I don't think Adum realizes how big Everything Everywhere actually was. Being on film tiktok will make you feel like it was the only movie that has ever released. People fucking love EEAAO
@@GreenHotDogz I’m just saying in reference to Adum’s surprise about all of its nominations. This is one of the rare cases where a movie that comes out today ignites a ton of interest and makes people actually go out to the theater to see more movies. Not to mention it’s genuinely a great film. But the overarching point is that the Academy would be completely idiotic to not nominate EEAAO in everything that they can, considering all of the love that it has gotten and everything it has done to make people interested in movies again (or at least, interesting and artistic films rather than the formulaic Marvel movies and reboots that have been hogging theater space)
@@michaelstrong5383 Mine too! I loved how almost every single element played a part in the story, and despite the story being straightforward, there’s so many meanings that you could put in it other than “family good”. It has some of the best reincorporation of themes and motifs I’ve seen in a movie.
My lock is that they’ll reference it more than once and it’ll be cringey each time, but I don’t think they would reenact it, but I’ve been wrong before…
I gotta say, this lineup may be the best since the start of the 2010's. If there was ever a year where the Best Picture nominees accurately represented an entire year in film, then this was it. You have big blockbusters, small indies, foreign films, and everything in between here!
its sad that some people are still saying that the oscars are wack (nomination wise). They're usually not even moviegoers and don't even know what they're talking about. This is certainly one of the best lineups since the 2010s
@@clanofclams2720 This may be even better. We have three movies that came out in the first half of the year! There's nobody who sticks out like a sore thumb, either. If EEAAO wins, it'd be the earliest release (March) of a BP winner since Silence of the Lambs!
I loved that Campion won Best Director (Power of The Dog was my absolute favorite last year), but yeah, I have no idea what they were thinking with BP, Actor and original Screenplay last year.
EEAAO actually had pretty sparse VFX, it definitely feels like it's effects heavy but when you really look back most of that is just very clever editing
Adum in a couple weeks: "So I just watched Mrs. Harris Goes to Paris and it was surprisingly amazing. I think it has now become my favorite film of the year and I'm so mad it got snubbed at the Oscars. I'm giving this one a 10/10"
"So I just watched Morbius and it was surprisingly amazing. I think it has now become my favorite film of the year and I'm so mad it got snubbed at the Oscars. I'm giving this one a 10/10"
Yeah, the International Feature category ignoring Decision to Leave is a genuine snub and massively disappointing. I honestly thought it was a lock for that at least! Granted, All Quiet on the Western Front has the win for that in the bag anyway, though, given how many nominations it got, including Adapted Screenplay and Best Picture. I also wanted Decision to Leave to get a duo Director/Best Picture nomination, even if I don't mind the nominees for those two categories as is. That said, aside from obvious snubs such as Decision to Leave for International, The Woman King for Actress and Costume Design, Nope for Visual Effects, The Batman and Top Gun: Maverick for Cinematography, most of the lineup this year for most of the categories (except the shorts, I don't care about those) is actually really solid. Best Oscar lineup in my opinion since the one for films of 2019 (the one where Parasite won).
I think the same happened with Handmaiden. Park Chan Wook has bad relationship with korean president at that time and, as I understood, PCHW is sort of a persona non grata, de facto if not de yuro. So, his movies are not being presented as a long listed candidate of Korea.
In my opinion the fact that Everything Everywhere All At Once didn’t get a visual effects nomination is criminal. Only 9 people did the effects work and they look better and more realistic than half the nominees.
I found it odd he called him weird looking, so many people where thirsting over him in the Eternals, even more so than Richard Madden i was kinda surprised
The only category I’d say is the most disappointing for is Cinematography. There were better picks for then Empire of Light or Elvis (Nope in particular).
Banshees of Insherin deserved a nomination, The Whale's cinematography was unique for sure, The Batman was great, and Everything Everywhere, All At Once used lighting and aspect ratios to represent different universes (although that could be considered a directorial choice). I haven't seen All Quiet On The Western Front, Tar, Elvis, or Empire of Light yet though. BARDO was great however. It's a shame that that was its only nomination.
I respect the audacity to give Blonde a FYC campaign and it having a nom. And while I don't think she would have won, Mia Goth really should have gotten nominated for best actress for Pearl because WOW.
Paul Mescal’s nomination is an incredible surprise. Feels weird that Tom Cruise or Hugh Jackman could’ve been in there over him. He was so far ahead of them in terms of pure acting ability on show in their respective movies. So happy for him and his family!
@@michaelstrong5383 as someone from Scotland who knows Frankie from some old acting classes, I couldn’t be more impressed and blown away by what she achieved here. So happy for her.
@@madremorelos1573that’s awesome!! Must be cool to see someone you knew to be in such an incredible film. Keep up with your lessons maybe you can be in her spot one day
The only reason I am excited for RRR having a best song nomination is because I can't wait to see how the awards show is gonna butcher a high-energy Indian music number
Definitely some snubs (Women Talking for Best Director and Editing, Nope for anything), but this year's nominations is a huge leap above last year's nominations. Super happy for Brian Tyree Henry in Causeway. He's quickly becoming one of my favorite actors, and he absolutely crushed it in that movie.
Nope didn’t deserve a nomination for any category I can think of. It was decent, but that script was sloppy and undercooked, and the lead actor had the charisma of a sleepwalker.
Triangle of Sadness is not eligible for the Best International Picture Oscar due to it being in English. Variety asked the director if he regretted the fact that making the movie in English would disqualify him from that category, and he responded by saying "Not really".
Aside from Danielle Deadwyler getting snubbed, and Judd Hirsch getting nominated over Paul Dano (seriously, does the academy hate Paul Dano or something?), I feel that most of these nominations were pretty good.
I fucking love Paul Dano and I promised myself I wouldn’t watch the Oscars (except on YMS’s channel) after Toni Collette wasn’t nominated for an Oscar for Hereditary BUT also promised myself that when Paul is nominated, I will watch. What the actual fuck were they on this year?!?! Paul is in a semi-schmaltzy, Oscar bait-y (and it’s still WONDERFUL) film and they STILL OVERLOOK HIM?!?? I swear to god the Academy took Midsommar too seriously and tried all the drugs. (Kidding, but still. Why in the fuck)
I'm torn on screenplay. I kind of want EEAAO to win for its sheer originality (as well as quality), but Lydia Tar is one of the best written characters of the past 15 years....seriously, I put her up there with Lleweyn Davis.
