he eh you r not so wrong also if I respect all of them (Joshua is quite a child comparing to them)...but Mike..yes he is blessed...by himself 'cause he built note by note step by step his style and personality
Nah. Just different great cuisines on the menu. You know that Brecker revered Liebman, right? They played countless hours together in Lieb’s Chelsea loft in the early 70s?
The amazing endurance of Jack Dejohnette, much respect. He not only jogs through countless choruses of Tenor Madness, he puts a drum solo on top of it. Pure energy.
Each one of them is his own man - all have absorbed Coltrane's music and integrated it into their own playing in their own ways - IMO, it's not a matter of who is 'the winner' - it's about enjoying each player on his own terms
As a player, I never felt I had to “best” somebody unless we were cutting. I feel these guys were just making their own statements. It’s up to us, the audience, to decide what works to make us feel.
Sir, it's in his mind all the time, but he's totally in his zone, ....but hears everything in the rhythm section. Only a genius level can play like that. He's the extension of Trane.
@@IamSaralinka Right. I don't think he full on lost the form but he definitely got out of synch with Jack Dejohnette. I'm pretty sure they were supposed to play more of Trane's solo choruses and Garzone was supposed to go right after him but Geoff soloed and it ended up working out fine that way. Whatever - it was a live performance. These things happen!
Not many mentions of George Garzone on these comments. I think the look on Michael Breckers face says it all. Mr Garzone is out of this world. Super human intensity. I could listen to him forever. All the others are great, no question but I think Jack De seems to go up a notch when Mr Garzone plays. Fantastic video.
It's so funny how we all have such different taste! I'll admit I'm not a Garzone expert but I've never heard him play anything resembling a melody during a solo... Always the same incoherent "runs" that I can't wait to skip. Wonder if that's what the master Brecker sounds like to the untrained ear 😂 Friend of mine enrolled late and got stuck with Garzone for a semester. Ended up transferring out halfway through and I totally see why.
I have to head' back to the shed cuz they'll probably call this tune or So What this week, and i definitely do not have a sufficiently interesting answer in hand for that question. darn you. thanks.
Here Brecker demonstrates why he became the most imitated, iconic, and stylish tenorist of the 1970's onward. His unique style grew out of a love for the masters that came before him, the aesthetic they developed in pursuit of musical and creative excellence, and their desire for a personal form of expression that acknowledged the past while looking toward the future.
This is such a rare treat, I'm a tenor player and love the love of the instrument. They all are great! What a brilliant idea to get some of the best saxophonist on the same stage.
All are amazing!!! But I've always been partial to Michael Brecker. I was at the Playboy Jazz Festival in 2007 and there was supposed to be a Brecker Brothers reprise... I assume it had something to do with Michael's ill health and wanting that one more moment. Sadly, as everyone knows, the world lost Michael Brecker a few months before this could ever happen. They went ahead with the performance with Bill Evans on saxophones. Randy Brecker, who I've had the extreme honor and pleasure of meeting on a few occasions and even played with him once (sort of... he was guest artist at Head of the Lakes Jazz Fest my junior year of college), was just beaming with pride... and the set was AMAZING!! I think it might just be the goose-bumpiest moment I've ever experienced in music!!
Mike was always sooooo relaxed in his hand positions. I love all these saxophonists and their passion! Not to mention the rest of the band and their responsive and contributory skills!!
"Lol @ Brecker laughing at himself for coming in early on the head at the beginning of the vid." Perhaps he was just too eager about _first impressions._
Such a joy. Jazz at its intense modern swinging Best. Everybody killed it and brought their own flavor to it. As someone who was friends with Mike and remains good friends with Lieb, I’m grateful that this is out there so people can hear how great these guys were in their prime. Dejohnette!!!
Michael Brecker will go down as one of the all time greats in Jazz history, but Joshua Redman is most definitely his equal on this tune. Liebman and Garzonne are no doubt great players but they can.t seem to match the level of Brecker and Redman in this performance.
Joshua Redman solo pulls the whole rhythm section into a gravitational stretch of spacetime (and then brings them back to a safe landing) and it is even more evident when they're trading 21:10
Each and every solo (and the killer rhythm section) was brilliant, stunning, mind blowing. I was particularly taken by Liebman's strange chthonic harmonic approach, but I loved each one, and the whole, including the unisons. It is all beautiful to my million mile an hour brain.
