A lot of commentary here on Geoff's low register, but I'm equally impressed with his resonance at the top of his range. His voice isn't just a gimmick; it's a brilliant instrument.
I find song and the performance of it so impressive. In fact, it became one of my favourites sung by G. Castellucci, along with Sixteen Tons and Folsom Prison Blues. Each one of the three is story-telling sung with great skill - and it isn't only because the range of Geoff's remarkable voice, but it is the sort of emotional expression contained in it.
Absolutely amazing!! I am a composer, and I was working on an A Capella intro to a piece and did some searching for ideas. That is how I discovered your amazing talent. Your range is amazing! I look forward to hearing more!
My grandfather used to sing this song to me when I was a kid whenever I was feeling bad, or had hurt myself running around with the other kids, or just when I was scared. It was one of the first "grown-up songs" I ever knew all the words to. He sang bass also, though you've got him beat for depth and range. Anyway, today would have been his 100th birthday. Unfortunately, we lost him when he was barely into his 60s. But this brought back good memories, and now I'm sitting here typing this with tears in my eyes. Thanks, Geoff. This was good. I appreciate it.
I love the fact that Geoff responded to your comment. Just another example of his heart for his fans. His voice is phenomenal, to say the least. I remember my parents playing this song. Dean's voice was smooth as silk for his time. As for your Grandfather, what an amazing story! Thanks for sharing 🥰
The legend of a man that saved 20 something men from a cave in with sheer brute strength could only ever truly be complimented by being sung by a voice that could have easily matched that of big john
The reality behind the legend is Big Bill Murphy, who rests in the cemetery in Tonopah, Nevada. On February 23, 1911 a fire broke out over a thousand feet down, in a mine full of men. Big Bill got out to the surface - and then turned around and went back in to rescue others. He went down three times; he came up again twice.
Yes, yes, we all know Geoff's a fantastic bass singer (and I'm a sucker for the drop), but what's really come through more and more as time's gone on is the development of his upper register. Listen to the tonal quality of those top lines! Gorgeous. Come for the bass, stay for the whole sound.
This feels like a bridge between the songs and the narrations previously done by Geoff, and as someone who loves both I'm very happy with the fusion of those two parts, because it feels as relaxing as the narrations, but with the melodic quality of a song. At the same time this version feels lighter to me than the version from Jimmy Dean, which makes this version a lot more approachable and nice to listen to ❤️ And then the twist in the imagery really brings in the cilling feeling of the story told in the song.
My son, who is now 34, use to love that song when he was just a little lad. He would listen to it repeatedly, sing and dance around in his cowboy boots. Thanks for the sweet memory!!
Seriously, Geoff, I wish your songs came with a whisk broom so I could brush my jaw off after I pick it up from the floor. Every time you release something, I always think: "That's it. No way he'll EVER top that one!" Thanks for proving me wrong. Again. You, sir, are a planetary treasure!
@@GeoffCastellucci I agree with every word also this was hands down the most beautiful version of this I've ever heard and it was well timed at least for me I wasn't able to sleep as I was having one of those nights where breathing wakes you up lol and your overlay voice was literally the one thing to calm me down I was listening to this and about halfway through I was finally able to feel like relaxing your voice is just so soothing and you killed it as usual 👍 ❤️ amazing performance
When Geoff hits those low notes, you gotta believe there's some seismologist in Japan or the like going: "What was that?" and recording a magnitude 5 on the paper graph. Geoff, thank you so much for covering this. It just goes to show that great music doesn't age.
I remember listening to this song growing up and feeling like it was a ghost story told in song. Listening to Geoff's rendition, it feels like a heroic tale. None of the gravitas or meaning is lost, but I have a new appreciation for the story. Well done.
To me it was always the sad end of a brave man, but even so I never once cried when I heard it--until this rendition. His arrangement takes it far and above just a sad song.
This was one of my favorite songs as a kid. We had it on a 45 rpm record. I have no idea how many times I listened to it then but I really like this version. ❤️
This absolutely did not disappoint, you know exactly how to construct cover music somehow you know exactly what to change, where to add, and where to hold back. Bravo 👏
This is one of my grandpa's favorite songs and I cannot wait to show him this cover. Im so happy to see someone making a cover of this and I love your voice.
What a couple of weeks! Dragonborn Come, We Don't Talk about Bruno, and now Big, Bad John! What a run of great music and videos. Loved going to the black and white section and only 1 Geoff. Perfection for that section!
Is it just me or was there a section in Dragonborn Come that Geoff did a Sub-Harmonic overtone? Much like Avi Kaplan's Harmonic Overtones but in a bass note? I am pretty sure it happened, I just want confirmation that I am hearing it right.
We older folks nod our heads in recognition and sit back to hear Geoff's perfect handling of a classic, and the younger types get the pleasure of hearing a classic for the first time and enjoying Geoff's voices. And, yes, kids, Jimmy Dean did more than create a sausage empire.
I am 29, and am familiar with the original due to having a taste for old music. I like this one as well as the old one, but gotta say that the original one appeals to me more due to its more steady rhythm
This Jimmy Dean song and the "The Lion Sleeps Tonight" were the two hits that would make my cornball-eared younger self run across the room and turn the radio up. Oh, also Peter, Paul & Mary's Puff the Magic Dragon too. Radio? Is that still a thing?
The reality behind the legend is Big Bill Murphy, who rests in the cemetery in Tonopah, Nevada. On February 23, 1911 a fire broke out over a thousand feet down, in a mine full of men. Big Bill got out to the surface - and then turned around and went back in to rescue others. He went down three times; he came up again twice.
That's what I said! But I don't think this one is about Big Bill specifically. There's a lot mining accidents that parallel this. Big Bill died in a fire, Big John died in a collapse.
My Dad, back in the 60s, used to sing "Big John" and "Sixteen tons" to me when I was a little tyke.. Brings tears to my eyes and great memories when I hear that song. You guys rock!
@@alan30189 Yes I was confused at first too. It's ONE GUY who films himself multiple times and then all the pieces are edited together. So -- so twins, no body doubles. Just one MASSIVELY talented guy with an excellent video team.
Every time my insomnia is unbearable I always like to listen to Castellucci. It either knocks me out in half an hour or it keeps me up longer in utter respect and appreciation.
