The best,magical,perfect,beautiful night of my life.an absolute amazing show,day,night,set list.I will always close my eyes and go right back to front row.
just powerful, even after all these years, simply....amazing... Chicago, the rest of America is with you... community, sense of self, and no more violence...may there be piece.
The song is actually metaphorical. Bono came up with the title on his Ethiopia trip, but when he wrote the lyrics, he wasn't sure what the song was about. In his 2022 book Surrender, he explained: "On reflection I suppose I want to write about that 'other country,' the country of the imagination. I want to run out of hiding, to tear down the walls that hold me inside myself. I want to touch the flame." Brian Eno, known for his etherial, experimental music and for his time in Roxy Music, produced this track along with Daniel Lanois. Eno got a chance to build one of his signature soundscapes on the intro - Bono's vocals don't come in until. The Edge wrote the music in his home studio with no idea what lyric would get attached to the song. His demo had a keyboard line at the beginning that Eno worked into a slow-building open driven by his synthesizer. The Edge added one of his distinctive guitar parts, a repeated arpeggio with a delay effect. Very thrifty with the notes while generating a rich texture. Bono thought it sounded like an orchestra tuning up, and felt it was a great way to open the The Joshua Tree album. The Joshua Tree became the fastest-selling album in both the US and UK. In the band's 2009 bio, U2 By U2, Bono explained explained why the band chose this as the introductory track: "'Where The Streets Have No Name' was the perfect introduction. It is one of the most extraordinary ideas, only matched by The Doors' 'Break On Through (To The Other Side)' as a throw-down to an audience. Do you want to go there? Because if you do, I'm ready to go there with you, to that other place. Call it what you like, a place of imagination, where there are no limitations." Bono has expressed mixed opinions about the open-ended lyrics: "I can look at it now and recognize that [the song] has one of the most banal couplets in the history of pop music. But it also contains some of the biggest ideas. In a curious way, that seems to work. If you get any way heavy about these things, you don't communicate. But if you're flip or throwaway about it, then you do. That's one of the paradoxes I've come to terms with." "Where the Streets Have No Name" is played in the key of D major at a tempo of 126 beats per minute. The introduction and outro are played in a 3 4 time signature, while the remainder of the song is in a common 4 4 signature. The song opens with an instrumental section, starting with chorale-like sustained synthesiser notes. The guitar fades in after 40 seconds; this part consists of a repeated "chiming" six-note arpeggio. A "dotted eighth" delay effect is used to "play" each note in the arpeggio twice, thus creating a rich sound. The bass and drums enter... The introduction, following a I-IV-I-IV-vi-V-I chord progression, creates a "wall of sound", as described by Mark Butler, against which the vocals emerge after nearly two minutes. The guitar part played for the remainder of the song features The Edge strumming percussive sixteenth notes. The bass and drums continue in regular eighth and sixteenth notes, respectively, while Bono's vocal performance, in contrast, varies greatly in its timbre, ("he sighs; he moans; he grunts; he exhales audibly; he allows his voice to crack") as well as timing by his usage of rubato to slightly offset the notes he sings from the beat. This development reaches a climax during the first chorus at the line "burning down love" (A-G-F♯-D); the melody progresses through a series of scale degrees that lead to the highest note in the song, the A4 at "burning". In later choruses, Bono sings "blown by the wind" with the same melody, stretching the same note even longer. After the third chorus, the song's outro is played, the instrumentation reverting to the same state as it was in the introduction, with a six-note guitar arpeggio played against sustained synthesiser notes. Upon the release of The Joshua Tree, critics praised "Where the Streets Have No Name". Steve Morse of The Boston Globe noted the "bell-like tones from the Edge fram[e] a search for heaven" and along with the subsequent track on the album, "I Still Haven't Found What I'm Looking For", these songs showed how the group were "pilgrims still on a quest; not preachers who claim to have found answers". The Bergen Record echoed these sentiments, saying the tracks demonstrated how the band was on a personal and spiritual quest. Rolling Stone called it "assertive rock" in their review of The Joshua Tree. The San Diego Union-Tribune said of "Where the Streets Have No Name", "the music charges, like someone fleeing for life". The Washington Post said the track is "a bit oblique lyrically, but the implications are clear in Bono's resolute delivery, Dave (the Edge) Evan's quavering guitar, Adam Clayton's cathedral bass and Larry Mullen's rolling thunder drums". Cash Box said that it's an "achingly beautiful rocker" with "incredible raw emotion and power." NME lauded the song as the opening track by saying the album "starts by spitting furiously". The publication praised Bono's impassioned singing and The Edge's guitar playing, which transformed the instrument into "something more than an endlessly abused piece of wood". The review commented that the "last ten seconds are breathtakingly beautiful". The Rocket wrote that the song builds a "wall of sound" that Bono's vocals cut through with a "wail of desperation, as the lyrics agonize the need for personal spirituality". The reviewer compared the opening riff to Simple Minds' "Ghostdancing". Reviewing The Joshua Tree, Stephen Thomas Erlewine of Allmusic called the song an "epic opener". The service's Steve Huey, in a review of the song, praised its "insistent, propulsive rhythmic drive and anthemic chorus", qualities he singled out for making it a fan favorite. He called the song the "perfect album-opener", crediting the "slow build of its arrangement toward a climactic peak". Huey also called Bono's delivery "passionate and grandiose" and "his commitment to the material unshakable". He believed the combination of his vocals and the band's "sonic power" is what gave U2 its "tremendous force".