GREAT MUSIC - GREAT PERFORMANCE - GREAT TUNE & SOLO´S !!! 2 U ALL - KEEP on PLAYING and SWINGING 4 EVER !!! ☆♕ Stellan Viking (Blues🎙man🎸) Speaking, Singing, Screaming & Shouting @ WorldwidewelcomE ♕☆ R.I.P. The One and Only - MICHAEL BRECKER (Rest In Peace)
Michael Brecker snijdt dwars door je ziel. He touches your soul like Cortrane. Thanks for uploading this great piece of music. They're all outstanding though.
My humble opinion: #1 - Best Solo = Garzone, another level. #2 - 2nd Place = Redman/Brecker tie. #3 - Christian McBride, ‘nuff said. #4 - Incredible Rhythm Section, as an ensemble. Endurance, contribution and support in so many deep ways throughout. #5 - DeJohnette’s solo, spirit. #6 - Keezer’s fine comping and selflessness. Not to be underestimated. Not as audible/present as it should be in this video capture, but if you listen closely, you can hear its importance. Remaining aspects/challenges: A. Difficult live sound job. Often the case on festival gigs like this. The music shines through, however. One could imagine how gorgeous all this would sound with all or most of the electricity turned off. B. The leader of the group contributes beautiful energy and vibe to the ensemble and the proceedings, but on this particular performance, his solo work “loses the thread” within the first 8 bars and never recovers. This has nothing to do with playing “out” vs. “in”, etc. It has to do with more fundamental aspects than that. The leader can be heard constructing much more coherent improvisations, including “very out” playing, on his earlier recordings as a sideman with Elvin Jones in particular.
Everyone had it delivered supernally but Garzone’s solo can be printed and bound for a full course on jazz improvisation. Good balance between chops and melodic innovation
Haha, no wonder Joshua Redman could stand one on one with James Carter in front of the whole world - he stood before Micheal Brecker here. Nothing more could faze a young great like Joshua.
Oh yes !..Book me concorde to NYC and I want front-row at Newport for the Tenors gig.. wow ! Unison 'trane soloing is a good idea and should happen everywhere, all the time instead of classical recitals. What a feel the rhythm section(s) are getting. Holland's bass has the extra oomph and paired with Jack it's like a '75 Sonny Rollins free-jazz gig. Pianist is i think nailing the original comping on the head ! bravo ! For me, Brecker is best when he's doing 'trane or Dexter. Here his solo is Lawful-Evily bad with no stale licks or un-ended ideas. His phrasing is so good any serbo-croat or chinese speaker would understand instantly and his tone and bending are sEnSaTiOnAl !! I happen to like Garzone a lot for his triangular way, but Brecker is head and shoulders the giant here. Love it. Thanks for posting.
I am at the Coltrane Saxophone University of the Arts where tenor saxophone notes have flowed like the River Nile in inundation .What a musical tsunami! Their similar styles evoke that 'Tranesque pursuit in superfluity. Not in school today are James Carter, Ernie Watts, and Ed Calle. Chris Vadala is indisposed for attendance. Today's class is for only tenors, hence the conjectured absence of Kenny 'Pursuance' Garrett who evokes a similar 'Tranesque presentation when and if he so chooses. Check out his Tribute to Coltrane. During an improvisational on slaughter such as executed herein, time awareness becomes unknowingly subservient to melodic and harmonic presentation . This is Jazz!
The soloing is obviously what it is but the other thing about this clip....The comping! Keezer never flags for a second playing behind the other cats And DeJohnette is just SO connected to the soloists. Great clip
Micheal Breaker is not God. He studied the hell out of John Coltrane , Joe Henderson, and all the other master before him. He's is a great we all can agree , but he is not God. God gave him and everyone of the musicians here on this video their magnificent gift. Breaker is God . Really?😢
I studied with Garzone a little at NEC. He was so cool. He had a way of explaining really complex concepts is a really clear, straightforward manner. Huge impact on my playing.
