วีดีโอ

I've been running PT 10 for 10 years. Upgrading to a new HD system and m2 so we will see how stable it us.

Hey man, is there any faster way to export/bounce final tracks once you tuned them with melodyne? I mean, the usual way is to create a new track, bus it and record it in real time again. But, is there any other way to do it?

they have a sampler now?

Nice,thanks for sharing. We didn't like it on our tiny phone speaker but the mix sounds excellent through decent Focal monitors. Dig it,way cool...subscribed. 👍 Korneff is one of the few 3rd party plugin companies that we use in addition to the stock vst's included w Samplitude and Studio One. A couple of Korneff's and a simple DAW like audacity will work! Every plugin they make has a dozen different uses while always nailing the original intent.

Or, get Arc Studio. I've used Sonarworks since it was introduced and recently made the switch. I still use Sonarworks for headphone correction, but Arc Studio for my monitors.

Super review !! ce delay est tellement plus qu'un delay...wow !!! et le mix envoie du soutif par dessus la tireuse à binouze...et un coup de savate dans le ressort du fender. Korneff ne fait rien comme les autres, et ça tombe tellement bien !! J'adore ces types, j'adore leurs plugins !

I hope this inspires you to get creative mixing some gritty saturated rock vocals and to push your automation to new levels! Happy mixing everyone! 🎧🤘🎸

Perpetual always, did the subscription for a bit and didn't want to loose the software for not paying. Switched back to Perpetual. This is a good video.

So glad I came across your channel!! You should have way more subs

Very, very helpful, I could never have figured this out by myself... Thank You!!!

I have a perpetual license from 2018 and did updates almost every year, so my question is when the update expires, Do I stay on the latest version I updated to, or back to the original 2018? Thanks in advance..

I would fade a mix buss pre master buss. If you have to have a long fade the master buss is pre signal chain so you would be feeding your mix buss compression and signal path with a decreased amount of signal. Better to put your processing on a mix aux and fade the aux pre master.

very clean sessions!

Yeah searching has been a thing for maybe a decade.

it's worth spending the extra money so you don't have to put it on your mix bus because that shit will happen ALL the time especially when you've been working for hours and you're ready to be done for the day. I just did my calibration, I haven't mixed with it yet, I've had good results with using a cheap bluetooth speaker for mixing, I don't feel so great about spending all this money, I hope I do. It's sort of convoluted software with a few bugs I've had to contact support numerous times

Avid will not support my version of pro tools. So perpetual license, does not mean forever. It doesn’t even mean 10 years

I don’t see the option for perpetual purchase on avid website

I’m using pro tools 8

I have been a Logic user for years, and about two years ago I decided to try the Artist ProTools subscription. I wanted to learn the DAW. I worked on it, and fell for its editing abilities. Last year I had purchased a SSL12 interface, and I kept getting glitches. I went back to Sweetwater, and they told me about the Avid Mbox Studio, and here’s the kicker; with this purchase Avid threw in a perpetual version of ProTools Studio. I had had problems with not having enough tracks with Artist. The Avid deal was phenomenal. I am now a ProTools user, and the Mbox Studio is perfect for my situation. By the way, your TH-cam casts are useful, and helpful. Thanks…

I think you may have saved me a lot of time and money! Thank you! Do you know if upgrading an older perpetual license using this method is free? I had a perpetual license for Protools 11 for years (I never updated it or my laptops OS because of the iLok ‘release limit’), and when my laptop finally died the other day I thought that I’d need to repurchase EVERYTHING… but if this method works with all perpetual licenses and is free, that will save me a good chunk of money (it’s just the laptop I’ll be selling a limb for)

OMG I've never thought of that... and I have everything you mention. Time to set that up! Thank you!

Just got a new Mac mini and tried downloading Pro Tools 12 and no dice. I own the perpetual license. Know of any way to get PT12 to work on Sonoma?

This is what I've been waiting for. Not this no thought make me a song crap

Thank you because I was ready to throw my whole computer against the wall.

