Andrés segovia interpreta música barroca
ฝัง
- เผยแพร่เมื่อ 11 มี.ค. 2014
- 1.Preludio(Henry Purcell)
2.Minué
3.Nueva melodía inglesa.
4.Giga
5.Rondó
6.Sonata K 483,en la mayor(Domenico Scarlatti)
7.Sonata en re menor(Haendel)
8.Fugueta.
9.Minué
10.Aire
11.Passepied
12.Pasacaglia(Fescobaldi)
13.Corriente
14.Fantasia(Silvius Lepold Weiss)
15.Tombeau sobre la muerte del conde Logy(Weiss)
16.Minué
17.Preludio(Bach)
18.Gavota
19.Bourré
20.Bourré
21.Courante
22.Allegretto graziozo(Haendel)
23.Gavota
24.Minué
25.Zarabanda
26.Sonata(Scarlatti) - บันเทิง
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1 -Purcell* Prelude 0:00 - 0:37
2 -Purcell* Minuet 0:38 - 2:04
3 -Purcell* A New Irish Tune 2:06 - 3:09
4 -Purcell* Jig 3:10 - 4:20
5 -Purcell* Rondo : - :
6 -Scarlatti* Sonata In A (L. 483 / K. 322) : - :
7 -Handel* Sonata In D Minor : - :
8 -Handel* Fughette : - :
9 -Handel* Menuet : - :
10 -Handel* Air : - :
11 -Handel* Passepied : - :
12 -Frescobaldi* Passacaglia : - :
13 -Frescobaldi* Corrente : - :
14 -Weiss* Fantasie : - :
15 -Weiss* Tombeau Sur La Mort De M. Comte D'Logy : - :
16 -Weiss* Minuet I - Minuet II : - :
17 -Bach* Prelude (From Cello Suite No. 1) : - :
18 -Bach* Gavotte (From Cello Suite No. 6) : - :
19 -Bach* Bourée (From Lute Suite In E Minor, BWV 996) : - :
20 -Bach* Bourée (From Violin Partita No. 1) : - :
21 -Bach* Courante (From Cello Suite No. 3) : - :
22 -Handel* Allegretto Grazioso : - :
23 -Handel* Gavotte : - :
24 -Handel* Minuet : - :
25 -Handel* Sarabande : - :
26 -Scarlatti* Sonata (L. 79 / K. 391) : - :
Mamma miaaaaa........ forte leggiadro bello e maestoso come una tigre reale del Bengala
Música eterna pasada por un corazón romántico y honesto que ha realizado interpretaciones que serán también eternas
Jajajaja de obras basicas
One could live their life by listening to Andre's version of Purcell's Prelude!
How wonderful it is to be able to listen to the Maestro. This is such a privilege and honor to be able to turn on my computer and listen to this majestic and simply gorgeous music.
Basic works
Zzzzzzzz Zzz
At the time this was recorded, many of these "basic works" were unfamiliar to most classical music listeners, and almost all of them were unknown on the guitar, which itself was struggling for recognition as a serious classical instrument.