My humble opinion: #1 - Best Solo = Garzone, another level. #2 - 2nd Place = Redman/Brecker tie. #3 - Christian McBride, ‘nuff said. #4 - Incredible Rhythm Section, as an ensemble. Endurance, contribution and support in so many deep ways throughout. #5 - DeJohnette’s solo, spirit. #6 - Keezer’s fine comping and selflessness. Not to be underestimated. Not as audible/present as it should be in this video capture, but if you listen closely, you can hear its importance. Remaining aspects/challenges: A. Difficult live sound job. Often the case on festival gigs like this. The music shines through, however. One could imagine how gorgeous all this would sound with all or most of the electricity turned off. B. The leader of the group contributes beautiful energy and vibe to the ensemble and the proceedings, but on this particular performance, his solo work “loses the thread” within the first 8 bars and never recovers. This has nothing to do with playing “out” vs. “in”, etc. It has to do with more fundamental aspects than that. The leader can be heard constructing much more coherent improvisations, including “very out” playing, on his earlier recordings as a sideman with Elvin Jones in particular.
I'm having a hard time concentrating after that brilliant observance. Jerry had gotten off early from filming the show and filled in last minute is what I heard....
A great recording: That's jazz! Here all interpreters could play their frustration of there soul. However, they missed the title. The title should not have been "Impression", but "Expression" and that was only possible with the incredibly dynamic swinging accompaniment of Dave Holland, Christian McBride - bass and most of all Jack Dejohnette - Drums. But even the latter was allowed to unload his frustration at the end of the number.
Isn't it great when the camera operator focuses on embouchure and fingers instead of just being creative? This is a wonderful performance and I really can't pick any favourites, they are all so different stylistically. It's interesting to try to pick the tonal difference between the two Joe Allard students (Brecker and Liebman) and the two Viola students (Garzone and his student Redman).
Brecker soloing first is like eating dessert before dinner
I have not laughed this hard in a while, you're so right. cheers
he eh you r not so wrong also if I respect all of them (Joshua is quite a child comparing to them)...but Mike..yes he is blessed...by himself 'cause he built note by note step by step his style and personality
Nah. Just different great cuisines on the menu. You know that Brecker revered Liebman, right? They played countless hours together in Lieb’s Chelsea loft in the early 70s?
The amazing endurance of Jack Dejohnette, much respect. He not only jogs through countless choruses of Tenor Madness, he puts a drum solo on top of it. Pure energy.
Impressions, not Tenor Madness
@@mitchpaliga4851In this case, tenor madness is a perfect description of what's happening
Each one of them is his own man - all have absorbed Coltrane's music and integrated it into their own playing in their own ways - IMO, it's not a matter of who is 'the winner' - it's about enjoying each player on his own terms
They all honor the spirit of coltrane with their own styles you gotta love it
Exactly.
They all sound the same! Competing with Coltrane and failing.
As a player, I never felt I had to “best” somebody unless we were cutting. I feel these guys were just making their own statements. It’s up to us, the audience, to decide what works to make us feel.
REAL SHIT
If you sat through this whole rendition, you're now immune to covid 19! It's that powerful!
RIGHT ON BRO !!!
Love it!!! 😂
Absolutely !! !
The funniest comment ever 🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣
Rhinesee und w cvv VV sind edle haben uns auch sehr
I'll never understand how Dave Liebman doesn't make himself lose the form.
Sir, it's in his mind all the time, but he's totally in his zone, ....but hears everything in the rhythm section. Only a genius level can play like that. He's the extension of Trane.
@@SaxophoneSteveKortyka If he did, he could easily find it again! I played w/ Dave, so I can say I know his genius.
@@SaxophoneSteveKortyka I think not... I can loose the fom and find it again, Liebman can't... he's always in... he doens't loose.
@@KentHewittpiano88 lol
@@IamSaralinka Right. I don't think he full on lost the form but he definitely got out of synch with Jack Dejohnette. I'm pretty sure they were supposed to play more of Trane's solo choruses and Garzone was supposed to go right after him but Geoff soloed and it ended up working out fine that way. Whatever - it was a live performance. These things happen!