Another old song I grew up along with 16 Tons. I love the combination of narration and singing. I’m glad I broke down and listened to it. This song always makes me so sad. (My grandfather had to work in the coal mines during the depression and narrowly escaped being trapped in a cave in. He drove the coal train which pulled the coal out and the end of the train was trapped under the rock. The narration at the end (solo) moved me to tears. All I could think of was my tough as nails Grandpa and the devastated look on his face when this song came on the radio. He would just sit there and slowly shake his head. Well, if you will excuse me now, I have to go find my box of tissues 😢
I love this song me and my grandfather would sing this in my car before he passed away and I'm in New Orleans rn for the first time and this is on my Playlist on repeat while I'm here❤
This song was still playing on the radio and every juke box, in every bar and every little Podunk town in America when I was born in '66. By the time I turned six, it was STILL on the radio and in bars. My mom drank and dragged me along to the bar with her. I'd sit at the dark end of the bar w/ my mom drinking virgin Shirley Temples thinkin' I was all that...listening to this song and others like it. It was a different time, a different place, a different era and, a different mind set back then. My mom was a single mother in the 60's. So please don't judge my mom. She did the best she could w/ what she had... RIP, Mom. Geoff, I'm sure that you've more than done justice to this song. I love that you've given new life to some great, old songs. I look forward to your interpretation of it! :)
Haha, same here! Went from ignorance last June to total obsession. I can hardly believe how much joy I've experienced in the last 8 months just because of Geoff and Voiceplay!🥰
My favorite part is when the "miners" are softly, tentatively singing the chorus of "Big John". It tells a story of everybody getting to safety and once the panic is over they're starting to call for John's rescue. Makes Me tear up every time. ❤️
Geoff's voice goes so deep and rich. When he hits that lowest note. My ears can feel his voice from my earbuds I am wearing in my ears. And they vibration is very strong from him hitting that lowest note he does. And wow I love it.
At first I was afraid of big bad John, then he sounded like a gentle giant. Then he sounded terrifying again with what he did over that Cajun queen. Then I was holding my breath in anticipation of what would become of the other men and him in that mine. Now I'm sitting here crying for big bad John. I'm exhausted but I loved every second of it!
Lyrics: ... Every mornin' at the mine you could see him arrive He stood six-foot-six weighed two-forty-five Kinda broad at the shoulder and narrow at the hip And everybody knew ya didn't give no lip to big John (Big John, big John) Big bad John (big John) Well nobody seemed to know where John called home He just drifted into the town and stayed all alone He didn't say much, kinda quiet and shy And if you spoke at all, you just said hi to Big John Somebody said he came from New Orleans Where he got in a fight over a Cajun Queen And a crashin' blow from a huge right hand Sent a Louisiana fellow to the promised land, big John, c'mon (Big John, big John) Big bad John (big John) Well, then came the day at the bottom of the mine When a timber cracked and men started cryin' Miners were prayin' and hearts beat fast And everybody thought that they'd breathed their last, 'cept John (Big John) Big John yeah (big, big John) Big bad John (big John) Through the dust and the smoke of this man-made hell Walked a giant of a man that the miners knew well Grabbed a saggin' timber, gave out with a groan And like a giant oak tree he just stood there alone, big John (Big John, big John) Big bad John And with all of his strength he gave a mighty shove Then a miner yelled out "there's a light up above!" And as twenty men scrambled from a would-be grave There was only one left down there to save (Big John) (big John) (big John) Big John (big John) big John With jacks and timbers they started back down Then came that rumble way down in the ground And then smoke and gas belched out of that mine Everybody knew it was the end of the line, for John ... Now, they never reopened that worthless pit... They just placed a marble slab in front of it... And these few words, are written on that stand At the bottom of this mine lies a big, big, man (Big John, big John) Big bad John (big bad) (big John) Big John yeah (big John) Big bad John Big John (big John) (Big John) Big bad John (John).
This song reminds me of the Sicilian legend of Colapesce (Nick the fish) that my grandmother used to tell me. Nicola , Cola for short, lived in Sicily at the time of Charlemagne. He lived by the beach and loved swimming and diving so much that his friends started telling him that he was half fish and gave him the nickname of Colapesce. Nick could dive and stay under water so long that he became famous in all the island. When Charlemagne who was visiting Sicily heard of this young man, he went to the harbor to meet him. Nick was thrilled to meet the emperor who asked him to dive and to tell him about the underwater wonders, Nick did so and came back with coral and pearl for the emperor. Charlemagne asked Nick the fish to dive again and to tell him what was keeping Sicily from sinking in the sea, Nick dove once again and came back telling Charlemagne that Sicily was sitting on top of 3 giant columns and that one looked like it was in bad shape. The emperor asked Colapesce to dive once more to confirm the status of the column, but this time he did not come back, because he is holding the cracked column together and preventing Sicily from sinking into the sea.
Thanks for posting this, but I must admit this is one of those circumstances where a word gets reused over and over and eventually it looks wierd. By the time I'd sang John 50 times the spelling looked wrong for some reason lmao
OMG 😱 ! I am a sucker for a bass voice. Ooh La La. Yes, crazy their quadruplets and all can sing. The harmony is so beautiful and they compliment each other so well. ❤️❤️❤️❤️
Does anyone else think Geoff has taken his vocals to a new level lately? The lows on Big Bad John sound so powerful, and then add in the absolutely epic bass he adds on the Halo Theme. Just amazing.
THANK YOU, darlin'!!! I remember hearing this song on the radio when it first came out in 1962. I was 9 years old. It was special in our home in Georgia, not only because we were Jimmy Dean fans, but also because my father was already known as "Big John". He wasn't quite as big, but he was 6'3" and 225# of muscle. Soon after it came out, my brother came home with the 45rpm vinyl that we played over and over. Daddy would have loved this! He watched Lawrence Welk every Saturday night just to hear Larry Hooper sing. Harold Reid was another of his favorites. I lost him to a heart attack in 1987, the most devastating day of my life. I can't tell you how much I appreciate having these most precious memories brought out for some air when our world is in such a dark place. Bless your heart. 💗
Decades back, in what was almost another life, my band used this song as a crowd calmer (played in a lot of rough joints). You've transfigured it. I cried when I heard it, missing my old friends - and so glad to have found your wonderful voice and recordings. Thank you.
A year ago, I lost about 90% of my hearing. Hearing aids allow me to communicate ... but music is mostly gone ... as a hobbyist musician, it was devastating ... listening a huge loss as well ... oddly enough change in register ... and I can hear this completely .... I thank you.
