วีดีโอ

Please watch the makeup edition.

Love it👍 Would love to see you react to Al Jolson singing “some enchanted evening” which showcases a more mellow jolson and his richer later voice

Ella es de Peru_ cajamarca

Exscto no es ni quechua , entiendan solo sonidos de la naturaleza

YMAC es la unica que puede llegsr a imitar los sonidos de las sves ,no hay flauta ,ni trompeta

Ella es la unica con ese registro en el mundo que tiene esa tecnica , no hsy otra en el mundo

Ella Ymac sumac esta imitando sonidos de la naturaleza ,i formense bien

Buenas noches con todo respeto ella es Ymac sumaq , y no es una tonteria , ella Ymac sumac en esos años , era un niña. Ya von el tiempo a los 13 años ya era toda una gran estrella y con un registro vocal inalcanzable

Learn the lyrics, then you might be intimately familiar with a song.

God bless the turtles past present any the future can you DIG it. One love.

The Ladies with fans remind me of Big Bird hahahhaha. I can say stuff like that because I was a music teacher🤣

Here are some of my favorite music by her : Tumpa,Montana,A MI palomita! ❤ Her songs are the only songs I listen too at a young age of 17 I find her music to be so powerful and it's just pure happiness that comes out of her music 🤍💐

Fair response. THX.

This is wonderful, wasn't aware of its existence. The melody is identical to My kind of Town (Chicago is) - Music by Jimmy van Heusen and lyrics by Sammy Cahn. It's almost a certainty that Sammy Cahn rewrote the lyrics for Sammy. Cahn used to supply 'special material' to order. The most famous example of Cahn rewriting the lyrics of a song is Sinatra's High Hopes which was repurposed as a JFK election jingle. th-cam.com/video/lHRTCVwSKMs/w-d-xo.html

I saw her live once in san Francisco. It’s not something you ever forget. This was a scene in the one movie she was in. The secrets of the Incas. Where she played a ritual singer

fair enough!

Love the finish of 42nd Street

Julie Andrews came close, with a four-octave vocal range, compared to Yma Sumac's five-octave range. However, she didn't employ the extremes of her range the way Ms. Sumac did. My favorite Yma Sumac recording in 'Monos' (Monkeys). I can't find a live performance, so I hope this will do: th-cam.com/video/YWPjRWYLGi8/w-d-xo.html I still have my parents' 78 rpm copies of 'Voice of the Xtabay' and 'Legend of the Sun Virgin'. I don't dare play them, even though I have a three-speed phonograph, in case I damage them. Thank goodness for the internet!!

Oldies 103 in Boston! I used to listen to it when I was stationed at Ft. Devens in 1988-89!

Not spanish nor quechua

It´s only sounds. Nature sounds

Maravillosa!

You cannot compare how “offended” you are to how U.S. citizens of 1936 felt about Al Jolson’s and Wini Shaw’s screen performances in blackface. Moreover, you constantly gloomily saying “blackface, blackface” detracts from the enjoyment of this film clip. It’s obvious you don’t understand or like Jewish performers from the 1920s, ‘30s and ‘40s who performed in blackface.

Have you seen the 'I Love to Singa' with Owl Jolson vintage cartoon?

Check out Cab Calloway Medley 1936 with Al Jolson on You Tube

🤍🤍🤍

'Wake up with the South-a in my mouth-a' Al Jolson did some songs in blackface, most notably 'Mammy', in which he expressed his love for his southern mother. Songs about the southern United States have been popular at various times.

Virtue signaling is a poor way to live...too bad you weren't there to tell everyone how wrong they were...you could have saved the world...(Or would have been m*rdered)😂

How HARD are you TRYING to stir the racism pot?lolol... TRUMP is your new president..get used to it.. liberal whining won't work anymore.😆🇺🇸💪

NOT Southie, Mouthie. Hello? McFly❓❓❓

Southa - Moutha - I Love To Singa. Ask Yip Harburg and Harold Arlen.

I think Jolson is singing " with the Southie in my moutha"......He is refering to his Southern accent

Great song, one of my favorites so are Walk Right In, Bird Dog, Let it Be Me(awesome). FYI all performances on AB were lip synced, Dick Clark confirmed it unlike Ed Sullivan. They were sooooo good they jumped ship to go to another record label in 1960. Well for a million dollars, true story. Keep up the good work.Have you reacted to the Righteous Brothers? Very popular on TH-cam.

