What the absolute heck is happening at 3:54? Chris isn't singing super low, but some crazy note ends up coming out of the group and I cannot figure it out.
When the chord locks, not only is an overtone produced, but so is an undertone. I think that's what you were hearing. Tighter tuning = more notes audible. I think there's a recording of Ringmasters where the overtone makes it sound like there's a 5th guy screaming away.
@@ryanmajka885 I've heard all sorts of overtones, especially in barbershop and especially from Vocal Spectrum, but never an undertone. I was talking to friends about this song and he said that we here the bari and lead overlap changing the chord structure, but that doesn't seem like the whole thing. An undertone makes more sense to me, but I'm my very basic understanding I did not think that was possible in the way that is shown in this song.
@@LegoGillen I'm hearing chris drop down an octave from "strange" to "new". Typically undertones need to be produced as compared to overtones which just kinda happen with locked chords, but that note is well within chris' range so there is no need for him to have to produce an undertone to make it.
Special thanks to the "get in the hole" knucklehead who instantly lets everyone know how much he appreciates the performance, before letting anyone else enjoy the end of the final chord.
![Vocal Spectrum - The Music of the Night [from The Phantom of the Opera]](http://i.ytimg.com/vi/ZQxk9ifs5WI/mqdefault.jpg)
![Vocal Spectrum - The Music of the Night [from The Phantom of the Opera]](/img/tr.png)
![เปิดบ้าน พี่ตูน Bodyslam หลังใหม่คนแรก ที่ภูเก็ต l [Nickynachat]](http://i.ytimg.com/vi/flFwcmyDQSk/mqdefault.jpg)
That last strain is so monstrously complex and nuanced. Amazing that they each can sing their notes without wavering.
That's a buttery bass voice. Well done guys!!!
Pretty nasal in my opinion, but it is a robust voice
Chris Hallam has become a MONSTER these past 15 years.
Jonny is absolute magic on this tag
2:58 with Chris singing "before" sounds just like Ringmasters song "So In Love". same lyrics and everything
It really does, can't unhear
This is one of my favorite songs on their album. It's probably stupidly hard to perform so props to these lovely men.
The chorus I’m in is doing it at our spring show.. help..
@@christopherhovden How did it go?
@@Just_Sara It was cancelled due to Covid.
There is no one who can sing the phrase at 2:39 like Eric Dalbey can.
That head voice to chest voice transition is slick.
Michael Crawford, but yeah, I know what you're saying.
That ending chord. WOW
Nasty undertone at 5:32 on the resolution wow
This is my favorite Musical that I saw when I was younger and Now I'm hearing one of the #1 Favorite Quartets - This is awesome!!!
What a masterful arrangement.
Amazing!!!!
WOW-- I just love this so much!! So incredible.
I'm with you. I simply have gone "Wow" whenever I've heard this.
Loved the outside singers especially in this piece! Tight, smooth, and the end chord was perfect with the earned overtone! Well done!
There is a sweet overtone at the end, like a newborn baby. I know I’m weird
What the absolute heck is happening at 3:54? Chris isn't singing super low, but some crazy note ends up coming out of the group and I cannot figure it out.
When the chord locks, not only is an overtone produced, but so is an undertone. I think that's what you were hearing. Tighter tuning = more notes audible. I think there's a recording of Ringmasters where the overtone makes it sound like there's a 5th guy screaming away.
@@ryanmajka885 I've heard all sorts of overtones, especially in barbershop and especially from Vocal Spectrum, but never an undertone. I was talking to friends about this song and he said that we here the bari and lead overlap changing the chord structure, but that doesn't seem like the whole thing. An undertone makes more sense to me, but I'm my very basic understanding I did not think that was possible in the way that is shown in this song.
@@LegoGillen I'm hearing chris drop down an octave from "strange" to "new". Typically undertones need to be produced as compared to overtones which just kinda happen with locked chords, but that note is well within chris' range so there is no need for him to have to produce an undertone to make it.
@@parkerklinck263 I just don't think he is dropping the octave. It sounds to me as if he is staying on the same note.
@@LegoGillen I am def hearing an octave drop. I think maybe the bari takes over the note?
Special thanks to the "get in the hole" knucklehead who instantly lets everyone know how much he appreciates the performance, before letting anyone else enjoy the end of the final chord.
Bass is great, but over powers the harmonies. Maybe should move him to one far side, further from the mic.