I've had this CD for ages. Never gets old ;-)
I have had it since I was 14 and I fell asleep to it for three years. Along the way, I would be sound checking or warming up for practice and I would hit a certain random scale run, key, chords even, then parts of this would be triggered. I give all my friend's having kids the Mozart Einstein bc I know one thing that is disputed but know without a doubt it is true that you can learn subconsciously and transfer it into consciousness. I met Parkening as a teenager at a concert he played at the Cincinnati Conservatory, we immediately connected, its just one of those familiar things that make instant friendships. We keep in touch, even had a holiday fly fishing which was exhilarating to say the least, spoke on a deep level about religion. I revealed to him that I believed musoc theory was contrived for economic designs while I believed that structure was fraudulent it was a behemoth that deconstruction and revision amd showed him 4 compositions I wrote defying the construct and showing him in them that music was closer related to retatded science on the level of quantum physics instead of the patterned ways that it was restricted by the ways of music theory's production of robotic regurgitation of soon to be the future teachers of this cult of repetition. Years later at Vanderbilt we again revived our multi-encompassed conversation that gets envolved quicky, when John Johns saw that we were pretty much alone together in the room and ask him if he would convince me to be his grad student for one semester. He looked at him deadpan as he does and said while I believe it would be beneficial to you and your students, it would be stiffling to him. He interrupted, He would have complete freedom and, Christopher spoke over him saying, Believe me when I say that you can promise what you intend but will try to cage the bird almost immediately.. He said but his Brouwer is magnificent. Yes. He then gave me a tape.from his case called My Testimony. I have no idea why I opened up and told that story. It may have just been the music pulling it out of me. I'm sorry about this book, I just intended to comment about listening to it for a long time also.
No, it doesn't age.
I bought this CD many years ago too.
You can’t be a sadist if you encourage the miracle works of Jesus
@@2r8u74I had it but can't find it now. Great to see/hear it here now!
Maravilloso Segovia!!!
Un trabajador al servicio sublime de la música.
No trabajo nada ,puro humo este jil
Simply the best sound ever ! xxxxxxx
The genius of classical guitar-digital and ready!!!!❤
Raw guitar, without any kind of sound effect such as reverb or echo. Nice.
Wonderful! Baroque music played by the Maestro. This is a treasure!
CARAJO ME ENCANTA LA FOTO DEL MAESTRO ANDRES SEGOVIA COMO DICIENDO :qué mierda tocan en este siglo,en este año,joliness????
This is simply amazing
Bellisima música
Decisamente affascinante, perché Segovia sta interpretando brani di musica barocca con uno strumento moderno,la chitarra a 6 corde. Fortissimo eccezzionale, perché di solito ho visto musicisti della nostra epoca suonare questi brani con la tiorba o il liuto. Segovia è superiore perché già dai suoi tempi a manifestato con garbo e leggiadria che la chitarra classica si presta a suonare qualsiasi cosa. Grande Andres Segovia!
Jajajaja cualquier músico popular transcribe e interpreta
I think American classical music is a mix of brouque and spanish Andulusin because of Spainish/Portugies migration. It is also influence by celtic. Classic Western scales and orchestration/concertoes composers was a later introduction particularly with arrival of piano. Yet, folk influence is is still over the continent long before new introductions as Jazz and blues came in. But Sagvia is Spanish, but he has tried to distence it from original Andulusin flavour and flamneco in playing technique. *Opinion.But lot more.
The passion at 33:00 !
Show!!!!!!!
❤
Segóvia é verdade mesmo o melhor de todos os tempos
Kkkkkk voce TA falando merdiña
I have this album, it is a favorite of mine. Handel's minuet 14:15 is the highlight of the album for me.
Muito linda essa música
Você sabe o nome dela?
Very beautiful this song
Do you know the name of the song?
En la parte superior se incluyen los nombre de todas las composiciones, así que solo hay que leer los títulos.
At the top are the names of the songs
Genio.
Thank you
Grande maestro Segovia!!!
Grande mi pn
The 6) is the Sonata K322 by Scarlatti and L483 not K483
Segóvia foi e será sempre o maior nunca mais vai aver outro igual
Si ,solo hay mejores
👍
Alguém saberia o nome desta música que começa aos 14:16 deste vídeo? Podendo responder, de antemão eu agradeço.
From @Daniel Mendez: I have this album, it is a favorite of mine. Handel's minuet 14:15 is the highlight of the album for me.
Cuando oye al maestro Andrés Segovia, en su tiempo posiblemente el mejor guitarrista clásico del mundo, entristece el comportamiento que tuvo con Agustín Barrios Mangoré (El Chopin latinoamericano), a quien elogiaba sus composiciones pero que siempre se negó a interpretarlas. Egoísmo y verdadera grandeza nunca van juntas.