Thank you most SINCERELY FOR YOUR MOST CONSIDERED RESPONSES. Not that I can read minds, or know the inner feelings of ANYBODY. BUT ALL AL JOLSON PERPETUATORS/ CUSTODIANS /CALL IT WHAT YOU MAY?. ALL CONSEDE HIS BLACKFACE CONNECTION COMPLICATES THINGS/ PUT IT THAT WAY. I THINK THAT IS ONLY A CRUTCH, A COVER UP. A DUMMY CARD PLAYED TO WHAT THE REAL REASON IS, HE JUST DATES BACK SO FAR, He is SEEN AS ANTI CONTEMPORARY! things started to change by about the early 1970'S, but for about the past 20 - 30 YEARS HE HAS MORE AND MORE GONE UNDER THE COUNTER. THANKS TO THE INTERNET. DEVOREES CAN UNITE. I AM NOT OVER THE MOON WITH THE MINSTREL BLACKFACE THING IN GENERAL. AS AN ENTERTAINMENT, BUT WELL KNOW THE EVIL DESCRIPTION OF IT IS OVER FABRICATED TO PROTECT CONTEMPORARY PROFIT, AND IF THAT IS SATISFACTORY WITH ANYBODY, AND THEY DON'T WANT TO RESEARCH ANY FURTHER FINE. OF COURSE I. NOBODY IS GOING TO BE ABLE TO HAVE ANYBODY COME OUR WAY, IF THEY DON'T WANT TO, BUT THANKS TO POSTS LIKE YOURS HERE IT GIVES US A CHANCE TO HAVE OUR SAY PUBLICLY, AND SUGGEST TO PEOPLE WHERE THEY CAN RESEARCH THINGS MORE, AND ABOVE ALL BE EXPOSED TO THE LIKES OF THE GREAT AL JOLSON! THANKS SINCERELY!

I most DEFINATELY APPRECIATE YOUR WELL STUDIED ANALYSIS OF THIS AND ALL THE CLIPS YOU POST. some I agree with and others not. Firstly CAB CALLOWAY. whom you note as your IDOL and there could not be anybody better to have as an IDOL, or to me more as a significant link to a past entertainment, up until virtually now, with Blues Brothers etc. Mind you, he was a babe in the woods, compared to Al Jolson in 1936/ who's career began in 1896. CAB is about 27 here. AL is 51. I agree with you/ to me, Cab wins vocally here, and I am wondering if he had that swooping voice all his adult life, or it changed/ louis Armstrong's did . Not Sure about Fats Waller? I have never known any bodies to change as much as AL JOLSON'S did. Although others will say Frank Sinatra. Bing Crosby/ Elvis/ people like this. YES, they might have done different types of songs, and technology altered in their time. But the changing of technology, and his voice with it, is MUCH MORE PRONOUNCED WITH JOLIE FROM 1911 TO 1950. Which there is EVIDENCE OF ON RECORD. FILM AND RADIO. His vocalizing like every thing else he does is a mixed bag, but THERE IS SOME REAL CLASSICS IN THERE! To try and put it all into context and perspective. AL JOLSON WAS NOT ONLY BORN INTO, BUT ALSO DEVELOPED HIMSELF, AND DOMINATED, in a TIME, WHEN NOT THAT YOU EXACTLY HAD TO GET IT SPOT ON THE FIRST TIME, OR YOU WERE FINISHED, but in VAUDEVILLE, RECORDINGS. THEATRE YOU COULD NOT RELY ON SOME TECHNICIAN TO CORRECT YOUR STUFF UPS/ PUT IT THAT WAY! and you were here and there all over the place, More than not you had to DO IT RIGHT! I first got to know of AL JOLSON, when I was a toddler, in the early 1950S via his records then, relatives had, or just by his songs being sung or played, or talk about The Jolson Story/ Sings again, The combination of those movies in the mid 1940'S. played by somebody else. AND HIS GENERALLY FULLER RICHER MORE PALATABLE VOICE THEN IN BETTER TECHNOLOGY IS WHAT GENERATED A RE BIRTH OF INTEREST IN HIM WHICH REMAINS TO THIS DAY/ AND STILL IS THE MORE PREFERED WAY TO GET IN TO HIM. THE ODD ONE, WILL SAY THE JAZZ SINGER. GO INTO YOUR DANCE. HEARING AN EARLY RECORD ETC. BUT THERE MORE HISTORICAL INCLINED, Larry Parks who played him is more subdued, but catches the essence of him. many prefer that, than the generally more EXTROVERTED AL JOLSON WE SEE ON FILM. That to some, can be over the top, if you don't put it all in to context and perspective, that in film AL was restricted to THE LIMITED REQUIREMENTS. he just could not be everywhere. DO WHAT HE LIKED HE COULD ON STAGE. The technology particularly in early sound years was very limited also. You can still see however, his sheer joy of performing. even just imagining he is playing to an audience, even though it is studio technicians etc. CAB CALLOWAY, WHAT I HAVE SEEN DISPLAYS THIS AS WELL. Some of the more electric clips of him on film, AL are tootsie. the Jazz Singer, and in Rose Of Washington Square. Sitting on Top The World/ Rainbow Round My Shoulder/ The Singing Fool. Used To You./ Say it with Songs. Liza Lee/ Hooray For Baby and me/ BIG BOY. VIVA LA FRANCE/ WONDERBAR. Ones like About A quarter to nine, with Ruby keeler are nice, WELL produced and all, but he is not so dynamic. ALL, Or most are on You tube. AL insisted CAB GOT EQUAL TREATMENT WORKING WITH HIM IN THE SINGING KID. AND THAT HE STAYED IN AN APARTMENT LIKE HE DID. THE VERY BEST THEN!