Not many mentions of George Garzone on these comments. I think the look on Michael Breckers face says it all. Mr Garzone is out of this world. Super human intensity. I could listen to him forever. All the others are great, no question but I think Jack De seems to go up a notch when Mr Garzone plays. Fantastic video.
It's so funny how we all have such different taste! I'll admit I'm not a Garzone expert but I've never heard him play anything resembling a melody during a solo... Always the same incoherent "runs" that I can't wait to skip. Wonder if that's what the master Brecker sounds like to the untrained ear 😂
Friend of mine enrolled late and got stuck with Garzone for a semester. Ended up transferring out halfway through and I totally see why.
@@wilfredoalfaro not sure a fetus would be able to play an instrument. And don't worry, if you watch TV you've heard my music 😉
@@brockbah2048 lol
@@brockbah2048 L
He’s a beast. Jam!
This is like a 26 minute Jack Dejohnette solo.
+Paul Angelini But he beat the heck out of those drums for those 26 minutes.
He's absolutely brilliant! 👏🏻👏🏻👏🏻
I call it drive.
The song is 2 chords.
Jack always play with fire.
Smile.
Jack is a superb player. Period hands down.
Holy shit. Jack plays his ass off. What a drummer.
Reckon I’m good for tenor sax solos for a while now cheers
Geoffrey Keezer - Piano -- no slouch either ..... This group is just TOOOOOOO DEEEEEEEEEEEP !!!! loving this
These solos evolve like cleverer and cleverer answers to a solidly-crafted open-ended question.
nice one.
I have to head' back to the shed cuz they'll probably call this tune or So What this week, and i definitely do not have a sufficiently interesting answer in hand for that question. darn you. thanks.
Brecker, woop woop! Redman nearly brought me to tears. What a powerful performance. I`m just blown away. Thank you for posting this
Redman for me brecker is solid
Here Brecker demonstrates why he became the most imitated, iconic, and stylish tenorist of the 1970's onward. His unique style grew out of a love for the masters that came before him, the aesthetic they developed in pursuit of musical and creative excellence, and their desire for a personal form of expression that acknowledged the past while looking toward the future.
So true
AND J.REDMAN
liebman always blows my mind. I don't know of anyone who plays that inside out. killin.
Rest in Peace Mike 1949-2007 ! **
I am so glad someone got Brecker's birth year correct; March 29, 1949. NOT 1957 as appeared on screen at the end of the performance. Thank you LOL!
This is such a rare treat, I'm a tenor player and love the love of the instrument. They all are great! What a brilliant idea to get some of the best saxophonist on the same stage.
M. Brecker 1:07
D. Liebman 5:18
G. Garzone 12:00
J. Redman 15:30
Thanks It's easier for me to skip liebman now
@@kennyr1161 if you listen coltrane more. you skip coltrane too?
@@desireapple2630 Coltrane is better than liebman whats your point?
@@kennyr1161 oh im sorry. I thought you meaning skip out liebman, but you meaning skip in Liebman right?
@@desireapple2630 No I meant skip out
Garzone.....Such a great solo! he builds it so nicely. Some different shit! And his 8th note placement... Just wonderful.
Oh boy, Yeah. The tenor titans laying down!!!
All are amazing!!! But I've always been partial to Michael Brecker. I was at the Playboy Jazz Festival in 2007 and there was supposed to be a Brecker Brothers reprise... I assume it had something to do with Michael's ill health and wanting that one more moment. Sadly, as everyone knows, the world lost Michael Brecker a few months before this could ever happen. They went ahead with the performance with Bill Evans on saxophones. Randy Brecker, who I've had the extreme honor and pleasure of meeting on a few occasions and even played with him once (sort of... he was guest artist at Head of the Lakes Jazz Fest my junior year of college), was just beaming with pride... and the set was AMAZING!! I think it might just be the goose-bumpiest moment I've ever experienced in music!!
Awesome rhythm section! Tenors are all fantastic, too.
That was absolutely sick!!!!!
Mike was always sooooo relaxed in his hand positions. I love all these saxophonists and their passion! Not to mention the rest of the band and their responsive and contributory skills!!
Although, Joshua kicks serious ass!
I thought the same about
Mike’s hands, I think being tall and having large hands had something to do with it. And practice, of course.
