucalion Project!
To my ears the conducting has no soul. I agree Lipatti is magnificent!
Violín Richner. ?
En el 48. NO había nacido.
extraordinario, elegante Lipatti
This is the first recording I would give to any young pianist or anyone interested in one of the finest interpretations from both soloist and orchestra of one of Schumann's crowning achievements.
I agree.....
これまで聴いた中で私の心に一番響いた素晴らしい演奏です。
Прекрасна комбинация Шуман-Липати-Караян и този отличен оркестър! Възторжени чувства и преклонение пред Великите Майстори от Миналото !!! Вдъхновени от Бог!!! Благодарим Ви!!!
当時は子どもだったので曲名までは分かりませんでしたが印象に残った曲、でもそれだけにこのシューマンのピアノ協奏曲聴くとウルトラセブンのダンのセリフ及び飛び去っていくウルトラセブンが浮かびます
What a truly wonderful performance, the best I ever heard of this work. What a joy!
Ich bin kein Karajan-Fan, aber das hier ist wirklich klasse. Pianist fantastisch.
Knut Hartmann if you want to buy the 1950's Columbia Reissue it's on 33C-1001 and it's also on 33CX-7518 and Coupled with the Grieg Piano Concerto in A Minor and I should imagine that 12inch Australian Blue and Gold is very Rare as I've never seen another copy
This is absolutely superb.
リパッティは終楽章の録り直しを強く希望したらしいけど、カラヤンは｢その必要無し｣とにべも無く断ったとか。
でもいつも何度聴いても素晴らしい演奏だと思うなァ。
永遠の愛聴版です！
テンポの速さはカラヤンや小澤征爾ならついていける。
@@karateru 様
(._.？) ン？ 意味不明ですが、コメント有難う御座います。
Какие"Горящие"звуки!ЛипаттиВоошебник!
SAZAEケーリー様
その逸話の出典を教えて頂ければ幸いです。
三木達也様
ネットでリパッティ&カラヤンPOで検索するのが早いですよ。
音楽評論家の故三浦淳史、故吉田秀和、現役の中川京介氏等の著作でも散見出来ますよ。
リパッティの不満を聞いた、EMIプロデューサーのウォルター・レッグ（奥さんはエリザベート・シュワルツコップ）は、フルトヴェングラーとの再録音を約束したけど、リパッティ逝去でお流れ‥‥‥実に残念。
1：30からの所はマグマライザーが地底を走るシーンだよなぁ、、、
Having got a copy of Both this and the Grieg Piano Concerto's in A Minor on two 10-inch Blue and Gold Columbia LP Records from 1955 the Grieg is 33C-1040 and this one 33C-1001 I can listen to both these two Recordings for hours on end as well as the Solomon Recording on His Master's Voice White and Gold which I've also got in My own Record Collection Record Number ASD-272;and it was such a shame that Dinu Lipatti died so Tragically young at 33 on Saturday December 2nd 1950 just six years before I was Born and I was Born on Saturday December 22nd 1956 and even today some 73 years after his Death his Records are still selling and both the Grieg and the Schuman Piano Concerto's in A Minor have been Transferred to a 12-inch Blue and Gold Columbia LP Record and the Record Number is 33CX-7518 and I put the Release Date as Between 1957-1960 just 10 Year's after his Death at the age of 33 and I should imagine that My 12-inch and the two 10-inch Blue and Gold Columbia Reissues are very Rare more so on the former as I've never seen another copy off the two Recording's on the Blue and Gold Columbia label I've Seen the HMV Reissues on Concert Classics Record Number XLP-30072 and on HMV Treasury HLM-7042
Beautiful ! Thank you for posting !
Слёзы наворачиваются, какой гений!
Mancano le parole per definire la bellezza dell'esecuzione, a settantanni dall'evento!
セブン最終回はこの演奏かな？
リパティのようです。
I love it
This is so great!
ロベルト・シューマン作、ピアノ協奏曲イ短調、作品54「ウルトラセブン」ですね。明けの明星が輝くときに聞くとますます感動します。
Thanks - this is such a fine remastering of a uniquely brilliant performance.