I used to get sent Oscar the for your consideration movies when my great aunt was still alive. She would of been happy to see the impact Asians and Koreans been having the last few years. Passed away at 97 years old :(
Adam if you're looking at this, the song RRR was nominated for occurs roughly 75-80 minutes in at a party, so if you're watching this because it got nominated and you're getting bored/annoyed, I'd recommend skipping to there and deciding whether or not to continue when it's done. Edit: Oh and also if you really want to refresh yourself on Judd Hirsch's performance and (understandibly) don't want to rewatch The Fabelmans, I'd recommend looking for the one scene he appears in on TH-cam. Edit 2: Just rewatched RRR and oh boy oh boy did I get the time period for the party scene wrong (it's actually around 55-60 minutes). Probably a good example anyway of that movie being too long.
Sea Beast was a pretty decent animated movie until halfway through, then it became a really hamfisted How to Train Your Dragon with the whole "maybe WE'RE the monsters!" bullshit The fact that RRR nor Decision to Leave got nominated for International Feature Film is actually shocking
I'm only looking forward to Brendan Fraser winning an Oscar the same way I looked forward to Guillermo Del Toro winning an Oscar. I like their stuff, and I want to see them in more work. It would be the ultimate comeback.
@ColeTurner The Depp SAG upset helped tip the scales in favor of Penn over Murray, while Penn was in a Best Picture nom over Rourke, whose comeback proved short-lived even with _Iron Man 2._
Glad the animation category wasn't an absolute joke. Also shocked, Netflix has two nominations and Pixar only has one. I'd be okay with any of them winning, but I'm hoping Pinocchio wins because it'd be a giant middle finger to Disney.
Is Disney gonna put a chip in me and steal my children or something? Why does anyone care about them failing so much? Just don’t watch their crap and shut up lol
Just watched Decision to Leave and I feel like it's honestly the best Hitchcock film I've ever seen, that's about the best way I can describe it. Total shame that it got completely locked out, presumably because it wasn't playing on some widely accessible social context and was instead a very intimate and personal investigation of a relationship. Also, I'm annoyed by the fact that anywhere I talk about the film, someone always shows up to go "yeah man Park Chan Wook got robbed dude, just like Jordan Peele, man, Decision to Leave and Nope, bro, two peas in a pod amirite, so wrong how they both got robbed" it's almost comical how many times it's happened to me already.
My prediction if Cate Blanchett doesn't win it's either going to Michelle Yeoh or Ana De Armas, if it goes to De Armas it will be the funniest Oscar win since Bohemian Rhapsody for Best Editing.
Yup, Armas is more or less an overglorified bombshelf, she's mediocre at best, she even couldn't change her cuban accent for the role and always played only a caricature of Monroe, like she was on a coctail party and somebody asked her if she would do an impression of Monroe, it definitely isn't oscar-worthy.
@@Ali007572 I mean I don't think she's bad, she was just horribly miscast in that movie. She's honestly pretty good in the right role but this clearly wasn't it and her nomination is obviously due to it being a biopic about a famous person which the Academy loves to honour even when they're shit.
@@thatguyseb8824 Well, yes, she can be good, but I honestly don't think, that she's better than the average, she's more or less overglorified because of her looks and "cuteness". I didn't want to put her down, but imho she isn't anything special really. But it isn't exactly a biopic per se, because it's a historical fiction, it's based on a book that was written by some lady and that was some NY times bestseller (or something like that). On the contrary, yes, it's miscast, even when you do something like this and it's fiction, it still has a base in the history, so even when they made up things that don't exactly belong there, Monroe should've been played by somebody who looks and can behave like her. I would never imagine, that if you ask me "who can play Monroe?" - the answer would be Armas, I would honestly laugh at that. I really don't like this "trend" that you cast somebody who on the first glance doesn't look the part and he/she has to convince you that he/she can play the part. F.e. I don't buy Pattinson's Batman aka "Battinson", or Craig's version of Bond who is basically a variation on Jason Bourne and not an OG Bond. I would like that if they cast somebody in some known role, he should fit and look the part, the acting performance is also important but all of these atributes should be balanced in a more harmonious way, not just in the way that the he/she can act. (sorry for the long comment)
Not that surprised to be honest. I think the Whale is mostly getting praise for Brendan's heartbreaking performance (and Hong Chau too) but outside of that the actual film has been divisive with many people. So it makes sense it wasn't nominated for Best Picture.
@@benabramowitz18 Yeah, it seems AMPAS doesn’t care that it’s one of the few Oscar-bait cineplex offerings that actually made more than $10 million domestically.
I just watched The Whale today and it really wasn’t all that great up until the very ending when everything tied together. The acting wasn’t as good as it was hyped either. Brendan Fraser was pretty great, but Hong Chau was not nominee worthy in my humble opinion. I’m not a huge fan of the dialogue in any of Aronofsky’s flicks, but it was an improvement. Sadie Sink was pretty great, but I think the writing for her character was FAR too obvious.
13 lives was a good movie in my opinion probably worthy of at least one Oscar nomination for editing or cinematography. I felt that the editing was very well done. It was a very well paced film. It handled tone and tension very very well. A real nail biter
I am seriously considering giving The Fabelman's a rewatch. I thought it was boring, but other than Adam, everyone who's talked about this movie absolutely loved it. Maybe there's something I missed.
@@Courier_333 Every single performance, and i mean every single performance felt cartoonish. Don't get me started with michelle williams, never have i seen someone be so oscar baity in a performance. I found the family drama to be extremely generic (which isn't a bad thing, its in the execution) but it was also meandering and way too long than it was warranted. Gabrielle Labelle i found to be mediocre in his role, there were hints of jewish discrimination that didn't really have evoke any emotion nor was it executed well. Don't really buy the whole michelle williams and paul dano affair with seth rogan. For a movie that really wanted to focus on the theme of pursuing passion, the film lacked passion. The technical aspects as well. I thought that part of the reason why its boring is because the score was put on like 2% volume and was a very muted score. Even on listening to the soundtrack, the tracks themselves are extremely meh and fail to evoke anything (unlike most john williams scores)
Same; I wasn't crazy about it. It was Williams' and Dano's least impressive performances in awhile, and the family conflict was sanitized to the point of feeling insulting, like the audience is a bunch of dumb kids who can't handle it. Spielberg portrayed divorce through the child's eye way better (and more honestly) in Catch Me If You Can.
