Finally figured out what the arcade/laser tag section is - one of the time regression bits. They're being thrown back into an earlier time in their life. Maybe a happy memory of a entertainment center.
That’s what I think the fireworks segment in 7c is too. That basketball-sounding section in 7a sounds like one of those time regression segments as well (at least that’s how it makes me feel).
Every sound i hear in this album reminds me of sounds i would hear in my grandparents house. The muffled radio, the loud washing machine, the random eerie sounds at night. Its so familiar and yet terrifying
Year 6. The release date is August 29th, 2022. Two years remaining. After listening to this album for a second time, this is what I jolted down: O1: 0:02 - The groans from the previous year now sounds like crying. The patient wants this to end. Wants the pain to end, but this is only the beginning. 0:15 - Now the bumpers have gotten to the point where you can’t even make out what it is trying to say. 0:37 - Succinct and to the point. Ok, gotcha. 0:51 - I only wish to keep this in mind because it just sounds familiar to me, and yet it doesn’t. 2:17 - It sounds like a groan. Well, not really. 4:15 - What exactly was that sudden noise? I honestly have no idea. 4:35 - Something tells me that this is supposed to be Gaucho. Not sure, actually. 5:57 - I don’t know why, but I think I hear what sounds like…laser tag? Never expected this part. 8:13 - Well THAT just came out of nowhere! You sure love picking your moments, NATMOS:R! 8:39 - Don’t ask me how, but I think I heard E3 in this timeframe. 9:06 - Back in Black, YES I’M BACK IN BLAAAAACK (Or at least that what I think that was) 11:21 - Drowning the chaos with drones… 11:41 - And yet, the corruption continues to spread all over the mind… O2 11:51 - A very obvious E5 along with Pink Floyd’s Echoes to start off O2. 13:41 - Some kind of beat is played here. 14:47 - The beat reminds me of…wait, what does it remind me of? 15:24 - What could this be? 15:56 - “The fog will persist across the area through the afternoon. The fog will once again become widespread tonight…Changing with locally dense fog possible. Motorists are advised to drive…rapidly changing…” That’s what I was able to catch from that brief bumper. I am certain that I didn’t get all of it, though. 16:18 - Though I am not certain of it, this sounds similar to A5. To an extent. 20:20 - A calm drone to ease the pain slightly…but it doesn’t last for long. 21:01 - Some conversation is heard, though I do not know what it is saying. P1 21:27 - And I’m Back in Black, YES I’M BACK IN BLAAAAACK (again) 21:42 - The trumpet that seems familiar, yet it doesn’t. 23:48 - A drone into another part. Whatever that might be, yeah? 25:40 - It’s only a Paper Moon, my dear. And Earl Klugh’s here to play his Solo Guitar. Though, I might be hearing things… 27:09 - Some noise in the left ear. 29:01 - A drone to end off P1. Or at least this is where it starts. P2 30:14 - ADIP? Maybe some variant of it, who knows? 31:51 - What was that? 32:00 - Again, NATMOS:R sure loves picking its moments to catch me off guard. 32:59 - Is that (D2/I8) I hear? The patient really wants to hold onto this memory, huh? 33:23 - There are vocals here that are very alien in nature. P3 34:28 - A slight bit of (D2/I8) 35:24 - Again. 36:50 - And again. If I end up hearing this sample in Year 7 and 8, would I be surprised? Maybe. 42:38 - More bits and pieces of I8. Who would’ve guessed lol Q1 43:56 - “The office of Civil Defense has issued the following message: this is an Attack Warning. Repeat. This is an Attack Warning.” Yeah, this should’ve been issued long ago, but it’s too late now. 44:33 - Well that was…sudden. 44:37 - And with that, all Hell breaks loose. 45:55 - A brief broadcast in the right ear. 46:43 - I now have realized: the artwork looks like a radio signal tower, yet my mind wants to call it a water tower. Why?! 47:22 - (Whistle noises) 47:48 - Some more (D2/I8). Because we can’t get enough of it, can we? 48:38 - (Computer noises) 49:13 - A new form of Hell awaits the patient… 51:40 - This sounds like our patient is trying to remember the fun he had playing at an arcade when he was younger. I wonder what samples this bit.. 54:32 - A new sample comes in and the arcade memory begins to die down. Or at least that where I think it starts. 58:28 - Panning from left to right, left to right… 1:00:15 - Keeping this here, just in case. 1:06:15 - I assume that this is where Q1 begins to die down, leading into R1. 1:06:39 - A coherent percussion sample. But what is it? 1:07:22 - Full on shutdown. R1 1:08:51 - (Teleportation noises) 1:09:23 - A coherent sample is heard, but I’ll be damned if I can try to identify it. 1:12:10 - Something on the left is heard. 1:14:50 - “And we’ll likely enjoy every minute…” 1:16:46 - More minutes. 1:17:41 - I know that this has been played for a few minutes now, but this is meant to be H4. Or the other half to I5. 1:19:13 - I could’ve sworn I heard someone talking. I’m really starting to lose it. 1:19:43 - A new sample now…and this turns out to be 1:21:48 - A scrambled mess of children’s voices. It is here that our patient has lost the ability to talk, or I’m simply misinterpreting this. Or it could be that he’s trying to remember the friends he saw once when he was younger and never saw again? I’m reading too much into this bit. 1:22:51 - I can’t unhear (D2/I8) in this section, though it might not be what is being played here. It sounds more like an Ice Cream Truck. 1:23:52 - More glimpses of voices. 1:24:13 - More of the scrambled voices. While the first part of the voices sounded like Ness, this one just sounds like Kirby. The pink thing. 1:25:21 - Even in this state, Cirrus Minor sounds very…peaceful. 1:25:52 - Some droning to conclude Year 6 altogether. 1:29:20 - Something played under those drones, but I’m not sure what. Like Year 5, this is very well crafted. I honestly think that the artwork works very well with the cacophony of bumpers and samples, though I’m not sure what the constellations up in the sky mean. However, I am excited to listen to Year Seven and see how hectic and chaotic it will be. I’ll see you then. -Lacey (P.S the words CURRENT STAGE: are typed twice in the description. Just letting you know is all.)
@@johnyoutuber9781 I think a better word for radio broadcasts is "bumpers". There are 5+ in this year. Mostly inaudible and muffled. The closest bumper we got that we could understand was at the beginning of Neural Degradation III where you could barely hear Newman speaking and an attack warning
and we'll likely enjoy every likely en- we'll likely enjoy every enjoy ev- and we'll likely enjoy ev- likely enjoy ev- we'll likely enjoy every likely likely enjoy ev- enjoy ev- 12/10. This project is doing PA in an amazingly different way.