Never mind the bullshit political, holier than thou Bono. As a musician, singer and songwriter, there really is no one better or more passionate about music and the power it can bring to people. Love ya Bono.
You do speak the truth .... so sad. I have seen U2 4 times live and it just gets worse ..... he (Bono) has sold out and it is so disappointing. They do not stand for the same beliefs as when they started.
Saw them back in college in 88` and saw them last weekend it was epic. Let go of your ignorance and spite and enjoy the music if you ever did that is...
![ลองสุ่มไอโฟน 990 โกงมั้ย? [ โกงมั้ยครับ ep.101 ] | DOM](http://i.ytimg.com/vi/bfsWe0j492k/mqdefault.jpg)
U2 ROCKS!!!!!!! They are the BEST BAND EVER!!!!!! No other band will ever be as good as U2!!!!!!!
In 2021 ...no streets will have no name....let’s be United again!!!!!!😀😀🤗🤗🤗🤗🤗🤗🤗🤗🤗🤗
Love it … watch the Edge’s feet !
One of my favourite evergreens of them...
From the moment I heard it when it was first released I felt in love with it and now many many years later I still do. Those words meant a lot to me.
Larry's drumming really shines here
I was at this concert when i was 9,it was my first u2 concert and i was in the front row
The best,magical,perfect,beautiful night of my life.an absolute amazing show,day,night,set list.I will always close my eyes and go right back to front row.
They're getting into it now...feeling the power of the music. When the tour started they seemed nervous, unsure..but this is the real U2....magical
just powerful, even after all these years, simply....amazing... Chicago, the rest of America is with you... community, sense of self, and no more violence...may there be piece.
Larry Mullen Jr. drum adaptation was SICK🔥♥️👏👏👏
The lovely harmonies of the Edge...nice!
Fantastic! U2
This is INCREDIBLE!!
The quality of sound so good
WOW, the backdrop is awesome
The song is actually metaphorical.
Bono came up with the title on his Ethiopia trip, but when he wrote the lyrics, he wasn't sure what the song was about. In his 2022 book Surrender, he explained: "On reflection I suppose I want to write about that 'other country,' the country of the imagination. I want to run out of hiding, to tear down the walls that hold me inside myself. I want to touch the flame."
Brian Eno, known for his etherial, experimental music and for his time in Roxy Music, produced this track along with Daniel Lanois. Eno got a chance to build one of his signature soundscapes on the intro - Bono's vocals don't come in until.
The Edge wrote the music in his home studio with no idea what lyric would get attached to the song. His demo had a keyboard line at the beginning that Eno worked into a slow-building open driven by his synthesizer. The Edge added one of his distinctive guitar parts, a repeated arpeggio with a delay effect. Very thrifty with the notes while generating a rich texture.
Bono thought it sounded like an orchestra tuning up, and felt it was a great way to open the The Joshua Tree album.
The Joshua Tree became the fastest-selling album in both the US and UK. In the band's 2009 bio, U2 By U2, Bono explained explained why the band chose this as the introductory track:
"'Where The Streets Have No Name' was the perfect introduction. It is one of the most extraordinary ideas, only matched by The Doors' 'Break On Through (To The Other Side)' as a throw-down to an audience. Do you want to go there? Because if you do, I'm ready to go there with you, to that other place. Call it what you like, a place of imagination, where there are no limitations."
Bono has expressed mixed opinions about the open-ended lyrics: "I can look at it now and recognize that [the song] has one of the most banal couplets in the history of pop music. But it also contains some of the biggest ideas. In a curious way, that seems to work. If you get any way heavy about these things, you don't communicate. But if you're flip or throwaway about it, then you do. That's one of the paradoxes I've come to terms with."
"Where the Streets Have No Name" is played in the key of D major at a tempo of 126 beats per minute. The introduction and outro are played in a 3
4 time signature, while the remainder of the song is in a common 4
4 signature. The song opens with an instrumental section, starting with chorale-like sustained synthesiser notes. The guitar fades in after 40 seconds; this part consists of a repeated "chiming" six-note arpeggio. A "dotted eighth" delay effect is used to "play" each note in the arpeggio twice, thus creating a rich sound. The bass and drums enter...
