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Great question, and I think I’ll make a quick video on this! But want you want to do is automate the volume of your master fader (or mix bus/whatever is the final track of your signal chain) down to -infinity db. As long as all tracks are being sent/summed to this same master bus, this should result in them all being faded to silence. I have some other videos showing automation that might help if you’re unfamiliar with the process! Hope this helps!
This would do that for you, assuming all your audio is exiting via a single master output: create a master fader, automate the volume fade out as you'd like and you should be done! If you really want to see a fade out on the actual clips themselves, you could turn on the "ALL" Group in Pro Tools (groups are show in the lower left if you're not familiar" and then create a fade on one clip, and it will try to do it on any audio clips within that range - but I don't recommend this route as it's almost definitely bound to expand some clip regions and not work out, unless every clip is consolidated to the same ending point. BUT - just incase I'm misunderstanding and what you want is to apply a standardized length of fade out to various clips across the timeline (so not all at the same point on the timeline) you could select all (highlight all tracks and Command + A) and then Batch Fade (Command + F) - this will bring up the 'batch fade' dialogue which will allow you to set a fade out length for any clip that is currently selected (which should be all clips if you were able to select everything with the steps above). Very useful feature! You can set fade in's and cross fades across every clip in the session with just a few clicks using Pro Tool's batch fade tool!
Hey there! You can get Pro Tools to update an audio clips name to track name by consolidating the audio clips on that track. So if you rename a vocal track to "VOCAL EDIT", and the clips are all called "Vox Recording" (for example) and you consolidate the clips together, the clips new name should be "VOCAL EDIT". Unfortunately, I don't believe there is any non-manual way of adding marker region names to a Pro Tools clip name as of yet. Hope this helps!
Yeah I knew that, but thank you. I am developing a sample library and I wanted to use the tracks and markers to help simplify/speed up the naming process. Naming 1,000s of samples is a pain lol. @@malcomowenflood
Oophf! That does sound rough! If you want to share in your misery, we had Dave Piatek of Room Sound Drums (great drum VST creator) on The Self-Recording Band Podcast and he talked at depth about his painstaking process for this job dealing with all those minor articulations! Episode 136!
Nice!! Thanks for making this video!
Appreciate these Pro Tools Tips n' Tricks style videos? Give me a thumbs up or comment below to let me know so I can know if this is the type of thing I should keep making for all of you!
very clean sessions!
Nice video thanks.
I would like to ask how to make fade output for the entire track If it is divided into many audio parts.
Great question, and I think I’ll make a quick video on this! But want you want to do is automate the volume of your master fader (or mix bus/whatever is the final track of your signal chain) down to -infinity db.
As long as all tracks are being sent/summed to this same master bus, this should result in them all being faded to silence.
I have some other videos showing automation that might help if you’re unfamiliar with the process!
Hope this helps!
@@malcomowenflood I want to fade out all audio pieces, and not select them individually
This would do that for you, assuming all your audio is exiting via a single master output: create a master fader, automate the volume fade out as you'd like and you should be done!
If you really want to see a fade out on the actual clips themselves, you could turn on the "ALL" Group in Pro Tools (groups are show in the lower left if you're not familiar" and then create a fade on one clip, and it will try to do it on any audio clips within that range - but I don't recommend this route as it's almost definitely bound to expand some clip regions and not work out, unless every clip is consolidated to the same ending point.
BUT - just incase I'm misunderstanding and what you want is to apply a standardized length of fade out to various clips across the timeline (so not all at the same point on the timeline) you could select all (highlight all tracks and Command + A) and then Batch Fade (Command + F) - this will bring up the 'batch fade' dialogue which will allow you to set a fade out length for any clip that is currently selected (which should be all clips if you were able to select everything with the steps above).
Very useful feature! You can set fade in's and cross fades across every clip in the session with just a few clicks using Pro Tool's batch fade tool!
Is there a way to rename clips using the track name AND the marker region name?
Hey there! You can get Pro Tools to update an audio clips name to track name by consolidating the audio clips on that track. So if you rename a vocal track to "VOCAL EDIT", and the clips are all called "Vox Recording" (for example) and you consolidate the clips together, the clips new name should be "VOCAL EDIT".
Unfortunately, I don't believe there is any non-manual way of adding marker region names to a Pro Tools clip name as of yet.
Hope this helps!
Yeah I knew that, but thank you.
I am developing a sample library and I wanted to use the tracks and markers to help simplify/speed up the naming process. Naming 1,000s of samples is a pain lol.
@@malcomowenflood
Oophf! That does sound rough! If you want to share in your misery, we had Dave Piatek of Room Sound Drums (great drum VST creator) on The Self-Recording Band Podcast and he talked at depth about his painstaking process for this job dealing with all those minor articulations! Episode 136!