One tiny thing for anyone a little unsure about where to set threshold. In the video, he makes a small correction to make sure the compressor isn't doing "too" much. My tip: do what sounds good to you. If you feel high compression sounds nice, do that. It's your sound.
Guido sharing his favorite settings - skip intro: 2:20 • Masterclass with Guido: Learn how to Mix and Master your own Production from Start To Finish ➤ bit.ly/pml_s_courses_mixing_guido Check out more from Guido ➤ th-cam.com/users/Catandbeats Sample Pack: Deep Premium V2 Drum Pack ➤ bit.ly/pml_s_deeppremium2 Ableton Project File: Summer Vibes Pop (Playing in part 2 of video) ➤ bit.ly/pml_s_tmp_summervibespop
If you like the compression but it takes away to much low end, a small boost with for instance a pulltech eq át 30 or 60 hz helps a lot for me, instead of the wet/dry :) Doesnt need to be more than 2-3 dbs of gain.
Threshold is not "how far to turn it down". Threshold sets the trigger for the compressor, i.e. "when the signal exceeds this dB level, begin reduction according the Ratio and the Attack". The ratio tells the compressor how far to turn it down (for every [x]dB that breaches the threshold, only 1dB will get through).
thanks man.. was trying to get a regular compressor to work on my drums and it just wasn't right. glue compressor is the ticket. crazy how much better it sounds in/out of the mix
I have bought a lot of PML templates, courses and follow you guys at Instagram. Thanks for all the content, everyday I learn something new. Keep up the good work!
Thank you for the awesome tutorial.. would this also be applicable to say like a layered arp trance lead or other elements on a group channel of layered sound of a track as well that you would like to tone down / glue together a bit via compression yet still have dynamic range?
Dude maybe I just don't have the mixing/listening skill yet but jesus christ I could literally hear no difference between the compressor being on versus off
great video, but how come you didn't play it at the end with the Glue on the master? Would have liked to hear the difference. overall though, more of you please
Great tutorial about Compression, i enjoyed it! Do you have any recommendations for a good soundinterface? I have Scarlet 2in1 and want something better sounding. Thx!
For a better playback I would first suggest investing time in acoustic treatment (check John Brandt) or a good set of headphones like the HD 650's with Sonarworks. If you are looking for mic pre's I suggest moving your mic closer to the instrument you are trying to record or buying an appropriate mic. All in all, the scarlet is really not a bad interface and you have a few amount of factors to address before you get a new interface :).
great tutorial...Do u (or anybody else) have ever notice the glue compressor's ratio knob working the opposite of how it should? Like a 2:1 ratio having MORE gain reduction than a 10:1 ratio? Whenever I have the glue compressor's threshold set to a setting where the gain reduction is less than 5db roughly, the ratio knobs seems to be wired in reverse. Its only when I squash the signal that the ratio knob seems to be working correctly, and all of a sudden a 2:1 ratio will give me less GR than a 10:1 ratio. I can't for the life of me understand why when I"m getting 5db or less of GR (which of course is what I'm usually gonna want) the ratio knob gives me LESS GR when I set it to 10:1....I'm soo confused, I feel like I'm in the twilight zone..heres a screen capture of it doing this: drive.google.com/file/d/1ZzrZQRZGyu8zGdC0ToUr8HcA7kqnNxH7/view?usp=sharing
I know I'm late but basically since the glue compressor was based on some analog compressor from back in the day, they duplicated the feature of old analog compressors which was that lowering the ratio actually lowers the starting point of the threshold. TBH I really wish they hadn't done that.
@@keithmiller597 It's crazy that I have to find out a critical detail like that from TH-cam comments. Didn't learn much from the video tbh, but this realization is blowing my mind. So changing the ratio also lowers the threshold on the glue compressor... They should have made that more obvious, wtf.
14:04 WHY is the beat boxing better than the overall song ?!?!? should have used that as a track instead !!! "Don't look at the numbers..FEEL it....but if you have to know the magic number is 5" LMFAO XD this tutorial was amazing
Do you always sertyour Release time fast to the 0 mark every time you compress your drum group? Also would you recommend Ratio = 2 always and not 4 for glueing the drums ? Is ration = 2 your preference? thanks
Best for drum buss is either 3:1 or 4:1 with slow attack to let the kick transient through and quick release . Set your threshold so you get 2-3 dB of compression tops then match the input volume with the make up volume. Search hanns beiger drums, top German engineer shows you the best way. Alternatively to this you can use a high ratio so its basically limiting with a very low threshold, smash the drums and blend it In parallel with a dry drum signal
One of the best compression tutorials I've come across! Would have been good to know what db level your drums should be at for this to work best, Haha, Still a great tutorial!