Listen to Dimash singing SOS th-cam.com/video/JEz1qGS0T1Q/w-d-xo.html This was amazing. The most amazing vocalization I've ever heard was Dimash’s cover of SOS. Check it out
A fitting tribute to Jimmy Dean. Love your personal touch on it, Geoff. Not only your low notes (which are still freakin' awesome), but to the emotion you pull on it. The original always made me tear up, due to my family being miners during the 50's-70's. This didn't bring tears, but made me feel proud of that family history. I can't explain "why" in words, only that it's the emotion your song pulled. So please let me say a heart-felt Thank You.
I’m just a cuddly wee granny living in Belfast NI, and I had this record in my teens…… my grandchildren are going to be amazed , when I play this back to them asap…….. I know ALL THE WORDS. My singing is definitely‘questionable as I had a stroke 4 yrs ago and my speech is still ‘dodgy’ at best….. but I’ll give it a go. Loved this rendition of , Big Bad John. Thanks for the memories of my happy teen days with my lovely Dansette record player.
You are amazing! I'm 75 and remember when Tennessee Ernie Ford came out with 16 Tons. I played your version expecting to be disappointed but instead was blown away. You have one helluva vocal range. My dad was baritone/bass and he'd sing Old Man River, a 3 octave song to me. Do you think you could record it? It'd be heavenly to hear it well sung again. You are a wonderful addition to my library.
Geoff, listening to this I suddenly realized what a talented storyteller you are. You brought the story in this song to life, and I can feel the emotions behind each and every line. At first there's a real tough-guy energy like Sixteen Tons, and then the mood turns ominous and gossipy with the talk about John's shady past. Suddenly the words come more rapidly with the tenseness and fear of the trapped miners, but then a hopeful new voice breaks in like the light from above; followed by a softer, more somber tone as we learn of John's lonely death. But the song ends triumphantly, as a tribute to that "big big man" who sacrificed himself for the rest. All of this is subtle though; there's a solid, measured presence throughout the song, much like John himself. I don't have the technical know-how to describe it any better than that, or to notice all the clever little details you've surely used to achieve this. All I can say is that you've brought out the emotion here in a way that's really incredible, and you've told this story better than anyone else I've ever heard.
It's really nice to see that the guy from my late Grannie's romance novels got a gig singing her all time favorite song. Seriously, thanks for bringing back such a good one.
WOW JUST WOW!!!!! The original was a very powerful song, that and thought provoking too. BUT, This version brings it all back PLUS way more!! WELL DONE Geoff!!
My Dad introduced me to this ballad and many others from "his day" when I was a kid. Your rendition really captures the heart and soul of it so well. *Chef's kiss*
When I clicked on the song, I wasn't expecting the story to be so sad. Geoff's voice just multiplied the effects of the story tenfold. There's something about voices like his, that just takes every emotion that a song brings up, and magnifies it. It's amazing, but also now my heart hurts. So thank you 😅 Great job, as always.
Very reminiscent of his cover of "Sixteen Tons," but with a speaking/ monologue role like in "Headless Horseman." Love both of those covers and this one as well. Can't wait to see what he comes up with next, either solo or with VoicePlay. Both, I'm sure will not fail to impress. You have tremendous God-given and hard-earned talent Geoff...keep it up! 👍 Shout out to your lovely and much talented wife Kathy as well. Quite the power couple. Much love and admiration to you both 💕
I know that both men's and women's voices mature as they age, coming into their fullest voice in their 40s, I think. So we may not yet have seen/heard the best of this incredible bass voice. His seeming ease in reaching the lowest tone, as well as the volume and quality he has with that tone is incredible. I can't imagine there are many who can achieve that. Thank you, Geoff, for freely sharing this wonderful gift with the world!
i love singingi along with geoff.... he has more power and clarity on the very lowest notes but i can still hit them and produce the note.... we need to hear more of this guy, love it
I can't remember when I last heard this song. It had to have been the late 50's or early 60's. Thank you for reviving the low bass voice. It is the perfect voice for this song that celebrates American heroism -- the sacrifice of oneself for others.
This guy is UNBELIEVABLE! Get goosebumps every time he does a song. As many before me, I have to pick up my jaw off the floor. Unreal and a pleasure to listen to. Geoff, you just keep on surprising us.
My next top request for Geoff is The Highwayman. To me it is reminiscent of Ghost Riders, but I haven't seen as many requests for it. definitely waiting on Ghost Riders too (seems to be the other top request from people so he will likely tackle it at some point) King of the Road is also a favorite song of mine, although I am neutral on Geoff taking that one on.
@@DytchWytch o!o woah jist realized I wonder if that is common then because I recall the yt channel Scotty Kimer the running gag is that he powers the equipment he uses by the movement of his hands in use of faradays law iirc.. or else the similar to crank light or moving magnets ie any motor being in reverse.. kind of. I jist figured it was. Done to if one recalled when speaking to do so.. to do. So when trynna to make a specific point clear, etc. To convey stuff etc
Chills and tears, sir! That's all I've got to say. Chills and tears! Now, having said that, _Ghost Riders in the Sky!_ With your ear for arrangement, plus your unearthly range, you could bring those ghosts to life! Chills and tears on steroids!
I apologize for the translation from Google, but I think that this is the best male voice of our time, please continue to delight us with your incredibly beautiful voice
16 Tons is among the greatest re-imaginings I've ever heard, (up there with the likes of Disturbed's Sound of Silence), so I anticipate more of the same. Gonna make work in the morning much more enjoyable. Cheers.
At the beginning of my my 7th year of school, as a freshman at Stephen M. White junior high school, I walked in to school ,for my classes, and and for lunch break, wearing a windbreaker. I had scribbled on the back with a black shoe polish applicaitor the words 'Big Bad John' of the back That song had been popular for about 1 1/2 2 yrs prior to that. I then suffered two broken bones in my right forearm because I had an interest and a bond with Pat Scott who was very popular with the young jocks there. You do an amazing job on this song. Thank you.!
This song has been one of my favorites since I first heard it on the radio over 50 years ago. Your rendition is beautiful. Looking forward to listening to it dozens of more times.
What a fun rewrite of a classic. I love this arrangement. A completely new feel for a song I have heard my entire life. Normally I don't go for rearrangements that change the texture and feel of a well-known song, but this does the original justice while simultaniously making it something fresh and new. Well done! Thank you so much for making this.
