PianoCurio
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Grieg’s Modernist Twilight: revelatory piano miniatures from his final years (Slåtter, Op. 72)
Edvard Grieg (1843-1907)
17 Norwegian Peasant Dances (Slåtter), Op. 72, selected movements
PianoCurio, pf
Instrument: Blüthner Model One (Pianoteq)
00:00 VI. Gangar (walking dance)
01:30 III. Bridal March from Telemark
05:49 IV. Halling from the Fairy Hill
06:54 "Civilizing the tune"
09:52 XVI. Springing dance (The Maidens from Kivledal)
11:39 XVII. Gangar (The Maidens from Kivledal)
13:35 V. The Prillar from Os Parish
14:52 XIV. The Goblins' Bridal Procession at Vossevangen (Gangar)
Many composers' lives fit squarely within the historical eras we have named - Baroque, Classical, Romantic, Modern, etc. - which serve to roughly categorize and summarize the cultural times in which they lived and worked. Many others lived during multiple major eras while still largely "belonging" to the one in which they first matured, since their styles did not develop any further. There is a third category that contains composers who pioneered transitional styles at the chronological seams between major eras, as in what Beethoven did between Classicism and Romanticism, for example. Grieg's forward-looking treatment of folk material in his Norwegian Peasant Dances (Slåtter), op. 72 (adapting it "on its own terms," in the words of musicologist Ståle Kleiberg), places him in this third category as a transitional figure between the Romantic and Modern eras of Western classical music.
The origins of the 17 Slåtter that Grieg published in 1903 are layered. These folk dance tunes were aurally passed down (un-notated) for generations, with some motivic material even as old as the 1000s, among players of Norway's national instrument, the Hardanger fiddle. This violin-like instrument typically has four sympathetic strings underneath, adding a resonant quality, plus a flatter bridge to accommodate droning on open strings and two-part playing. In the late 1800s, the folk fiddler Knut Dahle believed that the art form was dying out, so he wanted Grieg to write down and preserve the traditional music he played by heart. Grieg eventually arranged for a composer, Johan Halvorsen (also a violinist), to meet Dahle and transcribe the tunes for violin in standard notation. Halvorsen did so with great interest and difficulty, noting the many strange and fleeting ornaments that the fiddler passed off with ease. Adaptations of these can be heard throughout Grieg's piano version of the Slåtter, which he began arranging in 1902 (after much reluctance) based on Halvorsen's violin versions.
Grieg intended his piano versions of the Slåt tunes to serve as artistic representations of their folk origins. One can hear the great liberties Grieg took in doing so when comparing these pieces to their source material (still played by fiddlers in Norway today), yet Grieg adapted them in such a way that highlighted his transitional perspective in music history (he died in 1907 while musical Modernism was coming of age). Grieg works out many of the motives in overtly Romanticized sections while contrasting these episodes with ones that embrace the "wild" characters of the material, which exist outside of the Western musical canon. Grieg wrote that he wanted to "bring them under a system of harmony" to avoid monotonous passages, while preserving their originality and daring imagination.
As noted in the video, the young Percy Grainger went on to befriend Grieg and champion these dances while Béla Bartók owned a personal copy of them. The torch of Modernism that these composers took up would elevate national folk material to a new importance in music. Folk elements would no longer only serve as a creative gloss or for cheap exotic effects, but would be ethnographically researched, recorded, and painstakingly reproduced as valid artistic materials in their own right.
Ståle Kleiberg's quote in the video is taken form his paper "Grieg's 'Slåtter', Op. 72: Change of Musical Style or New Concept of Nationality?" www.jstor.org/stable/766395
มุมมอง: 4 279

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Eduard Schütt - Andante Cantabile and Scherzino for two pianos, Op. 79
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Eduard Schütt - Andante Cantabile and Scherzino for two pianos, Op. 79
Rameau's Gavotte but each variation is played on a newer piano
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Alex. Voormolen (“The Dutch Ravel”) - Suite de clavecin pour piano
Franz Neruda - Variations in B minor, dedicated to Edvard Grieg, Op. 49
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Franz Neruda - Variations in B minor, dedicated to Edvard Grieg, Op. 49
Friedrich Kiel - Duet for solo piano, Op. 18 No. 3
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Friedrich Kiel - Duet for solo piano, Op. 18 No. 3
Anton Rubinstein - Fantasy for two pianos in F minor, Op. 73
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Theodor Kullak - Nachtgesang (Night-Song) for piano, Op. 92 no. 2
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Ignaz Moscheles - Pastorale in the Organ-Style for piano, Op. 135
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Ignaz Moscheles - Pastorale in the Organ-Style for piano, Op. 135
Alfred Grünfeld - Spanish Serenade, Op. 37
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Alfred Grünfeld - Spanish Serenade, Op. 37

ความคิดเห็น

  • @austinwgentry
    @austinwgentry 8 นาทีที่ผ่านมา

    Where can we get the sheet music?