I hear absolutely no difference also not on the whole track example. I still don't understand what it does. It pushes volume down, ok but how does pushing volume down "glue" a track together?
Great video as always, thank you ! Can you tell me how you get the audio from your Mac in Obs please ? I can't find this option, I only have my Scarlett inputs... Thx
Attack up release down to get the first transient of the drum hits to come through. For parallel compression try fast attack (all the way left and fast release).. Slam it and use the dry wet knob till you feel it sits nice.
I noticed that the utility in the effect chain of the drum bus is in the beginning and boosting the volume. As far as I can see on the audio meters on the chain that there is clipping. I would put the gain to the end of the chain. Also, the threshold on a compressor is the threshold where the compression gets activated. Otherwise, thanks for the great tutorial. I do some micro-production tips on my Instagram: instagram.com/psiger_records/ hope to see some of you guys there! Cheers 🤗
When you're mixing busses and masters - less is more. You shouldn't be slapping 70/80 wetness. Only use enough to make it sound uniform and pop. Unless you're trying to warp that shit. Then go crazy.
One tiny thing for anyone a little unsure about where to set threshold. In the video, he makes a small correction to make sure the compressor isn't doing "too" much. My tip: do what sounds good to you. If you feel high compression sounds nice, do that. It's your sound.
Guido sharing his favorite settings - skip intro: 2:20
• Masterclass with Guido: Learn how to Mix and Master your own Production from Start To Finish
➤ bit.ly/pml_s_courses_mixing_guido
Check out more from Guido
➤ th-cam.com/users/Catandbeats
Sample Pack: Deep Premium V2 Drum Pack
➤ bit.ly/pml_s_deeppremium2
Ableton Project File: Summer Vibes Pop (Playing in part 2 of video)
➤ bit.ly/pml_s_tmp_summervibespop
In 10 years of learning production, that is the best explanation of a compressor that I have ever seen or heard.
This guy needs to do more tutorials. The beatbox at the end was good, too.
Thanks for this clear intro to the Glue Compressor, it's cleared up some questions I had about it.
If you like the compression but it takes away to much low end, a small boost with for instance a pulltech eq át 30 or 60 hz helps a lot for me, instead of the wet/dry :) Doesnt need to be more than 2-3 dbs of gain.
Threshold is not "how far to turn it down". Threshold sets the trigger for the compressor, i.e. "when the signal exceeds this dB level, begin reduction according the Ratio and the Attack". The ratio tells the compressor how far to turn it down (for every [x]dB that breaches the threshold, only 1dB will get through).
^^ This. 100% this. I pretty much stopped watching after that.
I know but, he went kinda like "threshold for dummies" considering the ratio not being there(or constant) in that part didn't he?
He knows that as well... stop being smart ass
THANKS
Fr thanks
the clap sounds super nice
thanks man.. was trying to get a regular compressor to work on my drums and it just wasn't right. glue compressor is the ticket. crazy how much better it sounds in/out of the mix
I have bought a lot of PML templates, courses and follow you guys at Instagram. Thanks for all the content, everyday I learn something new. Keep up the good work!
"need more bass faciness" :p dude you are the man :)!
video starts here: 1:22
Thank you. My God, these long ass videos. Playing on 1.5x speed
EDIT: the guy is much more pleasant than other "tutors" and doesn't waste time.
I definitely hear the difference in my music , great video
PML has the best tutorials, I wish they would consider my application for scholarship
a compressor is basically guy or girl or any other gender
seconds later
the volume person...
hahaha man you made my day :D
mine to haha. so cute for including everyone in the spectrum without discrimination
Woke bullshit
@@leejohnson197733 i dont care what you could possibly say about this comment, theres no valid reason for you to be this angry
@@xiro4395 hahaha angry, good lord, just pointing out the virtue signalling nonsense. How do you see that as angry,was it a micro aggression lol
@@leejohnson197733 aggression still comes from anger but okay
At 4 minutes in I finally understand compression lol . Thank you For breaking down so simply
Brilliantly explained - great video. Thankyou!