Thank you for this memory wormhole back to the late 50s when my siblings and I would BEG our Dad to sing these songs before bedtime! On the best nights, he would sing Big John, Sixteen Tons, John Henry, Cannonball Express, Clementine…. Some of the great folk tunes out of the Appalachian deep-working cultures. Please do more of them! So grateful! ❤️
Jimmy Dean, best known for his famous sausage brand, was also a successful country music singer and songwriter. In 1961, needing a fourth song for a recording session, he penned "Big Bad John" on a plane, drawing inspiration from a tall actor named John Minto he'd met previously. Dean's simple lyrics and haunting melody, along with the iconic sound of Floyd Cramer striking steel with a hammer, propelled the song to the top of both the country and pop charts. Its tale of a mysterious, larger-than-life miner struck a chord, establishing "Big Bad John" as a timeless country music classic. Primary Source: Dean, Jimmy. Big Bad John and Other Fabulous Songs and Tales. New York: Columbia Records, 1961.
Geoff, you are an incredible storyteller. I wasn't over the moon about the original, but you've taken a song I was lukewarm on and made it a real joy to listen to. You've combined two of my favourite things (your narrations and your music) to share this somewhat dark tale in a fascinating way. Well done, sir!
A lot of commentary here on Geoff's low register, but I'm equally impressed with his resonance at the top of his range. His voice isn't just a gimmick; it's a brilliant instrument.
I know right? Like it's one thing to be able to hit crazy low notes, but he can also hit notes that are pretty high too!
Well said...
Absolutely sir, you are so right. I found his voice about 2 months ago and his range is truly amazing.
I noticed that, too. His deeps are great and then he tosses in a high just to mess with you.
That's what she said...every day since she heard him and saw him.
His voice is astounding and MAN! Can he carry a tune perfectly in each of his ranges. You’ve got a GIFT, my friend!
I find song and the performance of it so impressive. In fact, it became one of my favourites sung by G. Castellucci, along with Sixteen Tons and Folsom Prison Blues. Each one of the three is story-telling sung with great skill - and it isn't only because the range of Geoff's remarkable voice, but it is the sort of emotional expression contained in it.
Absolutely amazing!! I am a composer, and I was working on an A Capella intro to a piece and did some searching for ideas. That is how I discovered your amazing talent. Your range is amazing! I look forward to hearing more!
My grandfather used to sing this song to me when I was a kid whenever I was feeling bad, or had hurt myself running around with the other kids, or just when I was scared. It was one of the first "grown-up songs" I ever knew all the words to. He sang bass also, though you've got him beat for depth and range. Anyway, today would have been his 100th birthday. Unfortunately, we lost him when he was barely into his 60s. But this brought back good memories, and now I'm sitting here typing this with tears in my eyes. Thanks, Geoff. This was good. I appreciate it.
Your grandfather was a treasured person in your life and I can tell even though I don't know you
My grandma was born 1921. A year or a couple of months earlier than your grandfather.
I love the fact that Geoff responded to your comment. Just another example of his heart for his fans. His voice is phenomenal, to say the least.
I remember my parents playing this song. Dean's voice was smooth as silk for his time.
As for your Grandfather, what an amazing story! Thanks for sharing 🥰
May he rest in peace knowing you grew into a fine person
My father was born in 1988, and we unfortunately lost him in 2022 to suicide. He was a really good singer, like Geoff, and he was an amazing person.
The legend of a man that saved 20 something men from a cave in with sheer brute strength could only ever truly be complimented by being sung by a voice that could have easily matched that of big john
Yee
Hello why don’t you text me here okay ❤
hes samson but the other way around
The reality behind the legend is Big Bill Murphy, who rests in the cemetery in Tonopah, Nevada. On February 23, 1911 a fire broke out over a thousand feet down, in a mine full of men. Big Bill got out to the surface - and then turned around and went back in to rescue others. He went down three times; he came up again twice.
Whatever you just said just rolled right off my tongue as I read it.
Somewhere in there is the makings of a dedication song
Yes, yes, we all know Geoff's a fantastic bass singer (and I'm a sucker for the drop), but what's really come through more and more as time's gone on is the development of his upper register. Listen to the tonal quality of those top lines! Gorgeous. Come for the bass, stay for the whole sound.
agree
Tim is still better. :)
@@windchaser12 I love them both!
@@windchaser12 Agree
Pipe down
This feels like a bridge between the songs and the narrations previously done by Geoff, and as someone who loves both I'm very happy with the fusion of those two parts, because it feels as relaxing as the narrations, but with the melodic quality of a song. At the same time this version feels lighter to me than the version from Jimmy Dean, which makes this version a lot more approachable and nice to listen to ❤️
And then the twist in the imagery really brings in the cilling feeling of the story told in the song.
I grew up listening to the original version. Geoff’s version brought tears to my eyes. Beautiful rendition.
100% agree, thats what i thought. pure gold
@@georgexouryas : you means real gold like 24k solid gold. Sold on that reply.
My son, who is now 34, use to love that song when he was just a little lad. He would listen to it repeatedly, sing and dance around in his cowboy boots. Thanks for the sweet memory!!
Seriously, Geoff, I wish your songs came with a whisk broom so I could brush my jaw off after I pick it up from the floor. Every time you release something, I always think: "That's it. No way he'll EVER top that one!" Thanks for proving me wrong. Again. You, sir, are a planetary treasure!
THANK YOU!
@@GeoffCastellucci I agree with every word also this was hands down the most beautiful version of this I've ever heard and it was well timed at least for me I wasn't able to sleep as I was having one of those nights where breathing wakes you up lol and your overlay voice was literally the one thing to calm me down I was listening to this and about halfway through I was finally able to feel like relaxing your voice is just so soothing and you killed it as usual 👍 ❤️ amazing performance
@@GeoffCastellucci You already recorded several of my favorite songs in your awesome way - hope you'll do "GHOST RIDERS IN THE SKY" one day!
@@gabi_uhl_musicand he did!
@@felicitymcdonald24 Yes, and I was very happy about it! 🙂
When Geoff hits those low notes, you gotta believe there's some seismologist in Japan or the like going: "What was that?" and recording a magnitude 5 on the paper graph. Geoff, thank you so much for covering this. It just goes to show that great music doesn't age.
I guess we now know where chinese "alien signal" came from.
😭😭
Nah, but it would be a prank if a seismologist was singing like that close to a seismic station. Sometimes you do see funny weird data from them.
He must wreak havoc with LIGO.
