It is simply a stunning advance that us mere mortals have this power available. It was not long ago at all this required super computers and overnight rendering to bring us a new perspective of the early Beatles’ live performances. The advancement of the algorithm is easily a million-fold since that time, now working in seconds on an affordable computer.
That a full null is possible is a hint at how SpectraLayers calculates stems, using the equivalent of a checksum with data. Even so, it is quite amazing.
Superb video Dom! Those of us who upmix older mono source material to stereo know that SpectraLayers Pro is an essential application! It is truly the best spectral editor in the world!
I just went and purchased this immediately. I have Izoptope Ozone 9 Advanced and it's good, I think this might be slightly better. Especially the "NULL-FACTOR" you mentioned many times. This is truly "GAME CHANGING". I also like the interface of this software better than that of Izotope OZONE, much simpler visually and easy to navigate the tools and functions. THANK YOU Dom!!! You're, always giving us "golden nuggets" of useful information and resources.
I use RX10 and Null-factor isn't going to do much tbh. It'll sound like fragmented white noise that'll you just have to mix back into at the end of the day.
As an amateur, songwriting, recording, and mixing was my main concern. Mastering very challenging. But these userfriendly possibilities makes you want to experiment with old recordings 😃 It's in the creative zone
10:12 When i first found out it picks up reverb and effects (from one of your earlier videos) about this I was literally, genuinely speechless for a minute. The future is now! 😄 Oh, and _definitely_ looking forward to a full video!
I took an old live-desk FOH mix bootleg I made during the 80's (the old cassette recorder under the FOH desk trick) and it managed to unmix the whole band and drums into separate tracks really well. Amazing.
Even the version you get with Cubase is great for vocals, v10 picked those delays on vox really well, super impressive. Congrats on 100k subs too, very inspirational and deserved.
Awesome! The clarity and smoothness of the sound, and depth and speed of the processing.. wow. And yes to the full video-- when you have time, of course.
3:35 Of course we're interested in all the unmix options, Dom. C'mon now. Give us another BOOM 💥 video!🙏🏾 PS: Congrats on 100K!!! That's 100k quality subscribers. No fake accounts, no scams, no click bait. That is phenomenal, man!
Duuuuuude, you really put a smile on my face!! I can see this being used for practicing other people's songs with real backing tracks and analising our favourite songs!! This is beyond incredible, no more fantasising with Izotope RX \m/
This is really the biggest and most groundbreaking ISOLATION I ever worked with. Yesterday I took a 20 year old Demo...FROM A 20 YEAR OLD CASSETTE.... And "remixed it. With all the Noise cancelling and reverb cancelling features... The Song sounds like made yesterday now! Never ever in my professional life I was happier to pay 99 bugs for an update.
Great video and great news from Steinberg. Steinberg is "the quality DAW" on the market. When I was younger I transcripted Solos (and chords) from Georg Benson, Mike Brecker, Brandford Marsalis and the like. Sometimes from really bad sounding club recordings. Man - that was a lot of work. With spectral layers now this is a piece of cake.
i had no idea what that plugin was. great explanation (as always) - i suspect that is about to become my new best friend as my drum programming is truly awful! thanks dom, quality as always...
I want to make a point about the null test: It nulls because the "other" stem is just The original mix minus the stems. That's totally fine and well done but it does not stop the artefacts in the stems themselves, just null them out when everything is summed.
The Spectralayers 10 trial is finally up! Thanks a ton, Dom! I wouldn't be able to unmix drums like that without your video, as I wasn't aware of Spectralayers at all.
I love the feeling when something is so exciting in audio, You have to share it with someone. Because it doesn't happen that often. You know with yet another La2a who can get excited. But this is a real step forward.
Very very helpful Dom. All your vids are. As a novice, it's so much easier to be shown. I know developers do their best - but manuals would appear so often to be written by Martians, thanks once again Dom.