Please "normalize" your audio in future videos. That means making the clips the same volume as your voice. As a viewer, I had to hover on the mouse the whole time, and every time you spoke up, I had to turn the volume down. Then when the clip started again, I had to turn the volume way up. Most editing software has a feature to easily "Normalize" your audio automatically before rendering. Best of luck on your new channel.

I think the reason why black people loves Al Jolson despite his minstrel performances is due to him being a "white" person promoting black music and playwright in a segregated America. He even threatened to not participate in acting "The Singing Kid" if Cab Calloway wasn't paid fairly for his role in the film. His "Mammy" act in the last part of "The Jazz Singer" was, according to the president of the Negro Actors Guild and I quote: "[h]e was always the champion of the Negro songwriter and performer, and was first to put Negroes in his shows". Of Jolson's "Mammy" songs, he adds, "with real tears streaming down his blackened face, he immortalized the Negro motherhood of America as no individual could." Another reason I think why black people may have excuse his minstrel acts is because it's the least of their concerns due to this was all happening while the KKK had the most amount of members in history (numbering in the MILLIONS), lynchings, race riots, anything that would threaten a black man, and someone simply painting their face in burnt cork is the least life threatening thing towards their community. Take the 2nd part with a grain of salt because it's my theory.

The Everly Bros were great! Can't believe you haven't heard this!

If you genuinely want to know what black people of the time thought of this, then may I respectfully suggest you source an interview given by Cab Calloway regarding this very subject, who incidentally also starred in this film. Of course, you may already mention this in your video but to be truthful, after listening to your tired, bigoted views, I simply gave up after the first three minutes.