Thank you for the awesome tutorial.. would this also be applicable to say like a layered arp trance lead or other elements on a group channel of layered sound of a track as well that you would like to tone down / glue together a bit via compression yet still have dynamic range?
Cool tutorial ! You're the best, bald Mark Ruffalo
Best tutorial for compression 😍
what, how... the best tutorial covers all knobs, use cases, downward, upward, etc, this was only a demonstration of SSL bus on drums
My method is to turn the knobs until my drum sounds are SLAMM'IN!
Thanks for the support and videos.
Great video. Well explained and easy to understand
Very playful way of teaching, liked it, thank you !
Amazing content!
Hello sir,
I really enjoyed this video. I wanted to ask you how did you get your grid in ableton to show those dark lines.
Dude maybe I just don't have the mixing/listening skill yet but jesus christ I could literally hear no difference between the compressor being on versus off
Yeah same :/. Virtually nothing
Excellent tutorial, looking forward to more of these!!
5:07 I'm feeling a little Carl Sagan from this guy. I like it!
Normally I use Channel EQ after the glue compressor to boost the sound, is there any difference between that and mark up on the glue compressor?
That's a great explanation of compression, is there any third party sidechain VSTs suggesting???
i like this guy
Newbie Thankyou! BlessUp!
HEY GUIDO long time no see. Great job
You makin those good videos, nah mean?
Thanks, man, useful:)
i'm new to producing and the difference is kind of subtile to me. Don't forget to play with and without back to back at the end !
great video, but how come you didn't play it at the end with the Glue on the master? Would have liked to hear the difference.
overall though, more of you please
Dually noted. I will showcase it as an extra on a future video.
Great tutorial about Compression, i enjoyed it!
Do you have any recommendations for a good soundinterface? I have Scarlet 2in1 and want something better sounding. Thx!
For a better playback I would first suggest investing time in acoustic treatment (check John Brandt) or a good set of headphones like the HD 650's with Sonarworks. If you are looking for mic pre's I suggest moving your mic closer to the instrument you are trying to record or buying an appropriate mic. All in all, the scarlet is really not a bad interface and you have a few amount of factors to address before you get a new interface :).
Great Format, keep it up!
when you get to the verse drum bus, how does that work? theres nothing on the channel, no drums or notes i mean
HareKrishna&GodBless❤️🙏
Would you group your 808 as well? Great tutorial btw
This dude is onto it! Thanks for the great video, where can we find more from him?
check catandbeats channel
your tutorial was excellent! Thank you!
wow that beat, fire!!!!!!!!!!!!
Thank you dude!
cool vid bro
Great vid mate, looking forward to more
me too haha
it´s allways a plesure to watch your tutorials (Y)
Fantastic tutorial ! Thank you sir x
Great video.
Hello, do you glue compress the kick & bass or drums & bass or all together ?? Thanks
great tutorial...Do u (or anybody else) have ever notice the glue compressor's ratio knob working the opposite of how it should? Like a 2:1 ratio having MORE gain reduction than a 10:1 ratio? Whenever I have the glue compressor's threshold set to a setting where the gain reduction is less than 5db roughly, the ratio knobs seems to be wired in reverse. Its only when I squash the signal that the ratio knob seems to be working correctly, and all of a sudden a 2:1 ratio will give me less GR than a 10:1 ratio. I can't for the life of me understand why when I"m getting 5db or less of GR (which of course is what I'm usually gonna want) the ratio knob gives me LESS GR when I set it to 10:1....I'm soo confused, I feel like I'm in the twilight zone..heres a screen capture of it doing this: drive.google.com/file/d/1ZzrZQRZGyu8zGdC0ToUr8HcA7kqnNxH7/view?usp=sharing
I know I'm late but basically since the glue compressor was based on some analog compressor from back in the day, they duplicated the feature of old analog compressors which was that lowering the ratio actually lowers the starting point of the threshold. TBH I really wish they hadn't done that.
@@keithmiller597 It's crazy that I have to find out a critical detail like that from TH-cam comments. Didn't learn much from the video tbh, but this realization is blowing my mind.