A huge leap forward from the SL9 version, which did poorly in professional mastering. Thanks Dom for the excellent information about the new version 10. 👍I already bought it ... 😀
This is awesome for when i do live recordings and get just a left right output from the mixer . This really changes everything. Plus i can't wait to get creative with this. Make some nice remixes of original songs
Hello Dom, just update from 9 to 10. Well I would have interest on how to use all options about this new specter layer properly Thank you very much I appreciate a lot
@@HomerNarr I was working on remastering a song just a few days ago that had a hi-hat with the most super annoying, and distracting frequency, ever. Literally song-ruining. Considering the recording was 20-something years old and the original mix files were out of the question, it would've been GREAT to isolate the annoying frequency using this program, just totally re-record the hits MYSELF... insert them, mix to taste, AND THEN perform the actual remaster proper. Would've had much more AMAZING results. This is incredibly controversial, as far as the M.E. field is concerned. More in the realm of Restoration for sure. Buuuut... there is an Art side to this Science, too.
My channel is all about remixing 1960s rock records using this technology, I use Izotope RX instead, but am intrigued how SL can isolate guitars and other. Usually these separation algorithms treat 'other' as the guitar part. But what none can do yet is separate multiple guitars or multiple vocal harmonies. You have to treat the entire guitar mix or vocal mix as one stem. Neither can it separate strings either.
Honestly, I had no idea what SL was and what it does and I was a bit scared to learn it because I thought it has a steep learning curve. However, after paying attention to its functions, I can say that it's an audio mastering magician. It gives me the freedom to manipulate the audio elements within the original audio freely. This is a real game changer. But I have to figure out its accurate workflow. For example, shall I use it after I master the original audio or before? Great vid Dom! Thanks :)
I don't usually comment on videos, but when I do...... man - thank you for bringing this to everyone's attention! Can you still do this stuff using the Spectral Layers that comes with Cubase 12? Thanks for all your great tips.
This has been changing the game for all of us with huge analog mixing desks and not being forced to go fully in the box like Andrew Scheps is always still pushing for everyone due to workflow. Sitting blowing out stems for later "maybe" adjustments taking hours per song to do all the variations vs. now having all the unmix functions and tools out there, but this is getting incredible to allow us to thrive in the mainstream mixing world! Dom - always amazing, always uplifting too. - Dayz/David
also - PT religious users only, which I use it - but, they just never have a total clue as to the real software like Yamaha/Steinberg is always blowing out! Or their efforts with Sony Comp Lab w like Backbone...!
ps - @domsigalas thanks for not later in the video going for the easy... more cowbell 😂... the null test is insane to prove out the quality for the level of pro mainstream indie major level!
Sounds brilliant! - but I would love to know if it can do a similar job where parts have been recorded all together onto one stereo track at home rather than being professionally recorded in a studio. Thanks, Dom
As somebody who works on a lot of dialogue for a living, I would like to know how well the “Multiple Voices” function works. The equivalent function, in RX 10, is in its infancy - to put it mildly. It is completely unusable at a professional level. Have you tried it at all, Dom?
Hey Dom, Many thanks for such extraordinary video content, so i would like very much if you could do a tutorial explaining how we can remove noise on vocal audio, in order to make it very clean, and ready to mix or mastering.
I wonder how the new version works with a "wall of sound". I had some years ago a really badly mixed death metal song with which I experimented in SL and the un-mixing results were unsatisfactory. There were lots of artefacts. The originally distorted bass sounded like a muffled reggae bass and so on. I guess in this kind of music is also one of the hardest to separate the stems. So I'm really curious how the new version will deal with that. To show it's real capabilities and weakness SL should be tested on a recording done in a basement by a punk or death metal band and not on a well mixed pop/rock song. I mean there's nothing done with a demonstration like in the video here, but it doesn't show where the limitations of those algorithms are.
Very nice video. But with all these tools in nowadays, we don't get such good music like the "oldies". I think its time for us, as musicians, as producers, engineers, to have imaginations. We can not say about some new (virgin), but we, as a person, we dont have life experiences. Thanks again Dom, great video. Also is very good, if someone wants to study the tracks so he can learn from the songs he likes.
many thanx and yes please go the a specific presentation :) now trying on Mike Oldfield, 1976, Incantations part 4, 8:05 to 12:18, this part is full of harmonics... not so simple, no magic but it's a good beginning, maybe more flexibility to filter what we really want to get.
To be fair the hybrid transformer Demucs SL10 now has has been used for a while in the demixing and audio spearation community it's just that it's lived in applications like UVR5 & MVSEP. SL10 is very good though, but not quite the best. It currently lacks GPU support so it lacks some of the functionality and capabilities of UVR5 or using Demucs directly yourself.
