Can't help but think that Stan was pleased and inspired to think that the future of jazz is in very good hands, with these young lads behind him - each a virtuoso powerhouse with such clear personal sound compared to ANY of their contemporaries. What an outrageous rhythm section. I mean it might even have been a bit confusing for Stan. "Which incredible rhythm player, moment by moment, should I reflect off of during my solo?," since jazz soloists do listen and reflect off of the other players. But in this case each of them is constantly bombarding Stan with ideas for him to feed off of. It's like a cornucopia with very high flow rate.
So interesting to watch this clip,, you don’t get to see Tony too much in the film but he has his very fast hi hat foot happening during part of it and it’s interesting to note that his leg/foot is not just going up and down but also there’s some side to side movement as well--.
what do you think the side movement is about ,and does it effect the sound ??. thanks for your observation . his hitting his bass tom on the side showed me his confidence and "at oneness" with his instrument .truly one of the giants was Tony .
@@swamisMotelBand1 I’ve tried it now,, my suspicion is it’s a natural way of dispelling fatigue in the muscles, by switching the heel back and forth R to L you’re alternating the use of muscles in the leg rather than using all of the muscles all of the time. I suspect it’s something he just does naturally but maybe he thought about it,,, it’s so sad we’ll never get to ask him.
The swivel technique was borrowed from jazz by some death/black metal blast beat or extremely fast double bass players. Moreover, they say that Tony also invented the blast beat itself.
When two ships pass in the night one must experience Day Waves Princess! Well due to the time zone difference I couldn't even wave to you, in so far as touch your hand. I need to experience your Best, Rest and ALL my Sweet Colleague from afar.
Amplifiers and bass pick-ups have come a long way since this taping. I’m pretty sure bassist and guitarist were still using tube amps and the sound they produced were considered by most; warmer. Would anyone know what Mr. Clark’s using here? I thought I saw what looked like the top of a Shure P.A. head.
Stan is just playing for his pay cheque here, jazz music was at an all time low during this period so Stan was trying his best to keep his head above water and pay the bills, he had great disdain for fusion, you can read it on his face that he's not happy, his hearts not there at all. The greatest jazz saxophonist of all time, however, nobody will ever come close, he's my hero and I love and miss him so much. Thanx for being there Stan!
Spare me the bs. The greatest Saxman of all time? Gtfoh! A great but how is he better than Lester Young who he is just a good disciple of. The goat Charlie Parker, Coleman Hawkins, Ben Webster, Chu Berry, Dextor Gordon, Wardell Gray Sonny Stitt, Sonny Rollins, Jackie McLean, John Coltrane, Cannonball Adderley, Wayne Shorter and Joe Henderson. I could never another 20 guys I'd put above Getz but I'll concede it's opinion. However there is no argument about Hawkins, Young, Parker, Rollins and Trane there is no argument. I read a lot of comments on TH-cam from Jazz casuals who proclaim this and that with a very limited knowledge of the music history. Unless you've listened to all the greats ur opinion is worthless in my book. Smh! BTW Stan is where it started for me I just know he not the greatest by some degree. Best at being smooth perhaps but all round hell the fuck no!
@@jibsmokestack1 The man had a style and a sound which was unmistakable his own. That is one form of greatness. He also left his mark in what is usually known as jazz. When he recorded with Dizzy and Sony Stitt he showed he could play in the "steeplechase" style very well. There are many ways to transcend that are not limited to being an innovator or a revolutionary.
I must say, impressive though it is, it's not jazz that I find easy on the ear, it's like prog rock jazz, not pure and it's my least favourite Getz album and probably one of his too but each to his own!.
Tony Williams bold audacious unique never a bore never conservative carries the whole rhythm with his left foot! Never seen anything like it.
Can't help but think that Stan was pleased and inspired to think that the future of jazz is in very good hands, with these young lads behind him - each a virtuoso powerhouse with such clear personal sound compared to ANY of their contemporaries. What an outrageous rhythm section. I mean it might even have been a bit confusing for Stan. "Which incredible rhythm player, moment by moment, should I reflect off of during my solo?," since jazz soloists do listen and reflect off of the other players. But in this case each of them is constantly bombarding Stan with ideas for him to feed off of. It's like a cornucopia with very high flow rate.