(unintelligible deep male voice) As promised, we have a spokesman from *unintelligible* (can anyone identify this name?) thank you for coming over to try to clear up this confusion- The louder- -tillery closer- from- -til The louder- tillery- the closer- closer closer The following message. This is an attack warning. Repeat. This is an attack warning. Repeat. This is attack warning. Repeat. This is an attack warning. Repeat. Is an attack warning. Attack warni. Peat. Is attack warning. Attack warning. Warning. Repeat. This is an (warning) attack warning. Repeat. Attack warning. Repeat. This is attack warning. Repeat. This is an attack warning. Attack warning. This is warning. Warning. *Attack warning.*
This is probably by far the most disturbing representations of dementia so far, its actually terrifying. Nothing feels human anymore, nothing is comprehendible anymore, it feels as if the protagonist is falling into a never-ending abyss of purgatory, the horrors within indescribable.
If you listen closely to O2’s beginning, there’s also the “Worthless” scene from “The Brave Little Toaster”, topped with a faint smudge of Alberto Balsam by Aphex Twin, too.
Track descriptions: O1: The patient has begun to show much severer signs of neural decay. The patient also seems to be surprisingly overwhelmed, as if the patient sees the void, and is slowly entering it. O2: Sundowning is becoming more clear, as the patient can barely recognize what is happening amongst all the chaos. The patient has many sleepless nights, thinking it’s day, when everybody has gone home and is sleeping.the patient begins to decline drastically here. P1: Neural decay has become most relevant here. The patient continues to be overwhelmed, although everything is still crashing down. Relatives attempt to speak, although all the patient does is talk with slurred speech. Sleepless nights continue. P2: The patient’s decay begins to fluctuate, as at times the patient does not seem as confused on what is going on, but will slowly go back into a state of total delirium. P3: The last strings of hope begin to be cut off, as the decline continues. Confusions and delirium continue to become more relevant, as time begins to slowly break about, being ripped away from the patient. Q1: Everything begins to fall apart. Neural decay begins to show that the patient has been decaying since the early 2000’s. Clarity: a sudden jump to awareness has been made, and the patient’s mind seems almost childlike. The patient can recognize people, although we are afraid this state of complete awareness will eventually end in a few days. The patient’s relatives might want to enjoy this awareness while it lasts. R1: The patient has begun to show fewer signs of delirium, and has fallen back into complete confusion. We think this might be the patient slowly fading back into a thick fog. Complete understanding will not be recognizable until post-Mortem.
Actually it's sad. It's sad that this community is dying, just look at this pitifully low number of views. All these albums deserve more. I hope that someday something reawakens before the curtain closes. By the way, I wonder who found the reference in my comment
Considering that these individual years (generally) got more views than the NATMOS stages, I believe it’s possible that this project could get just as many views as NATMOS, if not more. Maybe that’s just wishful thinking though.
Sample for ending is likely sunrise on sunset hill Evidence: Ben's fractals made a sub for milwaukee protocol that also sampled sunrise on sunset hill and bluesquare pointed out it had one part that sounded rxactly like R1's ending, so Ben's fractals compared the spectrograms of R1 and the sub, and they matched up quite a bit Thank you for coming to my TED talk
Notable Moments (Likely incomplete, feel free to comment more stuff!) 0:00 - Fading into Opening Transmission. 2:57 - A panning drone floats by. [datravel the traveller] 8:12 - Mechanical sounds and other harsh noise (and voices?). Also likely reappears in P1. [datravel the traveller] 11:20 - Some notes drown out all other noise at the end of O1. 11:50 - E5 & the sonar from "Echoes" by Pink Floyd. [datravel the traveller] 14:47 - Sounds like footsteps frantically running on metal. Some drone-like thing plays barely coherently. Also has Alber to Balsam by Aphex Twin in there as well. [DARKBLADE OSCURO] 15:56 - Brief broadcasting on the right channel. 20:18 - A brief moment of calm as O-side concludes. 21:35 - Game & Watch sounds? 25:59 - Funky sax. 26:30 - Three piano notes in succession are very clear. Mostly on the right channel. 28:41 - Transition from P1 into P2 and the first section sounding somewhat coherent? 29:19 - Audibly out of place note. [lacunaeReversed] 31:54 - An abrupt transition within "P2 - Fluctuating State." Who would've guessed? [datravel the traveller] 33:23 - Transition into the persistent drones of "P3 - Hope." 35:24, 35:35, & 36:50 - I8 emerges from the drones alongside a couple moments of a relative clarity, respectively. [Platypus Records] 42:38 - As the drones clear at the end of P-side, I8 (the music box sound that's been present for a while) can be more easily heard. [BahnDaten] 43:56 - Q1 Transmission: "REPEAT, THIS IS (AN) ATTACK WARNING." 48:38 - An alarming beep (maybe the kind that computers emit when booting up). [datravel the traveller] 51:52 - Q1 plays some laser tag for 4 or so minutes. 51:58? - The recording of the mating call of the last Kauai 'O'o (a bird that went extinct in 1987) is here amidst the lasers. It can notably be possibly identified as the soft screech at 52:03. (I'm not sure where this bird is, but it's certainly somewhere in Year 6.) 54:33 - Some sort of organ plays intermittently. [datravel the traveller] 57:02 - Scattered voices from all over. Likely begins earlier than the timestamp. [datravel the traveller] 1:00:15 - Seconds of clear percussion scarcely and sporadically shows up. 1:06:15 - Q1 Finale (Clarity). 1:07:22 - Clarity gets shut down for the transition into R1. 1:08:51 - Teleportation sound? (*washeesh* *psheesh*) 1:09:00 - R1 has some fun playing with a resample frequency dial. It's mostly coherent otherwise. 1:11:11 - Coherent Hello Zamp sample [Platypus Records] 1:17:40 - Unintelligible transmission. Lasts a few minutes. (Possibly from G1?) 1:21:49 - High-pitched scrambled voice (kinda sounds like Ness from Smash lol). 1:24:08 - Another one. Preceded by a clear jingle (that has been there for a while) one would hear from an ice cream truck. Both in the left channel. 1:25:50 - R1 Finale (P3-like Droning). Featuring some birds at the start. Oh, and thank you very much for the heart! It had a heart in a previous edit of this, so it isn't here now I guess. ¯\_(ツ)_/¯
I can't even understand the radio transmission anymore, good fucking god this one is brutal. And now I will have nightmares of how horrifying Year 7 is gonna be
By this point, the radio broadcast at the beginning has become incoherent to the point of not being able to even make out what it is saying. That is scary as fuck, and not just that. This entire album was incredible, I wasn't in the live chat, but I listened to it. This was DEFINETELY worth the wait, even if it got delayed. Thank you Jordan
@@thomas2390 there already was an attack warning in Q1, and a tornado warning in L1. Also the year 7 bumper is just incoherent gibberish under a layer of harsh noise music, it has so many samples dear god
NATMOSR is by far my favorite Caretaker fan project, so seeing this in my notifications is like Christmas morning. I’m hyped for the preview too, who knows what kind of terror is in store for this year.
