Seattle opera house. Winter of ‘78 or nine. He still wouldn’t use amplification in his concerts. The audience leaned forward to will the sound from his guitar and his fingers. It was well worth the effort and this is a lovely memory.
There is an intimacy brought forth by a nylon string guitar (when played by a master); it possesses an uncanny ability to tell a story--a drama. Segovia's command of the tides and dynamics make the instrument both speak and whisper ciphered messages. It's almost ghostly. All the strings and voices from this miniature, wooden symphony can be inferred if you listen carefully. Miraculous pursuit--loved it so much.
"This collection of songs reveals not just how good music can be, but how to think about music both as technical musicianship and as art. A collection of songs arranged and performed by Andres Segovia, this set shows instrumental prowess at its best where it seems more controlled. Most of these pieces came from composers who originally wrote either for guitar or small ensembles, and Segovia laid them out so he could play multiple melody lines on guitar over the length of each song. As a result, these songs are dense in a way that most popular music is not, in that each part relates to the previous material in the piece but seeks to not just complement but expand upon what is there. Melodies grow from a few notes to a full-fledged expression and then modify themselves with material from contrasting voices in each song, creating an effect like reading a great book where every character changes over the course of their adventures while simultaneously influencing the course of that journey. What at first sound like fills and turn-arounds are not spurious material but continuation of the song, with every note played serving some purpose and nothing extraneous or for the sake of showing off. This alone puts the lie to technical music of the current time, where a simplistic song if dressed up in recognized “hard” techniques becomes “technical,” even if those adornments contribute nothing to the song itself. The technical art here is in the writing and arrangement of the music in addition to the performance. In addition, The Art of Segovia forces us to look at what makes a song - one medium among several for the mental process we call “art” - strike us as great instead of simply adequate plus novel. Each of these songs evokes a feeling that is both unique to the song and can be found in life itself, not a subjective sense but more a subjective perception of the objective translated into a form that any logical mind can process. This transcends the limitations of not only the medium but the human mind itself, creating a commonality based on an accurate view of reality that is nonetheless interpretive, instead of pandering to the lowest common denominator that a crowd would find pleasing. All of the tools of art - rhythm, melody, harmony and phrase - apply themselves to revealing the inner essence of a complex experience, not so much distilling it to a simple statement as walking us through its evolution and reaching a moment of clarity, then allowing it to fade away as we absorb what we have sensed. As with a great book, a great piece of music reveals something in life that we have not discovered or denied. It shows us the truth within, not creating another surface category, and in doing so makes us consider how this experience is universal to those who invest the time in understanding it. Truth meets us halfway between our perspective and the world. Great art lifts us out of the subjective, transforms the objective through not just the power of personality but the insight of talent, and delivers it to us in a form that re-discovers life with freshness through a vividly accurate portrayal that shows the hidden possibility lurking even within the mundane. When we have that level of expectation for art, the trivial novelty and diehard pandering to comfortingly familiar sounds fades away and instead we seek something of greater clarity, power and ultimately meaning. Naturally this is not popular with record labels, for whom discovering a Segovia each month is impossible, but for those who value their time and want to listen to music that shows the best of what humanity can do, The Art of Segovia gives us a yardstick against which all great albums must compare. Not all of these will be as technical as Segovia’s playing or the writing of the composers he arranges. They do not need to be. If they uphold the same spirit of discovery and revelation that makes this art so profound, they can do so with fewer musical techniques. But if they do not live up to that understanding of what art and by extension music can be, they sound hollow in comparison to Segovia and stand no chance of comparison."
I’ve listened to the maestro since I was a little girl. I used to try so hard to play like him! That distinctive Segovia sound just brings a sweetness to the guitar.
You're right. Except... Segovia always played guitars worth about a hundred thousand dollars today. These are top-of-the-line instruments. A beginner could feel frustrated when he couldn't achieve this effect on a cheap guitar. I understand it now, after many years, having owned a better guitar. Regards.
Es familiar, lejano , mío, y cada vez que sale en cualquier sitio de TH-cam etc. Y ver los cumplidos y todas las cosas bonitas que le dicen , por todo el mundo, me llena de orgullo, llevar su sangre aunque comparta el 0,0 1 % y me emociono , por que yo como el amamos la música, gracias tío por tu legado! 🥰
As I was walking one night around 2nd ave I heard a voice singing some wonderful operatic piece and then a taxi driver leaning on his cab and started returning the favor and for me time stopped as I felt the joy of all this happening ...........
El maestro Segovia..una gloria d España...gracias...hoy es domingo y al fin volvio a llover x aqui...gracias a Dios.. ¡¡¡gruesas gotas lavan un poco el mundo...en consonancia con esta musica casi angelica .gracias ..saludos desde la costa de montevideo..uy
Who in holy balls would click unlike on this. Im a metal guitar player and Im absolutely floored by segovia. You better like this or the ghost of randy rhoads will haunt you
una música que da una tranquilidad y a la vez te llena de energía seguridad y optimismo. Oir al maestro su sonoridad sus libertades el sentimiento la digitación perfecta. Gracias YT.
thank you...Literally, I just enhanced my vocabulary...with Superlative....and I agree. Andres was a monster.....my hightest compliment to brilliant art..jeje. Fair well youtube friend!