The Best above all the others
More colorful beautiful piano sound than Lipatti=Wilhelm Kempff Emil Gilels Radu Lupu Artur Rubinstein Vladimir Ashkenazy Grigory Sokolov! More genius than Lipatti=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Stanislav Bunin Maria Grinberg! More powerful louder than Lipatti=Mikhail Pletnev(Prokofiev piano concerto no 1 by Pletnev!) The Second Loudest ever was Lazar Berman! The 3rd Loudest was Erwin Nyiregyhazi! Horowitz his technique better than Lipatti's technique!!
Lipatti was looking forward to Schumann's piano concerto with Furtwängler on the deathbed.The record company was planning.
Remember Dinu the century's No 1. especially Chopin, Schubert, Schumann. and 2021 ??
LIPATTI WAS THE GREATEST ROMANIAN PIANIST THAT EVER LIVED.
Bettina Almășan not just Romanian - he was one of the greatest pianists who ever lived. It's heartbreaking that his life was cut so short.
@@mylittlehouseofrescues8797 not just the one of the greatest. He was the greatest pianist. Unsurpassed so far.
@@helenkurdin At least I know no pianist who was such a Master at 33 years old... Michelangeli was as great as Lipatti technically at the same age but not musically (he found his unique style in the late 50', when he approached the 40 y.o.) Mmh... as Arthur Rubinstein said, there is no such thing as "the greatest", but only great artists. And Lipatti was indeed a very, very great artist. Perfect? No, that's exagerated. No one was perfect, not even Michelangeli in his best years, nor Richter in his highest moments. They made choices, and were apllying it the best they could.
It's using the from Ultra Seven in 1967-1968
Thanks!❤
Ultimate recording.
Божественные Шуман, Липатти, Караян! Праздник музыки.
セブン最終回の音源ってこれかな？
One of my favorite pianists. Too bad, I THINK, that the conductor was Karajan. I can imagine how much better would it have been with Klemperer or Furtwangler.
I agree. Lipatti, that least ego-driven and most brilliant of pianists, deserved better than the self-centerdness of Karajan's accompaniament. Still, I rather have his Schumann, even with Karajan, than not...
@@yakshaver1 You make a good point.
Agree. Karajan loses the concept of forward motion, of tension moving forward. Lipatti finds space for his genius details, but the purpose would be artistically "higher" and more dramatic with a different conductor.
高校2年のとき、リパッティのシューマン&グリーグのＬPレコードを買いました。ちょうど千代の富士が初優勝した頃です。
He was the best ever.
アンヌ、僕は人間じゃないんだよ！
リパッティ本人がどう言おうと、カラヤン／フィルハーモニアとのこの演奏が、この曲のベスト演奏だ。感動的なウルトラマンが出てくるで！
リパッティはカラヤンの指揮に不満があった様で、その訴えを聞いたゥオルターレッグはフルトヴェングラーとの再録を企画していたとか。聴いてみたかった！！！
1950年ジュネーブ、アンセルメ指揮スイスロマンド実況録音がデッカから’70年に出ている。残念なことに疑似ステレオになり、録音の質はよくない。しかし演奏は別格。スイスロマンドはよく協奏していて見事。
３０年以上愛聴してきましたが、そんな事実があったとは！いいことを教えていただきありがとうございました！アンドリュー・カズディンによれば、グレン・グールドがもっとも愛していた指揮者はフルトヴェングラーだったようですね。ひねくれ者（照れ屋？）のグールドは、自分の著作物のなかではついぞフルトヴェングラーに触れたことなどないのに。それだけに、本心だという気がします。
@@glenngould-b3iさん 残念ながらリパッティは協奏曲に関しては、指揮者・オケor録音状況にあまり恵まれなかったというのが客観的事実の様です。亡くなるまでのほんの数年間での録音＆健康状態を考えれば仕方なかったのかも知れませんが。
ショパンやバッハの協奏曲録音等リパッティの演奏は素晴らしいので、少しでも良い音でとレコードやCDを随分集めましたが何れも大差なく、中にはリマスターでいじり過ぎとんでもない音質になっているものもあります。
Genial!❤️
素晴らしいお( ^ω^ )
アンヌ‥僕は僕はね、人間じゃないんだよ‥！M78星雲から来たウルトラセブンなんだ！
マグマライザー発進！byキリヤマ隊長
카라얀이 지휘한게 충분치 않아서 싫다는 댓글들도 있던데
카라얀이 분위기를 연주에 잘 맞춰줬다. 리파티의 초인적인 연주를 잘 맞춰준것만 해도 명지휘인듯.