Bought spectralayers 10 ! It's awesome!!!!! I did a test, a mix song, in the "best quality" mode, of a 3.15 minute song on 3 different apple computers: iMac 27 late 2013 - 3.5 GHz Intel Core i7 quad-core 32 gb ram , unmix time : 6.01 minutes MacBook Air M1 8 gb ram, time 3.53 minutes, MacBook Pro 16” 2019 2,3 Ghz Intel Core I9 , 16 Gb ram unmix time : 4.38 minutes
Pause at 0:33 let me guess: Spectalayers 10? EDIT: 0:44 Yupp, was right, LOL Why is the Zero cancelling so awesome. Fun thing with waves: identical but reversed waves cancel each other out. If the are absolutely symmetrical and reversed, overlaying them will result in zero. Perfect Noise cancelling! Now if you separate all stems in SL10, remix, reverse them and mix them back again and it still results in Zero, it proofs how incredibly accurate SL10 is working. It’s a lossless process. As non musician I am overwhelmed by the possibilities. Imagine how every old recording can be taken apart an worked on. It’s like dissecting a body, process organs and put it together again. You could take a mono Beatles recording and mix the hell out of it. This is insane, no wonder Dom is so exited. It’s mind blowing what this can do with audio.
I’m still using spectral layers five when I only use it to remove noise and artifacts. I use RX 10 advanced for when I separate instruments. Nonetheless version time is very impressive.
Ok, tested RipX: extracted RipX stems, do not null with the original track 👆☝ so, very impressive that SL10 can deliver this will make an own test with sl10 thanks
SpectrLayers takes unmixing layers to a new level and is in a different league to Izotope RX/rebalance 10, quite amazing to be honest and makes you wonder what further improvements are possible? Not only that but once you've done the initial track unmix you put the drums through its own unmix and wow its simply perfect to convert the audio drums to midi.
I was wondering if it can also split into separate vocal harmonies, or e.g. vocal parts of an acappella song from a vocal group like Pentatonix (to help with transcribing or rehearsal track creation)
Also, I work in biomedical sciences and we are using a lot of machine learning and artificial intelligence approaches to analyze data and identify biomarkers to both diagnose and treat patients - the technology is moving at warp speed in this area, and it just seems like machine learning could easily be applied to deconstructing "masters" accurately - you simply show the computer the master and the native instrument tracks for a large number of songs. Anyone aware of companies pursuing this? And if not, PM me and we can start one.
Great video and awesome tool. It's a new era in mastering unmix or remix . By the way you sing great too. Eisai kalos re !!! 🙌👏🙌By the way are the spectral layers 10 included in the Producers variant?
Literally one the best channels on TH-cam...!👏👏👏👌👌👌
It is simply a stunning advance that us mere mortals have this power available. It was not long ago at all this required super computers and overnight rendering to bring us a new perspective of the early Beatles’ live performances. The advancement of the algorithm is easily a million-fold since that time, now working in seconds on an affordable computer.
Also good for live recordings.
Being able to isolate vocal microphones from stage noise is amazing for mixing live recordings
I´ve compared Spectralayers 10 with iZotope RX - SL wins. Very good job Steinberg!! nice times....
Damn, that's awesome! Give us a full feature video, please.
That a full null is possible is a hint at how SpectraLayers calculates stems, using the equivalent of a checksum with data. Even so, it is quite amazing.
Superb video Dom! Those of us who upmix older mono source material to stereo know that SpectraLayers Pro is an essential application! It is truly the best spectral editor in the world!
I just went and purchased this immediately. I have Izoptope Ozone 9 Advanced and it's good, I think this might be slightly better. Especially the "NULL-FACTOR" you mentioned many times. This is truly "GAME CHANGING". I also like the interface of this software better than that of Izotope OZONE, much simpler visually and easy to navigate the tools and functions. THANK YOU Dom!!! You're, always giving us "golden nuggets" of useful information and resources.
I use RX10 and Null-factor isn't going to do much tbh. It'll sound like fragmented white noise that'll you just have to mix back into at the end of the day.
