Böhm is the Master when it comes to Mozart. It's almost like a pairing -- Karajan for Beethoven, Böhm for Mozart. -- Just look at that control in the menuetto: Karajan just can't manage it. He slaughters the movement the way Beethoven slaughters music :-)
@@AALavdas That’s nice to hear! -About the analogy: It’s a complex construct of my imagination, so talking only about Karajan, I’m pointing at: Brusqueness. Purposefulness over contemplation. Focus. Obsession. Ah, *mission*. Beethoven... I think it was Rosen who wrote that in the last few years, Beethoven began writing music that “made a point” (my words; I can’t remember Rosen’s sentences)-to such an extent that in the late sonatas, the first two (or three) movements only serve as preludes to the finale. -That changed with the late quartets, of course.
![Mozart - Symphony No. 25 in G minor, K. 183 [complete]](/img/n.gif)
Karl Bohm inspired me to fall in love with Mozart since I was young.
Wolfgang Amadeus Mozart e' una divina creatura di DIO.
Best performance of Mozart music EVER!!!
Sinfonia n 25 superba e delicata come una scultura del Canova.
masterpiece
Assoluto Mozart.
Three people clicked "thumbs down". One has to feel sorry for them.
I guess that's because in some cultures `thumb down" means 'good'! :)
This is the best performance EVER!!!
They probably objected to Bohm being an enthusiastic, card-carrying member of the Nazi party!
やはりモーツァルトを振らせるならベームの右に出る指揮者をそうそういまい。
正に横綱の名演❗️ピリオドにはこの風格は難しいと思います❗️
♥️🎼
やはりモーツァルトを振らせるならベームの右に出る指揮者をそうそういまい。......me too !!
Ads at the beginning and at the end, okay, I understand. But DURING the music? You interrupt Mozart with ADS?! Nope, I’m out.
Böhm is the Master when it comes to Mozart. It's almost like a pairing -- Karajan for Beethoven, Böhm for Mozart. -- Just look at that control in the menuetto: Karajan just can't manage it. He slaughters the movement the way Beethoven slaughters music :-)
I absolutely agree in what you say: Karajan for Beethoven, Böhm for Mozart. I am not sure I get the last bit!
@@AALavdas That’s nice to hear! -About the analogy: It’s a complex construct of my imagination, so talking only about Karajan, I’m pointing at: Brusqueness. Purposefulness over contemplation. Focus. Obsession. Ah, *mission*.
Beethoven... I think it was Rosen who wrote that in the last few years, Beethoven began writing music that “made a point” (my words; I can’t remember Rosen’s sentences)-to such an extent that in the late sonatas, the first two (or three) movements only serve as preludes to the finale. -That changed with the late quartets, of course.
Absolutely agree ❤