The major point with the compression release is that it has to release the compression before the next beat hits, so that the new transient could come through. So the release depends on tempo of beats. At 125bpm you get ca. 2 beats per sec., so the release needs to be shorter than 0.5 - otherwise everything is compressed continuously and even the attack never comes into play. Knee shape decides with what motion (starting quick or slow, usually switching speed half-way) does the compression go to 100%. The release tempo is also very important with vocals - so that it is released when the next word begins (if we want it clearly hear, the first letter articulated, cutting through the mix - or do we want it mumbo-jumbo).
Fantastic advice. Thank you very much for this. Have always been a little confused with what I should set the release, and attack time for that matter, to.
In my tracks, the maximum note speed is 1/16. Calculated with a calculator for 126 BPM, 1/16 is 119 ms. So, in order for all my drums to be compressed, I have to use a release no more than 119ms?
I know this was two years ago, just wanted to know if anybody thinks this is possible on IOS garage band or not even worth attempting. I can mess with compression, not sure how intricate I can do it tho
the attack on the compressor is the key along with the release....a standard 30 ms attack will let the beautiful transient of the kick come through in an amazing way
ive just spent a hour taking notes on this tutorial... 😉 theres alot of bullshit online but i know you know your stuff so it was worth me doing it, cheers zen! legend!
Thanks for this! I often use parallel compression, but I don't think my drums pump enough with it. I will try your technique as I mix my next track. Peace!
No right or wrong when it comes to production and mixing, however my mixing teacher taught us to use a slow attack and fast release for glue compression. In doing so, you don’t squash the transients of the sounds. Keeping it extremely punchy and cohesive sounding. Know as SSL bus comp cross eye.
You’re most likely familiar with Qubiko, I’ve always wanted to know how he creates his drums. If you listen to his tracks his drums are extremely punchy. His track “mono tono”or “U R” is probably the best example
Awesome video as always! I would suggest a longer attack time (10-30ms) though on the glue compressor because you don't want to squash all those transients!
Zen! I have a question on this. Is it necessary to have the Kick in the drum bus for this technique to work? Because i always make separate bus for the Kick and Bass
MrJJDread yeah man I do the same. I was wondering the exact same. The compressor will definitely act differently with out having the kick in the same group
The major point with the compression release is that it has to release the compression before the next beat hits, so that the new transient could come through. So the release depends on tempo of beats. At 125bpm you get ca. 2 beats per sec., so the release needs to be shorter than 0.5 - otherwise everything is compressed continuously and even the attack never comes into play. Knee shape decides with what motion (starting quick or slow, usually switching speed half-way) does the compression go to 100%. The release tempo is also very important with vocals - so that it is released when the next word begins (if we want it clearly hear, the first letter articulated, cutting through the mix - or do we want it mumbo-jumbo).
thats true! always setting the treshold correctly too
Fantastic advice. Thank you very much for this. Have always been a little confused with what I should set the release, and attack time for that matter, to.
In my tracks, the maximum note speed is 1/16. Calculated with a calculator for 126 BPM, 1/16 is 119 ms. So, in order for all my drums to be compressed, I have to use a release no more than 119ms?
I know this was two years ago, just wanted to know if anybody thinks this is possible on IOS garage band or not even worth attempting. I can mess with compression, not sure how intricate I can do it tho
The way you've explained it all together in this video - now I actually get it!! This is going to change everything for me 😁
did it change everything for you ?
Prok & Fitch's feedback on my track was literally to make my drums pop more, so this is pretty much what I was looking for rn
@Hugo Millington-Drake I went to their show here in SD n handed over my USB
the attack on the compressor is the key along with the release....a standard 30 ms attack will let the beautiful transient of the kick come through in an amazing way
Michael Milano yes sir. let that kick through the door
Zenworld coming with the best tutorials 🔥
Waiting for your livestreams bro 🤙
Awesome awesome tutorial. Many of us have been searching forever for a tutorial like this and the one and only Zen delivers!
in the late 90s, i did a Live P.A. w/ my younger brother, and we wrote a LOT of stuff w/ this type of drumstyle. We called it "Woompa Woompa" Kick.
Fantastic! That Baseline
Give some DJOKO drums tutorial.
Yes please!
I've been searching 1 year for this tip Thank you master.
ive just spent a hour taking notes on this tutorial... 😉 theres alot of bullshit online but i know you know your stuff so it was worth me doing it, cheers zen! legend!
8:30 compression tips 👍
Thank you for all of your tutorials and valuable time, your advice and guidance has helped me massively sir!
Wow I can't believe what a difference that delay made 👏
Wow... Thank you ZW!!! It pumps amazing!!!