❤ Wow! Hard to describe but fun to watch.
Lol @ Brecker laughing at himself for coming in early on the head at the beginning of the vid.
😂 that same brow raise and shoulder shrug he gave Metheny for messing up the head to his own tune
@@brockbah2048on which vid?
@@SuperBromberg th-cam.com/video/sONRZXDkOI8/w-d-xo.html @ :28 😏
"Lol @ Brecker laughing at himself for coming in early on the head at the beginning of the vid."
Perhaps he was just too eager about _first impressions._
Jack. The king of tasty overplaying. One of a kind master.
Such a joy. Jazz at its intense modern swinging Best. Everybody killed it and brought their own flavor to it. As someone who was friends with Mike and remains good friends with Lieb, I’m grateful that this is out there so people can hear how great these guys were in their prime. Dejohnette!!!
They are all awesome but for me young Josh captures the spirit of Trane more than the others . A terrific upload!
totally agree! !! The best solo of this live from far.
yeah, his solo builds really nicely
It's hard to believe how under rated Joshua still is and I'm a big Garzone fan!
joshua redman is not underrated hes like the most popular saxophonist at the moment lol
Michael Brecker will go down as one of the all time greats in Jazz history, but Joshua Redman is most definitely his equal on this tune. Liebman and Garzonne are no doubt great players but they can.t seem to match the level of Brecker and Redman in this performance.
Brought it all back. 10 million LIKES! 👍👍👍 Blew my mind all over again. Thanks for posting!
Joshua Redman solo pulls the whole rhythm section into a gravitational stretch of spacetime (and then brings them back to a safe landing) and it is even more evident when they're trading 21:10
Redman for me
Redman one year before I played an entire gig with him.. endless stream of musical ideas, and always learning from him
Thank God for this documentation!!! Awesome group of talent!! I absolutely loved the progression and layering towatds the end. BRAVO!!!
What a fantastic line up! This upload is to be treasured and a great tribute to Trane. Thank you.
Each and every solo (and the killer rhythm section) was brilliant, stunning, mind blowing. I was particularly taken by Liebman's strange chthonic harmonic approach, but I loved each one, and the whole, including the unisons. It is all beautiful to my million mile an hour brain.
I know you care so you should be okay.
1997 --- Fly'n HIGH .... J. Redman graduated high school just ten years before this recording .... PRETTY AMAZING !!!!!!!!!!
Garzone... So much friction. Mindblowing!
Maaaaan, those ghost notes by Dave Holland during the head, what a time feel!!!
Dave Holland? Christian McBride played Bass on this.
I enjoyed them all. A shout out to the awesome rhythm section. My Lawd. Trane would be well pleased
wow, tenor madness? tenor insanity!
Damn, i miss michael brecker so much. But happy he was around
Amazing everyday I keep on listening all the solo wow
Redman!!!!!!!!!! WOW
Nice background music for work! All deserve the term monster musician. Amazing.
Coltrane is in all of them! ❤
GREAT MUSIC - GREAT PERFORMANCE - GREAT TUNE & SOLO´S !!!
2 U ALL - KEEP on PLAYING and SWINGING 4 EVER !!!
☆♕ Stellan Viking (Blues🎙man🎸) Speaking, Singing, Screaming & Shouting @ WorldwidewelcomE ♕☆
R.I.P. The One and Only - MICHAEL BRECKER (Rest In Peace)
Michael Brecker snijdt dwars door je ziel. He touches your soul like Cortrane. Thanks for uploading this great piece of music. They're all outstanding though.
Garzone is absolutely incredible here. Best solo IMO
swiskowski agreed. his time is unreal
Absolutely agree.
My humble opinion:
#1 - Best Solo = Garzone, another level.
#2 - 2nd Place = Redman/Brecker tie.
#3 - Christian McBride, ‘nuff said.
#4 - Incredible Rhythm Section, as an ensemble. Endurance, contribution and support in so many deep ways throughout.
#5 - DeJohnette’s solo, spirit.
#6 - Keezer’s fine comping and selflessness. Not to be underestimated. Not as audible/present as it should be in this video capture, but if you listen closely, you can hear its importance.