Nossos ouvidos tomam emprestado da boca o sentido do paladar, para não apenas ouvir, mas, também, beber cada nota delicadamente extraída do instrumento nas mãos do mestre artista.
술을 한 잔 하며 듣노라니 음의 천국이 열리는 것 같소 아 좋소 정말 좋소 곧 새벽 동굴이 열리고 아침이 살금살금 기지개를 켜겠지요 그때까지 홀연히 시간에 기대어 새벽결에 사라지는 먼지같은 기억들을 과거의 구석에 쌓아 놓고 바라보다가 단숨에 날려 버릴 생각이라오 안녕... 시간의 맨바닥엔 그렇게 남겠지요
1. Recuerdos de la Alhambra - Francisco Tárrega (00:00) 2. Capricho árabe - Francisco Tárrega (5:14) 3. Marieta, mazurka - Francisco Tárrega (10:41) 4. Romanza de los piños - Federico Moreno Torroba (13:11) 5. Madroños - Federico Moreno Torroba (14:57) 6. Serenata burlesca - Federico Moreno Torroba (17:54) 7. Introduction, Theme, & Variations on a Theme From Mozart's "The Magic Flute, ", Op. 9 - Fernando Sor (20:50) 8. Homenaje pour "Le tombeau de Claude Debussy", G. 56 - Manuel de Falla (28:00) 9. Thème, Varié et Finale - Manuel Ponce (30:40) 10. Canción popular mexicana No.3, La Valentina - Manuel Ponce & Jorge Negrete (38:38) 11. Sevillana, fantasia, Op. 29 - Joaquín Turina (40:10) 12. Zarabanda lejana, ("Homenaje a Luis de Milán") - Joaquín Rodrigo (46:10) 13. Capriccio diabolico, ("Omaggio a Paganini"), Op. 85 - Mario Castelnuovo-Tedesco (51:13) 14. Tonadilla on the Name of Andrés Segovia, Op. 170/5 - Mario Castelnuovo-Tedesco (01:00:28) 15. Prelúdio No. 1 in E Minor, A. 419/1 - Heitor Villa-Lobos (01:05:38) 16. Prelúdio No. 3 in A Minor, A. 419/3 - Heitor Villa-Lobos (01:10:05) 17. Guitarreo - Carlos Pedrell (01:15:21) 18. Segovia, Op. 29 - Albert Roussel (01:16:49)
1 Recuerdos de la Alhambra, for guitar - Francisco Tárrega & Andrés Segovia (5:16) 2 Capricho árabe, for guitar - Francisco Tárrega & Andrés Segovia (5:26) 3 Marieta, mazurka for guitar - Francisco Tárrega & Andrés Segovia (2:29) 4 Romanza de los piños, for guitar - Federico Moreno Torroba & Andrés Segovia (1:46) 5 Madroños for guitar - Federico Moreno Torroba & Andrés Segovia (2:56) 6 Serenata burlesca - Federico Moreno Torroba & Andrés Segovia (2:55) 7 Introduction, Theme, & Variations on a Theme From Mozart's "The Magic Flute, " for guitar, Op. 9 - Fernando Sor & Andrés Segovia (7:10) 8 Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 - Manuel de Falla & Andrés Segovia (2:39) 9 Thème, Varié et Finale for guitar - Manuel Ponce & Andrés Segovia (7:57) 10 Canción mexicana No. X - Manuel Ponce & Andrés Segovia (1:32) 11 Sevillana, fantasia for guitar, Op. 29 - Joaquín Turina & Andrés Segovia (5:59) 12 Zarabanda lejana, for guitar ("Homenaje a Luis de Milán") - Joaquín Rodrigo & Andrés Segovia (5:04) 13 Capriccio diabolico, for guitar ("Omaggio a Paganini"), Op. 85 - Mario Castelnuovo-Tedesco & Andrés Segovia (9:14) 14 Tonadilla on the Name of Andrés Segovia, for guitar, Op. 170/5 - Mario Castelnuovo-Tedesco & Andrés Segovia (5:10) 15 Prelúdio, for guitar No. 1 in E Minor, A. 419/1 - Heitor Villa-Lobos & Andrés Segovia (4:27) 16 Prelúdio, for guitar No. 3 in A Minor, A. 419/3 - Heitor Villa-Lobos & Andrés Segovia (5:14) 17 Guitarreo, for guitar - Andrés Segovia & Carlos Pedrell (1:27) 18 Ségovia for guitar, Op. 29 - Albert Roussel & Andrés Segovia (3:00)
Claire Bielka: ¿Por qué después del título de cada obra y su compositor, agrega "& Andrés Segovia", como si Segovia fuera también el compositor?. Eso confunde al lego en la materia. Desde luego Segovia es el ejecutante en este vídeo, por lo tanto está demás agregar a Segovia en cada una. La única obra propia de Segovia, que yo conozco, es "Estudio Sin Luz", que aquí no está incluida. Muchas gracias.
There are great violinists and great pianists and you just can't say who is the best. But in guitarists, you say Segovia is the best and few will argue with you.
There is no best. What makes them better for a particular style is often a weakness when playing other types of music. Some of Segovia's pieces are wonderful while others do not compare well with current versions. Julian Bream's Bach was amazing but his style and tempo did not perfectly match other types of music. etc, etc. etc. Current guitarists have a more advanced technique and some of them are also great musicians. The guitar has progressed more than other instruments since the XX century but that is because it was behind the times when compared to the piano or violin.