Saturator Is a huge one for processing all the drums as well !!
Thanks for this! I often use parallel compression, but I don't think my drums pump enough with it. I will try your technique as I mix my next track. Peace!
Brooo! Your a genius! Thanks for making this soo easyy!!!
Amazing tutorial! Thank you!
No right or wrong when it comes to production and mixing, however my mixing teacher taught us to use a slow attack and fast release for glue compression. In doing so, you don’t squash the transients of the sounds. Keeping it extremely punchy and cohesive sounding. Know as SSL bus comp cross eye.
Very helpful tutorial. Thank you!!
great work, helped me a lot! ty
just picked up the deciever pack. get yourself some beard oil on me
The Bomb..thank you,I need this realy!
I LOVE YOU BRO!
Another excelent video! 👊🏻😎
genial brother que lastima que no esta en español y asi poder seguirte emjor, saludos hermano gracias
lastima que no suenas interesado en aprender ingles hehe
@@pepelomelicervera575 quien dijo qe no? lo intento
Wow this helped me create a banger!
Nice tip
You’re most likely familiar with Qubiko, I’ve always wanted to know how he creates his drums. If you listen to his tracks his drums are extremely punchy. His track “mono tono”or “U R” is probably the best example
Whats the Deadmau5 pumping trick?
Nice one 🙌
Class act
hey Zen (Ninja), can u show us how to make progressive deep - stan kolev style..
Where is vocal from
that delay option on ableton is a PRO tool
What elements should I put in the compressor?
Thnx
where can i find a pack with some dope vocals like the one in this vid?
does anyone know if he sent all the drums into the compressor or just the kick?
Tfw you’re introduced by “brrrkeep” instead of “beep beep” or “bup-oup”
How to make bass like in this video?
Yo I haven’t been here in a good while!! Where’s ur old studio fam? Anyways thanks for the video!
thank you sensei
For those who use other DAW's besides Ableton, what compressor plugin would be comparable to use instead?
answered my own questions, SSL G-Master buss compressor works well. Thanks for the tip dude!
beep beep, sick tutorial like always.
LOVE your videos, the track you've made is actually so sick. Will you release it?
Awesome video as always! I would suggest a longer attack time (10-30ms) though on the glue compressor because you don't want to squash all those transients!
Zen! I have a question on this. Is it necessary to have the Kick in the drum bus for this technique to work? Because i always make separate bus for the Kick and Bass
MrJJDread yeah man I do the same. I was wondering the exact same. The compressor will definitely act differently with out having the kick in the same group
HQ stuff! Is this the technique that TV Noise uses a lot in their tracks? Could you make a video on that maybe?
pan the open hi hat doesn’t fuck it up for the dance floor?
What dis you use for bass what preset sounds amazing
any alternative for the Glue Compressor In FL Studio?
Cytomics the glue or Waves ssl bus compressor, the second one is about 30 bucks if you wait for a discount
Exactly what I needed. Yeet
Whats in the drumbus? Kick, Open bhihats, closed hihats?
You can put the compressor in drum buss without the kick?
Is this guy from producer dojo?
Most of the essence of the groove comes from the swing
Boy, some advices to get that vocal chop like pad of Sebastian Leger - Lanarka ? Thx.
Not my genre but out as always!
Can you do all of these at once, does it work?
Prip :V 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥
what name of the sample pack you use in this video ?
kick in the drum bus? yes or no??
Zac Cav No,better Kick & Bass on a different bus,compress them together,so that they talking to eachother
Can anyone recommend an FL studio alternative to the glue compressor?
fruity compressor or fruity limiter in comprossor mode. but essentially any type of compressor with the wright setting should do the job
get downnn...
I thought everything had to be NAUGHTY for tech house
Is it ok to put multiple compresors on your buss Chanel. All with small amount of compression. Tnx for answer🤪
if ut sounds good it sounds good
hey Zen ke worLd
KE WHAT?
BASS TUTORIAL?
Wich bass is this??
Boii
bASS :D
when we seeing a tut on tht dj snake ft ....deephouse track tht came out a year ago...another question why no fl fruities contant anymore
Anyone know where these vocals are from?
Evolution of sound tech house pacc i think.
You totally need an app built
I am not a tech house ninja :-(
giggity
Thanks for the tips! Cool video, however, it could be made even better by not saying "guys" in every other sentence :-)
Editing that out in the newer videos haha bad charisma habits
Ok drums are pumping but I want that bass to pump
Sidechain
@@tylerdurden6992 I think stereo bass with mono sub (of course with sidechain)
He talks nonsense until 2:00