Track Descriptions (inspired by @dadipedia948) O1 - A major increase in neural decay is shown. The patient is also somehow very overwhelmed, as if it's aware it's seeing the void and entering. O2 - Sundowning is more clear, as our patient is unaware, if at all of what is going on. There could also be moments or one of calm. P1 - Neural degradation resumes. P2 - Our patient's brain state is shaking and fluctuating, one time the patient may be unconfused and aware of what's happening, the other could be in the same state as O1, P1 and Q1. P3 - The final embers of hope are snuffed out by the ever-growing storm. Q1 - Neural degradation resumes, again. Q1 Clarity - Our protagonist suddenly becomes aware and unconfused again. R1 - The storm itself has gotten worse, the clarities, if at all are there, Else, this is a apocalypse inside the brain. There are moments where our patient has regressed into a baby, even though regression has begun here. We transition from here into the next year in late R1. Dates O1 Jan 1 - Mar 5 O2 Mar 6 - Jun 17 P1 Jun 18 - Jul 5 P2 Jul 6 - Sep 5 P3 Sep 6 - Oct 12 Q1 Oct 13 - Nov 29 Q1CL (Q1 Clarity) Nov 4-5 R1 Nov 30 - Dec 26 Dec 27 - Dec 31/30 (transition to S1)
I am ready to listen to this after my taekwondo class, even though I can't hear the project at this moment I know everybody did an awesome effort, cheers to the caretakers!
Holy fuck this is awesome. I like how this depicts dementia in a way EATEOT didn't. This drone and voicie samples are really uncanny and actually give off a feeling of confusion. Cool
I like how I sort of foresaw that Year 6's cover would be about the night sky although my idea involved the Moon going through all of its phases with its full moon phase being the actual bliss state before finally circling back to the New Moon phase it had at the beginning, there just being a black circle on the sky that cannot be seen as more than that. It's still terrifyingly gorgeous and it is definitely one of my favorites out of this project. What's more is that even though Year 5's tracks gradually got longer, signifying the patient's increasing descent into chaos, here the process got reset and we go from relatively short tracks to those longer than 20 minutes. Year 6 was a very good album overall and is quite a lot better than Year 5 IMO. Great Work you are doing.
51:52 our patient finds some happiness through the fog as they remember broken memories of their days as a teenager spending much time (and money) at the arcade... i wonder if my high score of _ _ _ _ _ still sits at the top of _ _ of _ _ _ Castle?
Larger tracks + Alternate Track Titles for the “Neural Degradation” Tracks (all pulled from the tracks within them except if your Neural Degradation 3 and Collapse) 0:00 Sinking Hours 21:20 Hope within a Fluctuating State 43:50 Neural Degradation 1:08:07 Collapse
Goodness, every year just gets better than the last. First off, that is EASILY the best cover art of the project so far. Then getting into the music itself, I have to say, this is a perfect transition year. With Year 5, there were periods here and there of distinct music, and it generally varied between blissful and distressing. With this year, though, there is practically no distinct music at all, with the only clips of it being either very short, very faint, or both, and rather than varying between blissful and distressing, it's more like the static varies between violently loud and quiet. The "hope" in this, rather than being intelligible music like the clarity states of year 5, is more of a somewhat pleasant sounding drone, because really by here that's the most enjoyable thing the mind can conjure up. In year 5, you could at least recognize _a little_ of what the voices say, but in this one, it's just completely unintelligible. I recognized maybe a couple samples in year 5, but in this one, you can't make them out at all. Yet, at the same time, it's clearly not on the same level of broken and violent as an EATEOT stage 5, and it's clearly still the same stage as year 5, just noticeably further down the black hole. This was a masterpiece, as usual, and I'm eager to see where it goes from here.
I’ve never liked fan made projects for Everywhere at the End of Time but this project has shown it has more to offer than just copying the original. The album art has been the most interesting reimagining of Ivan seals work, each painting progressively loses color slowly becoming more unidentifiable junk. Although we know what the object is; we can no longer truly call it that anymore. Although the samples are across different decades, it fits the “year” idea more than if they we’re just stages. Each album has its own sound and themes that keep it from feeling like a carbon copy of the original. Personally I don’t think most of these projects respect truly how awful the disease is and just try to recreate what has already been done. Leyland did not create a new genre, he made a complete work of art spanning across his life to bring to life one of the most horrible ways to pass on. My grandma currently is going through Alzheimer’s and seeing how it’s affected her should truly deserves should have the upmost respect when made for a project rather than creating an album “you” think sounds nice or creepy.
This isn’t me bashing on your project, i just think too many people wanna call it a genre rather than realizing there just copying an album with a subject matter that maybe shouldn’t be turned to a fandom.
@@TheSandwich. I'm creating this project in honor of Leyland's work alongside representing the subject matter the best I can, I've done lots of research and I don't intend to simply disregard dementia for an album that just sounds good. I understand your point of view myself, this isn't supposed to be a genre and honestly a good amount of the members of the fandom don't understand the seriousness of EATEOT or dementia in the way that they should.
@@JordanKeuring I think if people want to define it as a genre, it could easily be identified as sound collage and ambiance. Depending on the stage you listen to. And yes, I do understand the point of view. I wonder if people could take the idea of the post awareness stages and make them there own thing. Instead of saying "yeah, this is about dementia" it could just be it's own track. Just a sound collage. You know what I mean? It's fine to say you got inspired by everywhere at the end of time, but a lot of fan projects, even if they say they are about dementia, just end up sounding better then being a serious project. Not many projects have made me really think about dementia like eateot did. When I finish them, I just end up being like "wow, what a good sounding album". This though, natmosR is the only fan project that has been just as good as eateot, been a total bop, AND has made me feel real emotion. Some people may try to create fan projects, but I do think there is a huge disconnect in this fandom. And I do think a lot of people don't understand the seriousness of dementia.
There is a radio transmission at the beginning, but it doesn't make sense anymore, it's just whispers in a vast fog that surrounds the patient's mind and destroys it without mercy.
Finished the premiere. WOW this is amazing. Best album so far, it is POWERFUL and even though it has about the same amount of confusion as year five, it is still WILDLY different. This is one of the best fan project albums of all time so far. Keep it up, guys. Great job, jordan.
imo year 5 was just EATEOT G1 extended to 1 hour and 37 minutes, this feels like the actual Stage 4 of this album, and even more choatic then EATEOT's Stage 4, while not feeling like Stage 5.
good. god. this year was horrifying. this is even better than year 5 in my book. i absolutely loved how you used my 21st Century Schizoid Man & I Talk to the Wind submission at 31:58. the feeling i got when it played was surreal. P3 was one of the tracks that actually managed to make me cry. i am both excited and terrified to hear what year 7 has in store.
Another excellent album and a new personal favorite. One of this album's primary strengths is in its ability to be chaotic and diverse while still maintaining strong tonal cohesion throughout. It packs quite the emotional gut punch as well. Looking forward to the next year.