1-01 Recuerdos Da La Alhambra Composed By - Francisco Tárrega 5:16 1-02 Capricho Árabe (Serenata Para Guitarra) Composed By - Francisco Tárrega 5:27 1-03 Marieta (Mazurka Para Guitarra) Composed By - Francisco Tárrega 1-04 Romance De Los Pinos Composed By - Federico Moreno Torroba 1:46 1-05 Madroños Composed By - Federico Moreno Torroba 2:57 1-06 Serenata Burlesca Composed By - Federico Moreno Torroba 2:55 1-07 Tema Con Variaciones (On A Theme From Mozart's "The Magic Flute"), Op. 9 Composed By - Fernando Sor 7:10 1-08 Homenaje: Pièce De Guitare Ècrite Pour «Le Tombeau De Claude Debussy» Composed By - Manuel De Falla 2:39 1-09 Theme, Variations & Finale Composed By - Ponce* 7:58 1-10 Canción Mexicana No. X Composed By - Ponce* 1:33 1-11 Sevillana, Op.29 Composed By - Joaquín Turina 6:00 1-12 Sarabanda Composed By - Joaquín Rodrigo 5:05 1-13 Capricco Daibolico, Op. 85 Composed By - Mario Castelnuovo Tedesco 9:15 1-14 Tonadila For Guitar On The Name Of Andrés Segovia Composed By - Mario Castelnuovo Tedesco 5:10 1-15 Prelude No. 1 In E Minor (From 5 Preludes) Composed By - Heitor Villa-Lobos 4:27 1-16 Prelude No. 3 In A Minor (From 5 Preludes) Composed By - Heitor Villa-Lobos 5:15 1-17 Guitarreo Composed By - Felipe Pedrell* 1:28 1-18 Segovia, Op. 29 Composed By - Albert Roussel 3:01 2-01 Song: "If My Complaints" Composed By - John Dowland 2:07 2-02 The Frog Galliard ("Now, O Now I Need Must Part") Composed By - John Dowland 0:50 2-03 Sarabande (From Suite For Harpsichord No. 4 In D Minor, HWV 437) Composed By - Handel* 3:59 2-04 1. Prélude (From Suite For Violincello Solo No. 1 In G Major, BWV 1007) (Transposed To D Major) Composed By - Bach* 2:20 2-05 4. Tempo Di Bourrée (From Partita For Violin Solo No. 1 In B Minor, BWV 1002) Composed By - Bach* 3:37 2-06 3. Courante (From Suite For Violincello Solo No. 3 In C Major, BWV 1009) Composed By - Bach* 2:59 2-07 3. Gavotte En Rondeau (From Pratita For Violin Solo No. 3 In E Major, BWV 1006) Composed By - Bach* 3:02 2-08 Aria E Corrente Composed By - Girolamo Frescobaldi 6:41 2-09 Sonata In C Minor, K. 11 (L. 352) (Transposed To E Minor) Composed By - Scarlatti* 3:17 2-10 Menuet In G Major (From Nouvelles Suites De Pièces De Clavecin) Composed By - Rameau* 3:39 2-11 Andantino Variato (After Nicolo Paganini) Composed By - Ponce* 7:40 2-12 No. 7 In A Major (From 24 Préludes, Op. 28) Composed By - Chopin* 1:00 2-13 2. Canzonetta (From String Quartet In E-flat Major, Op. 12) Composed By - Mendelssohn* 4:35 2-14 2. Quasi Lento (Preludio) (From The Organist: Seven Pieces In E-flat Major And E-flat Minor) Composed By - Franck* 1:09 2-15 1. Andantino Poco Allegretto (Allegretto) (From The Organist: Seven Pieces In E-flat Major And E-flat Minor) Composed By - Franck* 3:05 2-16 Il Vecchio Castelo (The Old Castle) (From Pictures At An Exhibition) Composed By - Mussorgsky* 4:53 2-17 Melodie (From Lyric Pieces IV, Op. 47) Composed By - Grieg* 3:32 2-18 8. La Fille Aux Cheveux De Lin (The Girl With The Golden Hair) (From Preludes, Book 1) Composed By - Debussy* 2:55 2-19 Prelude No. 4 In E-flat Minor (From 5 Preludes, Op. 16) Composed By - Scriabin* 1:14 2-20 5. Asturias. Leyenda - Preludio (From Suite Española) Composed By - Albeniz* 6:27 2-21 7. Zambra Granadina (From Piezas Caracteristicas) Composed By - Albeniz* 4:46 2-22 Estudio Sin Luz Composed By - Andrés Segovia 2:49 2-23 Danza De Las Hachas (From Fantasia Parra Un Gentilhombre For Guitar And Small Orchestra)
QUEM QUISER TOCAR O ARRANJO QUE DILERMANDO FEZ DE ABISMO DE ROSAS DE CANHOTO,GRAVAÇÃO DE 1968, sem perder nenhum detalhe; deve digitar : “como tocar abismo de rosas dedo a dedo “
thank you very much for sharing this album. the music is great. you know that you will never add the track list and times, but that's ok because you have provided the important thing: the music. let someone else put the track list and start times. you have done plenty by sharing this music. muchas gracias y saludos desde Tokio.
oscar: ¿A qué obra te refieres? Alguien se dignó a poner los títulos y sus correspondientes autores. Por eso ¿a cuál te refieres? Si es el caso de "Sueño", el autor de esa obra es Francisco Tárrega. Muchas gracias.