Remaining aspects/challenges:
A. Difficult live sound job. Often the case on festival gigs like this. The music shines through, however. One could imagine how gorgeous all this would sound with all or most of the electricity turned off.
B. The leader of the group contributes beautiful energy and vibe to the ensemble and the proceedings, but on this particular performance, his solo work “loses the thread” within the first 8 bars and never recovers. This has nothing to do with playing “out” vs. “in”, etc. It has to do with more fundamental aspects than that. The leader can be heard constructing much more coherent improvisations, including “very out” playing, on his earlier recordings as a sideman with Elvin Jones in particular.
@@kjb930 For me, Liebman = most unique, Brecker = most fiery, Garzone = most explosive, Redman = most refined.
Everyone had it delivered supernally but Garzone’s solo can be printed and bound for a full course on jazz improvisation. Good balance between chops and melodic innovation
Phenomenal performance. Dejohnette on drums and a swinging sax section make a terrific version of the classic by Coltrane.
thank you for making me shiver and cry again!
11:23 mcbride quotes "so what" .... very groovy. Also garzone has the underappreciated tone of a legend...
I can't even begin to comprehend what liebman is playing but it's badass.
Haha, no wonder Joshua Redman could stand one on one with James Carter in front of the whole world - he stood before Micheal Brecker here. Nothing more could faze a young great like Joshua.
Well said!
Haha I think Redman destroys James Carter, but nobody comes close to Brecker
This James Carter is a show of tricks: always a far pissing contest. Tiring and not interesting!
James destroyed Joshua in that tenor battle….stop it! James covers the entire history on tenor -from Webster to Kirk……in every solo!!
Young Joshua Redmond. I'm speechless.
Joshua is the most Coltrane influenced!!!
It was a great video!
Thank you very much !
P.S. I liked Joshua's singing style. 😄👍
Wow, after a perfect Brecker solo, Liebman take it way out, to outer space!!!!
Oh yes !..Book me concorde to NYC and I want front-row at Newport for the Tenors gig.. wow ! Unison 'trane soloing is a good idea and should happen everywhere, all the time instead of classical recitals. What a feel the rhythm section(s) are getting. Holland's bass has the extra oomph and paired with Jack it's like a '75 Sonny Rollins free-jazz gig. Pianist is i think nailing the original comping on the head ! bravo ! For me, Brecker is best when he's doing 'trane or Dexter. Here his solo is Lawful-Evily bad with no stale licks or un-ended ideas. His phrasing is so good any serbo-croat or chinese speaker would understand instantly and his tone and bending are sEnSaTiOnAl !! I happen to like Garzone a lot for his triangular way, but Brecker is head and shoulders the giant here. Love it. Thanks for posting.
I am at the Coltrane Saxophone University of the Arts where tenor saxophone notes have flowed like the River Nile in inundation .What a musical tsunami!
Their similar styles evoke that 'Tranesque pursuit in superfluity.
Not in school today are James Carter, Ernie Watts, and Ed Calle. Chris Vadala is indisposed for attendance.
Today's class is for only tenors, hence the conjectured absence of Kenny 'Pursuance' Garrett who evokes a similar 'Tranesque presentation when and if he so chooses. Check out his Tribute to Coltrane.
During an improvisational on slaughter such as executed herein, time awareness becomes unknowingly subservient to melodic and harmonic presentation . This is Jazz!
Nice to have this clip since I've long wished Coltrane had recorded "Impressions" with a big band.
unnelievable! wow. so great
Liebman spun some voodoo there
kkkkkkk
WOW, the pianist!
Extraordinaire !
now this is what i call tenor madness
Quite apart from anything else, Jack's drumming is ALWAYS superbly sharp and exciting. The man's simply brilliant.
Some Galactic stuff here! A whole nether realm.....and Garzone...dang!!
Wonderful music. Saxophonist ewrybodi exellent. My favorit Michael Brecker no 1.
No puedo creer que a JD le quedara todavía tanta energía... Qué momento tan delicioso compartieron... Gracias por publicarlo para nosotros!
Wow! That was fun!
'Trane Lives!!!'...and in great hands. (special thanks to the inventor of the saxophone- Joseph "Adolphe" Sax.)