His life was very short
アマギ隊員がピンチなんだよ！
嗚呼刹那的人生一曲。
Having watched the Daniel Barenboim Concert and listening to this Historical 1948 Recording of the Schuman Piano Concerto in A Minor Played by Dinu Lipatti I think I Prefer this Recording as both Herbert Von Karan and Dinu Lipatti seamed to Compliment each other
Karajan literally destroys the poetry of Schumann and Lipatti. It is insulting for two immortal poets of music as both were. Otherwise, this Lipatti's performance could have been the most sublime ever conceived.
🤩
ウルトラセブンから来ました
日本人とそれ以外でコメントの内容が違いすぎる動画
自分もウルトラセブンがまず浮かぶが
3악장 후반 연주는 들어도들어도 쩐다. 녹음 음질만 좋았어도 수백만 수천만 조회수는 찍었을텐데 새로운 슈만 협주곡 녹음을 앞두고 세상을 떠나신게 슬플 따름
우울함을 받아들이면서 사랑하는것과 우울함을 밀어내면서 사랑을 갈구하려는것 두 가지 관점 모두에 부합하게 느낄수있다고 생각함.
作品番号M78
ウルトラセブン。見たほうがいいのかな？
ウルトラセブンの終盤でBGMとして使われたというだけで、セブンの物語と、この音楽の関連性は無いと思います。
ウルトラセブンは社会風刺が色濃く織り込まれていたり、単純な勧善懲悪とは言えない心の襞にも踏み込んだ、ウルトラシリーズの中では大人の鑑賞にもたえうる作品かもしれません。
特撮や映画・ドラマの脚本や演出などに関心があるなら見る価値はあるかもしれません。
しかし、シューマンや音楽を深く理解したいという動機なら、あまり意味は無いかもしれません。
冬木透氏はあえてリパッティ版を選んでます。
この頃既にリパッティはガンに侵されおり満身創痍のダンと音楽表現が一致したそうです。
@@deucalionproject2407 私は貴方の意見に１００％賛同します。
リパッティは、この後で予定されていた、フルトベングラーとのセッションを楽しみにしていた。カラヤンが悪い訳じゃないので、勘違いしないでね。
Karajan is so vastly over-rated! It's extremely regrettable that Lipatti's uniquely brilliant performance has been compromised by uniquely lacklustre orchestral accompaniment.
カラヤンこんなテンポでやるんですね…
日本語のコメントが軒並みウルトラセブンで笑った。
ウルトラセブンは好きだ。
だがこれは正直言って恥ずかしい。
「ジュピター」で「『沈黙』から来ました」ばっかだったのと同じ。
ほんと、それな・・
私もセブンは大好きだけど、さすがに恥ずかしい。
アンヌ、僕はね、僕は人間じゃないんだよ！
Well what are you if you are not Human?
@@martincook318 Ultraseven from m78
@@curry7539リパッティ自身が、アンヌ、という人に対して言った言葉なのでしょうか？どういう意味なのでしょうか？アンヌ、とは、誰ですか？とても興味深いですので、知りたいです！🌸
@@satokomatsubuchi6661
円谷プロ放映「ウルトラセブン」最終話です
ダン隊員がアンヌ隊員に自身がセブンであることを告白しますが、その際BGMにリパッティのシューマンが流れます
ウルトラシリーズきっての名シーンであると言えます
@@satokomatsubuchi6661これはウルトラセブン最終回でセブンことモロボシダンが、アンヌ隊員に自分の正体がセブンであることを告白したシーンでこの曲が流れたのです。なお、この作品は特撮史上最高傑作と言われています。涙なしでは見られないので一度鑑賞してみてください。さらに後半のバトルシーンでの、リパッティのテクニックが冴えるので、ここも見どころです。シューマンはウルトラセブンのためにこの曲を作曲したのかと思うくらいの傑作に出来上がっています。
I simply cannot understand his way of playing the piano. Too academic, cool, cannot feel warm sympathy toward the composer. Well played, but I cannot sense his love to the composer.
Listen again.
シューマンはしょうもない。
ULTRA SEVEN brought me here!!