The cover was quite good, by the way. It reminds me of early Coldplay or Gotye in a sort of way (I unintentionally rhymed a bit there). I was actually envisioning a beacon or tower for the year six art in my head at times before this dropped. It did sort of turn out like that after all. For those who are wondering, the name of the artwork is Startalgarzer (Ceaseless Agony Recursion). It was made by PhiSigma, who makes pretty neat art in general imo.
@@JordanKeuringFinished it! I actually enjoyed this visit too! (I guess it's because I've become desensitized to PA.) I liked the sound design. The arcade section, the attack warning, the drones of Hope, everything. And the artwork is very divine. Next stop: Year 7!
The preview just ended, and I must say, I am at a loss of words for this year. From the moments of chaos, to the peaceful segments, to actually clear-ish moments, this was amazing all the way through. Many parts were so scary that they made Year 5 seem nice. Finally, I just want to thank you so much for your hard work, it does not go unappreciated.
I just realized that the part at the end of P3 - Hope is the same as H6 - Taken Away in NATMOS:R - Y4 Director's Edition, although it's technically the other way around since this came first.
R1 Collapse feels very unique to me. The first 2 sections are okay, but the rumbling entanglements in the middle sound sweet. The chain sounds are a great edition to the track too, including those many clips of voices, and the organ segment. Overall, this album as a whole deserves a solid 10/10. Great work for the Caretakers.
Not sure what to say that hasn't been said. I haven't listened to more than 10 minutes across the Year so far, and it's just awesome. It's like Year 5, but more. More authentic, more agnosia, all that. NatMoS:R Y5-8 is easily shaping up to be one of the best PA things ever.
Finally figured out what the arcade/laser tag section is - one of the time regression bits. They're being thrown back into an earlier time in their life. Maybe a happy memory of a entertainment center.
damn...
Damm that’s what it was ,who would have thought that such a cool section would have a sadder meaning
That’s what I think the fireworks segment in 7c is too. That basketball-sounding section in 7a sounds like one of those time regression segments as well (at least that’s how it makes me feel).
Every sound i hear in this album reminds me of sounds i would hear in my grandparents house. The muffled radio, the loud washing machine, the random eerie sounds at night. Its so familiar and yet terrifying
THAT'S WHAT THESE SOUNDS REMINDED ME OF! :o
for so long I couldn't put my finger on it!
1:07:20 that’s just morbid and scary .it wasn’t even a slow drop back to confusions ,alzaimers straight up *SMASHED* it out of the protagonist hands
i think it's spelt alzheimer's, not _alzaimers_
@@trashofficialyt ok dude
My dad actually works on these weird signal tower things (although unfortunately they don't shoot lazer beams out of them)
Didn't expected to like caretaker-like albums so much.
1:25:52 final R1 droning begins
Your welcome for the vibes 😌
Year 6. The release date is August 29th, 2022. Two years remaining. After listening to this album for a second time, this is what I jolted down:
O1:
0:02 - The groans from the previous year now sounds like crying. The patient wants this to end. Wants the pain to end, but this is only the beginning.
0:15 - Now the bumpers have gotten to the point where you can’t even make out what it is trying to say.
0:37 - Succinct and to the point. Ok, gotcha.
0:51 - I only wish to keep this in mind because it just sounds familiar to me, and yet it doesn’t.
2:17 - It sounds like a groan. Well, not really.
4:15 - What exactly was that sudden noise? I honestly have no idea.
4:35 - Something tells me that this is supposed to be Gaucho. Not sure, actually.
5:57 - I don’t know why, but I think I hear what sounds like…laser tag? Never expected this part.
8:13 - Well THAT just came out of nowhere! You sure love picking your moments, NATMOS:R!
8:39 - Don’t ask me how, but I think I heard E3 in this timeframe.
9:06 - Back in Black, YES I’M BACK IN BLAAAAACK (Or at least that what I think that was)
11:21 - Drowning the chaos with drones…
11:41 - And yet, the corruption continues to spread all over the mind…
O2
11:51 - A very obvious E5 along with Pink Floyd’s Echoes to start off O2.
13:41 - Some kind of beat is played here.
14:47 - The beat reminds me of…wait, what does it remind me of?
15:24 - What could this be?
15:56 - “The fog will persist across the area through the afternoon. The fog will once again become widespread tonight…Changing with locally dense fog possible. Motorists are advised to drive…rapidly changing…” That’s what I was able to catch from that brief bumper. I am certain that I didn’t get all of it, though.
16:18 - Though I am not certain of it, this sounds similar to A5. To an extent.
20:20 - A calm drone to ease the pain slightly…but it doesn’t last for long.
21:01 - Some conversation is heard, though I do not know what it is saying.
P1
21:27 - And I’m Back in Black, YES I’M BACK IN BLAAAAACK (again)
21:42 - The trumpet that seems familiar, yet it doesn’t.
23:48 - A drone into another part. Whatever that might be, yeah?
25:40 - It’s only a Paper Moon, my dear. And Earl Klugh’s here to play his Solo Guitar. Though, I might be hearing things…
27:09 - Some noise in the left ear.
29:01 - A drone to end off P1. Or at least this is where it starts.
P2
30:14 - ADIP? Maybe some variant of it, who knows?
31:51 - What was that?
32:00 - Again, NATMOS:R sure loves picking its moments to catch me off guard.
32:59 - Is that (D2/I8) I hear? The patient really wants to hold onto this memory, huh?
33:23 - There are vocals here that are very alien in nature.
P3
34:28 - A slight bit of (D2/I8)
35:24 - Again.
36:50 - And again. If I end up hearing this sample in Year 7 and 8, would I be surprised? Maybe.
42:38 - More bits and pieces of I8. Who would’ve guessed lol
Q1
43:56 - “The office of Civil Defense has issued the following message: this is an Attack Warning. Repeat. This is an Attack Warning.” Yeah, this should’ve been issued long ago, but it’s too late now.
44:33 - Well that was…sudden.
44:37 - And with that, all Hell breaks loose.
45:55 - A brief broadcast in the right ear.
46:43 - I now have realized: the artwork looks like a radio signal tower, yet my mind wants to call it a water tower. Why?!
47:22 - (Whistle noises)
47:48 - Some more (D2/I8). Because we can’t get enough of it, can we?
48:38 - (Computer noises)
49:13 - A new form of Hell awaits the patient…
51:40 - This sounds like our patient is trying to remember the fun he had playing at an arcade when he was younger. I wonder what samples this bit..
54:32 - A new sample comes in and the arcade memory begins to die down. Or at least that where I think it starts.
58:28 - Panning from left to right, left to right…
1:00:15 - Keeping this here, just in case.
1:06:15 - I assume that this is where Q1 begins to die down, leading into R1.
1:06:39 - A coherent percussion sample. But what is it?
1:07:22 - Full on shutdown.
R1
1:08:51 - (Teleportation noises)
1:09:23 - A coherent sample is heard, but I’ll be damned if I can try to identify it.
