Bill Frisell Trio live | Leverkusener Jazztage 2023 | Jazzline
ฝัง
- เผยแพร่เมื่อ 31 ม.ค. 2024
- Besetzung
Bill Frisell - guitar
Thomas Morgan - bass
Rudy Royston - drums
Er wirkt oft schüchtern, ist zurückhaltend, diskret - und der Klang seines Instruments ist so zart wie schwebend. Kaum einer spielt die Gitarre so leise wie Bill Frisell, er ist der „Power-Flüsterer“ mit den sechs Saiten - und die Töne, die er spielt, sind so filigran wie eindringlich. In seiner über vier Jahrzehnte andauernden Karriere hat sich Bill Frisell zwischen Jazz, Filmmusiken, Pop und Neuer Musik ein unverwechselbares Profil erspielt; er ist ein stiller Star mit einem eigenen, charakteristischen Klang, der zwischen Innehalten und Intimität changiert.
📷 Thumbnail-Foto von Rainer Leigraf
#BillFrisellTrio #LeverkusenerJazztage #Rockpalast
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Setlist
1. Keep Your Eyes Open 00:01
2. Blues From Before 10:45
3. My Man´s Gone Now 25:00 (George Gershwin)
4. Follow Your Heart 35:33 (John McLaughlin)
5. Lush Life 46:53 (Billy Strayhorn)
6. Shenandoah 1:00:12 (Traditional)
7. You Only Live Twice 1:01:19 (John Barry)
8. What The World Needs Now Is Love 1:13:10 (Burt Bacharach)
Thank you!
Thanks! You should work for Bill Frisell.
He needs people like you!
I remember doing a masterclass with him... he started by saying what do you want me to teach you?? Music cannot be really learned in the books either you got it or not.. was about 17 years old and did not really pay attention to it. What an artist.
Bill is THE American guitar player. His singular style is a reflection of likely EVERY American type (and style) of guitar music - from the 19th century through tomorrow! GENIUS! 😎
I’ve seen Bill a number of times in concert. There’s always these celestial, transcendent moments where time stops and you just get lost luxuriating in the musical world he and his cohorts create. It is something no video will ever quite capture, but this is still an impeccably recorded performance.
Mind-blowing what this man gets out of a simple E major chord.
The return of trios makes me happy cause I played a lot, improvising on some tunes or creating new ideas that went in the air. We didn't have anything that could record the ideas but it's in my heart. Btavi tutti 👍🍀 Trio is the best starting point to become an improviser. Take care ✌️
Bill can play one note and you know it’s Bill. Not many musicians that have that kind of identity. A totally unique voice.
1000%❤🎉😊 I could name his tone in 1 note!
Completely agree that’s SOUND.
Bill is becoming more and more intimate. Also “closer” to Bass and Drums. The one and the only! ❤
Bill Frisell is a dream in my soul.❤🎉😊 at 70 min. ♾️
Finally see Bill for the first time in a few weeks. I’m pretty giddy!
Hey. So? How did it go? Giddiness levels?
the interplay with the bass and the drumset is fantastic
Electrifying. Real buzz and spark, and firm snaps and all around great grooves in this showing. Love these guys!
This man and his unique musical language.....the lonely special phrasing....awesome....
Thank you so much WDR for sharing this performance. Bill's trio is always amazing. His Shenandoah is, once again, mind-blowing.
Amazing. Restores my faith in humans.
Yes, there is another way!
Bill's playing is as clean as it has ever been! great to hear that
Great performance by the whole band, I truly love Bill's music, he's so unique, just on another level, always a great pleasure to listen, thanks for the recording, well done!
Elegant "out side" frases and contemporany harmony , congratulations!!!
Those moments of Follow your heart were great
Brilliant. And still under appreciated. Bill should have a MacArthur by now. Saw him first at the late, great Du Maurier Jazz Festival 1985 in Vancouver BC with his quartet including Hank Roberts, Kermit Driscoll, and Joey Baron. And seen him dozens of times since in any number of settings. Shows at the Vanguard with Joe Lovano and Paul Motian are particularly memorable as is the trio with Tony Scherr and Kenny Wolleson. Or the quartet with Curtis Fowlkes, Ron Miles, and Eyvind Kang. Or the band with Don Byron. And on and on. Or the Marvels with Charles Lloyd. And on and on. His invention is endless and is spirit is completely remarkable. So much joy in his playing. Bill moved to Seattle, my hometown, 1990 or so. There was a time in the mid-90’s or so when he eased up on his touring and performed locally a lot with his bluegrass band the Willies and performed his Nashville material. A golden era. He moved to Brooklyn in 2014 or so (when I retired and moved to Mexico) but I still manage to see him once or twice a year. Occasionally here in Mexico or stateside or Europe. I did catch the show in San Antonio 2018 with Charles Lloyd and Thomas Morgan released on Blue Note as The Chapel Trio. It’s been an unforgettable journey. A remarkable musician and one of the nicest people on the planet. This trio with Rudy and Thomas is remarkable. Thanks for posting!
I’ve been lucky enough to see Bill six or seven times over the last twenty years or so in various configurations. He never disappoints but I guess some won’t be happy until he plays “ freebird” or something.