🤣 Oh man. Too true
I remember listening to this song growing up and feeling like it was a ghost story told in song. Listening to Geoff's rendition, it feels like a heroic tale. None of the gravitas or meaning is lost, but I have a new appreciation for the story. Well done.
To me it was always the sad end of a brave man, but even so I never once cried when I heard it--until this rendition. His arrangement takes it far and above just a sad song.
I absolutely agree with you, thank you for putting it into words
Totally awesome…
This was one of my favorite songs as a kid. We had it on a 45 rpm record. I have no idea how many times I listened to it then but I really like this version. ❤️
Yes!
Идеальное владение голосом. Бархатный завораживающий тембр. Красивый мужчина.
Околдована :)
This absolutely did not disappoint, you know exactly how to construct cover music somehow you know exactly what to change, where to add, and where to hold back. Bravo 👏
This is one of my grandpa's favorite songs and I cannot wait to show him this cover. Im so happy to see someone making a cover of this and I love your voice.
Idk what's more impressive; this guy's lowest notes, or his massive range! WOW! 🤯
Both
…yes.
Fantastic range ❤
I think it is the fact that he sounds good in all parts of his range.
Both ofc
What a couple of weeks! Dragonborn Come, We Don't Talk about Bruno, and now Big, Bad John! What a run of great music and videos. Loved going to the black and white section and only 1 Geoff. Perfection for that section!
Thanks!!!
Is it just me or was there a section in Dragonborn Come that Geoff did a Sub-Harmonic overtone? Much like Avi Kaplan's Harmonic Overtones but in a bass note? I am pretty sure it happened, I just want confirmation that I am hearing it right.
@@JQuallsPhotos do you have a time stamp?
Yes, and Shenandoah...
@@cluelesscat2840
I’ll have to find it and time stamp it.
I also need to turn on notifications,
Geez.
That was so good! Amazing voice! This was the number one hit on the charts the day I was born. Wow! 1955
His voice actually gives me chills . He is just FANTASTIC 😊
We older folks nod our heads in recognition and sit back to hear Geoff's perfect handling of a classic, and the younger types get the pleasure of hearing a classic for the first time and enjoying Geoff's voices. And, yes, kids, Jimmy Dean did more than create a sausage empire.
And you got to watch Jim Henson and the muppets on his show before they became famous.
I was wondering who else remembered that Jimmy Dean made this famous long before he made sausage.
I am 29, and am familiar with the original due to having a taste for old music. I like this one as well as the old one, but gotta say that the original one appeals to me more due to its more steady rhythm
This Jimmy Dean song and the "The Lion Sleeps Tonight" were the two hits that would make my cornball-eared younger self run across the room and turn the radio up. Oh, also Peter, Paul & Mary's Puff the Magic Dragon too. Radio? Is that still a thing?
@@stifledvoice I'd pay to have Geoff do Puff The Magic Dragon. I can already hear him singing it in my head.
The reality behind the legend is Big Bill Murphy, who rests in the cemetery in Tonopah, Nevada. On February 23, 1911 a fire broke out over a thousand feet down, in a mine full of men. Big Bill got out to the surface - and then turned around and went back in to rescue others. He went down three times; he came up again twice.
Wow never knew that
That is something people need to know. Bill Murphy was a hero.
That's what I said! But I don't think this one is about Big Bill specifically. There's a lot mining accidents that parallel this. Big Bill died in a fire, Big John died in a collapse.
I listened to this on radio as a kid, knowing the history of the song is great
Jimmy Dean said the inspiration for the song was John Minto. He made the story fit a real man. Minto was 6'5"and Dean would call him big John.
My Dad, back in the 60s, used to sing "Big John" and "Sixteen tons" to me when I was a little tyke.. Brings tears to my eyes and great memories when I hear that song. You guys rock!
Actually, it's just one guy. INR?
@@pettytoni1955 Well there is still the band and production time.
@@pettytoni1955 I was wondering if it was just him, or if he’s a quadruplet. ?
@@alan30189
Yes I was confused at first too.
It's ONE GUY who films himself multiple times and then all the pieces are edited together.
So -- so twins, no body doubles. Just one MASSIVELY talented guy with an excellent video team.
“Tyke” i can tell that was 60s😂
Fabulous chords and vocal chords. Those harmonies, syncopation... A superb arrangement!
Every time my insomnia is unbearable I always like to listen to Castellucci. It either knocks me out in half an hour or it keeps me up longer in utter respect and appreciation.
Another old song I grew up along with 16 Tons. I love the combination of narration and singing. I’m glad I broke down and listened to it. This song always makes me so sad. (My grandfather had to work in the coal mines during the depression and narrowly escaped being trapped in a cave in. He drove the coal train which pulled the coal out and the end of the train was trapped under the rock. The narration at the end (solo) moved me to tears. All I could think of was my tough as nails Grandpa and the devastated look on his face when this song came on the radio. He would just sit there and slowly shake his head. Well, if you will excuse me now, I have to go find my box of tissues 😢
I love this song me and my grandfather would sing this in my car before he passed away and I'm in New Orleans rn for the first time and this is on my Playlist on repeat while I'm here❤
We always hear tenors all the time. A real deep bass voice really is very warming and calming.
This song was still playing on the radio and every juke box, in every bar and every little Podunk town in America when I was born in '66. By the time I turned six, it was STILL on the radio and in bars. My mom drank and dragged me along to the bar with her. I'd sit at the dark end of the bar w/ my mom drinking virgin Shirley Temples thinkin' I was all that...listening to this song and others like it.
It was a different time, a different place, a different era and, a different mind set back then. My mom was a single mother in the 60's.
So please don't judge my mom. She did the best she could w/ what she had... RIP, Mom.
Geoff, I'm sure that you've more than done justice to this song. I love that you've given new life to some great, old songs. I look forward to your interpretation of it! :)
When I was a kid I remember hearing the original by Jimmy Dean on the radio. I always stopped to listen.
I grew up in south Texas in the 90’s and it STILL got radio play when I was a kid.
Classic.
The original version of this is on my standard Spotify playlist right now.
No one except you has the right to judge your mom.
The moms that love us do the best they can.
❤️
@@renpixie ❤
This song always made me cry. This is the first time it’s ever been performed so visceral and so real! No way to describe how I’m feeling.
Have you heard the second song about big John being brought back to life? It makes the first one not so sad. Lol
This man's voice is incredible every time I hear it
I only discovered Geoff catsellucci and his A cappella group Voice play a week ago but I am obsessed with all of Geoff’s musical abilities
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Yeah that's what happened to me about one and a half year ago lol
Welcome to the Fandom!