1:12:10 - Something on the left is heard.
1:14:50 - “And we’ll likely enjoy every minute…”
1:16:46 - More minutes.
1:17:41 - I know that this has been played for a few minutes now, but this is meant to be H4. Or the other half to I5.
1:19:13 - I could’ve sworn I heard someone talking. I’m really starting to lose it.
1:19:43 - A new sample now…and this turns out to be
1:21:48 - A scrambled mess of children’s voices. It is here that our patient has lost the ability to talk, or I’m simply misinterpreting this. Or it could be that he’s trying to remember the friends he saw once when he was younger and never saw again? I’m reading too much into this bit.
1:22:51 - I can’t unhear (D2/I8) in this section, though it might not be what is being played here. It sounds more like an Ice Cream Truck.
1:23:52 - More glimpses of voices.
1:24:13 - More of the scrambled voices. While the first part of the voices sounded like Ness, this one just sounds like Kirby. The pink thing.
1:25:21 - Even in this state, Cirrus Minor sounds very…peaceful.
1:25:52 - Some droning to conclude Year 6 altogether.
1:29:20 - Something played under those drones, but I’m not sure what.
Like Year 5, this is very well crafted. I honestly think that the artwork works very well with the cacophony of bumpers and samples, though I’m not sure what the constellations up in the sky mean. However, I am excited to listen to Year Seven and see how hectic and chaotic it will be. I’ll see you then.
-Lacey
(P.S the words CURRENT STAGE: are typed twice in the description. Just letting you know is all.)
The percussion sample at the end of Q1 is from a Sweet Trip song known as “Acting”. Think it’s supposed to represent a clarity
@@TheTornadoManso sad, so hopeless
Homeboy shouldn't have passed me the aux
That latter section of O1 is anxiety at its finest. That woke me up
*PROBABLY NOT ALL CLARITY MOMENTS*
P3 - Hope: 35:24 (kinda, idk)
Q1 - Neural Degradation 3: 1:06:15
R1 - Collapse: 1:11:11
11:31 I really like the transition from O1 to O2.
Even this far in the condition, the patient still remembers the radio broadcasting.
Which one?
@@johnyoutuber9781 I think a better word for radio broadcasts is "bumpers". There are 5+ in this year. Mostly inaudible and muffled. The closest bumper we got that we could understand was at the beginning of Neural Degradation III where you could barely hear Newman speaking and an attack warning
@@taga8849 *_THIS IS AN ATTACK WARNING, REPEAT_*
and we'll likely enjoy every likely en-
we'll likely enjoy every
enjoy ev-
and we'll likely enjoy ev-
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we'll likely enjoy every likely
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12/10. This project is doing PA in an amazingly different way.
(unintelligible deep male voice)
As promised, we have a spokesman from *unintelligible* (can anyone identify this name?) thank you for coming over to try to clear up this confusion-
The louder-
-tillery
closer-
from-
-til
The louder-
tillery-
the closer-
closer
closer
The following message. This is an attack warning. Repeat. This is an attack warning. Repeat. This is attack warning. Repeat. This is an attack warning. Repeat. Is an attack warning. Attack warni. Peat. Is attack warning. Attack warning. Warning. Repeat. This is an (warning) attack warning. Repeat. Attack warning. Repeat. This is attack warning. Repeat. This is an attack warning. Attack warning. This is warning. Warning. *Attack warning.*
1:18:18
This is probably by far the most disturbing representations of dementia so far, its actually terrifying. Nothing feels human anymore, nothing is comprehendible anymore, it feels as if the protagonist is falling into a never-ending abyss of purgatory, the horrors within indescribable.
the lazer tag segment is easily one of the coolest fuckign things i've heard tbh
That radio broadcast in the beginning is haunting. I can only imagine how disturbing the last 2 years will sound.
I feel like Year 7 is just gonna be ungodly staticy screaming
The radio broadcast in the first few seconds in the beginning sounds like somebody crying.
@@Gemidori then year 8 is nothing but ambient drones
Their is a radio broadcast at the start of
Q1
@@Gfgte *this is an attack warning*
Fun fact: the glitchy voices at 8:12 - 11:48 come from Back In Black by AC/DC
Edit: Echoes by Pink Floyd plays very clearly at the start of O2
If you listen closely to O2’s beginning, there’s also the “Worthless” scene from “The Brave Little Toaster”, topped with a faint smudge of Alberto Balsam by Aphex Twin, too.
ya know the O1 bumper almost sounds like crying, like the patient just wants all the suffering to end.
That recontextualized this entire year for me and made it so much more depressing and disturbing
Sometimes my day be like: “O1 - Neural Degradation I”
So true
Finally someone I can relate to /j
based
same
Sometimes, it's the whole thing.
HOLY CRAP YEAR 6 IS RELEASING *LETS FREAKING GO!*
no way N1?!?!? 1:13:13
That really does sound like N1...
Track descriptions:
O1: The patient has begun to show much severer signs of neural decay. The patient also seems to be surprisingly overwhelmed, as if the patient sees the void, and is slowly entering it.
O2: Sundowning is becoming more clear, as the patient can barely recognize what is happening amongst all the chaos. The patient has many sleepless nights, thinking it’s day, when everybody has gone home and is sleeping.the patient begins to decline drastically here.
P1: Neural decay has become most relevant here. The patient continues to be overwhelmed, although everything is still crashing down. Relatives attempt to speak, although all the patient does is talk with slurred speech. Sleepless nights continue.
P2: The patient’s decay begins to fluctuate, as at times the patient does not seem as confused on what is going on, but will slowly go back into a state of total delirium.
P3: The last strings of hope begin to be cut off, as the decline continues. Confusions and delirium continue to become more relevant, as time begins to slowly break about, being ripped away from the patient.
Q1: Everything begins to fall apart. Neural decay begins to show that the patient has been decaying since the early 2000’s.
Clarity: a sudden jump to awareness has been made, and the patient’s mind seems almost childlike. The patient can recognize people, although we are afraid this state of complete awareness will eventually end in a few days. The patient’s relatives might want to enjoy this awareness while it lasts.
R1: The patient has begun to show fewer signs of delirium, and has fallen back into complete confusion. We think this might be the patient slowly fading back into a thick fog. Complete understanding will not be recognizable until post-Mortem.
the best part of this year is when natmos:r said "it's natmos:ring time" and natmos:red all over the place
ong bro
Shut up.
based on what I believe I don't think y8 will even have a bumper
Y8 has a bumper, but it's almost non-existent
@@notjebbutstillakerbalno, that’s just static
@@xz3ssSo it doesn’t have a bumper
@@thisisthenameofhandle pretty sure
@@xz3ss ARE YOU KIDDING ME
Actually it's sad. It's sad that this community is dying, just look at this pitifully low number of views. All these albums deserve more. I hope that someday something reawakens before the curtain closes.
By the way, I wonder who found the reference in my comment
It's a reference to EITBoN I believe.