Rafael: Efectivamente fue el mejor guitarrista clásico en su tiempo. Pero los seres humanos no somos perfectos. Segovia decía lo que pensaba, aunque hiriera a cualquiera. Como ejemplos daré sólo dos: Cuando se le preguntó qué opinaba de Paco de Lucía, Segovia dijo algo así: "es un hombre con los dedos muy listos, pero me desagrada todo lo que toca"; cuando se le preguntó por la guitarra de 10 cuerdas de Yepes dijo: "eso ya no parece guitarra, parece un guitarrón". De todos modos el Maestro Segovia fue un grande en la guitarra clásica.
Yo también lamento muchísimo que Segovia no se animara a tocar la obra de Mangoré. Hubiera sido un grandioso aporte a la música de la guitarra de todos los tiempos. (Así también como nunca tocó el Concierto de Aranjuez.) Sin embargo, él fue muy claro al decir que sólo iba a tocar música estrictamente clásico. Fue un principio que lo ejerció fielmente. Y lo hizo increíble. Yo no lo veo como egoísmo. Fue una decisión que él hizo desde joven, a pesar que sí le gustaba la música de Mangoré. Recuerdo que por ahí leí que Segovia le encargo a Mangoré una copia de La Catedral, pero creo que nunca se la envió. Qué pena. Pero Segovia dejó a su "hijo" musical, John Williams para que se lanzara a tal proeza.
El estilo de música de Barrios Mangoré no aportaba nada a la estética de Segovia, ya estaba trillado aunque ahora nos parezca sublime. El estimuló y ""llevó de la mano" a magníficos compositores como Castelnuovo Tedesco, Tanssman, Moreno Torroba, Villa Lobos, Rodrigo, etc, buscando ampliar, abrir y mejorar el repertorio guitarristico, tan pobre antes de su titánica labor.
@@rufinosanchez2703 Cuando decía que le desagradaba todo lo que tocaba Paco de Lucía, dudo mucho que tuviese la paciencia de escucharle. Odiaba el flamenco, y lo que no le gustó fue el disco que Paco grabó sobre Manuel de Falla, como tampoco gustó a Yepes el disco del "Concierto de Aranjuez".
@@rufinosanchez2703 que toca obras básicas y sucias
Jajaja ignorantes
En el minuto 39:00 se desata la pasión!
Esibirsi con strumenti antichi come la tiorba per me è solo puro esibizionismo perché pwr gli altri artisti suonare la tiorba significa solo avere il suono di un tempo che fu recitando musica barocca.Il grande Segovia invece a fatto notare che tutto questo è possibile con una chitarra classica che ancora oggi (e per me sempre cosi sarà) che la musica barocca suonata con questo strumento ha un fascino ineguagliabile dal suono moderno con corde in nylon con un gusto retro di musica barocca. Grande Segovia (l'artista del tempo passato, del tempo di ora e del tempo che sarà in futuro). Se ci si pensa bene il suono della( tiorba estridulo) confrontato alla chitarra del grqnde Segovia( dal suono pulito e brillante)
minuto 46:00 es Bach
A música que começa às 14 é o minueto de haedel transcrição de tarrega
Aos 14 minueto haendel
4:20 nice also
I wish there was a time code
Make one!
Too bad the hall reverb was taken away from the original recording . That really added to created the magic in his sound .
'Segovia on stage ' with extra reverb. you mean?. Interesting. Love that LP
Yes . That was the first recording I heard from him and the sound was so beautiful and not dry like the CD
estes violonista que estão fazendo de conta é o contrário de Segóvia eles não tem nada pra contar pra seus filhos devem falar sobre Segóvia
Albania.
Xvr tus obras básicas , nadie conoce a este jil
Hasta la cumbia norteña tiene más importancia
tocará. porque lo es interpretar.. un poco raro