Kent Hewitt it's so cool seeing you outside of just seeing your videos! I'm a huge fan!
yup, big time!
4 sax players playing 8's mean the same guy gets the bridge every time
The soloing is obviously what it is but the other thing about this clip....The comping! Keezer never flags for a second playing behind the other cats And DeJohnette is just SO connected to the soloists. Great clip
Brecker is God, and Garzone is the mirror. The Trinity. ❤❤❤
Micheal Breaker is not God. He studied the hell out of John Coltrane , Joe Henderson, and all the other master before him. He's is a great we all can agree , but he is not God. God gave him and everyone of the musicians here on this video their magnificent gift. Breaker is God . Really?😢
Impresionante 😍 Espectacular 👏🏽👏🏽👏🏽👏🏽
Love it! Wow! Whew! Yeah!
Lieb taking it all out starting around 8:00-05. Garzone also takes it pretty far out towards the end of his solo.
Excellent!
I studied with Garzone a little at NEC. He was so cool. He had a way of explaining really complex concepts is a really clear, straightforward manner. Huge impact on my playing.
My humble opinion:
#1 - Best Solo = Garzone, another level.
#2 - 2nd Place = Redman/Brecker tie.
#3 - Christian McBride, ‘nuff said.
#4 - Incredible Rhythm Section, as an ensemble. Endurance, contribution and support in so many deep ways throughout.
#5 - DeJohnette’s solo, spirit.
#6 - Keezer’s fine comping and selflessness. Not to be underestimated. Not as audible/present as it should be in this video capture, but if you listen closely, you can hear its importance.
Remaining aspects/challenges:
A. Difficult live sound job. Often the case on festival gigs like this. The music shines through, however. One could imagine how gorgeous all this would sound with all or most of the electricity turned off.
B. The leader of the group contributes beautiful energy and vibe to the ensemble and the proceedings, but on this particular performance, his solo work “loses the thread” within the first 8 bars and never recovers. This has nothing to do with playing “out” vs. “in”, etc. It has to do with more fundamental aspects than that. The leader can be heard constructing much more coherent improvisations, including “very out” playing, on his earlier recordings as a sideman with Elvin Jones in particular.
Wow! simplemente espectacular! SUBLIME!!
Einfach fantastisch - für Anfänger und Lehrer im Unterricht - Aebersold Vol.54
Jack Dejohnette RIP, you had to work really hard!! great brass and percussion concert
Formidabili! Begli assoli ed ottimo arrangiamento per legare il tutto assieme. C'è tutta la grinta e l'intelligenza di Coltrane.
The complete History of trane Tenor in 10 mins. Incredibly
that was lit asf
Yeahhhhhhhhh
Excellent musician's they ' really geniuses
would you look at that? they transcribed the first part of 'trane's solo when he was playing Impressions with Eric Dolphy...
Insane...
GREAT PERFORMANCE!!!!! WHAT ELSE....
you can really hear the articulation of George Garzone in Joshua Redman's playing
Jerry Seinfeld on the piano.
I'm having a hard time concentrating after that brilliant observance. Jerry had gotten off early from filming the show and filled in last minute is what I heard....
Haha !...good one...cracked me up...
A great recording: That's jazz! Here all interpreters could play their frustration of there soul. However, they missed the title. The title should not have been "Impression", but "Expression" and that was only possible with the incredibly dynamic swinging accompaniment of Dave Holland, Christian McBride - bass and most of all Jack Dejohnette - Drums. But even the latter was allowed to unload his frustration at the end of the number.
Killin'!
Isn't it great when the camera operator focuses on embouchure and fingers instead of just being creative? This is a wonderful performance and I really can't pick any favourites, they are all so different stylistically. It's interesting to try to pick the tonal difference between the two Joe Allard students (Brecker and Liebman) and the two Viola students (Garzone and his student Redman).
Reminds me of the NAMM show that bit at the end where there all playing together in a mind of there own ...miss those shows
Impressionante esses caras,e eu admiro mais o Michael Brecker, um fenomeno.
Unreal!!!!
George Garzone
Has anyone added up how many notes were played? Good Pandemic project for my wife.
Brecker gets my vote here, in the "Battle Of The Saxes"! LOL!