@@landaq1412 yes
Considering that these individual years (generally) got more views than the NATMOS stages, I believe it’s possible that this project could get just as many views as NATMOS, if not more. Maybe that’s just wishful thinking though.
It is 100% dying.
You are dying 🤪
i just realised this exists
also how is this so good
Sample for ending is likely sunrise on sunset hill
Evidence:
Ben's fractals made a sub for milwaukee protocol that also sampled sunrise on sunset hill and bluesquare pointed out it had one part that sounded rxactly like R1's ending, so Ben's fractals compared the spectrograms of R1 and the sub, and they matched up quite a bit
Thank you for coming to my TED talk
i just pitchmapped that song to D major(?) which is the same key as the ending drone
nvm this information is :false: because the ending drone samples Bliss by Muse 🤓
Notable Moments (Likely incomplete, feel free to comment more stuff!)
0:00 - Fading into Opening Transmission.
2:57 - A panning drone floats by. [datravel the traveller]
8:12 - Mechanical sounds and other harsh noise (and voices?). Also likely reappears in P1. [datravel the traveller]
11:20 - Some notes drown out all other noise at the end of O1.
11:50 - E5 & the sonar from "Echoes" by Pink Floyd. [datravel the traveller]
14:47 - Sounds like footsteps frantically running on metal. Some drone-like thing plays barely coherently. Also has Alber to Balsam by Aphex Twin in there as well. [DARKBLADE OSCURO]
15:56 - Brief broadcasting on the right channel.
20:18 - A brief moment of calm as O-side concludes.
21:35 - Game & Watch sounds?
25:59 - Funky sax.
26:30 - Three piano notes in succession are very clear. Mostly on the right channel.
28:41 - Transition from P1 into P2 and the first section sounding somewhat coherent?
29:19 - Audibly out of place note. [lacunaeReversed]
31:54 - An abrupt transition within "P2 - Fluctuating State." Who would've guessed? [datravel the traveller]
33:23 - Transition into the persistent drones of "P3 - Hope."
35:24, 35:35, & 36:50 - I8 emerges from the drones alongside a couple moments of a relative clarity, respectively. [Platypus Records]
42:38 - As the drones clear at the end of P-side, I8 (the music box sound that's been present for a while) can be more easily heard. [BahnDaten]
43:56 - Q1 Transmission: "REPEAT, THIS IS (AN) ATTACK WARNING."
48:38 - An alarming beep (maybe the kind that computers emit when booting up). [datravel the traveller]
51:52 - Q1 plays some laser tag for 4 or so minutes.
51:58? - The recording of the mating call of the last Kauai 'O'o (a bird that went extinct in 1987) is here amidst the lasers. It can notably be possibly identified as the soft screech at 52:03. (I'm not sure where this bird is, but it's certainly somewhere in Year 6.)
54:33 - Some sort of organ plays intermittently. [datravel the traveller]
57:02 - Scattered voices from all over. Likely begins earlier than the timestamp. [datravel the traveller]
1:00:15 - Seconds of clear percussion scarcely and sporadically shows up.
1:06:15 - Q1 Finale (Clarity).
1:07:22 - Clarity gets shut down for the transition into R1.
1:08:51 - Teleportation sound? (*washeesh* *psheesh*)
1:09:00 - R1 has some fun playing with a resample frequency dial. It's mostly coherent otherwise.
1:11:11 - Coherent Hello Zamp sample [Platypus Records]
1:17:40 - Unintelligible transmission. Lasts a few minutes. (Possibly from G1?)
1:21:49 - High-pitched scrambled voice (kinda sounds like Ness from Smash lol).
1:24:08 - Another one. Preceded by a clear jingle (that has been there for a while) one would hear from an ice cream truck. Both in the left channel.
1:25:50 - R1 Finale (P3-like Droning). Featuring some birds at the start.
Oh, and thank you very much for the heart!
It had a heart in a previous edit of this, so it isn't here now I guess. ¯\_(ツ)_/¯
no way ness natmos
i think the high pitched voices are supposed to indicate that the patient's mind has regressed to a child-like state
I can't believe I missed both clarity/hope states while I was gone lmao
thank you
edit: there was a singular clear note around 29:16 too
fuck i have no memory of that q1 clarity existing but i saw my messages talking about it in the listening party :cursed_void:
Very glad phi’s sub got chosen. Very beautifully made cover.
I can't even understand the radio transmission anymore, good fucking god this one is brutal.
And now I will have nightmares of how horrifying Year 7 is gonna be
GOATed. Cannot WAIT for year 7!
By this point, the radio broadcast at the beginning has become incoherent to the point of not being able to even make out what it is saying. That is scary as fuck, and not just that. This entire album was incredible, I wasn't in the live chat, but I listened to it. This was DEFINETELY worth the wait, even if it got delayed. Thank you Jordan
Agreed, barely anything is coherent anymore
Year 7 will probably be A Radio Warning People of An Invasion or something
@@thomas2390 perhaps
@@thomas2390 there already was an attack warning in Q1, and a tornado warning in L1.
Also the year 7 bumper is just incoherent gibberish under a layer of harsh noise music, it has so many samples dear god
@@paintball_2 At this point, I don’t even think a Y8 bumper is even possible
NATMOSR is by far my favorite Caretaker fan project, so seeing this in my notifications is like Christmas morning. I’m hyped for the preview too, who knows what kind of terror is in store for this year.
mine is forevermore and nevermore, but this is alright too
@@g-ray7121 yeah, I’ve heard that one’s pretty good. I should definitely give it a listen sometime.
Track Descriptions (inspired by @dadipedia948)
O1 - A major increase in neural decay is shown. The patient is also somehow very overwhelmed, as if it's aware it's seeing the void and entering.
O2 - Sundowning is more clear, as our patient is unaware, if at all of what is going on. There could also be moments or one of calm.
P1 - Neural degradation resumes.
P2 - Our patient's brain state is shaking and fluctuating, one time the patient may be unconfused and aware of what's happening, the other could be in the same state as O1, P1 and Q1.
P3 - The final embers of hope are snuffed out by the ever-growing storm.
Q1 - Neural degradation resumes, again.
Q1 Clarity - Our protagonist suddenly becomes aware and unconfused again.
R1 - The storm itself has gotten worse, the clarities, if at all are there, Else, this is a apocalypse inside the brain. There are moments where our patient has regressed into a baby, even though regression has begun here. We transition from here into the next year in late R1.
Dates
O1
Jan 1 - Mar 5
O2
Mar 6 - Jun 17
P1
Jun 18 - Jul 5
P2
Jul 6 - Sep 5
P3
Sep 6 - Oct 12
Q1
Oct 13 - Nov 29
Q1CL (Q1 Clarity)
Nov 4-5
R1
Nov 30 - Dec 26
Dec 27 - Dec 31/30 (transition to S1)
I am ready to listen to this after my taekwondo class, even though I can't hear the project at this moment I know everybody did an awesome effort, cheers to the caretakers!