Seattle opera house.
Winter of ‘78 or nine.
He still wouldn’t use amplification in his concerts.
The audience leaned forward to will the sound from his guitar and his fingers.
It was well worth the effort and this is a lovely memory.
@leonart31 He didn't like Barrios Mangore and obviously didn't play any of his!!
There is an intimacy brought forth by a nylon string guitar (when played by a master); it possesses an uncanny ability to tell a story--a drama. Segovia's command of the tides and dynamics make the instrument both speak and whisper ciphered messages. It's almost ghostly. All the strings and voices from this miniature, wooden symphony can be inferred if you listen carefully. Miraculous pursuit--loved it so much.
Beautifully said!
"This collection of songs reveals not just how good music can be, but how to think about music both as technical musicianship and as art.
A collection of songs arranged and performed by Andres Segovia, this set shows instrumental prowess at its best where it seems more controlled. Most of these pieces came from composers who originally wrote either for guitar or small ensembles, and Segovia laid them out so he could play multiple melody lines on guitar over the length of each song. As a result, these songs are dense in a way that most popular music is not, in that each part relates to the previous material in the piece but seeks to not just complement but expand upon what is there. Melodies grow from a few notes to a full-fledged expression and then modify themselves with material from contrasting voices in each song, creating an effect like reading a great book where every character changes over the course of their adventures while simultaneously influencing the course of that journey. What at first sound like fills and turn-arounds are not spurious material but continuation of the song, with every note played serving some purpose and nothing extraneous or for the sake of showing off. This alone puts the lie to technical music of the current time, where a simplistic song if dressed up in recognized “hard” techniques becomes “technical,” even if those adornments contribute nothing to the song itself. The technical art here is in the writing and arrangement of the music in addition to the performance.
In addition, The Art of Segovia forces us to look at what makes a song - one medium among several for the mental process we call “art” - strike us as great instead of simply adequate plus novel. Each of these songs evokes a feeling that is both unique to the song and can be found in life itself, not a subjective sense but more a subjective perception of the objective translated into a form that any logical mind can process. This transcends the limitations of not only the medium but the human mind itself, creating a commonality based on an accurate view of reality that is nonetheless interpretive, instead of pandering to the lowest common denominator that a crowd would find pleasing. All of the tools of art - rhythm, melody, harmony and phrase - apply themselves to revealing the inner essence of a complex experience, not so much distilling it to a simple statement as walking us through its evolution and reaching a moment of clarity, then allowing it to fade away as we absorb what we have sensed.
As with a great book, a great piece of music reveals something in life that we have not discovered or denied. It shows us the truth within, not creating another surface category, and in doing so makes us consider how this experience is universal to those who invest the time in understanding it. Truth meets us halfway between our perspective and the world. Great art lifts us out of the subjective, transforms the objective through not just the power of personality but the insight of talent, and delivers it to us in a form that re-discovers life with freshness through a vividly accurate portrayal that shows the hidden possibility lurking even within the mundane. When we have that level of expectation for art, the trivial novelty and diehard pandering to comfortingly familiar sounds fades away and instead we seek something of greater clarity, power and ultimately meaning. Naturally this is not popular with record labels, for whom discovering a Segovia each month is impossible, but for those who value their time and want to listen to music that shows the best of what humanity can do, The Art of Segovia gives us a yardstick against which all great albums must compare.
Not all of these will be as technical as Segovia’s playing or the writing of the composers he arranges. They do not need to be. If they uphold the same spirit of discovery and revelation that makes this art so profound, they can do so with fewer musical techniques. But if they do not live up to that understanding of what art and by extension music can be, they sound hollow in comparison to Segovia and stand no chance of comparison."
1. (0:00) Tárrega: Recuerdos de la Alhambra
2. (5:15) Tárrega: Capricho árabe
3. (10:42) Tárrega: Marieta
4. (13:13) Moreno Torroba: Romanza de los pinos
5. (14:59) Moreno Torroba: Madroños
6. (17:55) Moreno Torroba: Serenata burlesca
7. (20:51) Sor: Variaciones sobre un tema de Mozart, Op. 9
8. (28:00) Falla: Homenaje "Le tombeau de Debussy"
9. (30:40) Ponce: Tema, Variaciones y Final
10. (38:38) Tradicional: Canción Mexicana
11. (40:10) Turina: Sevillana
12. (46:10) Rodrigo: Sarabanda
13. (51:14) Castelnuovo-Tedesco: Capricho diabólico, Op. 85
14. (1:00:29) Castelnuovo-Tedesco: Tonadilla (Sobre el nombre de Andrés Segovia)
15. (1:05:40) Villa-Lobos: Prelude Nº 1 en E menor
16. (1:10:07) Villa-Lobos: Prelude Nº 3 en A menor
17. (1:15:22) Pedrell: Guitarreo
18. (1:16:50) Roussel: Segovia, Op. 29
Gracias por enunciar los titulos, los que las oimos sin información, nos falta eso. . .
Thanks for the info ... helpful 🙂
Such a work of thoughtfulness.
