Concertgebouworkest - Ammodo Conducting Masterclass - Session 1
ฝัง
- เผยแพร่เมื่อ 24 มิ.ย. 2020
- The complete registration of the first session of the Ammodo Conducting Masterclass with Iván Fischer.
- Interview Jaume Santonja (pre-recorded)
- Jaume Santonja - Symphony No. 4, Mahler
- Katharina Wincor - Symphony No. 4, Brahms
- Martijn Dendievel - Symphony No. 5, Beethoven
- Corinna Niemeyer - Symphony No. 41 (Jupiter), Mozart - เพลง
If there was ever a video making clear what a conductor actually does, then it is this one.
This is a fantastic experience listening to the Maestro working with young conductors. Anyone who asks what a conductor's role is should be referred to this masterclass. Warm regards from the Jerusalem Symphony orchestra.
Jeder Takt von diesem Orchester ist ein Geschenk. Danke.
I didn't expect this amount of pure love and joy from a masterclass. But I found the deep care and fond in this class. Thank you for creating culture, history, bonding, and love through music. Very lovely.
this is amazing. i love iván fischer!! what a genius and great teacher
So much learning here. I miss being in such an enriching environment. Thank you, Maestro Iván Fischer and Thank you, Concertgebouworkest!
I first watched this series (with Fischer) two years ago, and now I'm rewatching it. This taught me more than anything else I've read or watched what a conductor can do with an orchestra. I learned so much, and therefore I'm grateful to the Concertgebouworkest and to Maestro Fischer.
Maestro Ivan Fischer is so detailed and meticulous in his conducting, so fascinating to see one of the greats at work.
So fun to watch, thank you!
Thanks Concertgebouworkest
Great lessons of Music!!! Thanks so much from Portugal!
Fantastic lessons !!! very grateful for it from Acre Brazil !!!
15:09
F: "What is your instrument?"
J: "Percussion"
F: "Percussion...that's the problem."
🤣🤣🤣🤣
1:36:00 F:What is your instrument?
M: "Cello".
F: Arr "Good"!
Worked out OK for Rattle...
When conducting an orchestra at this level, it's almost as if the conductor becomes a witness to the beauty around him.1:08:20
After that solo, the orchestra "claps". What are they clapping? The solo, the direction? I don't know if it is some kind of tradition, or what.
@@franciscos.5165 They were clapping for the soloist (the flutist) his playing was beautiful. It takes decades of practice and dedication to play that transcendent in space. I'm a professional wind player as well, , I know the feeling.
him?
I enjoyed every bit of this. This is where my passion is but its late now
Thanks a lot
great and powerful conducting for the 2nd one, bravo!!
Apply to participate in the Ammodo conducting masterclass with Fabio Luisi and the Concertgebouworkest, taking place from 27 to 29 June 2022 at The Concertgebouw in Amsterdam. Apply through Muvac: bit.ly/3rjhyLJ. Deadline: 16 December 2021.
58:14 and 58:56 really compete with Celibidache’s famous “VIOOOLAA!!!!!”
love it!! That’s the true music making!
But Celibidache was an arrogant asshole. Please don't compare fantastic Fischer with him.
재밌네 피셔할아버지 인강 찍어주세요 ㅎㅎ 피셔tv
Fisher is a GÉNIUS conductor. Only HE can and MUST be the new chef of the KCO.
Could anyone explain me what maestro Fischer means by saying "C/E/D natural" in Mahler? Is that a C with a natural accidental? What's the theory behind it?
55:21 worst nightmare!
👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽
I get the feeling, that young conductors lost the feeling for the rests and fermatas in the first movement of Beethoven 5. These are tension-rests, not just some marks. Mr. Dendievel took them very short, which isn't very fitting, I think.
Totally agree on this, it seems rushed and loses its tension due to this!
he's turning the 400m into the 60m dash, I think.
I liked it, reminded me a bit of the ACO recording which is probably one of my favorites right now
A great musician listens to the rests... It can easily be an 'articulation'. (Mozart was precise on this aspect of his writing ; we tend to forget it.)
you are just old-fashioned and out of touch. resign.
When was this?
This was June 2020.
@@Concertgebouworkest Ah... I did wonder, since I saw a few masks. Thanks!
Great, lady had too much energy. Too high gestures for most passages, even with many corrections. Hopefully she plays an instrument sometime in the future.
For most part, they need more flexibility and simpler gestures.
Very great masterclass.
Hopefully I get such a chance to learn under such dedicated and detailed Mæstro as Fischer.
Very helpful indeed.
Best wishes to students!
yeah kind of rigid
it was really awkward for Katharina Wincor IMO.
Quite disgraceful to see how inexperienced (and oftentimes: clueless) these conductors are. Virtually every mistake they make is the sort of mistake that should be correxted in music school. They only have their (made up) CVs and references to thank for getting them in front of this orchestra.