The introduction, following a I-IV-I-IV-vi-V-I chord progression, creates a "wall of sound", as described by Mark Butler, against which the vocals emerge after nearly two minutes. The guitar part played for the remainder of the song features The Edge strumming percussive sixteenth notes. The bass and drums continue in regular eighth and sixteenth notes, respectively, while Bono's vocal performance, in contrast, varies greatly in its timbre, ("he sighs; he moans; he grunts; he exhales audibly; he allows his voice to crack") as well as timing by his usage of rubato to slightly offset the notes he sings from the beat.
This development reaches a climax during the first chorus at the line "burning down love" (A-G-F♯-D); the melody progresses through a series of scale degrees that lead to the highest note in the song, the A4 at "burning". In later choruses, Bono sings "blown by the wind" with the same melody, stretching the same note even longer. After the third chorus, the song's outro is played, the instrumentation reverting to the same state as it was in the introduction, with a six-note guitar arpeggio played against sustained synthesiser notes.
Upon the release of The Joshua Tree, critics praised "Where the Streets Have No Name". Steve Morse of The Boston Globe noted the "bell-like tones from the Edge fram[e] a search for heaven" and along with the subsequent track on the album, "I Still Haven't Found What I'm Looking For", these songs showed how the group were "pilgrims still on a quest; not preachers who claim to have found answers". The Bergen Record echoed these sentiments, saying the tracks demonstrated how the band was on a personal and spiritual quest. Rolling Stone called it "assertive rock" in their review of The Joshua Tree. The San Diego Union-Tribune said of "Where the Streets Have No Name", "the music charges, like someone fleeing for life". The Washington Post said the track is "a bit oblique lyrically, but the implications are clear in Bono's resolute delivery, Dave (the Edge) Evan's quavering guitar, Adam Clayton's cathedral bass and Larry Mullen's rolling thunder drums". Cash Box said that it's an "achingly beautiful rocker" with "incredible raw emotion and power."
NME lauded the song as the opening track by saying the album "starts by spitting furiously". The publication praised Bono's impassioned singing and The Edge's guitar playing, which transformed the instrument into "something more than an endlessly abused piece of wood". The review commented that the "last ten seconds are breathtakingly beautiful". The Rocket wrote that the song builds a "wall of sound" that Bono's vocals cut through with a "wail of desperation, as the lyrics agonize the need for personal spirituality". The reviewer compared the opening riff to Simple Minds' "Ghostdancing". Reviewing The Joshua Tree, Stephen Thomas Erlewine of Allmusic called the song an "epic opener". The service's Steve Huey, in a review of the song, praised its "insistent, propulsive rhythmic drive and anthemic chorus", qualities he singled out for making it a fan favorite. He called the song the "perfect album-opener", crediting the "slow build of its arrangement toward a climactic peak". Huey also called Bono's delivery "passionate and grandiose" and "his commitment to the material unshakable". He believed the combination of his vocals and the band's "sonic power" is what gave U2 its "tremendous force".
Such an amazing voice Bono at your age!!!! Respect
Adam using his Taurus pedal while holding down that fast rthymical bass line...talented guy.
you always have the best quality, thanks
As perfect a performance of Streets as in 1987. Wow.
Awesome!
I remember Modena (Ita) 30 May 1987.
You did a great job, Tim!
thanks :)
CLEVELAND MAN... SAVED THE BEST FOR LAST !!!!!!!
WOW.....
Never mind the bullshit political, holier than thou Bono. As a musician, singer and songwriter, there really is no one better or more passionate about music and the power it can bring to people. Love ya Bono.
You do speak the truth .... so sad. I have seen U2 4 times live and it just gets worse ..... he (Bono) has sold out and it is so disappointing. They do not stand for the same beliefs as when they started.
l completely disagree with your opinion, although I respect your right to have that opinion. I was there & it was awesome!
Must not have seen this show then because it was awesome...
Saw them back in college in 88` and saw them last weekend it was epic. Let go of your ignorance and spite and enjoy the music if you ever did that is...
OP was sharing his opinion just like you and Bono. That's what makes American great.
Packed house
Mullen has got to be numb at the end ! 👍🏼👍🏼👍🏼
😍😍😍😍😍
👑🇲🇽💜💜💜💕
Ð9
do they put themselves on the big screens,,yes nice backdrop but what about the people far from stage? they must look tiny from some seats...
como me gustaría,
I'm sure you probably been asked this already but what camera you using?
Bono should focus on Ireland. It's a beautiful place for migrants to claim asylum for a better life.
Fuck politics just listen to the music.
фальшиво...............да и фанера.