WHY YOU SHOULD KNOW FOURTH VOICINGS IN JAZZ| MCCOY TYNER
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- เผยแพร่เมื่อ 3 ส.ค. 2022
- Fourth voicings are useful, especially when playing modal tunes. Mccoy Tyner teaches us how to employ fourth voicings creatively. I hope this video helps.
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Very insightful; you're the kind of teacher everybody would wish to have!
To echo what someone else said this is very insightful. I would listen over and over to Acknowledgement over the years without realizing that he was using inversions - very often. It's very illuminating as far as knowing what to do with my right hand. Thank you
Best demo of 4th voicings I’ve seen on TH-cam.
Man this is like exactly what I needed right now, I've been using fourth voicings for a while now but i've struggled to do it in an original format. this is perfect, thank you so much
the first version sounded great lol
I thought the same!
I'm excited and getting to like 4ths can't wait to really get a grasp more of this science and put it into my show.
Great explanation. Lots to think about!
Great stuff! Thanks!
Exactly what I’ve been looking for for months!!!! Thank you so much 😊
Awesome!
McCoy Tyner developed the use of fourths more than any jazz pianist from the past. Also, the flat (or minor) 6th in conjunction with the major 3rd, as in the old "Africa-Brass" album. Tyner must have learned some of his ideas from Coltrane.
wonderful!
You earned a subscriber awesome material!!!!
You are so clever!
Thank you❤
Where do you perform? I want to come, where do you announce when there is performance mntase?
I announce everything on IG thembelihle_dunjana
Hi I started to listen to you recently and I enjoy your content and I was wondering if you could do a tutorial on a cry, a smile,a dance by Judith Sephuma.🙂
Thanks
McCoy Tyner, Coltrane, Kirkeland, Harmony
🔥🔥🔥🔥🔥😍
Nice vdo
My question , how you arrange voicing fouth on ii-v minor there?
😻😻😻😻
11:45
Darling fellow musician, I sincerely hope that you don't spend hours studying piano in that position, you are sitting too low and to close to the keyboard. Your forearms should be coming from a upper angle and to use your arms and torso you cannot sit so close to the keyboard, the way you sit so close, you can only use your fingers and wrist and by doing that you're limiting your expressive and dynamic possibilities. You have chosen a very good example, if you watch McCoy Tyner play you'll see that he uses the entire upper body, with Elvin Jones and without modern P.A. microphones it had to be as loud as possible. Otherwise, good harmonic analysis.
😂 you’re right, at the time I was trying to get the piano in the frame. But I definitely don’t practice that way. I now have two frames, of my face and Birds Eye of my hands. Check out my latest video😉th-cam.com/video/0GFakKDOj7Y/w-d-xo.htmlsi=Ja6kbJ0kS_isxng6
@@thembelihledunjana At some point I thought it could be just that, you trying to get the keyboard in frame, keep it up, Jazz appreciation is a rare thing these days
Glenn Gould wouldn’t agree. ;)
@@RayyMusik. Glen Gould was a freak of nature…..Brilliant but wrong about most things! (or many things at least!)
Glad to hear you do not practice like that. Great content btw and appreciate that you focus on sound and not so much on theory
It's amazing that I started my piano day with trying to play Love Supreme, went to learn Equinox instead cause I couldn't handle Love Supreme, noticed the use of fourths in some of the chords for Equinox, googled "fourths in jazz" and found your video with exactly the information I needed to progress on Love Supreme and realized McCoy Tyner played on both :D
Its actually almost impossible, as of this date to find info on what Tyner was doing, in terms of inverted fourth voicings. Most books seem to focus on the "So What" shapes
P.l my