This is a very interesting and exciting rabbit hole. 🥰 Welcome! 😊
Haha, same here! Went from ignorance last June to total obsession. I can hardly believe how much joy I've experienced in the last 8 months just because of Geoff and Voiceplay!🥰
My favorite part is when the "miners" are softly, tentatively singing the chorus of "Big John". It tells a story of everybody getting to safety and once the panic is over they're starting to call for John's rescue. Makes Me tear up every time. ❤️
That’s a great arrangement. It reaches out and grabs you by the soul.
Another classic re-imagined. I hope newer generations get to experience these old classics!
Geoff's voice goes so deep and rich. When he hits that lowest note. My ears can feel his voice from my earbuds I am wearing in my ears. And they vibration is very strong from him hitting that lowest note he does. And wow I love it.
When he hits those low notes I get goosebumps and my spine straightens. It’s like it brings something to life inside me.
At first I was afraid of big bad John, then he sounded like a gentle giant. Then he sounded terrifying again with what he did over that Cajun queen. Then I was holding my breath in anticipation of what would become of the other men and him in that mine. Now I'm sitting here crying for big bad John. I'm exhausted but I loved every second of it!
Lyrics:
...
Every mornin' at the mine you could see him arrive
He stood six-foot-six weighed two-forty-five
Kinda broad at the shoulder and narrow at the hip
And everybody knew ya didn't give no lip to big John
(Big John, big John)
Big bad John (big John)
Well nobody seemed to know where John called home
He just drifted into the town and stayed all alone
He didn't say much, kinda quiet and shy
And if you spoke at all, you just said hi to Big John
Somebody said he came from New Orleans
Where he got in a fight over a Cajun Queen
And a crashin' blow from a huge right hand
Sent a Louisiana fellow to the promised land, big John, c'mon
(Big John, big John)
Big bad John (big John)
Well, then came the day at the bottom of the mine
When a timber cracked and men started cryin'
Miners were prayin' and hearts beat fast
And everybody thought that they'd breathed their last, 'cept John
(Big John) Big John yeah (big, big John)
Big bad John (big John)
Through the dust and the smoke of this man-made hell
Walked a giant of a man that the miners knew well
Grabbed a saggin' timber, gave out with a groan
And like a giant oak tree he just stood there alone, big John
(Big John, big John)
Big bad John
And with all of his strength he gave a mighty shove
Then a miner yelled out "there's a light up above!"
And as twenty men scrambled from a would-be grave
There was only one left down there to save
(Big John) (big John) (big John) Big John (big John) big John
With jacks and timbers they started back down
Then came that rumble way down in the ground
And then smoke and gas belched out of that mine
Everybody knew it was the end of the line, for John
...
Now, they never reopened that worthless pit...
They just placed a marble slab in front of it...
And these few words, are written on that stand
At the bottom of this mine lies a big, big, man
(Big John, big John)
Big bad John (big bad) (big John)
Big John yeah (big John)
Big bad John
Big John (big John)
(Big John)
Big bad John (John).
Thank you for posting the lyrics.
This song reminds me of the Sicilian legend of Colapesce (Nick the fish) that my grandmother used to tell me. Nicola , Cola for short, lived in Sicily at the time of Charlemagne. He lived by the beach and loved swimming and diving so much that his friends started telling him that he was half fish and gave him the nickname of Colapesce. Nick could dive and stay under water so long that he became famous in all the island. When Charlemagne who was visiting Sicily heard of this young man, he went to the harbor to meet him. Nick was thrilled to meet the emperor who asked him to dive and to tell him about the underwater wonders, Nick did so and came back with coral and pearl for the emperor. Charlemagne asked Nick the fish to dive again and to tell him what was keeping Sicily from sinking in the sea, Nick dove once again and came back telling Charlemagne that Sicily was sitting on top of 3 giant columns and that one looked like it was in bad shape. The emperor asked Colapesce to dive once more to confirm the status of the column, but this time he did not come back, because he is holding the cracked column together and preventing Sicily from sinking into the sea.
Thanks for posting this, but I must admit this is one of those circumstances where a word gets reused over and over and eventually it looks wierd. By the time I'd sang John 50 times the spelling looked wrong for some reason lmao
@@Fenthule Probably, i listened to it like 20 times in a row to correct mistakes and by the end the words made almost no sense lmao
I love tribute songs like this!
I didn't think anyone's voice could go that low until I heard Geoff ❤
OMG 😱 ! I am a sucker for a bass voice. Ooh La La. Yes, crazy their quadruplets and all can sing. The harmony is so beautiful and they compliment each other so well. ❤️❤️❤️❤️
It's only one guy... with top notch video editing (and music arranging) skills ❤
В этом видео прекрасно всё: текст, картинка и, конечно, голос. Браво, Джефф🎉👏🏻👏🏻👏🏻 ты - лучший!
his bass notes hit the earth's core, that deep
Uwielbiam jego głos, mogę go słuchać w nieskończoność
Я так и делаю.
I’m crying happy/sad tears. My dad loved this song. He passed almost 20 years ago but hearing this song brings back memories. Thank you!💜
Does anyone else think Geoff has taken his vocals to a new level lately? The lows on Big Bad John sound so powerful, and then add in the absolutely epic bass he adds on the Halo Theme. Just amazing.
Yes, he does seem to have leveled up.
A beautiful rendition, and I love how you blend all the parts so cleverly.
It is amazing how you just have to grin when Geoff sings. His lows, his highs, his super lows his looks... I mean... Thank you, Geoff 🥰
THANK YOU, darlin'!!!
I remember hearing this song on the radio when it first came out in 1962. I was 9 years old. It was special in our home in Georgia, not only because we were Jimmy Dean fans, but also because my father was already known as "Big John". He wasn't quite as big, but he was 6'3" and 225# of muscle. Soon after it came out, my brother came home with the 45rpm vinyl that we played over and over. Daddy would have loved this! He watched Lawrence Welk every Saturday night just to hear Larry Hooper sing. Harold Reid was another of his favorites. I lost him to a heart attack in 1987, the most devastating day of my life. I can't tell you how much I appreciate having these most precious memories brought out for some air when our world is in such a dark place. Bless your heart. 💗
Wow! I’m floored by this guy’s unbelievable vocal range, it’s insane.