I’ve listened to the maestro since I was a little girl. I used to try so hard to play like him!
That distinctive Segovia sound just brings a sweetness to the guitar.
You're right. Except... Segovia always played guitars worth about a hundred thousand dollars today. These are top-of-the-line instruments. A beginner could feel frustrated when he couldn't achieve this effect on a cheap guitar. I understand it now, after many years, having owned a better guitar. Regards.
Es familiar, lejano , mío, y cada vez que sale en cualquier sitio de TH-cam etc. Y ver los cumplidos y todas las cosas bonitas que le dicen , por todo el mundo, me llena de orgullo, llevar su sangre aunque comparta el 0,0 1 % y me emociono , por que yo como el amamos la música, gracias tío por tu legado! 🥰
1. (0:00) Tarrega: Recuerdos de la Alhambra
2. (5:15) Tarrega: Capricho árabe
3. (10:42) Tarrega: Marieta
4. (13:13) Moreno Torroba: Romanzo de los pinos
5. (14:59) Moreno Torroba: Madroños
6. (17:55) Moreno Torroba: Serenata burlesca
7. (20:51) Sor: Variations on a theme by Mozart, Op. 9
8. (28:00) Falla: Homenaje "Le tombeau de Debussy"
9. (30:40) Ponce: Theme, Variations and Finale
10. (38:38) Traditional: Mexican Folksong
11. (40:10) Turina: Sevillana
12. (46:10) Rodrigo: Sarabanda
13. (51:14) Castelnuovo-Tedesco: Capricho diabolico, Op. 85
14. (1:00:29) Castelnuovo-Tedesco: Tonadilla (on the name of Andrés Segovia)
15. (1:05:40) Villa-Lobos: Prelude No. 1 Prelude in E minor
16. (1:10:07) Villa-Lobos: Prelude No. 3 in A minor
17. (1:15:22) Pedrell: Guitarreo
18. (1:16:50) Roussel: Segovia, Op. 29
+Wim de Villiers Thanks, the other track list are fucked up
christoper parkening guitar
thank you!
I have played and learned almost every one of these..Segovia is just the best of interpreters of Classical Guitar of all time...Fantastic...
The mexican folk song is called "La Valentina", performed by Jorge Negrete sounds excellent.
The very first moment that when the sound flows and spreads around the air my mind and body were already captured...
My dad practiced this every night when I was in high school. Beautiful, some nights he really got it right.
Your Beautiful Memories will live throughout Eternity.Thank you for sharing, Bless you both...peace
Such a vivid image. This melody seems made to be played at night indeed
😅Z😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅
What song did he practice?
That’s cool
I heard this precious man at Tulane University the night his twins were born. 1965? I did not move during the entire concert.
a taxi driver in NYC was playing this CD and told me about it , i love it :)
Wow
Sharing is Caring now pass it on...peace
As I was walking one night around 2nd ave I heard a voice singing some wonderful operatic piece and then a taxi driver leaning on his cab and started returning the favor and for me time stopped as I felt the joy of all this happening ...........
Sounds like a moment of Heaven, esp when in NYC...some beauty and peace among the chaos. :)
Thats one cool ass taxista
El maestro de los maestros, don Andrés Segovia.
El maestro Segovia..una gloria d España...gracias...hoy es domingo y al fin volvio a llover x aqui...gracias a Dios..
¡¡¡gruesas gotas lavan un poco el mundo...en consonancia con esta musica casi angelica .gracias ..saludos desde la costa de montevideo..uy
@luisgarabal7910 -- Exactamente! Saludos tambien desde la costa de Mexico.....Acapulco!
My fathers favorite ,Would play his music on his classical guitar ,true true love of his music ,brings back great memories.
Magical feeling....can't stop listening to this music......use to hear it more than 7 years...
Thank you very much for this marvelous upload!
Gotta love Segovia...Just terrific....
Who in holy balls would click unlike on this. Im a metal guitar player and Im absolutely floored by segovia. You better like this or the ghost of randy rhoads will haunt you
1. (00:00) Tarrega: Recuerdos de la Alhambra 2 (5:15) Tarrega: Capricho Arabe 3. (10:42) Tarrega: Ladybug 4. (13:13) Moreno Torroba 5 Romanzo de los Pinos. (14:59) Moreno Torroba: Madroños 6. (17:55) Moreno Torroba: Serenata burlesque 7. (20:51) Irmã: Hum variações sobre o tema de Mozart, Op. 8. 9 (28:00) Falla: Homenaje "Le Tombeau de Debussy" 9. (30:40) Ponce: tema, variações e 10. Finale (38:38) 11. tradicionais Folksongs mexicanos (40:10) Turina: Sevillana 12 (46:10) Rodrigo: Sarabanda 13. (51:14) Castelnuovo-Tedesco: Diabolic Caprice, Op. 85 14. (01:00:29) Castelnuovo-Tedesco: tonadilla (ou apenas Onde Andrés Segovia) 15. (01:05:40) Villa-Lobos: Prelude No. 1 em Preludio Mi menor 16. (01:10:07) Villa-Lobos: Prelude No. 17. Eu terço inferior (01:15:22) Pedrell: Guitarreo 18. (01:16:50) Roussel: Segovia, Op. 29
renato: La obra número 3 se titula "Marieta", es una mazurca. ¿Por qué pones "Ladybug" en tu comentario? Muchas gracias.