  • @teodorb.p.composer
    @teodorb.p.composer 2 ชั่วโมงที่ผ่านมา

    Nobody says so no pararel fifts in todays age. It's rule for baroque or calssical contrapoint, and almost every composer of this era compose in modern or late roatic lengauge, where are experiments and unconvential intervals more than accepted

  • @IvarsBezdechi
    @IvarsBezdechi 4 ชั่วโมงที่ผ่านมา

    Who is the pianist?

  • @gspaulsson
    @gspaulsson 8 ชั่วโมงที่ผ่านมา

    Until I came across Halvorsen, Norwegian music was all Grieg to me.

  • @brynbstn
    @brynbstn 11 ชั่วโมงที่ผ่านมา

    Nice cute pieces. Mostly insignificant though. Perhaps significantly nostalgic for an aging admirer of Grieg, for playing for oneself or a small like minded audience

  • @cash1938.
    @cash1938. 14 ชั่วโมงที่ผ่านมา

    The two of you did a awesome job this is great ❤

  • @reamartin6458
    @reamartin6458 15 ชั่วโมงที่ผ่านมา

    Considering that you have four arms. I think that Juliard might be interested.

  • @Diom_des
    @Diom_des 16 ชั่วโมงที่ผ่านมา

    Wow, you have four arms?? Very good playing.

  • @WitchKing-Of-Angmar
    @WitchKing-Of-Angmar 18 ชั่วโมงที่ผ่านมา

    I wnjoy the dissonance in the chords, I've been a huge fan of Luigis mansion and deeply adore all of those fanciful melodies. Classical music always has dissonance, tension, chord blocks, etc.

  • @wooogie672
    @wooogie672 19 ชั่วโมงที่ผ่านมา

    so glad this came up in my recommended ts is so fire

  • @tavitenorclef
    @tavitenorclef 2 วันที่ผ่านมา

    I don't like it, so there's 375 more I don't like

    • @PianoCurio
      @PianoCurio วันที่ผ่านมา

      Huge time saver

  • @popmushee
    @popmushee 3 วันที่ผ่านมา

    You should try Bolcom's Dead Moth Tango. I'm sure you'd kill it. It has a similarly funny vibe, but maybe slightly more sardonic.

    • @PianoCurio
      @PianoCurio 2 วันที่ผ่านมา

      I love Bolcom’s rags, and some of them can be silly at times. Don’t think I’ve heard the dead moth tango before, will check it out!

  • @arturmoraes5655
    @arturmoraes5655 3 วันที่ผ่านมา

    amazing video, great timing as well as I am recently studying/playing all the lyric pieces. I was very fascinated by how modern some of them sound, this video was great input.

  • @PianoCurio
    @PianoCurio 3 วันที่ผ่านมา

    Check out smalin’s animation of this performance here: th-cam.com/video/zHZbJNQRgVU/w-d-xo.htmlsi=edUKny6qvhBElP6t

  • @scronx
    @scronx 3 วันที่ผ่านมา

    Wow, unexpected glimpse of the great Widor in a non-organ context. Bravo on this whole production! Are you an organist? Some of Charles-Marie's organ movements are similar to this piece. The great disgrace of modern classical music is its ugliness. A great tragedy is "organ composers'" music being unknown to most musicians and aficionados.

    • @PianoCurio
      @PianoCurio 3 วันที่ผ่านมา

      Thanks, I’m no organist but I am fascinated by the music of Widor. He brought his own style to the piano works he wrote, which span several decades and hundreds of pages. There are real treasures to be found in them!

  • @9827george
    @9827george 3 วันที่ผ่านมา

    strong influence from Prokofiev!

  • @vagnerferreira7880
    @vagnerferreira7880 4 วันที่ผ่านมา

    Did you hear some Prokofiev's Toccata quotation? 😅

  • @adhdlama2403
    @adhdlama2403 4 วันที่ผ่านมา

    You are playing?! This is wonderful to get for free. You must be a certified proffesional!

  • @turtle945
    @turtle945 4 วันที่ผ่านมา

    this channel is so epic

  • @johnryskamp2943
    @johnryskamp2943 4 วันที่ผ่านมา

    The first sounds like a piece by Bartok. Which one?

    • @PianoCurio
      @PianoCurio 4 วันที่ผ่านมา

      Totally agree, that one is #6 of the set.