R.I.P maestro Chick Corea 🖤🥺
What year month and date he passed?
Legends each and every one of these amazing musicians...Stanley's solo is freakN outstanding...
This is all a dream come true.
amazing quartet
So interesting to watch this clip,, you don’t get to see Tony too much in the film but he has his very fast hi hat foot happening during part of it and it’s interesting to note that his leg/foot is not just going up and down but also there’s some side to side movement as well--.
what do you think the side movement is about ,and does it effect the sound ??. thanks for your observation . his hitting his bass tom on the side showed me his confidence and "at oneness" with his instrument .truly one of the giants was Tony .
@@swamisMotelBand1 I’ve tried it now,, my suspicion is it’s a natural way of dispelling fatigue in the muscles, by switching the heel back and forth R to L you’re alternating the use of muscles in the leg rather than using all of the muscles all of the time. I suspect it’s something he just does naturally but maybe he thought about it,,, it’s so sad we’ll never get to ask him.
bit of a late reply, but there’s also the swivel technique for the bassdrum. could be linked to that
The swivel technique was borrowed from jazz by some death/black metal blast beat or extremely fast double bass players. Moreover, they say that Tony also invented the blast beat itself.
Woweeee Mr.williams and Clark
Damn that was incredible
Stanley Clarke just shared this on his twitter. Thank you for sharing the music!
When two ships pass in the night one must experience Day Waves Princess! Well due to the time zone difference I couldn't even wave to you, in so far as touch your hand. I need to experience your Best, Rest and ALL my Sweet Colleague from afar.
wonderful stuff...thanks!
Wow!!
Stan Getz rate la reprise du thème après le chorus de contrebasse : ça rassure,ce sont quand même des êtres humains ☺️👍
Great footage.
Tony Williams seems to be happy.
Amplifiers and bass pick-ups have come a long way since this taping. I’m pretty sure bassist and guitarist were still using tube amps and the sound they produced were considered by most; warmer.
Would anyone know what Mr. Clark’s using here? I thought I saw what looked like the top of a Shure P.A. head.
Stanley Clarke!!!
Patrick Moraz in the audience during Stanley's solo, starting at the 6:50 mark!
It seems that’s P Moraz indeed !!
6:54, Alice Cooper enjoying the show!
+mike jones LOL!!!
if only he took note.....
Do you have the full concert?
Stan is just playing for his pay cheque here, jazz music was at an all time low during this period so Stan was trying his best to keep his head above water and pay the bills, he had great disdain for fusion, you can read it on his face that he's not happy, his hearts not there at all. The greatest jazz saxophonist of all time, however, nobody will ever come close, he's my hero and I love and miss him so much. Thanx for being there Stan!
Spare me the bs. The greatest Saxman of all time? Gtfoh! A great but how is he better than Lester Young who he is just a good disciple of. The goat Charlie Parker, Coleman Hawkins, Ben Webster, Chu Berry, Dextor Gordon, Wardell Gray Sonny Stitt, Sonny Rollins, Jackie McLean, John Coltrane, Cannonball Adderley, Wayne Shorter and Joe Henderson. I could never another 20 guys I'd put above Getz but I'll concede it's opinion. However there is no argument about Hawkins, Young, Parker, Rollins and Trane there is no argument. I read a lot of comments on TH-cam from Jazz casuals who proclaim this and that with a very limited knowledge of the music history. Unless you've listened to all the greats ur opinion is worthless in my book. Smh! BTW Stan is where it started for me I just know he not the greatest by some degree. Best at being smooth perhaps but all round hell the fuck no!
@@jibsmokestack1 Straight up facts!
@@jibsmokestack1 If you really rat
@@jibsmokestack1 The man had a style and a sound which was unmistakable his own. That is one form of greatness. He also left his mark in what is usually known as jazz. When he recorded with Dizzy and Sony Stitt he showed he could play in the "steeplechase" style very well. There are many ways to transcend that are not limited to being an innovator or a revolutionary.
Great as a trio, but not sure it works for Stan Getz. + not so keen on the SC's bass tone. Too dominating.
Stan is not enjoying it
I must say, impressive though it is, it's not jazz that I find easy on the ear, it's like prog rock jazz, not pure and it's my least favourite Getz album and probably one of his too but each to his own!.