Made me cry. The story, Geoff's soothing voice... Very moving.
Decades back, in what was almost another life, my band used this song as a crowd calmer (played in a lot of rough joints). You've transfigured it. I cried when I heard it, missing my old friends - and so glad to have found your wonderful voice and recordings. Thank you.
A year ago, I lost about 90% of my hearing. Hearing aids allow me to communicate ... but music is mostly gone ... as a hobbyist musician, it was devastating ... listening a huge loss as well ... oddly enough change in register ... and I can hear this completely .... I thank you.
I think Jimmy Dean would have approved of this cover. Great job, Geoff.
The vocal range of Geoff Castellucci is mind boggling. The Most Amazing vocalisation I've ever heard in my life.
Listen to Dimash singing SOS
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This was amazing. The most amazing vocalization I've ever heard was Dimash’s cover of SOS.
Check it out
@@DriveLakendimash is great and all but id rather listen to PTX (ive never heard one of their songs in my life)
He's really good! That voice is beautiful. 🥰
A fitting tribute to Jimmy Dean. Love your personal touch on it, Geoff. Not only your low notes (which are still freakin' awesome), but to the emotion you pull on it. The original always made me tear up, due to my family being miners during the 50's-70's. This didn't bring tears, but made me feel proud of that family history. I can't explain "why" in words, only that it's the emotion your song pulled.
So please let me say a heart-felt Thank You.
I’m just a cuddly wee granny living in Belfast NI, and I had this record in my teens…… my grandchildren are going to be amazed , when I play this back to them asap…….. I know ALL THE WORDS. My singing is definitely‘questionable as I had a stroke 4 yrs ago and my speech is still ‘dodgy’ at best….. but I’ll give it a go. Loved this rendition of , Big Bad John. Thanks for the memories of my happy teen days with my lovely Dansette record player.
You are amazing! I'm 75 and remember when Tennessee Ernie Ford came out with 16 Tons. I played your version expecting to be disappointed but instead was blown away. You have one helluva vocal range. My dad was baritone/bass and he'd sing Old Man River, a 3 octave song to me. Do you think you could record it? It'd be heavenly to hear it well sung again. You are a wonderful addition to my library.
Isn't that the truth? More often than not, covers are disappointing! Not this time!! ❤
Yes Please do! "Old Man River" would be perfect for your voice Geoff!
I found another one today by Tennessee Ernie Ford that would be awesome for Geoff - Cry of the Wild Goose
Geoff, listening to this I suddenly realized what a talented storyteller you are. You brought the story in this song to life, and I can feel the emotions behind each and every line.
At first there's a real tough-guy energy like Sixteen Tons, and then the mood turns ominous and gossipy with the talk about John's shady past. Suddenly the words come more rapidly with the tenseness and fear of the trapped miners, but then a hopeful new voice breaks in like the light from above; followed by a softer, more somber tone as we learn of John's lonely death. But the song ends triumphantly, as a tribute to that "big big man" who sacrificed himself for the rest.
All of this is subtle though; there's a solid, measured presence throughout the song, much like John himself.
I don't have the technical know-how to describe it any better than that, or to notice all the clever little details you've surely used to achieve this. All I can say is that you've brought out the emotion here in a way that's really incredible, and you've told this story better than anyone else I've ever heard.
Very well said!!
Yes, I agree. I found myself crying from the story and I’m old enough to remember this song from my childhood.
Wow. Thank you!
Wow, well said indeed! I love the word-pictures you give us to go along with the music.
It's really nice to see that the guy from my late Grannie's romance novels got a gig singing her all time favorite song. Seriously, thanks for bringing back such a good one.
This song is defenition of BASS so here are the best low's from Geoff!
0:22 - G1 Spoken
0:27 - C2
0:30 - *G1*
0:45 - G1 Spoken
1:00 - G1 Spoken
1:08 - D2
1:33 - *G1*
1:45 - G1 Spoken
2:19 - A1 Brief
2:25 - A1 Brief
2:42 - G1 Spoken
3:14 - G1 Spoken
3:24 - *G1*
3:31 - A1 Brief
3:48 - *G1*
This song is G city. Holy moly.
I think at 0:48 there‘s a F1 subharmonic
@Debajyoti Roy I think they are all chest
3:43 brief C1 sub? maybe just fry
@Debajyoti Roy Nah. That aint no subharmonics. All chest.
WOW JUST WOW!!!!! The original was a very powerful song, that and thought provoking too. BUT, This version brings it all back PLUS way more!! WELL DONE Geoff!!
Офигеть какой голос!!! Восторг души! ❤
My Dad introduced me to this ballad and many others from "his day" when I was a kid. Your rendition really captures the heart and soul of it so well. *Chef's kiss*
When I clicked on the song, I wasn't expecting the story to be so sad. Geoff's voice just multiplied the effects of the story tenfold. There's something about voices like his, that just takes every emotion that a song brings up, and magnifies it. It's amazing, but also now my heart hurts. So thank you 😅
Great job, as always.
I love his voice. Nothing but the Bass.❤❤❤
Very reminiscent of his cover of "Sixteen Tons," but with a speaking/ monologue role like in "Headless Horseman." Love both of those covers and this one as well. Can't wait to see what he comes up with next, either solo or with VoicePlay. Both, I'm sure will not fail to impress. You have tremendous God-given and hard-earned talent Geoff...keep it up! 👍 Shout out to your lovely and much talented wife Kathy as well. Quite the power couple. Much love and admiration to you both 💕
I know that both men's and women's voices mature as they age, coming into their fullest voice in their 40s, I think. So we may not yet have seen/heard the best of this incredible bass voice. His seeming ease in reaching the lowest tone, as well as the volume and quality he has with that tone is incredible. I can't imagine there are many who can achieve that. Thank you, Geoff, for freely sharing this wonderful gift with the world!
i love singingi along with geoff.... he has more power and clarity on the very lowest notes but i can still hit them and produce the note.... we need to hear more of this guy, love it
I can't remember when I last heard this song. It had to have been the late 50's or early 60's. Thank you for reviving the low bass voice. It is the perfect voice for this song that celebrates American heroism -- the sacrifice of oneself for others.
you must live in a cave if you haven't heard this in that length of time.
Well put, Phil!
This guy is UNBELIEVABLE! Get goosebumps every time he does a song. As many before me, I have to pick up my jaw off the floor. Unreal and a pleasure to listen to. Geoff, you just keep on surprising us.