Gracias
sublime....thank you maestro Segovia....que ahora tocas desde el cielo.
I just love where I can coming to hear this great music!
So heart-wrenching !!
Wonderful! Thank you for posting!
Pra mim, a melhor interpretação do Recuerdos.......... Bravo Segovia!!!!!!!
Уникален и неповторим остава МАЕСТРОТО!!!
Thank you for sharing!!! Very relaxing and peaceful music 🌺❤🎶
Cuanto lirismo en su interpretación! fantastico.
Thanks for posting and to all for listing songs. Beautiful.
una música que da una tranquilidad y a la vez te llena de energía seguridad y optimismo. Oir al maestro su sonoridad sus libertades el sentimiento la digitación perfecta. Gracias YT.
So gorgeous, cannot get enough... Bravo❤❤❤❤👍
el preferido de mi padre, maestro! tiene todos sus discos en vinilo
💐 🎵
Muy buena muestra de las grabaciones que dejó Andrés Segovia.
The master of the masters....
Exquisite. Thank you for posting. 🧡🧡🧡
Fabulous recording!
this is my study music - thank you OP!
Segovia..Always great..Say no more..He's the man...Superlative..
thank you...Literally, I just enhanced my vocabulary...with Superlative....and I agree. Andres was a monster.....my hightest compliment to brilliant art..jeje. Fair well youtube friend!
Segovia's playing is as close to perfection as humankind can get.
No it isn't. The saints are.
My first love = passion for classic guitar started after listen maestro played RDL Alhambra on radio on Sunday
Nossos ouvidos tomam emprestado da boca o sentido do paladar, para não apenas ouvir, mas, também, beber cada nota delicadamente extraída do instrumento nas mãos do mestre artista.
술을 한 잔 하며 듣노라니 음의 천국이 열리는 것 같소 아 좋소 정말 좋소 곧 새벽 동굴이 열리고 아침이 살금살금 기지개를 켜겠지요 그때까지 홀연히 시간에 기대어 새벽결에 사라지는 먼지같은 기억들을 과거의 구석에 쌓아 놓고 바라보다가 단숨에 날려 버릴 생각이라오 안녕... 시간의 맨바닥엔 그렇게 남겠지요
THANK YOU SO MUCH
The GOAT guitarist, maestro de maestros
thank you! maestro
I love very much The Art of Segovia, 1/2.
1. Recuerdos de la Alhambra - Francisco Tárrega (00:00)
2. Capricho árabe - Francisco Tárrega (5:14)
3. Marieta, mazurka - Francisco Tárrega (10:41)
4. Romanza de los piños - Federico Moreno Torroba (13:11)
5. Madroños - Federico Moreno Torroba (14:57)
6. Serenata burlesca - Federico Moreno Torroba (17:54)
7. Introduction, Theme, & Variations on a Theme From Mozart's "The Magic Flute, ", Op. 9 - Fernando Sor (20:50)
8. Homenaje pour "Le tombeau de Claude Debussy", G. 56 - Manuel de Falla (28:00)
9. Thème, Varié et Finale - Manuel Ponce (30:40)
10. Canción popular mexicana No.3, La Valentina - Manuel Ponce & Jorge Negrete (38:38)
11. Sevillana, fantasia, Op. 29 - Joaquín Turina (40:10)
12. Zarabanda lejana, ("Homenaje a Luis de Milán") - Joaquín Rodrigo (46:10)
13. Capriccio diabolico, ("Omaggio a Paganini"), Op. 85 - Mario Castelnuovo-Tedesco (51:13)
14. Tonadilla on the Name of Andrés Segovia, Op. 170/5 - Mario Castelnuovo-Tedesco (01:00:28)
15. Prelúdio No. 1 in E Minor, A. 419/1 - Heitor Villa-Lobos (01:05:38)
16. Prelúdio No. 3 in A Minor, A. 419/3 - Heitor Villa-Lobos (01:10:05)
17. Guitarreo - Carlos Pedrell (01:15:21)
18. Segovia, Op. 29 - Albert Roussel (01:16:49)
how kind of you to do this; thank you so much 🙏🏼
Гениальная музыка и гениальный исполнитель!
@@user-lr9sb7uv9d one of the greatest classical guitar albums of all time!
mil años y siempre será genial el intérprete y el autor
Segovia, you legend. Makes the guitarists stop and take note!(s?)
Spectacular, Spectacular!
THANK YOU so much!!!
Best Relaxing Classical Baroque Music For Studying & Learning - Las Obras Mas Importantes y Famo
Tuyệt vời ... 50 năm được nghe lại ...