I thank you very much for your consideration, and for your studied insight into this sequence, you certainly did not run the other way, as too many do with anything connected with Al Jolson. That not being due to basic blackface/ but just that he is THE ANTI CONTEMPORARY CHRIST/ in an Entertainment perspective, he is the ADAM of popular Entertainment in fact, and if you are the first of anything, you have to also be the most ancient'/old/ and antiquated, even if in fact you are not. From middle to old age, Al Jolson was part of electronic technical media, with stars that arrived when that did, Garland/ Crosby/ Sinatra, Calloway etc etc. BUT HE STILL EVEN THEN HAD THIS OLD MAN OF SHOWBIZ REPUTATION, because he not only was part of but originally MADE IT HUGE in the STONE AGE/ THE PRE ELECTRONIC AND TECHNICALLY AGE/ STILL SO FAMILIAR TO US OF EVERYTHING! INCLUDING ENTERTAINMENT. Publicists/Public relations people, sponsors, publishers, politicians, anybody, and everybody in control of humanity, and FINANCIAL, OR PRESTIGE ADVANTAGE, will CONDEMN, in the past that has the potential of infringing on their CONTEMPORARY MANIPULATION OF ALL AND SUNDRY. It is obvious CORPSES DON'T BUY ANYTHING! Blackface, where JOLIE is concerned, with other things, the bad person he was? His general old ways? are all of course manipulated and fabricated out of obvious sensible in context consideration to get everybody to hate and totally avoid him! Now I can meet half way with you, in considering watching something like this from a as I write this 2024 perspective. As I am not brainwashed by PROFIT PROTECTING BRAINWASHING, I can still appreciate it from it's in time perspective, but to anybody viewing it now, with contemporary brainwashing or not, it still is ODD. How darker complexioned people, felt about blackface then, or Al Jolson, or anybody, then, or at any time it would have varied depending on time and place and their own situations. I have audio interviews with Cab Calloway/ and videos of Faya Nicholis making it obvious, THAT THEY FOUND NOTHING WRONG WITH BEING IN MOVIES WITH EDDIE CANTOR/ AL JOLSON, ETC DOING MINSTREL STUFF. In fact in a video I have of Faye Nicholis at an Eddie Cantor Society meeting, he jokes about a minstrel sequence he was in , in an Eddie Cantor movie, where blacks and whites were mixed, some in blackface like here, mixed. That's Wini Shaw the SISTER, in BLACKFACE. think she was pretty big as a radio singer at the time? Anyhow Faya, makes a joke about the pretty white girls he was admiring in this sequence in the Cantor movie, commenting "NOW THAT'S THE INTERGRATION I LIKE! The attendees laugh their heads off of course. Some of the minstrel, in fact musical old sing-a-long days in Entertainment, don't include blackface/ like in White Christmas, but they still refer to it, and there is blacks only ones acting FOOLISH, as is the MODERN DESCRIPTION OF IT. I.E JUST WATCHED MOMMA'S HOUSE THE OTHER NIGHT! I think, EVERYTHING IS MY CONCLUSION and I respect everybody's right to differ, or have different understandings, but 2 fairly recent movies Bamboozled and Minstrel Man, pretty certain all done by/ acted in etc by non whites. pretty well, they may have financed whatever? The Former is nothing but A VEHICLE FOR CONTEMPORARY PROFIT, where as the other is much more genuine and based on more of a proper insight into the real period of Minstrelsy from like 1830 something to about 1910. and gives a more balanced perspective. Al Jolson Eddie Cantor. Bert Williams a black man, were not just basic minstrels, but characters, or performers blacked up, playing roles in different stage shows and movies. In core CONCERNED AL JOLSON INTERESTS IT IS AN ENIGMA, the whole blackface THING, THERE IS THOSE DEMANDING OBLITORATE IT ENTIRELY. IT IS DESTROYING ANY HOPE OF MAINTAINING ANY LEGACY FOR HIM/ OTHERS THE OPPOSITE MAINTAIN AND ENDORSE IT/ IT WAS HIS TIME. HE DID NOTHING WRONG FOR THE TIME/ ALL LOVED IT/ BLACK WHITE OR OTHER/ AND THERE IS PLENTY OF EVIDENCE FOR THAT. Then there is those in the middle as long as it is explained, disclaimed etc etc, I CERTAINLY DON'T GO AS FAR TO TRY AND REMOVE IT TOTALLY FROM MEMORY, that would not work, because where JOLIE is concerned, well it is like Jimmy Durante/s nose to him, or Loius Armstrong's gravelly voice, it's instantly linked with them. Al Jolson he was the singer who put black on his face is, ALMOST ALWAYS THE FIRST THING THAT COMES UP IN ANY CONVERSTATION ABOUT HIM, disclaimers etc only confuses things, and there is no way to be exact, we just don't know, what happened, and how things really were centuries ago, or at least began then. ALL we can do is I think, like you indicate here, this is ok, but the blackface turns you off. I respect your right to come to that conclusion, from your more modern angle. So what I do, around All Al Jolson interest sites. Facebook etc, and others connected, Broadway/ movie musicals. vaudeville, old time radio etc, is avoid as best as possible concluding blackface in photos. videos, articles etc, and focus on him in sports coats, top hats. and tails, turtle neck sweaters which was a more later modern Jolson persona, like the sounds, of the big bands etc. much more palatable today, than that of the older styles of much earlier times, connected with the blackface, In historical context I use it, like in a recent A1 video I put around touching on some of the varying singing styles Al used in his time. Thanks sincerely for this, and all your posts. Re links to more. www.jolson.org Links to my self aljolson.weebly.com

1960s I cant explain it You had to be there It was the greatest time to be 13-20

The Everly's were special, Luckily, I got to see them four times when they were touring Britain.

I definitely wanna see more reactions to Fred Astaire!

Stones are always entertaining and they have a million great songs😊

I assume you're gonna throw in Cab and the Nicholas bros from Stormy Weather?..

Do more videos reacting to her! ❤

I love Lena Horne. I know her from a couple of TV roles. This is one of the few times I've listened to Bill Robinson. They are both outstanding in this video.

Bessie needs to be re-discovered by a new generation. Wonderful voice.

I've always loved this performance .... needless to say the MSG performance of this song in late '69 (with Mick Taylor) is worth a watch.

Love seeing the original version. I heard this Ray Stevens version on the radio during the 1980's. Here are 2 videos of Ray Stevens doing "along Came Jones." Rays adjusted the lyrics. Instead of repeating "and then" when describing the villian actions, he has the woman victim screaming them. 1. Here is his recording of it, with black and white silent movies style cartoon pictures added. th-cam.com/video/-yYQ8CwZ1k8/w-d-xo.htmlsi=L4jAfnYEEIUB568w 2. From the Andy Williams show, with Ray and Andy sharing the lyrics. And a young Donny Osman playing the part of Jones on his horse. th-cam.com/video/8ippnMH2WwE/w-d-xo.htmlsi=MuwUBedBx_zpACNB