  • @charlesbluett8195
    @charlesbluett8195 4 วันที่ผ่านมา

    0:52 *toeing

    • @PianoCurio
      @PianoCurio 4 วันที่ผ่านมา

      Oeps

  • @deadbydebt
    @deadbydebt 4 วันที่ผ่านมา

    I personally really love his op 71 no 2- Sommeraften

  • @TenorCantusFirmus
    @TenorCantusFirmus 4 วันที่ผ่านมา

    Chopin's own Prelude Op.24 n.3, just in C major instead of G major.

    • @marcelnoya
      @marcelnoya 3 วันที่ผ่านมา

      28,3 - th-cam.com/video/cf8o9gsRvBo/w-d-xo.htmlsi=omFWI94WxMfqVSQI_

  • @TenorCantusFirmus
    @TenorCantusFirmus 5 วันที่ผ่านมา

    They sound almost like Bartók - Impressive.

    • @PianoCurio
      @PianoCurio 4 วันที่ผ่านมา

      Definitely a link in the chain towards Bartók

  • @seanfogarty5559
    @seanfogarty5559 5 วันที่ผ่านมา

    My composition teacher made me study these. I'm always delighted he did, they're phenomenal.

  • @DanielKirillov-iv3ww
    @DanielKirillov-iv3ww 5 วันที่ผ่านมา

    Well, in a vacuum these two sound almost the same. But if you consider the rest of music history, you can probably find 50 more examples in 1 hour.

  • @TobiasTimKlingbiel
    @TobiasTimKlingbiel 5 วันที่ผ่านมา

    Finally someone who understands what Grieg was trying to achieve. The Slatter, the g minor ballad and the first string quartet are masterpieces. Had Grieg written only those, he would be seen as the great composer he actually was. Many look down on him bc of his more popular works. That’s very saddening.

    • @PianoCurio
      @PianoCurio 4 วันที่ผ่านมา

      Based on his diary entry after performing these in 1906 (pinned in the comments), he had already realized that his popular reputation would rest on his earlier works, and that weighed heavily on him. And it’s still true today: Peer Gynt, the piano concerto, early lyric pieces etc. are mostly what people hear

  • @Cayres18
    @Cayres18 5 วันที่ผ่านมา

    I love this vídeo style

    • @PianoCurio
      @PianoCurio 4 วันที่ผ่านมา

      Thanks, more on the way!

  • @Nooticus
    @Nooticus 5 วันที่ผ่านมา

    a lot of Poulenc’s songs are funnier and more ironic than this tbh! Great piece though i don’t get the hate

  • @justiniantbh
    @justiniantbh 5 วันที่ผ่านมา

    Why am i vibing with this so hard tho

  • @martinianotanoni
    @martinianotanoni 5 วันที่ผ่านมา

    so much Prokofiev in it

  • @tracypiano
    @tracypiano 5 วันที่ผ่านมา

    Thanks for the wonderful recordings of some lesser known works. I'm shopping for a digital piano and I'm curious what kind you're using.

    • @PianoCurio
      @PianoCurio 5 วันที่ผ่านมา

      I use a Yamaha N1X hybrid piano. Quite expensive when I got it a few years ago, but I needed a real action without the footprint of a grand. Kawai also makes a hybrid that I’ve heard others like, but I haven’t played one.

    • @tracypiano
      @tracypiano 5 วันที่ผ่านมา

      @@PianoCurio Thanks!

  • @alessandropelizzoli6613
    @alessandropelizzoli6613 5 วันที่ผ่านมา

    There is also the interesting and quite embarassing episode between Grieg and the Young Ravel that decided to play in front of the Norvegian Master one of His Dances, in a parisian Salon, i suppose...and then the Old Grieg sat up from his chair, beating the rhythm of his piece on the floor with his Stick... And saying, quite raging, at Ravel " No no...no, young Sir, not at all in this manner! More rhythm! You have not seen the men of my country dancing at this type of Music..."

    • @PianoCurio
      @PianoCurio 5 วันที่ผ่านมา

      Yikes! I didn’t know that one. I bet he never forgot that unplanned lesson. Grieg also once wrote how shocked he was that the young Percy Grainger could play these dances so intuitively and yet a young Norwegian pianist somehow got interpretation all wrong.

  • @lucashamilton4674
    @lucashamilton4674 5 วันที่ผ่านมา

    Hey heads up, do not turn your volume up for the last chord. It's a trap.

