วีดีโอ

❤❤❤

❤very impressive ❤

❤

Love your paintings ❤

Hi George dont forget long brush painting / drawing try Matisse

some really helpful tips here - many thanks...

Your bonus point is whizzbang, great reminder to choose the focus and let everything else be softer. Thanks

Really good points. Just started to "stain" my panels and canvases with mixture of Burnt Sienna, Yellow Ochre and Thinner (I use water mixable oils). It also helps to keep right values, as white gives high contrast. I use only long hand brushes (standard 11 inch). Don't like short handles at all. Also heard from few painters to use bigger brush than you may think will suit the job. And it's very easy to get lost in details... Thanks for great video!

really helpful, thanks!

For instance he doesn't talk about the dog portrait he sold on what type of canvas...brushes he used...paint brand...I've met artist that can describe the canvas the brushes and type paint they used on each painting they used.. that's a real artists....

Wonder if these are actually his or someone elses...and that person paints and get credit for his work...

TH-cam is known for creators lying and when you request proof they are unable to provide any proof. ....these people people do research to a extent but not sufficient I wonder what name he uses on his paintings..if he is a real artist we can actually find out if he realky exists...within the network of artists...

You make it look so easy! You captured the feel of the beach that day.

You really got that horse right. That is not easy to do. Even old masters struggled. The colours, the structure, even the calm demeanour. 🎉

👏👏👏👏👏👏

Linda pintura, parabéns!👏👏👏👏👏👏

Thanks again for your informative and interesting narrative as well as the opportunity to watch you painting.

Interesting vlog George and great painting 👍👍

Beautiful work, enjoyable video thanks.

Thank you George. Good painting and very informative.

Great job.

Errol

Thank you so much George for this tutorial on shadows. I used to love art at school and had some brilliant teachers. I loved it but then I left has a way of getting in the way and kicking me up the arse and after several starts and many brick walls called life getting in the way again I' ve finally started to get into it again. And I'm really enjoying it now. But delighted to learn all these new found techniques and so many different new paints available and so many different papers and stuff. I'm like a child left loose in a sweet shop I'm loving it but I've been so long away I can honestly say I'm way back to the beginner stage again. But still I have no complaints. In my day All we had is the one kind of paper which was not great and was no where near the quality we have now and the paints were these jars of powder paints that were not the most pleasant to work with. The paints now are a joy to use. Having TH-cam is Gods blessing to me it's like having a teacher in your own home every day and I' ve learned so much and have peace at the same time. I always had a bit of a problem with shading though so I'm very grateful for this. You explain it in a way that is very easy to understand. Thank you so much George. Susan

Your art is outstanding, George. I am a new subscriber after watching your video on how to make drawings/paintings better, and noticed your paintng at the end of the video. It is beautiful. Do you have a video on how to paint clouds? Thank you very much.

what is the length of the elastic cord? Really great idea, thanks for sharing for free!!!

Another post which contradicts assumptions - there will aways be brilliant blue skies in the tropics! I can remember a West Dean Tutor saying you did not need anything more than Cobalt Blue in England, keep Ultramarine for the South of France. You grey skies in Somerset were useful preparation! Lots of distractions to the left of the canvas! 😉

It has been a hectic couple of weeks with garden/studio upgrades, car service and MOT ... but i did enjoy this post. One always assumes that the tropics will be full of light but with tropical vegetation is not aways the case. The golden back lighting has been rendered very well - especially streaming through the banana. Also worth noting the topical soils been a helpful set of reds which complement all the greens - nature was giving you a hand!

I have that small plastic pallet you just showed at the beginning..how do I hold it?

That was fantastic George!

Nice work! 👏👏😍

Nice one George!

Great painting!!!

I love the audio, what a unique sound idea…it felt like i was at the game. Beautiful painting result too!

You would get a highlight to the edge of a sphere. It would just gleam invisible because there’s no other plain for the shadow cast. Like OC <- in essence would be your highlight, so you wouldn’t see the curve because of the highlight.

Recognised those trees instantly. Do brasil.. deixei meu coração ai

Woah!❤

Amei como você pintou as luzes 😻

lovely back light, with some good advice for achieving the effect. thank you 👍

Lovely painting and yet another interesting and informative commentary George! I fully expect you to be soon writing articles for one of the art publications like Leisure Painter.

Well done George to pull that out of so much green

Gorgeous painting ❤

Thank you! Very simple and clear. I feel more accomplished already 😁👍🏻

Nice one again George. Many thanks.

enjoyed this video. Very inspiring. I don't usually paint buildings but this looked simplified so may give it a go. I was expecting you to pack your painting into your Alla Prima Paint Carrier at the end though! A missed opportunity?

Beautiful painting. Great video❤

I really enjoyed this video. Thank you.

so i can create my own certificate of authenticity?

Nice job , how many sessions

Really easy thumbs up and subscribe. Have recently started my art journey and this was all new and immediately useful to me. Thank you.

Your art is amazing. I wish I had that skill.