The northman was snubbed. That was a damn good movie. Seeing it in theaters was amazing. Very few movies make me wish I could watch them in theaters again but the sound in the movie was so good.
@@jamesquinonez3914Yeah, not only does Jordan Peele already have his “token” Oscar, but his follow-up projects don’t need to get nominated, either. Ugh... >_
i hope so badly that turning red doesn't win. usually disney is going up against mid movies anyway so their also mid movie will just win be default but oh god please let any other movie win for animation
Out of all the nominations, the only one that strikes me as a surprise was Andrea Riseborough for To Leslie. I say this because no one even heard of it until that hashtag started trending to get her nominated. Having seen the film, her performance is the only thing worth watching. The rest of it is an Oscar bait flick of a woman overcoming her addiction that has pretty much become a parody on Oscar-type films. You get the feeling like it was solely made for that specific category (Andrea is even listed as one of the executive producers of the flick), and the Academy took the bait.
It's sad that all she needed to do campaign wise is wait till the last minute, call up some of her friends, and post something on social media when other deserving actresses who've actually tried and gained steam over the award season got forgotten. I'm not saying she's undeserving, just that there are many worthy performances that go unnoticed every year and it was a bit unreasonable to expect accolades for a movie most film buffs haven't even heard of when you barely did anything to promote it.
That’s true, but it’s def a better performance than Blonde :/ even though it does suck that Viola or Danielle were snubbed, but that’s the way of the industry (I don’t think in my lifetime we’ll be seeing things change much). Plus it is kind of a wonderful root for the underdog.
I stand by that top gun mavericks adapted screenplay does deserve recognition. While sure the dialogue isn't outstanding, nor is the story thought provoking or entirely unique, it gets the most improved player award. The fact that they improved SOO MUCH over the first one, I feel like is definitely in part due to the screenplay
I really wanted to see Athena for cinematography, even if just for the opening alone. Decision to Leave too for literally anything, what a snub. RRR too deserved more than just the 1 for song personally.
My Picks for the Winners: Picture: EEAAO Director: The Daniels Actor: Colin Farrell Actress: Michelle Yeoh Supp Actor: Ke Huy Quan Supp Actress: Hong Chau Adapted Screenplay: Women Talking Orig. Screenplay: Banshees Cinematography: All Quiet Costume: Black Panther Editing: EEAAO Makeup: The Whale Production Design: Avatar Score: Banshees Song: Naatu Naatu Sound: Top Gun VFX: Avatar Animated: Puss n Boots
I've been looking at the montage at around 16:40 "iluminaty symbold hidden in hollywood films for one frame" by TruthSeeker1214, 12 views, 14 years ago. That movie NEEDS all the Oscars they can get. Also "I luv tennis"
Paul Mescal needs more attention and I’m hoping his Oscar nom gets him more movie deals. He was amazing in Normal People and I highly highly recommend everyone watch it.
@@fragilehandlewithcare3967 Keep watching!! It gets so much better. Especially after the third episode. It’s pretty mumblecore, ngl But I really resonated with thhose characters.
If a film is in the English language it wont be nominated in International Feature - I don't understand why the renamed the category from Foreign Language Film.
@@Wired4Life2 there are people that definitely use the term "foreign" in a derogatory demeanor. However, in the context of describing a language that isn't from your country I don't see how it is.
The nominations this year are the closest to solid they’ve been in a while, though Nope getting snubbed is a huge bummer and I don’t think should be overlooked despite everything else being pretty good/fair
It makes sense that nope wasn't nominated for anything while the fabelmans was nominated for so mamy awards. Nope was making fun of this sort of masturbatory media like the fabelmans and the oscars don't like that
Unpopular opinion: The Fabelmans deserves best picture. It’s an authentic movie that loves movies, what more could you ask? Not to mention it’s just generally a very solid movie. Yes, Banshees is the superior film, but The Fabelmans is what the Oscars are all about: celebrating film. And The Fabelmans does celebrate film and it is an extremely effective film.
@Bread And Circuses as an aspiring filmmaker myself, I very much related to it. And even if I couldn’t, I would still very much enjoy the experience. It’s fun, it’s honest, it’s charming, I don’t know what else to say.
i love Marilyn so much and thats why i never watched Adum’s video about blonde because i just CAN’T- i have never liked movies about her, no one can convincingly play her imo.
Brendan Fraser deserves the Best Actor in a Leading Role Oscar in my opinion. And I'm not even factoring in anything about his comeback to Hollywood, or how great a guy he is. But his performance was one of the best I've ever seen in any film.
Morbius is the snub of all time, just kidding. The actual few snubs I’m upset about are how Nope could’ve been nominated for stuff like for Sound and Original Screenplay and Top Gun: Maverick not being in the Cinematography category, apart from the Oscars embarrassing themselves every year. I’m also predicting that someone will make a joke about the Will Smith slap and then right after, it’ll hopefully be a standard Oscars. Moving forward from this, there’s lots of films nominated for awards that I haven’t seen, such as Tár, Everything Everywhere All at Once, and The Whale, which I plan on watching right before the ceremony so that they’re fresh in my mind and I’m excited to see them.
As someone who was gonna be ride-or-die for Lightyear no matter what it is nice to see that Disney at least DID a FYC campaign for it, was not expecting that.
I recommend putting a flashing light warning before the clip of everything everywhere. I'm not particularly photosensitive but it immediately hurt my eyes, I can only imagine it being much worse for people who are photosensitive
I'm genuinely surprised that John Boyega's lead performance in Breaking didn't get any nominations. I liked him in that a lot compared to his more popular stuff like Star Wars or Pacific Rim Uprising. It's not a great movie in a lot of aspects, but I think it's worth seeing at least once.
Also on the subject of animated short, I really really really hope The Boy, the mole, the fox and the horse gets it. Well deserved. Some of the prettiest horse animation I saw in a while too
In the next few years there will be like 10 movies all about film making or directors and they will all come out between late October to early December
The Fablemans is this year Drive My Car/Nomadland. The Oscar bait film critics love and the twitter nobs; if you follow film twitter you know who they are, like it and feel much superior to anyone who disagrees with them.
Wasnt The Lego Movie disqualified from best Animated feature because of the live action parts? Did they get rid of that rule? If not then how did Marcel The Shell with Shoes on get a nom?