Segovia playing the Alhambra, like heaven.
perfection
1 Recuerdos de la Alhambra, for guitar - Francisco Tárrega & Andrés Segovia (5:16)
2 Capricho árabe, for guitar - Francisco Tárrega & Andrés Segovia (5:26)
3 Marieta, mazurka for guitar - Francisco Tárrega & Andrés Segovia (2:29)
4 Romanza de los piños, for guitar - Federico Moreno Torroba & Andrés Segovia (1:46)
5 Madroños for guitar - Federico Moreno Torroba & Andrés Segovia (2:56)
6 Serenata burlesca - Federico Moreno Torroba & Andrés Segovia (2:55)
7 Introduction, Theme, & Variations on a Theme From Mozart's "The Magic Flute, " for guitar, Op. 9 - Fernando Sor & Andrés Segovia (7:10)
8 Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 - Manuel de Falla & Andrés Segovia (2:39)
9 Thème, Varié et Finale for guitar - Manuel Ponce & Andrés Segovia (7:57)
10 Canción mexicana No. X - Manuel Ponce & Andrés Segovia (1:32)
11 Sevillana, fantasia for guitar, Op. 29 - Joaquín Turina & Andrés Segovia (5:59)
12 Zarabanda lejana, for guitar ("Homenaje a Luis de Milán") - Joaquín Rodrigo & Andrés Segovia (5:04)
13 Capriccio diabolico, for guitar ("Omaggio a Paganini"), Op. 85 - Mario Castelnuovo-Tedesco & Andrés Segovia (9:14)
14 Tonadilla on the Name of Andrés Segovia, for guitar, Op. 170/5 - Mario Castelnuovo-Tedesco & Andrés Segovia (5:10)
15 Prelúdio, for guitar No. 1 in E Minor, A. 419/1 - Heitor Villa-Lobos & Andrés Segovia (4:27)
16 Prelúdio, for guitar No. 3 in A Minor, A. 419/3 - Heitor Villa-Lobos & Andrés Segovia (5:14)
17 Guitarreo, for guitar - Andrés Segovia & Carlos Pedrell (1:27)
18 Ségovia for guitar, Op. 29 - Albert Roussel & Andrés Segovia (3:00)
Thank you!
Claire Bielka: ¿Por qué después del título de cada obra y su compositor, agrega "& Andrés Segovia", como si Segovia fuera también el compositor?. Eso confunde al lego en la materia. Desde luego Segovia es el ejecutante en este vídeo, por lo tanto está demás agregar a Segovia en cada una. La única obra propia de Segovia, que yo conozco, es "Estudio Sin Luz", que aquí no está incluida. Muchas gracias.
Thank you!!!!!!
My first segovia album! Lost it! Thanks for posting lol
Oder CD on Amazon I have it...:) peace
Thank you so much
Musica excelente!
Great song by a great artist
OMG, I started smiling from first chords.
Magnifico¡¡
This is a great album! Nice and clear too.
🦆 🌺
😅😮😅😮
bravo - for Segovia adore his loved music like of the old foreign movies
I really need to spend more time with this man...
So good.
The sound quality superb, not always in Segovia recordings. You can trust in DG!
I have a CD on Segovia's best. It's so beautiful. Very Spain! Will never be another.
Quite Andalusian too😉
Bravo!
Recuerdos de la alambra muy bella pieza musical.
ENORME BELLEZA .-.-
I need a man like Segovia in my life! WHERE ARE YOU! :) peace
Bobby Womack was a great Guitarist he loved Segovia I do 2 ❤
I dont want any damn vegetables
Ha i came from that too
Same
My getaway to peaceful day
Tres bien merci....
My favaroite music
se você não conseguir chorar agora com essa beleza...então nunca mais iras chorar..
were e
There are great violinists and great pianists and you just can't say who is the best. But in guitarists, you say Segovia is the best and few will argue with you.
No idea about piano, but i dont think anyone is going to disagree if you said that Jascha Heifetz is the best recorded violinist.
A lot of people argue Perlman with Heifetz
There is no best. What makes them better for a particular style is often a weakness when playing other types of music. Some of Segovia's pieces are wonderful while others do not compare well with current versions. Julian Bream's Bach was amazing but his style and tempo did not perfectly match other types of music. etc, etc. etc. Current guitarists have a more advanced technique and some of them are also great musicians. The guitar has progressed more than other instruments since the XX century but that is because it was behind the times when compared to the piano or violin.
+Frederick
u said that that so well...the main distinguishing quality of his playing...emotional language...so vastly superior to technical accuracy!
They are playing music, not religion. It is a pity that you would allow that to bother you.
It is the grace.