So changing the ratio also lowers the threshold on the glue compressor... They should have made that more obvious, wtf.
Great vid, clear explanations
14:04 WHY is the beat boxing better than the overall song ?!?!? should have used that as a track instead !!!
"Don't look at the numbers..FEEL it....but if you have to know the magic number is 5" LMFAO XD this tutorial was amazing
Made sense to me good video.
That track had a Disclosure Vibe. Probably something to do with the bass ?
drums are only KICKS / ALL components ?? such as snare, hat.
Do you always sertyour Release time fast to the 0 mark every time you compress your drum group? Also would you recommend Ratio = 2 always and not 4 for glueing the drums ? Is ration = 2 your preference? thanks
Best for drum buss is either 3:1 or 4:1 with slow attack to let the kick transient through and quick release . Set your threshold so you get 2-3 dB of compression tops then match the input volume with the make up volume.
Search hanns beiger drums, top German engineer shows you the best way.
Alternatively to this you can use a high ratio so its basically limiting with a very low threshold, smash the drums and blend it In parallel with a dry drum signal
Starts @3:50
HD650 headphones - recommended?
that guy is funny haha and a great teacher, cool Tutorial!
tutorial starts at 03:50 :)
thanks
Thanks G!
you are always welcome ;)
Still the man!
sex reassignment planned?
Not yet.
what a font!
One of the best compression tutorials I've come across! Would have been good to know what db level your drums should be at for this to work best, Haha, Still a great tutorial!
why to me during the on and off part i thought it sounded better without the compressor.
I hear absolutely no difference also not on the whole track example. I still don't understand what it does. It pushes volume down, ok but how does pushing volume down "glue" a track together?
As far as I know the Glue compressor adds some sort of saturation which gets applied to the whole bus
@@MitchLucker28 So why not use a saturator?
@@dreamyrhodes don't ask me ask an audio engineer lol
Great video as always, thank you !
Can you tell me how you get the audio from your Mac in Obs please ? I can't find this option, I only have my Scarlett inputs... Thx
That was nice, and don't think you're not funny because you definitely are ;}
How come we put the attack all the way up and the release all the way down?
Also is it okay to use parallel compression with this method too
Attack up release down to get the first transient of the drum hits to come through. For parallel compression try fast attack (all the way left and fast release).. Slam it and use the dry wet knob till you feel it sits nice.
Try both and see what works best for you. Make sure to also check the internal sidechain function so that the you keep the low end in your drumbus.
Bro you just added a limiter on the master
I noticed that the utility in the effect chain of the drum bus is in the beginning and boosting the volume. As far as I can see on the audio meters on the chain that there is clipping. I would put the gain to the end of the chain. Also, the threshold on a compressor is the threshold where the compression gets activated. Otherwise, thanks for the great tutorial. I do some micro-production tips on my Instagram: instagram.com/psiger_records/ hope to see some of you guys there! Cheers 🤗
Literally Great Tutorial.
shimoda tetsutarou
I’m curious what a figuratively great tutorial would be....?
Great tut but i think the big song sounded better before lol
I just want to say a big Danke well
Alsjeblieft
I'm so happy i just use hardware drums... This shit looks complicated...
🥁😅 the drum begin to peak.... 🔴
This guy is funny lol
Compress kick together with rhythms/percussions. ? sound so wrong to me.The kick should have is own compression !!!
When you're mixing busses and masters - less is more. You shouldn't be slapping 70/80 wetness. Only use enough to make it sound uniform and pop.
Unless you're trying to warp that shit. Then go crazy.
What skin is that?
I think it's the Ableton Live 10 (beta) Standard Skin.
It's called gain reduction. Great tutorial tho.
Good tutorial. Totally unnecessary to give the compressor a gender, though...it's a machine.
damn dude ur funny as f
A compressor is a guy.. or a girl.. or any gender... LOL!!! Thanx, great video!
cant believe he said that with a straight face
Clarifying gender and pronouns while demonstrating a music compressor is RIDICULOUS!!!!!
these are not drums, these are some electronic drum beats.
aka drums
Thers only 2 genders. Sex is different from gender but id argue theres only 2 sexes as well. ME with another person or me with myself. Thats 2.