I make a mistake on the F#dim to G7. It DOES work as a passing chord. I marked the wrong note on the chart which threw me. SORRY! I've edited that part out now to avoid confusion. The edit will be reflected on the live video shortly. That's why you'll see an X on G7 but it's not spoken about.
Ah... just been scratching my head about that for the last ten minutes! I'm going to sign up for your on-line course so I can nail this stuff properly.
Perfect timing! I'm about to move to this tune in the fluency course. I'll wait until I can comp in at least two keys comfortably before trying this though because I know that's what you would suggest.😃
same here. already trying to outline some melody but i will keep increasing fluency in comping.. understanding the structure of the song is one thing, applying it n getting ur hand move fluently in different inversion is another >
Thanks so much for your kind comment. I'm pleased to have you here and wish you the best with your playing. I hope to welcome you to Jazz Skills when the time is right.
I stupidly marked the wrong note! Thank you for pointing it out. I have edited that part out now to avoid confusion. It will be reflected on the live video soon. *However, you can use F**#dim** before G7*
I've recently discovered your videos; I am a guitar player, but I think they will work for me, especially because the notes on the piano are laid out in a good way to understand harmony better. Also, you are not explaining things too fast. What do you suggest I look into right now among your other vids; I was thinking about one about Barris Harris scales, so I can understand what's happening better. Happy new year by the way
Hi Dominique, I have several guitar players as members of Jazz Skills. The answer to your question really depends on your current level. If you're already playing standards fluently then by all means check out the Barry Videos I have.
Great video! Looking forward to the next levels. Do you have suggestions of standards that have that much places where one can apply this rule? I tried on "there is no greater love" & "Autumn Leaves" but I did not find that many location to apply it (and the melodies are not as linear as for Fly Me to the Moon).
I make a mistake on the F#dim to G7. It DOES work as a passing chord. I marked the wrong note on the chart which threw me. SORRY! I've edited that part out now to avoid confusion. The edit will be reflected on the live video shortly. That's why you'll see an X on G7 but it's not spoken about.
Ah... just been scratching my head about that for the last ten minutes! I'm going to sign up for your on-line course so I can nail this stuff properly.
This is gold
Barry harris is theory of music !
Indeed he is my friend.
I love moving some of the note. level three
Perfect timing! I'm about to move to this tune in the fluency course. I'll wait until I can comp in at least two keys comfortably before trying this though because I know that's what you would suggest.😃
same here. already trying to outline some melody but i will keep increasing fluency in comping.. understanding the structure of the song is one thing, applying it n getting ur hand move fluently in different inversion is another >
Very good explanation ,thanks Sean
Thanks teacher
Welcome!!
Great teacher! When I do win in lottery, I take lessons with you.
I'll be waiting for you 🙂
Wow...awesome content
I really love this
Thank you so much 😀
Nice video
damnnn havent even written a comment, helped me out a lot keep on the work shii imma subscribe
Excellent teaching! You have a new fan and follower! Best regards!
Welcome aboard! Thanks for your kind comment and I wish you well with your playing. Shan
Yes! I need movement!
We all do my friend :)
Thanks Shaun. Fantastic video. Can you produce a video showing some movements applied to Satin Doll? Cherrs
Hi Claudio, thank you very much! I have that tune taught on 3 levels for Jazz Skills members.
@@JazzSkills thanks Shaun. What other full tunes do you have on the site at the moment? Cheers
I love your style! When I have some money I'll be signing up for a bit. That might be a while still. But still, I love your content.
Thanks so much for your kind comment. I'm pleased to have you here and wish you the best with your playing. I hope to welcome you to Jazz Skills when the time is right.
Excellent...
Thanks a lot
At 5.05 you discount the f#diminished for not having a b in it, but the melody note at the end of bar 2 is a c .?
I stupidly marked the wrong note! Thank you for pointing it out. I have edited that part out now to avoid confusion. It will be reflected on the live video soon. *However, you can use F**#dim** before G7*
Great video ,l learnt a lot of practical tips ,thanks .
Yes sir. I listen closely to everything you say because, its coming from a genuine source.
I appreciate that
Добрый,день,Шён,расскажи ,пожалуйста про лидийскую концепцию Джорджа Рассела...
I've recently discovered your videos; I am a guitar player, but I think they will work for me, especially because the notes on the piano are laid out in a good way to understand harmony better. Also, you are not explaining things too fast. What do you suggest I look into right now among your other vids; I was thinking about one about Barris Harris scales, so I can understand what's happening better. Happy new year by the way
Hi Dominique, I have several guitar players as members of Jazz Skills. The answer to your question really depends on your current level. If you're already playing standards fluently then by all means check out the Barry Videos I have.
Great video! Looking forward to the next levels. Do you have suggestions of standards that have that much places where one can apply this rule? I tried on "there is no greater love" & "Autumn Leaves" but I did not find that many location to apply it (and the melodies are not as linear as for Fly Me to the Moon).
Give "Misty" a go...
Thanks Marc. Polka dots and moonbeams would work at this level. Also check out my new video on that here: th-cam.com/video/Y2lTqPPzfYg/w-d-xo.html
Yes - that's a good suggestion, I can hear a few in my head in the A section.
Excellent again. But I wonder, how to decide if I should use min7 or min6. I tried this song with min6-chords and it didn't work well.
Why you always omit the dominant / diminished scale ?
It's a huge part of barry system and i never hear you talking.
Just wondering