Oscar locks: Best Picture - Should win: EEAAO/Will win: Fabelmans Best Director - Should Win: Daniels/Will win: Steven Spielberg Best Actor - Should Win: Brendan Fraser/Will win: Austin Butler Best Actress - Should Win: Michelle Or Cate/ Will Win: Cate Blanchett Best Supporting Actor - Should Win: Ke Huy Quan/ Will Win: Ke Huy Quan Best Supporting Actress - Should Win: Jamie Lee Curtis/Will Win: Angela Bassett I can’t wait to see how terribly this ages 😳
'see the name Navalny which might be why its nominated' one method of trying to stay relevant for the Academy is to be topical. It rarely outlasts the era and ends up like a time capsule of the period. One of the few exceptions was Casablanca which won best picture and was obviously topical to the era.
Yes, I see the incorrect date. Thank you for pointing it out. I can't do anything about it now.
I don't think Adum realizes how big Everything Everywhere actually was. Being on film tiktok will make you feel like it was the only movie that has ever released. People fucking love EEAAO
I'm not on TikTok but every movie lover I've talked to have adored it, including myself
I'm sure he's aware.
It's not only my favorite movie of last year, but also one of my favorites of all time too.
@@GreenHotDogz I’m just saying in reference to Adum’s surprise about all of its nominations. This is one of the rare cases where a movie that comes out today ignites a ton of interest and makes people actually go out to the theater to see more movies. Not to mention it’s genuinely a great film. But the overarching point is that the Academy would be completely idiotic to not nominate EEAAO in everything that they can, considering all of the love that it has gotten and everything it has done to make people interested in movies again (or at least, interesting and artistic films rather than the formulaic Marvel movies and reboots that have been hogging theater space)
@@michaelstrong5383 Mine too! I loved how almost every single element played a part in the story, and despite the story being straightforward, there’s so many meanings that you could put in it other than “family good”. It has some of the best reincorporation of themes and motifs I’ve seen in a movie.
My lock of the week is that they're gonna do a skit of the Will Smith slap and it's gonna be cringe and unfunny.
Oh my god… I hope you’re wrong, but I feel like you’re going to be right
My lock is that they’ll reference it more than once and it’ll be cringey each time, but I don’t think they would reenact it, but I’ve been wrong before…
Knowing the host is Jimmy Kimmel means it’s more likely.
We all know the universe will collapse in on itself it they don't.
In addition to that, they'll probably reference it in a monologue at least three more times.
I gotta say, this lineup may be the best since the start of the 2010's. If there was ever a year where the Best Picture nominees accurately represented an entire year in film, then this was it. You have big blockbusters, small indies, foreign films, and everything in between here!
its sad that some people are still saying that the oscars are wack (nomination wise). They're usually not even moviegoers and don't even know what they're talking about. This is certainly one of the best lineups since the 2010s
2019 was also pretty good
@@clanofclams2720 This may be even better. We have three movies that came out in the first half of the year! There's nobody who sticks out like a sore thumb, either. If EEAAO wins, it'd be the earliest release (March) of a BP winner since Silence of the Lambs!
I loved that Campion won Best Director (Power of The Dog was my absolute favorite last year), but yeah, I have no idea what they were thinking with BP, Actor and original Screenplay last year.
Nice pfp. My favorite MGMT album.
That’s weird. The Oscars list I was sent was just Morbius 23 times.
Well, out of all the movies released last year, Morbius was indeed one of them.
It would be hilarious if Morbius showed up in any of the montages. Though it would actually be appropriate to include it in the "in memoriam" section.
@@SpawnRevenge92 Aww man, that would be the funniest thing
Morbius of the year
@@SpawnRevenge92 "In meMorbius"
EEAAO should've gotten a VFX nom considering the team of 9 learning visual effects through free tutorials on TH-cam and this was their first go
Wasn’t shortlisted, so any collective outrage has already been expressed several weeks back.
It had very basic VFX. It worked well with the tone of the film for sure, but it isn't exactly an award worthy feat of work.
EEAAO actually had pretty sparse VFX, it definitely feels like it's effects heavy but when you really look back most of that is just very clever editing
Well it's "Best Visual Effect", so they learning it through free youtube tutorials doesn't make the visual effects better.
@lrig snart Fun Fact: Russo bros produced EEAAO
Adum in a couple weeks: "So I just watched Mrs. Harris Goes to Paris and it was surprisingly amazing. I think it has now become my favorite film of the year and I'm so mad it got snubbed at the Oscars. I'm giving this one a 10/10"
“I saw RRR and it was spectacular! It is now my favourite movie of all time and it is a shame that it got snubbed in multiple categories! 10/10”
"So I just watched Morbius and it was surprisingly amazing. I think it has now become my favorite film of the year and I'm so mad it got snubbed at the Oscars. I'm giving this one a 10/10"
@stmsinthe year of our Morb and savior
Decision To Leave not getting a single nomination is massively disappointing. It deserved recognition.
It's so funny that fucking Glass Onion is nominated for writing but Decision to Leave is probably not even on the Academy's radar 😂
It should have AT LEAST gotten foreign film and editing. The editing category this year is very underwhelming.
PCW is top sicko for Oscar voters.
Yeah, the International Feature category ignoring Decision to Leave is a genuine snub and massively disappointing. I honestly thought it was a lock for that at least! Granted, All Quiet on the Western Front has the win for that in the bag anyway, though, given how many nominations it got, including Adapted Screenplay and Best Picture.
I also wanted Decision to Leave to get a duo Director/Best Picture nomination, even if I don't mind the nominees for those two categories as is.
That said, aside from obvious snubs such as Decision to Leave for International, The Woman King for Actress and Costume Design, Nope for Visual Effects, The Batman and Top Gun: Maverick for Cinematography, most of the lineup this year for most of the categories (except the shorts, I don't care about those) is actually really solid. Best Oscar lineup in my opinion since the one for films of 2019 (the one where Parasite won).
I think the same happened with Handmaiden. Park Chan Wook has bad relationship with korean president at that time and, as I understood, PCHW is sort of a persona non grata, de facto if not de yuro. So, his movies are not being presented as a long listed candidate of Korea.
Everything Everywhere All At Once is named after A24’s Oscar strategy
Music Videos > Farting Harry Potter corpse movie > Every Oscar nomination possible
"...Joy?? Why do you look so stupid?!"
Yeah probably one of the best moments from that movie.
