Esta película representa una obra magistral, estrenada en una época en la que el flamenco no era conocido en su autenticidad más pura... feliz que todos puedan tener acceso a este documental de gran importancia para la cultura musical andaluza ...
... and my Espanol is just so muy feyo. But! My Soul knows the Energ8es if the vibe! Theres a History of my Soul's association with the Gypsy Music, there's a knowing of this music, a familiarity that I've come to accept as a Past Life Association. I have a wide range of appreciation for various styles of music. Music was 1 of my majors in High School, but I focused elsewhere in College, (yet Music is a Universal Vibration of Energy) and largely all require it as a part of their life. Considering that I am an Irish American, lineage of County Kerry, Ireland and Basque Origin, born in Chicago, raised in West Tennessee, lived in Nevada for 17 years, "not a great deal of Gypsy Jazz influence going on ..." But once I discovered it and the various styles, it is where I go for a feeling of "Harmony". I place great stock in My Intuition, Clairsentience, and Claircognizance, (Clear Feeling and Clear Knowing) occasional Clairvoyance. Therein lies the greater Reality, Quantum Physics Science is proved this as Fact. My Soul knows ... ✨
Thank you for uploading this documentary with English subtitles, so people who don't understand the Spanish language like me can also inform themselves about this important history. Greetings from the Netherlands.
Lyrics are like blues and comping is more dissonant. Stories of life. Same as blues. I try to find one man who lives on mountains with lambs and rarely give concerts!?Flamenco Singer, beard man with black cowboy hat. It is documentary which I saw in Finland television. Now I know El Cabrero. It was in BBC document Flamenco gypsy soul. 6years ago.
In addition, the formal structure of blues form is similar to the cante levante formal structure (dominant 7 chords using I IV and V back and forth) where the “turn around” resolves to the major tonic, the melody on the major third of the blues (in C its Eb-E natural), in cante the “turn around” is resolved on the major third with the chord as well, evoking instead the “Arabic” or eastern sound (again Eb-E natural, in western terms the augmented 6th chord resolution). The Taranto is the closest to this formal structure.
Not in regard to flamenco. Flamenco is a hybrid: Romani, Jewish, Arabic and autochthonous from Spain too. No denial that the Romani had a great influence on flamenco, but one cannot say it is just Romani. If it was just Romani, it would have also emerged in other places where Romani went --but it didn't. Also, the Spanish and classical guitar were instruments widely played in Spain before the arrival of the Romani. Other additions to flamenco are the castanets (castañuelas), which were used in "jotas" and other instruments that were incorporated thereafter.
@@marramambertamarramamberta9107 Thank you for your well constructed and researched reply to this comment. I play flamenco guitar and I cannot imagine why terms such as “cultural appropriation” must enter the dialogue of this beautiful art form.
@@el_aleman I agree with you 100%. I understand the posture of both Romani and payos claiming flamenco their own. However, flamenco would not be what it is without the Andalusian mixture. There is a singer now, Rosalía", who sings flamenco and she is not Romani. The Romani don't like her because they feel that she is trying to sing like the Romani. Here is an interview in which she explains how she feels about flamenco as an ever changing music, full of diverse influences: th-cam.com/video/a4ojjoMF-B4/w-d-xo.html And I totally agree with this. For example, Camarón started to fusion flamenco with elements of jazz (including drums and electric instruments in one of his songs --when the flamenco traditionalists bought that record, they were so surprised and disgusted that returned the record to the store), and Paco de Lucía incorporated the Peruvian "cajón" (cajón peruano) into flamenco. Indeed, we can't forget the payo influence through the history of flamenco: Antonio Chacón, Franconetti, Javier Molina, Paco de Lucía, Manolo Sanlúcar and so many other. I am not sure about other guitarists of flamenco (for example, the more recent ones, like "Tomatito", Vicente Amigo, Antonio Rey (I suspect this one is Romani)... Look, some of the best flamenco has come from Romani and payos making flamenco together, as did Camarón and Paco de Lucía. Solipsism is not a good thing.
Esta película representa una obra magistral, estrenada en una época en la que el flamenco no era conocido en su autenticidad más pura... feliz que todos puedan tener acceso a este documental de gran importancia para la cultura musical andaluza ...
Thank you for uploading this exceptional documentary-truly amazing !!! FLAMENCO FOREVER 🪭
... and my Espanol is just so muy feyo. But! My Soul knows the Energ8es if the vibe! Theres a History of my Soul's association with the Gypsy Music, there's a knowing of this music, a familiarity that I've come to accept as a Past Life Association.