That tremelo technique is unmatched😳
1-01 Recuerdos Da La Alhambra
Composed By - Francisco Tárrega
5:16
1-02 Capricho Árabe (Serenata Para Guitarra)
Composed By - Francisco Tárrega
5:27
1-03 Marieta (Mazurka Para Guitarra)
Composed By - Francisco Tárrega
1-04 Romance De Los Pinos
Composed By - Federico Moreno Torroba
1:46
1-05 Madroños
Composed By - Federico Moreno Torroba
2:57
1-06 Serenata Burlesca
Composed By - Federico Moreno Torroba
2:55
1-07 Tema Con Variaciones (On A Theme From Mozart's "The Magic Flute"), Op. 9
Composed By - Fernando Sor
7:10
1-08 Homenaje: Pièce De Guitare Ècrite Pour «Le Tombeau De Claude Debussy»
Composed By - Manuel De Falla
2:39
1-09 Theme, Variations & Finale
Composed By - Ponce*
7:58
1-10 Canción Mexicana No. X
Composed By - Ponce*
1:33
1-11 Sevillana, Op.29
Composed By - Joaquín Turina
6:00
1-12 Sarabanda
Composed By - Joaquín Rodrigo
5:05
1-13 Capricco Daibolico, Op. 85
Composed By - Mario Castelnuovo Tedesco
9:15
1-14 Tonadila For Guitar On The Name Of Andrés Segovia
Composed By - Mario Castelnuovo Tedesco
5:10
1-15 Prelude No. 1 In E Minor (From 5 Preludes)
Composed By - Heitor Villa-Lobos
4:27
1-16 Prelude No. 3 In A Minor (From 5 Preludes)
Composed By - Heitor Villa-Lobos
5:15
1-17 Guitarreo
Composed By - Felipe Pedrell*
1:28
1-18 Segovia, Op. 29
Composed By - Albert Roussel
3:01
2-01 Song: "If My Complaints"
Composed By - John Dowland
2:07
2-02 The Frog Galliard ("Now, O Now I Need Must Part")
Composed By - John Dowland
0:50
2-03 Sarabande (From Suite For Harpsichord No. 4 In D Minor, HWV 437)
Composed By - Handel*
3:59
2-04 1. Prélude (From Suite For Violincello Solo No. 1 In G Major, BWV 1007) (Transposed To D Major)
Composed By - Bach*
2:20
2-05 4. Tempo Di Bourrée (From Partita For Violin Solo No. 1 In B Minor, BWV 1002)
Composed By - Bach*
3:37
2-06 3. Courante (From Suite For Violincello Solo No. 3 In C Major, BWV 1009)
Composed By - Bach*
2:59
2-07 3. Gavotte En Rondeau (From Pratita For Violin Solo No. 3 In E Major, BWV 1006)
Composed By - Bach*
3:02
2-08 Aria E Corrente
Composed By - Girolamo Frescobaldi
6:41
2-09 Sonata In C Minor, K. 11 (L. 352) (Transposed To E Minor)
Composed By - Scarlatti*
3:17
2-10 Menuet In G Major (From Nouvelles Suites De Pièces De Clavecin)
Composed By - Rameau*
3:39
2-11 Andantino Variato (After Nicolo Paganini)
Composed By - Ponce*
7:40
2-12 No. 7 In A Major (From 24 Préludes, Op. 28)
Composed By - Chopin*
1:00
2-13 2. Canzonetta (From String Quartet In E-flat Major, Op. 12)
Composed By - Mendelssohn*
4:35
2-14 2. Quasi Lento (Preludio) (From The Organist: Seven Pieces In E-flat Major And E-flat Minor)
Composed By - Franck*
1:09
2-15 1. Andantino Poco Allegretto (Allegretto) (From The Organist: Seven Pieces In E-flat Major And E-flat Minor)
Composed By - Franck*
3:05
2-16 Il Vecchio Castelo (The Old Castle) (From Pictures At An Exhibition)
Composed By - Mussorgsky*
4:53
2-17 Melodie (From Lyric Pieces IV, Op. 47)
Composed By - Grieg*
3:32
2-18 8. La Fille Aux Cheveux De Lin (The Girl With The Golden Hair) (From Preludes, Book 1)
Composed By - Debussy*
2:55
2-19 Prelude No. 4 In E-flat Minor (From 5 Preludes, Op. 16)
Composed By - Scriabin*
1:14
2-20 5. Asturias. Leyenda - Preludio (From Suite Española)
Composed By - Albeniz*
6:27
2-21 7. Zambra Granadina (From Piezas Caracteristicas)
Composed By - Albeniz*
4:46
2-22 Estudio Sin Luz
Composed By - Andrés Segovia
2:49
2-23 Danza De Las Hachas (From Fantasia Parra Un Gentilhombre For Guitar And Small Orchestra)
This first work is not Capricho Arabe" but "Recuerdos de la Alhambra," both composed by Francisco Tarrega.
John Williams claims Segovia would bully students to play identical to himself and was a musical snob.
Great post 😊
bravo. Andre Segovia.
Estou começando a ouvir Segovia !!!Anderson Ricquie Santos souza!!!!
Бесподобно!!!
QUEM QUISER TOCAR O ARRANJO QUE DILERMANDO FEZ DE ABISMO DE ROSAS DE CANHOTO,GRAVAÇÃO DE 1968, sem perder nenhum detalhe; deve digitar : “como tocar abismo de rosas dedo a dedo “
JUST LISTEN
Thanks for sharing this great album.
Have you also auploaded the second CD? I can't seem to find it at your channel...
I am happy about you, guys, who listening that real stuff imstead of pop shit, like the most of scoollars do. Love from Russia.
thank you very much for sharing this album. the music is great. you know that you will never add the track list and times, but that's ok because you have provided the important thing: the music. let someone else put the track list and start times. you have done plenty by sharing this music. muchas gracias y saludos desde Tokio.
no ads. thumbs up big time
Erxcelente!!! Salud. .
da vontade de chorar ou rir diante da beleza
Unico!
we fly
on this recording you can hear how good he was many youtubes recordings dont show this
Música de sueño, perfecta interpretación del Maestro. Parece confuso, más de una vez quien es el autor. Esta claro que el intérprete es Segovia.
oscar: ¿A qué obra te refieres? Alguien se dignó a poner los títulos y sus correspondientes autores. Por eso ¿a cuál te refieres? Si es el caso de "Sueño", el autor de esa obra es Francisco Tárrega. Muchas gracias.
part 2 will be uploaded: never
............................
@@VaggosWho go to bed
At least we got some damn vegetables
Segovia hace llorar a la guitarra.