“Why do you -look- so stupid.”
@@KoiPuff edited just for you!
In my opinion the fact that Everything Everywhere All At Once didn’t get a visual effects nomination is criminal. Only 9 people did the effects work and they look better and more realistic than half the nominees.
4:00 Barry Keoghan is what actual Irish people look like, you were all spoiled with Brosnan and Farrell.
I found it odd he called him weird looking, so many people where thirsting over him in the Eternals, even more so than Richard Madden i was kinda surprised
@@fragilehandlewithcare3967 Hadn't seen it that way, you're right :)
The only category I’d say is the most disappointing for is Cinematography. There were better picks for then Empire of Light or Elvis (Nope in particular).
I'm glad Bardo got nominated
Out of all I watched this year Nope was the most impressive cinematography for sure
Banshees of Insherin deserved a nomination, The Whale's cinematography was unique for sure, The Batman was great, and Everything Everywhere, All At Once used lighting and aspect ratios to represent different universes (although that could be considered a directorial choice).
I haven't seen All Quiet On The Western Front, Tar, Elvis, or Empire of Light yet though.
BARDO was great however. It's a shame that that was its only nomination.
Nope
The Batman
Decision to Leave
The Northman
Top Gun Maverick etc.
How do you not nominate Top Gun Maverick for cinematography?
I respect the audacity to give Blonde a FYC campaign and it having a nom. And while I don't think she would have won, Mia Goth really should have gotten nominated for best actress for Pearl because WOW.
She’s a star!
The academy hates horror and it shows like every year
Yeah, the Academy definitely doesn't notice horror movies. If they did, though, she'd have gotten the nomination for sure, 100%
Mia wasn't nominated because the Academy hates horror films. It sucks too because she was phenomenal in Pearl, especially her monologue near the end.
Academy's ignore horror films like the plague and it pisses me off so much
Another reminder that Dr. Strange : Multiverse of Madness's budget is almost 10 times the budget of Everything Everywhere All At Once
Paul Mescal’s nomination is an incredible surprise. Feels weird that Tom Cruise or Hugh Jackman could’ve been in there over him. He was so far ahead of them in terms of pure acting ability on show in their respective movies. So happy for him and his family!
Rare Academy W
So glad he got in instead of Tom and Hugh. He gave a wonderful performance in Aftersun.
He and Frankie Corio (his daughter in the film) both did a fantastic job.
@@michaelstrong5383 as someone from Scotland who knows Frankie from some old acting classes, I couldn’t be more impressed and blown away by what she achieved here. So happy for her.
@@madremorelos1573that’s awesome!! Must be cool to see someone you knew to be in such an incredible film. Keep up with your lessons maybe you can be in her spot one day
i hope EEAAO wins everything they were nominated for... I genuinely love that movie, it was SO unique
everything everywhere being nomd for everything everywhere at once is hilarious
And it could've gotten nominated for even more! If they threw in Sound, Makeup, and VFX, it could've tied the all-time nominations record!
The only reason I am excited for RRR having a best song nomination is because I can't wait to see how the awards show is gonna butcher a high-energy Indian music number
I feel like the academy just picks half a dozen movies they really like that year and nominate them for every category they can justify.
LMAOOO YOU SPILLED
Definitely some snubs (Women Talking for Best Director and Editing, Nope for anything), but this year's nominations is a huge leap above last year's nominations.
Super happy for Brian Tyree Henry in Causeway. He's quickly becoming one of my favorite actors, and he absolutely crushed it in that movie.
Been a fan of Brian Tyree Henry since his performance in Atlanta.
Nope didn’t deserve a nomination for any category I can think of. It was decent, but that script was sloppy and undercooked, and the lead actor had the charisma of a sleepwalker.
@@BareBandSubscription Visual Effects at least. The effects on the aliens were cool as hell
nope for best cinematography for the night shots would make sense
@@disgruntledcashier503
I’ll give you that. The alien creature was definitely the best part of the movie for me
Triangle of Sadness is not eligible for the Best International Picture Oscar due to it being in English. Variety asked the director if he regretted the fact that making the movie in English would disqualify him from that category, and he responded by saying "Not really".
Then I don't understand why they recently changed the category from Best Foreign Language Picture into Best Foreign Picture.
Aside from Danielle Deadwyler getting snubbed, and Judd Hirsch getting nominated over Paul Dano (seriously, does the academy hate Paul Dano or something?), I feel that most of these nominations were pretty good.
Hell, David Lynch deserved a nomination over Judd Hirsch
Really, what does Paul Dano have to do to at least get nominated for an Oscar? He’s been snubbed for like 5 great performances at this point
@@michaelvessel4604 AMEN!!!! He should’ve been nominated for Love and Mercy and There Will Be Blood, as he was fucking outstanding
@@michaelvessel4604 Between The Fabelmans and The Batman, Paul Dano should've been rewarded for his perfect performances in 2022
I fucking love Paul Dano and I promised myself I wouldn’t watch the Oscars (except on YMS’s channel) after Toni Collette wasn’t nominated for an Oscar for Hereditary BUT also promised myself that when Paul is nominated, I will watch. What the actual fuck were they on this year?!?! Paul is in a semi-schmaltzy, Oscar bait-y (and it’s still WONDERFUL) film and they STILL OVERLOOK HIM?!?? I swear to god the Academy took Midsommar too seriously and tried all the drugs. (Kidding, but still. Why in the fuck)
I'm torn on screenplay. I kind of want EEAAO to win for its sheer originality (as well as quality), but Lydia Tar is one of the best written characters of the past 15 years....seriously, I put her up there with Lleweyn Davis.
Objectively, I enjoyed EEAAO more than Tàr but I truly believe Cate deserves to win best actress for that undeniable performance.
@lrig snart he should have won screenplay already, for either In The Bedroom or Little Children
I used to get sent Oscar the for your consideration movies when my great aunt was still alive. She would of been happy to see the impact Asians and Koreans been having the last few years. Passed away at 97 years old :(
Adam if you're looking at this, the song RRR was nominated for occurs roughly 75-80 minutes in at a party, so if you're watching this because it got nominated and you're getting bored/annoyed, I'd recommend skipping to there and deciding whether or not to continue when it's done.
Edit: Oh and also if you really want to refresh yourself on Judd Hirsch's performance and (understandibly) don't want to rewatch The Fabelmans, I'd recommend looking for the one scene he appears in on TH-cam.