I have a wide range of appreciation for various styles of music. Music was 1 of my majors in High School, but I focused elsewhere in College, (yet Music is a Universal Vibration of Energy) and largely all require it as a part of their life.
Considering that I am an Irish American, lineage of County Kerry, Ireland and Basque Origin, born in Chicago, raised in West Tennessee, lived in Nevada for 17 years, "not a great deal of Gypsy Jazz influence going on ..."
But once I discovered it and the various styles, it is where I go for a feeling of "Harmony".
I place great stock in My Intuition, Clairsentience, and Claircognizance, (Clear Feeling and Clear Knowing) occasional Clairvoyance.
Therein lies the greater Reality, Quantum Physics Science is proved this as Fact.
My Soul knows ... ✨
Very beautiful 💕
Thank you so much!
Opre Roma! Love from India
Beautiful people, music and history
Great documentary in terms of anthropological research
Thank you for uploading this documentary with English subtitles, so people who don't understand the Spanish language like me can also inform themselves about this important history. Greetings from the Netherlands.
Increíble, me encantó esa película
Pasos y movimientos de reguetón desde el minuto 12:22 al 13:22... jajaja
Thank you so much for the upload. I've been looking for this for a long time
Fantastico!!!
❤ olé
Blissful. Thank you 💓
every step matters
Lyrics are like blues and comping is more dissonant.
Stories of life. Same as blues.
I try to find one man who lives on mountains with lambs and rarely give concerts!?Flamenco Singer, beard man with black cowboy hat. It is documentary which I saw in Finland television.
Now I know El Cabrero. It was in BBC document Flamenco gypsy soul. 6years ago.
few time ago I noticed that Flamenco and R&B are very similar... they sing about melancholy and other things
In addition, the formal structure of blues form is similar to the cante levante formal structure (dominant 7 chords using I IV and V back and forth) where the “turn around” resolves to the major tonic, the melody on the major third of the blues (in C its Eb-E natural), in cante the “turn around” is resolved on the major third with the chord as well, evoking instead the “Arabic” or eastern sound (again Eb-E natural, in western terms the augmented 6th chord resolution). The Taranto is the closest to this formal structure.
28:54 Fase 1
31:00 Fase 2
31:59 Fase 3
bravou
la familia de Farruquito!
41:58…jajajajaja😂
🥰
So basically the Romani gypsy
Culture has been apropriated by the
Spainards
Not in regard to flamenco. Flamenco is a hybrid: Romani, Jewish, Arabic and autochthonous from Spain too. No denial that the Romani had a great influence on flamenco, but one cannot say it is just Romani. If it was just Romani, it would have also emerged in other places where Romani went --but it didn't. Also, the Spanish and classical guitar were instruments widely played in Spain before the arrival of the Romani. Other additions to flamenco are the castanets (castañuelas), which were used in "jotas" and other instruments that were incorporated thereafter.
@@marramambertamarramamberta9107 Thank you for your well constructed and researched reply to this comment. I play flamenco guitar and I cannot imagine why terms such as “cultural appropriation” must enter the dialogue of this beautiful art form.
@@el_aleman I agree with you 100%. I understand the posture of both Romani and payos claiming flamenco their own. However, flamenco would not be what it is without the Andalusian mixture. There is a singer now, Rosalía", who sings flamenco and she is not Romani. The Romani don't like her because they feel that she is trying to sing like the Romani. Here is an interview in which she explains how she feels about flamenco as an ever changing music, full of diverse influences: th-cam.com/video/a4ojjoMF-B4/w-d-xo.html
And I totally agree with this. For example, Camarón started to fusion flamenco with elements of jazz (including drums and electric instruments in one of his songs --when the flamenco traditionalists bought that record, they were so surprised and disgusted that returned the record to the store), and Paco de Lucía incorporated the Peruvian "cajón" (cajón peruano) into flamenco. Indeed, we can't forget the payo influence through the history of flamenco: Antonio Chacón, Franconetti, Javier Molina, Paco de Lucía, Manolo Sanlúcar and so many other. I am not sure about other guitarists of flamenco (for example, the more recent ones, like "Tomatito", Vicente Amigo, Antonio Rey (I suspect this one is Romani)... Look, some of the best flamenco has come from Romani and payos making flamenco together, as did Camarón and Paco de Lucía. Solipsism is not a good thing.
Eso es mentira...o acaso los gitanos de otra parte del mundo cantan y bailan flamenco
@@camborio7 ellos los Roma de Andalucía lo dijeron no yo .