My dad loved this song. I'm so happy to find such a beautiful remake of it. It brings back many fond memories spent with my dad.
Really
Ghost Riders Please! your voice was made for that song! lol again you knock it out of the park on this song, fantastic!
Yes!
Great idea!!!!
Yes! And then image Geoff's version of King of the Road. SSSAAWWEEEEEEETTTT!
YES YES YESS GHOST RIDERS! And King of the Road!
My next top request for Geoff is The Highwayman. To me it is reminiscent of Ghost Riders, but I haven't seen as many requests for it. definitely waiting on Ghost Riders too (seems to be the other top request from people so he will likely tackle it at some point) King of the Road is also a favorite song of mine, although I am neutral on Geoff taking that one on.
I love the way he retreads these great old songs that only take a voice like his to keep the atmosphere intact with those folktale songs.
What a voice!!!!! Absolutely amazing 👏. 👏.
You know his voice is gonna get deep when he starts singing with his hands.
well, he's italian, so... talk with the hands... sing with the hands. :D
Those hands get serious
he's an exceptional singing Italian.
@@DytchWytch o!o woah jist realized I wonder if that is common then because I recall the yt channel Scotty Kimer the running gag is that he powers the equipment he uses by the movement of his hands in use of faradays law iirc.. or else the similar to crank light or moving magnets ie any motor being in reverse.. kind of.
I jist figured it was. Done to if one recalled when speaking to do so.. to do. So when trynna to make a specific point clear, etc. To convey stuff etc
I do that too
Chills and tears, sir! That's all I've got to say. Chills and tears!
Now, having said that, _Ghost Riders in the Sky!_ With your ear for arrangement, plus your unearthly range, you could bring those ghosts to life! Chills and tears on steroids!
Yes, oh my yes.
See, more and more people are asking for the Ghost Riders! I hope that convinces him!
Yes please!
Definitely!!!
Absolutely.
This voice will shiver your timbers.
65 years old, and heard the original and always smiled, but like a fine wine this is even better
I can't tell if it's just that it's cold outside or if his voice just penetrated my soul and gave me goosebumps 😳
I haven't heard this song in over fifty years. I made up for list time and listened to this so many times. What a talent!!!!!!!!
Incredible range!
I apologize for the translation from Google, but I think that this is the best male voice of our time, please continue to delight us with your incredibly beautiful voice
His voice registers 8.5 in the Richter scale
Думаю, всё-таки 10!
When Chuck Norris wants to sing. . . he calls this guy instead.
I HEARD THIS SONG ALL THROUGH MY CHILDHOOD. NO ONE SINGS THIS ANYMORE. WONDERFUL!
I have never heard this before.. but now after listening to this version, I don't think I want to know any other.
@@sabrina-ss6bu You really should check out the original by Jimmy Dean. While this cover is good, the original is much much better!
16 Tons is among the greatest re-imaginings I've ever heard, (up there with the likes of Disturbed's Sound of Silence), so I anticipate more of the same. Gonna make work in the morning much more enjoyable. Cheers.
That's high praise, Thank you!
I prefer Marcel Marceau's cover if Sounds of Silence... It's got a very classical feel to it, I'd go as far as to say Visigothic!
@@EarlJohn61 : definitely Disturbed version
At the beginning of my my 7th year of school, as a freshman at Stephen M. White junior high school, I walked in to school ,for my classes, and and for lunch break, wearing a windbreaker. I had scribbled on the back with a black shoe polish applicaitor the words 'Big Bad John' of the back That song had been popular for about 1 1/2 2 yrs prior to that. I then suffered two broken bones in my right forearm because I had an interest and a bond with Pat Scott who was very popular with the young jocks there.
You do an amazing job on this song. Thank you.!
This song has been one of my favorites since I first heard it on the radio over 50 years ago. Your rendition is beautiful. Looking forward to listening to it dozens of more times.
My dad always played this song for me when I was young, can’t wait to hear Geoffs telling of the 6’6” giant who saved those miners 😮
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You’re voice is amazing! ❤️ Easy on the eyes, too! Respectfully, of course!
What a fun rewrite of a classic. I love this arrangement. A completely new feel for a song I have heard my entire life. Normally I don't go for rearrangements that change the texture and feel of a well-known song, but this does the original justice while simultaniously making it something fresh and new. Well done! Thank you so much for making this.
Gorgeous. Now I'm waiting for John Henry to be done. My momma sings that song all the time and it's my favorite about a steel driving man.
Oh yes! And wasnt there a story song by U. Utah Phillips about Big Bill Haywood...?
Thank you for this memory wormhole back to the late 50s when my siblings and I would BEG our Dad to sing these songs before bedtime! On the best nights, he would sing Big John, Sixteen Tons, John Henry, Cannonball Express, Clementine…. Some of the great folk tunes out of the Appalachian deep-working cultures. Please do more of them! So grateful! ❤️
Jimmy Dean, best known for his famous sausage brand, was also a successful country music singer and songwriter. In 1961, needing a fourth song for a recording session, he penned "Big Bad John" on a plane, drawing inspiration from a tall actor named John Minto he'd met previously. Dean's simple lyrics and haunting melody, along with the iconic sound of Floyd Cramer striking steel with a hammer, propelled the song to the top of both the country and pop charts. Its tale of a mysterious, larger-than-life miner struck a chord, establishing "Big Bad John" as a timeless country music classic.
Primary Source:
Dean, Jimmy. Big Bad John and Other Fabulous Songs and Tales. New York: Columbia Records, 1961.
Thank you for this.❤
Wow! I never knew any of this, even though I knew Jimmy Dean from his TV show - & Ralph, the Muppet!
Geoff, you are an incredible storyteller. I wasn't over the moon about the original, but you've taken a song I was lukewarm on and made it a real joy to listen to. You've combined two of my favourite things (your narrations and your music) to share this somewhat dark tale in a fascinating way. Well done, sir!
Can't add to what has already been said. I'm speechless!!
I'm always so excited when I see a new release from Geoff and the Geofftones! And what a perfect voice to sing the story of a massive man.
This gave me chills! This was always my dad's favorite song growing up, and your version just made it so much better!
I Remember when this came out. Loved it then and still do. Great video thx for the memories.
His low notes make my jaw drop! Like, how!? I love your voice, Geoff! It's very amazing!
He did an accidental C1 sub in here
What a rendition! And no, I'm not crying. That's just some raindrops that spontaneously appeared on my cheeks.