Edit 2: Just rewatched RRR and oh boy oh boy did I get the time period for the party scene wrong (it's actually around 55-60 minutes). Probably a good example anyway of that movie being too long.
Imagine getting bored/annoyed watching one of the most earnest and fun movies in a while
@@legendaccount3247 John Campea?
@@Wired4Life2 Who?
@@legendaccount3247 Prominent film industry commentator.
Bro, that last act though
Sea Beast was a pretty decent animated movie until halfway through, then it became a really hamfisted How to Train Your Dragon with the whole "maybe WE'RE the monsters!" bullshit
The fact that RRR nor Decision to Leave got nominated for International Feature Film is actually shocking
I love HTTYD, I have a lot of animated features to catch up on
Best nominations since the 2019 Oscars
The andrea riseborough thing is so funny because it was literally a Twitter kpop-esque movement.
I'm only looking forward to Brendan Fraser winning an Oscar the same way I looked forward to Guillermo Del Toro winning an Oscar. I like their stuff, and I want to see them in more work. It would be the ultimate comeback.
Fraser beating Farrell would age badly, though, and that’s before taking into account the rest of Farrell’s 2022.
@ColeTurner The Depp SAG upset helped tip the scales in favor of Penn over Murray, while Penn was in a Best Picture nom over Rourke, whose comeback proved short-lived even with _Iron Man 2._
@@Wired4Life2 nah Fraser gave one of the best performances of the year
@@friendlypup5650 Yes.
But Farrell is better, on top of giving three other notable performances in 2022.
@@Wired4Life2 very subjective. Fraser's performance was more showy and will be remembered more
Glad the animation category wasn't an absolute joke. Also shocked, Netflix has two nominations and Pixar only has one. I'd be okay with any of them winning, but I'm hoping Pinocchio wins because it'd be a giant middle finger to Disney.
For sure! The best Pinocchio
Turning Red will win, just watch the dissapointment
I'm glad Lightyear wasn't nominated. I would have had a laughing fit if it was.
Is Disney gonna put a chip in me and steal my children or something? Why does anyone care about them failing so much? Just don’t watch their crap and shut up lol
Turning Red is not going to win, so middle finger to Disney regardless.
Just watched Decision to Leave and I feel like it's honestly the best Hitchcock film I've ever seen, that's about the best way I can describe it. Total shame that it got completely locked out, presumably because it wasn't playing on some widely accessible social context and was instead a very intimate and personal investigation of a relationship. Also, I'm annoyed by the fact that anywhere I talk about the film, someone always shows up to go "yeah man Park Chan Wook got robbed dude, just like Jordan Peele, man, Decision to Leave and Nope, bro, two peas in a pod amirite, so wrong how they both got robbed" it's almost comical how many times it's happened to me already.
Boy, I can't wait for the Oscars to give Best Animated Feature to Pixar instead of Puss in Boots.
Guillermo Del Toro’s Pinocchio deserves to win in my opinion
@@BugVlogs Honestly, I would be happy if that movie won. The Academy does love Guillermo after all.
It will somehow happen and I will be upset
If Disney/Pixar movie is nominated it's like 99,99% of chance this movie will win.
It’s gonna be Pinocchio, that’s what’s been sweeping
I honestly can’t wait for Adum to watch Elvis, he’s probably gonna get so pissed lol.
My prediction if Cate Blanchett doesn't win it's either going to Michelle Yeoh or Ana De Armas, if it goes to De Armas it will be the funniest Oscar win since Bohemian Rhapsody for Best Editing.
Yup, Armas is more or less an overglorified bombshelf, she's mediocre at best, she even couldn't change her cuban accent for the role and always played only a caricature of Monroe, like she was on a coctail party and somebody asked her if she would do an impression of Monroe, it definitely isn't oscar-worthy.
@@Ali007572 I mean I don't think she's bad, she was just horribly miscast in that movie. She's honestly pretty good in the right role but this clearly wasn't it and her nomination is obviously due to it being a biopic about a famous person which the Academy loves to honour even when they're shit.
@@thatguyseb8824 Well, yes, she can be good, but I honestly don't think, that she's better than the average, she's more or less overglorified because of her looks and "cuteness". I didn't want to put her down, but imho she isn't anything special really.
But it isn't exactly a biopic per se, because it's a historical fiction, it's based on a book that was written by some lady and that was some NY times bestseller (or something like that). On the contrary, yes, it's miscast, even when you do something like this and it's fiction, it still has a base in the history, so even when they made up things that don't exactly belong there, Monroe should've been played by somebody who looks and can behave like her. I would never imagine, that if you ask me "who can play Monroe?" - the answer would be Armas, I would honestly laugh at that.
I really don't like this "trend" that you cast somebody who on the first glance doesn't look the part and he/she has to convince you that he/she can play the part.
F.e. I don't buy Pattinson's Batman aka "Battinson", or Craig's version of Bond who is basically a variation on Jason Bourne and not an OG Bond.
I would like that if they cast somebody in some known role, he should fit and look the part, the acting performance is also important but all of these atributes should be balanced in a more harmonious way, not just in the way that the he/she can act.
(sorry for the long comment)
“I guess I have to watch Elvis…. Goddamn it” 😂
I’m surprised about the fact that The Whale wasn’t nominated for best picture. The way people were talking about it, it seemed like a sure thing.
Not that surprised to be honest. I think the Whale is mostly getting praise for Brendan's heartbreaking performance (and Hong Chau too) but outside of that the actual film has been divisive with many people. So it makes sense it wasn't nominated for Best Picture.
And it got into PGA! Usually that guild gets at least 8 films right!
@@benabramowitz18 Yeah, it seems AMPAS doesn’t care that it’s one of the few Oscar-bait cineplex offerings that actually made more than $10 million domestically.
I just watched The Whale today and it really wasn’t all that great up until the very ending when everything tied together. The acting wasn’t as good as it was hyped either. Brendan Fraser was pretty great, but Hong Chau was not nominee worthy in my humble opinion. I’m not a huge fan of the dialogue in any of Aronofsky’s flicks, but it was an improvement. Sadie Sink was pretty great, but I think the writing for her character was FAR too obvious.
13 lives was a good movie in my opinion probably worthy of at least one Oscar nomination for editing or cinematography. I felt that the editing was very well done. It was a very well paced film. It handled tone and tension very very well. A real nail biter
I am seriously considering giving The Fabelman's a rewatch. I thought it was boring, but other than Adam, everyone who's talked about this movie absolutely loved it. Maybe there's something I missed.