Thanks man!👊

That’s awesome, I was not aware of that feature being added to pro tools studio either!!! 🙌🏻🤩

I wonder if it's possible to automate the trim, so we can add automation on top of the previous writen automation wthout loosing it?

People still use Pro-Tools?

THANK YOU FOR SHARING !!! JUST UPGRADED TO ULTIMATE AND WAS UNAWARE OF THIS FEATURE !!!

There are also studio monitors, like some from Adam Audio, that accept the upload of a profile (a frequency response map made using SoundID Reference Measure and a reference mic) directly to the speakers. Once the profile is loaded to the monitors there is no need for the plugin, SoundID, or the old reference 4 when using monitors.

I like to be able to access what I did 10 years ago. Perpetual or death.

Excellent video. Are Behringer interfaces supported?

Love your content and teaching style!! Your video on not putting a stereo widener on a mixbus alone already helped my mixes haha !

I salute you Sir, very informative content here. Can you please elaborate the different between ProTools Studio and ProTools Ultimate please ?

Thank you so much!!!! Found this because I started thinking about how my mix sounded weird and phasey and had a hunch

안녕 하세요. 저에게 정말 큰 도움이 되는 영상입니다. 정말 훌륭한 영상입니다. 수고 많으셨습니다. 감사합니다.

Desde Montevideo Uruguay, excelente consejo. Muchas gracias

Your videos pop into my feed every now and then and I always find them informative. Keep it coming and the views/subs will follow. It can take quite some time before the YT algorithm becomes your friend 👍

❤❤

It always makes me angry that this program is so much better than RX, which I paid quite a bit for...even the phone app kills..the only downside is like Adobe Premiere, it's a subscription to upgrade. Eff that, let me buy it, or beat it. That's why Davinci will sink Adobe eventually...the upside is the free version is pretty killer.... good vid...😎

Good vid. I'm going through a widening phase at the moment...🤣

Interesting that I stumbled on to this video. I cant say to much but I work freelance. It's not a company I work for, its an individual entrepreneur who makes his money from various music projects. The role is basically a bit of everything from sound design, song creation, mixing and engineering. Its highly intensive creative work. I get paid just a little bit above minimum wage and its nowhere like enough for the effort I put in so every month I struggle to pay bills etc which adds to the stress. I'm creatively drained, stressed, and the creative battery is running on fumes and I get no joy from the music I create whatsoever and dread starting every day. But I need to work, don't have any other options or skills aside from music. My health has definitely suffered. Your video has given me some food for thought.

Whats the model of that shir mic

For anyone out there still discovering which DAW is gonna be theirs for the long haul, as well as wanting to check out SoundID Reference, Cubase allows you to monitor SoundID through a seperate channel called "Control Room" which is essentially a virtual, built in well.. control room. Imagine that What's great about it, however is allows you to monitor your mix through SoundID Reference on the side, essentially in parallel to your full mix, but with no connection to your actual mix levels. Control room monitors ONLY how you hear it in the room you are in. If you forget to turn off sonarworks before you export, it is 100% fine because you literally don't have to! It comes AFTER your stereo out so if your mix sounds balanced through SoundID, loudness levels look good, because the end goal of SoundID is to make youor room sound as "flat" as possible, you can confidently assume that your mixes should translate pretty well on other devices, especially given the translation options that are built in. No chance of ruining an entire mix with it at the end of your mixbus chain haha (don't ask if i know from experience) Fun fact, Control Room also is where you control built in talk back, cue mixes for artists, multiple sets of actual speakers if you have them, loudness meters, and some insanely good international and platform specific loudness meters/phasescopes/wavescopes/VU's all built in STOCK and completely customizable in the SuperVision plugin. It's EXTREMELY powerful and extremely sick. Anyways, awesome video! It's not a perfect plugin, but it certainly helps! (I usually only set it to about 40-50% and trust my ears for the rest)