Piazzolla: Primavera Porteña - Christ Habib, Guitar

Las cuatro estaciones porteñas is a set of four tangos that Piazzolla originally wrote for a small ensemble he led while he was in Buenos Aires.
The ensemble consisted of violin, piano, electric guitar, bass and bandoneon.
There are four tangos, which represents a different season. Here is the Spring (Primavera porteña), arranged by none other than Sergio Assad.
Transcription by Sergio Assad
Audio and video by Drew Henderson
Guitar made by Douglass Scott, cedar top 2017
Strings by Savarez Alliance
Recording was done in Toronto, Canada.
#Tango #Piazzolla #classicalguitar #غيتار
#تلعب

[@mmmicroplastics]

world class

[@hafid371]

Magnifique interprétation !! Bravo ♥

[@andresimony1634]

Génial! 👍 Tout ce que j’aime! 👏👏👏

[@martin.verreault.musique]

Belle drive ! Tout un jeu clair et précis.

[@mrticarriere]

Solide mon Christ!!🙌

[@EricHendersonGuitar]

Elegant and impeccable phrasing. Thank you for adding to the culture of concert guitar with your excellent performance of this piece.

[@christhabib]

Thank you so much! Really happy that you enjoyed it!

[@OttawaGuitarTrio]

Man, c'est une interprétation du TONNERRE!

[@LucianoClassicalGuitar]

So good

[@christhabib]

Thanks a lot Luciano! It’s such a wonderful piece to play!

[@someykoku]

So beautifull, can`t stop listening. Hope to hear more of your playing

[@ChelseaArTunez]

You're seriously brilliant ⚘⚘⚘⚘⚘⚘⚘

[@chrisvione]

Wow amazing Christ

[@christhabib]

Merci beaucoup Christian!

[@DimickeLeMasson]

What amazing playing Christ! Such a great upload!

[@samuellarochepage]

Excellent Christ! Ma version préférée était celle de Vladimir...., maintenant c'est rendu la tienne! Gros LOVE

[@christhabib]

wow merci beaucoup Samuel!!

[@michaelvascones6787]

Sounds so good Christ

[@christhabib]

Thank you so much Michael!

[@ChandlerDillingham]

So beautiful, Christ!

[@christhabib]

Thanks a lot buddy!

[@ChandlerDillingham]

@@christhabib I am back to express how great this is. Hope you're well!

[@christhabib]

@@ChandlerDillingham thank you so much! Hope that you’re well too!

[@nikosz66]

Wow, perfect ! Bravoo !

[@thibaudenis1]

Le son est excellent. Bravo Christ.

[@christhabib]

Merci beaucoup Denis!

[@ryanlarson9969]

You nailed this, great playing and dynamics!

[@christhabib]

Thanks a lot!

[@eliasnasr6634]

Amazing!!

[@christhabib]

Thanks Elias!

[@suzieauclairguitar]

Mais quel jeu ! Wow. J'ai adoré ton interprétation.

[@christhabib]

Merci beaucoup Suzie!

[@TimBeattie]

Great playing, Christ!

[@christhabib]

Thanks Tim!

[@thatcherharrison]

Masterful performance, as per usual, Christ! I have heard many interpretations of this piece, and this is as good as any I have heard. If you do not mind my asking, why do you adopt a flamenco-esque sitting position when playing this piece? Do you find that it helps you get a certain effect that would be harder to achieve with the more conventional sitting position for classical guitar?

[@christhabib]

Thank you for you wonderful words Thatcher! This is a great question actually! There are two reasons for playing in this sitting position opposed to the normal classical position from my other videos. I wanted to be original with the sitting position as I find that this piece doesn't need to be played in a serious classical way and for the second reason, I was very tired during the recording session and this was the last piece, so I opted for an easy, comfortable position that is easier somehow, in this piece, to play fast passages without tension in the right hand as opposed to the classical position for me. Hope that this answers your question!
Cheers
Christ

[@thatcherharrison]

@@christhabib Thanks for your answer; it makes a tremendous amount of sense. Obviously, whatever you are doing seems to be working... :)