That album cover is hauntingly beautiful. PhiSigma is kicking ass as always.
Transition from P1 to P2 is great
Holy fuck this is awesome. I like how this depicts dementia in a way EATEOT didn't. This drone and voicie samples are really uncanny and actually give off a feeling of confusion. Cool
Lo-Fi Neuronal degenerations to forget every action in your life to
I like how I sort of foresaw that Year 6's cover would be about the night sky although my idea involved the Moon going through all of its phases with its full moon phase being the actual bliss state before finally circling back to the New Moon phase it had at the beginning, there just being a black circle on the sky that cannot be seen as more than that. It's still terrifyingly gorgeous and it is definitely one of my favorites out of this project.
What's more is that even though Year 5's tracks gradually got longer, signifying the patient's increasing descent into chaos, here the process got reset and we go from relatively short tracks to those longer than 20 minutes. Year 6 was a very good album overall and is quite a lot better than Year 5 IMO. Great Work you are doing.
I never expected the art to Year 6 to look this recognizable... or horrifying!
You're a legend Jordan
phisigma made the art
@@ortherner I swear, PhiSigma seriously needs a youtube channel and DeviantArt account
@@djangel3108 he has a youtube account, and i dont think he needs a deviantart account.
@@ortherner Where is his TH-cam account though? Can you give me a link?
@@djangel3108 look up phisigma on youtube
I made the clarity sub in Q1; it samples “Acting” by Sweet Trip
51:52 our patient finds some happiness through the fog as they remember broken memories of their days as a teenager spending much time (and money) at the arcade... i wonder if my high score of _ _ _ _ _ still sits at the top of _ _ of _ _ _ Castle?
I HAD NOT REALIZED THOSE SOUNDS OF AN ARCADE MACHINE, I owe you one!
A question, is that score of _ _ _ _ points still intact?
@@FriendlyMexican2005 i don't remember... i will have to pay a visit sometime.
(the arcade was demolished over ten years ago)
@@CreatorOfTheKoladi
I don't even want to know where that arcade machine ended up, or what's left of it...
listing unique moments in this year if you find it too long to listen:
> O1
0:01 - Vocal bumpers 1&2
5:49 - Laser tag noises start fading in
8:12 - Sudden outburst of voices
> O2
11:50 - Fragments of E5 are heard clearly
11:56 - Sonar noises
14:30 - Printing/clicking noises
15:56 - Vocal bumper(?)
> P1
21:22 - Sudden outburst of voices (part 2)
26:05 - Somewhat clear trumpet/sax
> P2
31:58 - Sudden chaotic sounds
33:30 - P3 Transition
> P3
35:27 - I8 Heard clearly
37:48 - Hope drones start fading
40:05 - Piano clarity
> Q1
43:56 - Vocal bumper (ATTACK WARNING)
48:39 - Brief alarm noise
52:27 - Arcade noises
54:33 - Clarity
57:11 - Vocal bumper & slowed K2
1:06:00 - Actual clarity (more clear at 1:07:10)
> R1 - Collapse
1:08:51 - Laser(?) noise
1:16:45 - Year 4 bumper
1:19:30 - Vocal bumper(?)
1:21:49 - Kid voices (childhood memories probably)
1:24:13 - Infant voices
1:25:51 - Year 6 finale, with P3-like drones and bird noises
Huh interesting
This deserves more views.
Two years since this masterpiece dropped
My favorite year without a doubt. Something about it is just so... odd and amazing.
The cover makes me remember a Minecraft Beacon 💀, nice, can't wait
I like to think that P3 is the temporary bliss state of natmosr
Larger tracks + Alternate Track Titles for the “Neural Degradation” Tracks (all pulled from the tracks within them except if your Neural Degradation 3 and Collapse)
0:00 Sinking Hours
21:20 Hope within a Fluctuating State
43:50 Neural Degradation
1:08:07 Collapse
no
@@trubobuyes
I noticed that at the beginning of O2, E5 of year 3 was playing.
14:44 Alberto Balsam Lol
Year six coming already, plus amazing cover art, plus hope and dreams…. Today is gonna be a good one
8:13 Chaos untill the next track
Year six is my favorite year of Nowhere at the millennium of space. Even year four too.
Goodness, every year just gets better than the last.
First off, that is EASILY the best cover art of the project so far.
Then getting into the music itself, I have to say, this is a perfect transition year. With Year 5, there were periods here and there of distinct music, and it generally varied between blissful and distressing. With this year, though, there is practically no distinct music at all, with the only clips of it being either very short, very faint, or both, and rather than varying between blissful and distressing, it's more like the static varies between violently loud and quiet. The "hope" in this, rather than being intelligible music like the clarity states of year 5, is more of a somewhat pleasant sounding drone, because really by here that's the most enjoyable thing the mind can conjure up. In year 5, you could at least recognize _a little_ of what the voices say, but in this one, it's just completely unintelligible. I recognized maybe a couple samples in year 5, but in this one, you can't make them out at all. Yet, at the same time, it's clearly not on the same level of broken and violent as an EATEOT stage 5, and it's clearly still the same stage as year 5, just noticeably further down the black hole. This was a masterpiece, as usual, and I'm eager to see where it goes from here.
Theres also not-so-hell sirens,
*ATTACK WARNING*
your fan projects are the most i have listened to. for making all of them!!!!
so far this is a 40 out of 2
The best album cover thus far, and because I used to be super into astronomy as a kid, very oddly familiar
same
Genuine Masterpiece, I loved this year so much, its perfect. Can't wait for Y7 and Y8.
Best way to start my day :)
Imma update my natmos in a few minutes when I finish listening to this
Never thought id see the day a caretakers album would be premiered lol.
Besides that I'm hyped as heck!
Me to
9 months later
I’ve never liked fan made projects for Everywhere at the End of Time but this project has shown it has more to offer than just copying the original. The album art has been the most interesting reimagining of Ivan seals work, each painting progressively loses color slowly becoming more unidentifiable junk. Although we know what the object is; we can no longer truly call it that anymore. Although the samples are across different decades, it fits the “year” idea more than if they we’re just stages. Each album has its own sound and themes that keep it from feeling like a carbon copy of the original. Personally I don’t think most of these projects respect truly how awful the disease is and just try to recreate what has already been done. Leyland did not create a new genre, he made a complete work of art spanning across his life to bring to life one of the most horrible ways to pass on. My grandma currently is going through Alzheimer’s and seeing how it’s affected her should truly deserves should have the upmost respect when made for a project rather than creating an album “you” think sounds nice or creepy.
This isn’t me bashing on your project, i just think too many people wanna call it a genre rather than realizing there just copying an album with a subject matter that maybe shouldn’t be turned to a fandom.
@@TheSandwich. I'm creating this project in honor of Leyland's work alongside representing the subject matter the best I can, I've done lots of research and I don't intend to simply disregard dementia for an album that just sounds good. I understand your point of view myself, this isn't supposed to be a genre and honestly a good amount of the members of the fandom don't understand the seriousness of EATEOT or dementia in the way that they should.