I love _The Fabelmans_ more than _EEAAO._
That's not a bad thing, but make sure to not base your enjoyment on it from other people's thoughts on it.
I thought it was quite good but I think it comes down to if you like Spielbergs style and if you find the subject matter interesting.
@@Courier_333 Every single performance, and i mean every single performance felt cartoonish. Don't get me started with michelle williams, never have i seen someone be so oscar baity in a performance. I found the family drama to be extremely generic (which isn't a bad thing, its in the execution) but it was also meandering and way too long than it was warranted. Gabrielle Labelle i found to be mediocre in his role, there were hints of jewish discrimination that didn't really have evoke any emotion nor was it executed well. Don't really buy the whole michelle williams and paul dano affair with seth rogan. For a movie that really wanted to focus on the theme of pursuing passion, the film lacked passion.
The technical aspects as well. I thought that part of the reason why its boring is because the score was put on like 2% volume and was a very muted score. Even on listening to the soundtrack, the tracks themselves are extremely meh and fail to evoke anything (unlike most john williams scores)
Same; I wasn't crazy about it. It was Williams' and Dano's least impressive performances in awhile, and the family conflict was sanitized to the point of feeling insulting, like the audience is a bunch of dumb kids who can't handle it. Spielberg portrayed divorce through the child's eye way better (and more honestly) in Catch Me If You Can.
We need to inform the internet about how to pronounce Brendan Fraser's name correctly!
"Fraser" is pronounced like "razor"! He said so himself!
The northman was snubbed. That was a damn good movie. Seeing it in theaters was amazing. Very few movies make me wish I could watch them in theaters again but the sound in the movie was so good.
Why didn't Nope get nominated for anything?
Because they hate horror movies for some reason
@@thecloudy_rainyboy3727 I was really hoping the Oscars would change!
It's a horror movie and they already filled their inclusion quota
@@jamesquinonez3914Yeah, not only does Jordan Peele already have his “token” Oscar, but his follow-up projects don’t need to get nominated, either.
Ugh... >_
@@Wired4Life2 yeah it sucks the Oscar's love to give people their time and then ignore them after that
i hope so badly that turning red doesn't win. usually disney is going up against mid movies anyway so their also mid movie will just win be default but oh god please let any other movie win for animation
It will, sorry to dissapoint you but I'm a pessimist and an animation lover.
Ooh man, I still haven't seen Tár yet. Glad to see Adum rates it 9/10
Oh it’s amazing. My favorite movie of the year
@@brandonmclendon5368 Same. I loved it so much and watching it more than once made me notice even more stuff I didn't catch before.
I now REALLY wanna see The Fablemans win best picture, just to see another "Green Book" reaction 😆
Out of all the nominations, the only one that strikes me as a surprise was Andrea Riseborough for To Leslie. I say this because no one even heard of it until that hashtag started trending to get her nominated.
Having seen the film, her performance is the only thing worth watching. The rest of it is an Oscar bait flick of a woman overcoming her addiction that has pretty much become a parody on Oscar-type films. You get the feeling like it was solely made for that specific category (Andrea is even listed as one of the executive producers of the flick), and the Academy took the bait.
It's sad that all she needed to do campaign wise is wait till the last minute, call up some of her friends, and post something on social media when other deserving actresses who've actually tried and gained steam over the award season got forgotten. I'm not saying she's undeserving, just that there are many worthy performances that go unnoticed every year and it was a bit unreasonable to expect accolades for a movie most film buffs haven't even heard of when you barely did anything to promote it.
That’s true, but it’s def a better performance than Blonde :/ even though it does suck that Viola or Danielle were snubbed, but that’s the way of the industry (I don’t think in my lifetime we’ll be seeing things change much). Plus it is kind of a wonderful root for the underdog.
Northman and Nope snubbed
Nope could've gotten cinematography, editing, sound, and even best actress, keke palmer was awesome in it
Great editing with ratings and posters and part of the actual reviews. Just spot on, good video even for main channel I feel
How the fuck has John Williams not retired yet? He's like actually 90 years old.
He's retiring until release "Indiana Jones and the Dial of Destiny." That's his 90 year retirement.
The Northman getting snubbed hurts. Such a great movie getting pretty much forgotten.
I love how the movie nominated for pretty much every category is Everything everywhere all at once. Really living up to the title
I stand by that top gun mavericks adapted screenplay does deserve recognition. While sure the dialogue isn't outstanding, nor is the story thought provoking or entirely unique, it gets the most improved player award. The fact that they improved SOO MUCH over the first one, I feel like is definitely in part due to the screenplay
I really wanted to see Athena for cinematography, even if just for the opening alone.
Decision to Leave too for literally anything, what a snub. RRR too deserved more than just the 1 for song personally.
My Picks for the Winners:
Picture: EEAAO
Director: The Daniels
Actor: Colin Farrell
Actress: Michelle Yeoh
Supp Actor: Ke Huy Quan
Supp Actress: Hong Chau
Adapted Screenplay: Women Talking
Orig. Screenplay: Banshees
Cinematography: All Quiet
Costume: Black Panther
Editing: EEAAO
Makeup: The Whale
Production Design: Avatar
Score: Banshees
Song: Naatu Naatu
Sound: Top Gun
VFX: Avatar
Animated: Puss n Boots
Besides no women being nominated for directing, and no Batman for cinematography, honestly these are a perfectly fine nominations overall.
I've been looking at the montage at around 16:40
"iluminaty symbold hidden in hollywood films for one frame" by TruthSeeker1214, 12 views, 14 years ago.
That movie NEEDS all the Oscars they can get.
Also "I luv tennis"
man, no adapted screenplay nom for The Whale? tears.
India messed up, they chose the boring film Oscarbait instead of RRR
Yup.
Everything everywhere all at once deserves best picture
Original Song obviously should be given to “Ave Maria” from The Batman.
Editing. Haven't seen any of the other noms, but it must have been a challenge editing all the hours of cockpit footage into something riveting.
Actress in a leading role seems to be the category the academy cares about the least
Paul Mescal needs more attention and I’m hoping his Oscar nom gets him more movie deals. He was amazing in Normal People and I highly highly recommend everyone watch it.
@@fragilehandlewithcare3967 Keep watching!! It gets so much better. Especially after the third episode. It’s pretty mumblecore, ngl
But I really resonated with thhose characters.