Man, i love Bill
Bill siempre, cada día, cada vez mejor!!!!!!!
Super jazz!
My brother and my friends say his music is boring. I find his music fascinating and relaxing. Been lucky enough to see him three times in different line ups. He and whoever he is playing with are top notch.
Yes it is sooooooo boring! And this band doesn’t work properly. Something is off.
@@vintagepipesnightmaresyes something is off and I like it alot
@@symbolkid
A lot of people like ugly things so I have no problem with that.🤷♂️
I also think this is not a good band . I like Bill but this…nope
well i prefer thinking positive. it's maybe not the most inspired of their performances. but I like their usage of space. if you want more tension or complexity, there're plenty of bands around
The sophistication of his playing... incredible! Moving from picking at the neck, then at the bridge, different sounds talking to each other like an orchestra of several members. Just incredible. A genius like very very few. Hats off!
Infinite fusion is irresistible!!!! Wow!!!!
🙏❤️🌏🌿🕊🎵🎶🎵
He still has the child well kept inside him
Awesome
Bill’s fantastic as usual…I was surprised by how good John Oliver is on bass
-:)
Yes, it's in✌️
I'm not the only one who hears like 3/4ths of Miles' 'In a Silent Way' up front on the opening?
Powerful
Maravilloso.
It’s jazz ……..but not as we know it Jim! I’d love to talk to bill about how he sees / hears / feels music. He has such a unique way of phrasing and can turn a melody into a game of cat and mouse for the listener and a unique sound ( on a freakin’ telecaster …………. In a jazz band!!!!!!!) this is going Straight to the top of my favourites
Благодарю...
Grandi musicisti, ha portato la Tele👍
danke
Looks like Julian Lage gets most of his inspiration from Bill
Gary Burton & Jim Hall too
que belleza
I feel a strong Gábor Szabo influence.
Yes, which makes sense after hearing Bill talking about seeing and probably listening to those 60's Charle Lloyd records. Love Gabor!
Stress be gone.
If you want to hear a quintessentially good sounding Jazz Drumset- 21:00 fantastic solo.
It's the Fender. Dual tone on that one? 56 Jazzaldia (2021) was another superbly striking show from the three, but Frisell played a Gibson, if I recall correctly. A few string-catches to this; he's clearly not as comfortable on the Gibson, methinks.
Did I say in another comment how much I love Frisell? His music and mind... that is. His wife need not worry. ;)
Plus, two more years of playing together... works magic, that, I hear.
Anything but exciting ? It's not about excitement....its about CONTEMPLATION.
Rudy.
What's the name of the first song? Tks!
Keep Your Eyes Open?
Keep Your Eyes Open !
Try 1.25 speed. Try it.
mamma mia, che bomba...
I love the approach, and Bill's tone which isn't everybody's cuppa, but, John Oliver on bass is a surprise;)
😂😂😂😂😂
I thought it was Graham Coxon.
Extrapolation Review🙏🙏🙏
Although the drummer is fabulous, the absence of Kenny is known. Either way, I love listening to this trio.
I've never loved Royston's playing with Frisell. Kenny's great but nobody comes close to Baron IMO
The few times I've heard him with Blade it was also quite magical
For me it’s Kenny all the way
Its what he doesnt play that amazes me. Everything is soooo on purpose.
He seems to have a thing against using upstrokes. I wonder why?
He doesn't need them.
Drummers correct me, but Rudy tunes his drums differently than anyone else...
I just don't, well, know.
Ese baterista es demasiado ruidoso, perjudica la música tan sutil que interpreta ese señor.
Questo è Jazz. La batteria parla come gli altri. Il mix è sempre difficile senza aiuti tecnici. Tre persone che creano e a tratti ti toccano il cuore e puoi viaggiare con loro. Concerto live, chiudi gli occhi e lasciati portare. Provare per credere.✌️
Sounds like nothing ever happens, it's just an infinite "vibe". I like Frisell, but...
Looks like Bill wasn't much inspired that night.
Sorry, don't grok. It's a bit Lenny Brau (noodling) to me. Thanks for the upload though :)
I was expecting something more… I can’t feel good vibes or emotions…🤷🏻♂️.. sorry… boring..
Well...I sincerely hope you feel something at some point. Maybe try the Ginger Baker Trio with Frisell back in the 90s. If that doesn't spark your interest then I'm guessing nothing in Bill's catalog will impress you. Keep searching ti ll you find it...
@@peterzernzach1563 well, I remember I liked his album (🤔) with a country/jazz (let me say) version of Moon River, I liked Bass Desires with Johnson, Scofield….but here.. 🙁. Thanks, I’ll check that trio 👍🏼👋🏼
Only serious guitar players and serious musicians understand this high-brow music. If you're bored with this music, you simply haven't evolved to Bill' level. I'm not faulting you here, it's just reality.
@@jayumble8390 that’s your opinion. Reality concerns just about Bill’s sounds, not how we taste them. You should suggest to festivals to put “just for evolved musicians” at the entrance…
Your 2nd sentence is quite nebulous...perhaps intended?? I do love your 3rd sentence though! I'm trying to come up with a great response...hmmm. perhaps the festival sign should say..."if you aren't hip to quality, turn around and head home". @@francescodefendi3201