    • @PianoCurio
      @PianoCurio 5 วันที่ผ่านมา

      😏

    • @lucashamilton4674
      @lucashamilton4674 5 วันที่ผ่านมา

      @@PianoCurio hey, pin me if you really want to help lol

  • @PianoCurio
    @PianoCurio 5 วันที่ผ่านมา

    More from Grieg’s diary entry the day he premiered this music in public: “What hurt me was that the Norwegian Peasant Dances did not strike home as they should have. I played them with all the affection and magic I could muster. But - where my development as a composer has now led me, I dont have my own people [Norwegians] with me, and that is hard to bear. Here they always draw heavily on works from my youth, which on suitable occasions are praised at the expense of my recent ones. But - I must not let that hinder me. I hope I can continue to develop as long as I live. That is my fondest wish. The understanding of the general public will come in due course.”

    • @steveegallo3384
      @steveegallo3384 4 วันที่ผ่านมา

      "Away from Norwegians".....Was that while Grieg resided in Liechtenstein? BRAVO from Acapulco!

    • @PianoCurio
      @PianoCurio 4 วันที่ผ่านมา

      @ he was referring to the fact that his Oslo audience (“my own people”) did not applaud him warmly after the first performance he gave of the Slåtter. The next week the audience gave a much better response, so he was relieved by that.

    • @steveegallo3384
      @steveegallo3384 4 วันที่ผ่านมา

      @@PianoCurio -- I see now....Gracias por su aclaración magistral! Are you still enjoying living in Europe?

  • @johnmiller1620
    @johnmiller1620 5 วันที่ผ่านมา

    Thanks for posting these excerpts of my favorite Grieg compositions. I became acquainted with them via the wonderful recording of the entire set by the Hungarian pianist Andor Foldes.

    • @PianoCurio
      @PianoCurio 5 วันที่ผ่านมา

      I'm glad you enjoyed the selection, I've been wanting to make a video like this for a while. I love Grieg’s more famous stuff, but there is something so original about this music that puts it in a different category.

  • @JarmezGD
    @JarmezGD 5 วันที่ผ่านมา

    I was wondering if someone could explain the time stamps? Is it some kind of musical form I’m not familiar with?

    • @PianoCurio
      @PianoCurio 5 วันที่ผ่านมา

      They are informal labels and personal impressions that I applied to different sections using non-theoretical terms, so feel free to take them or leave them as you wish.

  • @JarmezGD
    @JarmezGD 5 วันที่ผ่านมา

    I don’t understand how people are saying they’re so different. The main melodic material has a huge amount in common. Very interesting comparison.

  • @mathrafal
    @mathrafal 5 วันที่ผ่านมา

    Yet another TH-cam wanker who wants to keep the composer to himself and denying us the ability to explore. Why do people like you keep doing this? It’s not clever and only makes you come over as a condescending dickhead. It’s terribly irritating.

    • @composerjalen
      @composerjalen 3 วันที่ผ่านมา

      have you tried the description of the video

  • @elliotwlasiuk467
    @elliotwlasiuk467 5 วันที่ผ่านมา

    Chromaticism drives the melody similar to Chopin

  • @joaodovicchi4656
    @joaodovicchi4656 5 วันที่ผ่านมา

    Mozart's K331 Sonata has the same peculiar "siciliana" rhythm.

  • @ChalumeauLOL
    @ChalumeauLOL 5 วันที่ผ่านมา

    This piece isnt fire, 🔥🔥🔥 Its water! 🌊🌊🌊

  • @MeltiahNye
    @MeltiahNye 6 วันที่ผ่านมา

    Very interesting. Never heard it before.

  • @ЕленаШатравка-ц5з
    @ЕленаШатравка-ц5з 6 วันที่ผ่านมา

    Is Shchedrin alive yet?! Omg! I don't like this piese, it's not funny or humorous, and this strange final... Anyway, thanks for the perform and uploading this;)

  • @Whatismusic1234
    @Whatismusic1234 6 วันที่ผ่านมา

    This reminds me of Music

  • @kurtkaufman
    @kurtkaufman 6 วันที่ผ่านมา

    Reminds me very much of Prokofiev's Cinderella ballet, which I have played a few times.

  • @jamiepianist
    @jamiepianist 6 วันที่ผ่านมา

    It sounds like a regular piece! Just messed up at points

  • @ARZamanii
    @ARZamanii 6 วันที่ผ่านมา

    Jazz😂

  • @The_Entertainer-
    @The_Entertainer- 6 วันที่ผ่านมา

    Quite bizarre piece I would say. But nice rythms.

  • @damiaanluc
    @damiaanluc 6 วันที่ผ่านมา

    I think it’s quite innovative, actually. A few techniques like this get used in notable pieces like Chopin’s “wrong note” etude.