@@JordanKeuring I think if people want to define it as a genre, it could easily be identified as sound collage and ambiance. Depending on the stage you listen to.
And yes, I do understand the point of view. I wonder if people could take the idea of the post awareness stages and make them there own thing. Instead of saying "yeah, this is about dementia" it could just be it's own track. Just a sound collage. You know what I mean? It's fine to say you got inspired by everywhere at the end of time, but a lot of fan projects, even if they say they are about dementia, just end up sounding better then being a serious project. Not many projects have made me really think about dementia like eateot did. When I finish them, I just end up being like "wow, what a good sounding album". This though, natmosR is the only fan project that has been just as good as eateot, been a total bop, AND has made me feel real emotion.
Some people may try to create fan projects, but I do think there is a huge disconnect in this fandom. And I do think a lot of people don't understand the seriousness of dementia.
@@JordanKeuring in my case it's because I get desenetised to things easily
There is a radio transmission at the beginning, but it doesn't make sense anymore, it's just whispers in a vast fog that surrounds the patient's mind and destroys it without mercy.
Finished the premiere.
WOW this is amazing. Best album so far, it is POWERFUL and even though it has about the same amount of confusion as year five, it is still WILDLY different.
This is one of the best fan project albums of all time so far.
Keep it up, guys. Great job, jordan.
imo year 5 was just EATEOT G1 extended to 1 hour and 37 minutes, this feels like the actual Stage 4 of this album, and even more choatic then EATEOT's Stage 4, while not feeling like Stage 5.
@@ortherner have you even listened to year 5
@@notnintendo yes
@@ortherner year 5 was stage 3.75
this year is stage 4.3
Really shows the unpredictably of Alzheimer's though the intensity of the noise. Good job to everyone who participated!
good. god. this year was horrifying. this is even better than year 5 in my book. i absolutely loved how you used my 21st Century Schizoid Man & I Talk to the Wind submission at 31:58. the feeling i got when it played was surreal. P3 was one of the tracks that actually managed to make me cry. i am both excited and terrified to hear what year 7 has in store.
But I used 21st century schizoid man in Db1L...
@@parisanforaro748 what
@@nw3473 th-cam.com/video/PsN_69QH9_o/w-d-xo.html
Thank you so much. Your heroic post-production efforts were not in vain. I can hardly wait to see how it turns out.
Another excellent album and a new personal favorite. One of this album's primary strengths is in its ability to be chaotic and diverse while still maintaining strong tonal cohesion throughout. It packs quite the emotional gut punch as well. Looking forward to the next year.
Just re-listened to years 1-5, this is all dope af! Love the art too!
cannot wait to hear whats in store for us this year.
Most Powerful Fan Album ever. keep it up guys. and nice job Jordan!
Wow! This came faster than I thought it would. The art looks amazing!
The cover was quite good, by the way. It reminds me of early Coldplay or Gotye in a sort of way (I unintentionally rhymed a bit there). I was actually envisioning a beacon or tower for the year six art in my head at times before this dropped. It did sort of turn out like that after all.
For those who are wondering, the name of the artwork is Startalgarzer (Ceaseless Agony Recursion). It was made by PhiSigma, who makes pretty neat art in general imo.
I actually sampled Coldplay on this Year, Clocks in particular
@@datravelthetraveller9156 that song is incredibly nostalgic to me
at this point i really want certain fan projects (including this one) have physical releases (cd, vinyl, you name it).
burning time!
sadly im a bit afraid of getting sued for copyright damages -- any physical media would be given away and marked against resale
Ah
I guess the least we can do is make our own (I've made a stage 5 CD out of paper cause I can't afford making an actual cd casing)
@@JordanKeuring a natmos cd givaway would still be sick!
Well, here we go.
Let me know how it goes! :D
@@JordanKeuringFinished it!
I actually enjoyed this visit too! (I guess it's because I've become desensitized to PA.)
I liked the sound design. The arcade section, the attack warning, the drones of Hope, everything.
And the artwork is very divine.
Next stop: Year 7!
I'm been waiting for this!!!
Bro, i didn't expect this that quick. Can't wait to listen to this!
cant wait until year 7 (stage 5 eateot)
I love NATMOSR Year 6, all my friends are there :)
I love my puter
All my friends are inside it 🐱
incredible work as always, glad to have helped out.
The preview just ended, and I must say, I am at a loss of words for this year. From the moments of chaos, to the peaceful segments, to actually clear-ish moments, this was amazing all the way through. Many parts were so scary that they made Year 5 seem nice. Finally, I just want to thank you so much for your hard work, it does not go unappreciated.
I'm hyped to hear how my sub(s) have been used here.
1:16:00 - Definitely caught one sub of mine here.
Oh sweet fucking jesus here we go :D
This is exciting! Looking forward to listening to this!
YO is the first bumper in this year Godspeed you! Black Emperor cancer towers on holy road hi-way?
Yep!
@@JordanKeuringThis also means it’s not as distorted from the original as originally thought
such an unique interpretation of late stage-4, amazing album !!!
I just realized that the part at the end of P3 - Hope is the same as H6 - Taken Away in NATMOS:R - Y4 Director's Edition, although it's technically the other way around since this came first.
R1 Collapse feels very unique to me. The first 2 sections are okay, but the rumbling entanglements in the middle sound sweet. The chain sounds are a great edition to the track too, including those many clips of voices, and the organ segment. Overall, this album as a whole deserves a solid 10/10. Great work for the Caretakers.
Yooo let's goo year 6 is here!
Bruhh I can't wait to listen to this 👍
Edit: I finished it. And that, was amazing. I seriously can't wait for Year 7
finished listening
wow that was amazing! with all that hard work, I am super loving this very much! good listen Jordan Keuring!
10/10
i'm pretty sure the random noises towards the end of Q1 are supposed to represent neurons firing
i also find it interesting how there is a organ segment in both R1's of eateot and natmosr, both towards the end too
the album covers are fuckign amazing
I hear an electric guitar at 39:54
It makes me feel like everything's getting faster throughout every track in this until Y7.
I don't know how at the end of the live chat it turned from talking about dementia to hating the Chinese government
im just now hearing alberto balsalm in o2, literally the first sample i can recognize after a year.
Babe wake up!Jordan keuring upload the NATMOS:R year six!
I think Hope was playing Shine on You Crazy Diamond at first (at least trying to)
Fun fact: The theme song to South Park is somewhere in Q1, can you find it?
Tomorrow this turns 2 years old
The first album to sell 1 natmillion copies
Not sure what to say that hasn't been said. I haven't listened to more than 10 minutes across the Year so far, and it's just awesome. It's like Year 5, but more. More authentic, more agnosia, all that. NatMoS:R Y5-8 is easily shaping up to be one of the best PA things ever.