If a film is in the English language it wont be nominated in International Feature - I don't understand why the renamed the category from Foreign Language Film.
Because “foreign” is “xenophobic”, apparently.
People who believe that can F off.
@@Wired4Life2 there are people that definitely use the term "foreign" in a derogatory demeanor. However, in the context of describing a language that isn't from your country I don't see how it is.
The nominations this year are the closest to solid they’ve been in a while, though Nope getting snubbed is a huge bummer and I don’t think should be overlooked despite everything else being pretty good/fair
It makes sense that nope wasn't nominated for anything while the fabelmans was nominated for so mamy awards. Nope was making fun of this sort of masturbatory media like the fabelmans and the oscars don't like that
Unpopular opinion: The Fabelmans deserves best picture. It’s an authentic movie that loves movies, what more could you ask? Not to mention it’s just generally a very solid movie. Yes, Banshees is the superior film, but The Fabelmans is what the Oscars are all about: celebrating film. And The Fabelmans does celebrate film and it is an extremely effective film.
@Bread And Circuses as an aspiring filmmaker myself, I very much related to it. And even if I couldn’t, I would still very much enjoy the experience. It’s fun, it’s honest, it’s charming, I don’t know what else to say.
i love Marilyn so much and thats why i never watched Adum’s video about blonde because i just CAN’T- i have never liked movies about her, no one can convincingly play her imo.
They always interpret her as an object/sex symbol first and as a human being second.
This campaign approach of just consider everything is absolutely hilarious
Greg Fraser deserved a nod for cinematography.
he deserved a win too
Hoyte shouldve too like damn
Jarin Blaschke also
Absolutely
@@whodatninja439 he won last year for DUNC
Cate Blanchett should have also been nominated for best supporting actress for Spazzatura in Guillermo's Pinocchio
29:28 I would actually love to hear you review Funny Pages-if you can manage to sit through all 86 minutes
Brendan Fraser deserves the Best Actor in a Leading Role Oscar in my opinion. And I'm not even factoring in anything about his comeback to Hollywood, or how great a guy he is. But his performance was one of the best I've ever seen in any film.
Fingers crossed so hard for Barry! He’s deserved more mainstream recognition for a long time now!
Morbius is the snub of all time, just kidding. The actual few snubs I’m upset about are how Nope could’ve been nominated for stuff like for Sound and Original Screenplay and Top Gun: Maverick not being in the Cinematography category, apart from the Oscars embarrassing themselves every year. I’m also predicting that someone will make a joke about the Will Smith slap and then right after, it’ll hopefully be a standard Oscars. Moving forward from this, there’s lots of films nominated for awards that I haven’t seen, such as Tár, Everything Everywhere All at Once, and The Whale, which I plan on watching right before the ceremony so that they’re fresh in my mind and I’m excited to see them.
MARCEL WAS SNUBBED FOR BEST PICTURE IT IS ACTUALLY THE BEST MOVIE OF 2022
That best actress nomination list has a few “one of these things is not like the other” noms
Yeah…. I don’t understand how Ana got nominated 😂😂
As someone who was gonna be ride-or-die for Lightyear no matter what it is nice to see that Disney at least DID a FYC campaign for it, was not expecting that.
How funny would it have been if Tom Hanks got a nomination for Elvis
I recommend putting a flashing light warning before the clip of everything everywhere. I'm not particularly photosensitive but it immediately hurt my eyes, I can only imagine it being much worse for people who are photosensitive
Aw, oscars were doing so well till i saw that "Blonde" nomination
I'm genuinely surprised that John Boyega's lead performance in Breaking didn't get any nominations. I liked him in that a lot compared to his more popular stuff like Star Wars or Pacific Rim Uprising. It's not a great movie in a lot of aspects, but I think it's worth seeing at least once.
Navalniy's youtube video on his poisoning is probably better than the documentary.
"This many nominations for... a remake"
It... its a book adaptation
22:48 Exploitable sound bite
Also on the subject of animated short, I really really really hope The Boy, the mole, the fox and the horse gets it. Well deserved. Some of the prettiest horse animation I saw in a while too
In the next few years there will be like 10 movies all about film making or directors and they will all come out between late October to early December
Adam talking about the nominations in 2022, a whole year before they come out is quite intriguing
I’m rooting for Everything Everywhere…because why not. Only movie I see taking gold is Tar or Banshees
And then The Fabelmans wins...
@@Nate_Goth I know Spielberg will win director for sure, but I don’t think the film will win BP
Hoping for an all quiet or everything everywhere win for best picture
The Fablemans is this year Drive My Car/Nomadland. The Oscar bait film critics love and the twitter nobs; if you follow film twitter you know who they are, like it and feel much superior to anyone who disagrees with them.
the kind of bullshit that Nope poked fun at
Adum: The Fabelmans burned my crops, poisoned my water supply, and brought a plague unto my house. 5/10
Wasnt The Lego Movie disqualified from best Animated feature because of the live action parts? Did they get rid of that rule? If not then how did Marcel The Shell with Shoes on get a nom?
Good news for Adum,
He doesn’t have to see RRR for consideration
jesus i had to wait a whole day for this the morning i saw this i was waiting for his reaction
Every time I hear Adam say "nom" I hear the Heavy from TF2 say "NOMNOMNOM" in my head...
Oscar locks:
Best Picture - Should win: EEAAO/Will win: Fabelmans
Best Director - Should Win: Daniels/Will win: Steven Spielberg
Best Actor - Should Win: Brendan Fraser/Will win: Austin Butler
Best Actress - Should Win: Michelle Or Cate/ Will Win: Cate Blanchett
Best Supporting Actor - Should Win: Ke Huy Quan/ Will Win: Ke Huy Quan
Best Supporting Actress - Should Win: Jamie Lee Curtis/Will Win: Angela Bassett
I can’t wait to see how terribly this ages 😳
would like to point out: Brendan Gleeson is weirdly also a first time nominee for Banshees
Sucks that Decision to Leave have zero nominations.
'see the name Navalny which might be why its nominated' one method of trying to stay relevant for the Academy is to be topical. It rarely outlasts the era and ends up like a time capsule of the period. One of the few exceptions was Casablanca which won best picture and was obviously topical to the era.
we’re all gonna be watching the oscars soley for brenden. fuck everything else
Where's Nope and the Northman?