That is absolutely unbelievable! Wow, thank you
As an amateur, songwriting, recording, and mixing was my main concern. Mastering very challenging. But these userfriendly possibilities makes you want to experiment with old recordings 😃 It's in the creative zone
10:12 When i first found out it picks up reverb and effects (from one of your earlier videos) about this I was literally, genuinely speechless for a minute. The future is now! 😄
Oh, and _definitely_ looking forward to a full video!
Just went for it and tried it and let me testify SpectraLayers 10 pro is incredibly powerful (and quite easy to manage)!
Excellent job, Steinberg!
I took an old live-desk FOH mix bootleg I made during the 80's (the old cassette recorder under the FOH desk trick) and it managed to unmix the whole band and drums into separate tracks really well. Amazing.
Thanks!
Thank you so much for the support!
My God! This is f***in' unreal 😮 This changes everything... 👍 Just subbed, now's the time to deep dive in ol' Porta Studio stuff from the 80:s... 🛠️
Even the version you get with Cubase is great for vocals, v10 picked those delays on vox really well, super impressive.
Congrats on 100k subs too, very inspirational and deserved.
Awesome! The clarity and smoothness of the sound, and depth and speed of the processing.. wow.
And yes to the full video-- when you have time, of course.
3:35 Of course we're interested in all the unmix options, Dom. C'mon now. Give us another BOOM 💥 video!🙏🏾
PS: Congrats on 100K!!! That's 100k quality subscribers. No fake accounts, no scams, no click bait. That is phenomenal, man!
Damn Dom! You Sing! Badassery
Wow, total game changer for old productions with no masters. Exciting time for me to remix my old man's music.
I am working on a Remastering Album and I am using SPL since Version 5. This new adition looks amazing!
Duuuuuude, you really put a smile on my face!! I can see this being used for practicing other people's songs with real backing tracks and analising our favourite songs!! This is beyond incredible, no more fantasising with Izotope RX \m/
1:20 Overview
2:00 example
3:20 unmix
4:30 processing
6:00 vocals
6:45 syncing
7:30 stem separation
10:35 extracting instruments
13:40 conclusion
This is really the biggest and most groundbreaking ISOLATION I ever worked with.
Yesterday I took a 20 year old Demo...FROM A 20 YEAR OLD CASSETTE....
And "remixed it. With all the Noise cancelling and reverb cancelling features...
The Song sounds like made yesterday now!
Never ever in my professional life I was happier to pay 99 bugs for an update.
Great video and great news from Steinberg. Steinberg is "the quality DAW" on the market.
When I was younger I transcripted Solos (and chords) from Georg Benson, Mike Brecker, Brandford Marsalis and the like. Sometimes from really bad sounding club recordings. Man - that was a lot of work. With spectral layers now this is a piece of cake.
this is why i am a die hard Steinberg user
Congrats to 100k!!! Well deserved!
Thank you so much my friend ❤️
i had no idea what that plugin was. great explanation (as always) - i suspect that is about to become my new best friend as my drum programming is truly awful! thanks dom, quality as always...
I want to make a point about the null test: It nulls because the "other" stem is just The original mix minus the stems. That's totally fine and well done but it does not stop the artefacts in the stems themselves, just null them out when everything is summed.
The Spectralayers 10 trial is finally up! Thanks a ton, Dom! I wouldn't be able to unmix drums like that without your video, as I wasn't aware of Spectralayers at all.
I love the feeling when something is so exciting in audio, You have to share it with someone. Because it doesn't happen that often. You know with yet another La2a who can get excited. But this is a real step forward.
P.S Big fat congrats on 100k
Dear Dom, PLEASE make more videos about Spectralayers 10!
It's Nice to hear your Voice and Music! Thank you for all that you do
Awesome video! Spectralayer 10 seems just amazing....Steinberg just continues to deliver the highest quality of software! Also - Amazing song!!!!!
Today I bought Spectralayers 10 Pro. That's amazing. Thank you for the video!
This is world-changing in terms of audio editing.
Exactly. I have used RipX for splitting stereo mix to stems. And the remaster the records. 21th century!
I purchased Spectral Layers because of your excellent introduction and your enthusiasm!
Good stuff Dom.... can't wait to try the new version out as the improved unmixing processes seem very impressive :-)
Awesome! In older versions the drum transients were chopped off ,after extraction.
Excellent Dom, you make me buy this soft straigtht away this morning, after seeing your vidéo !!!! 🥰🥰😇
Very very helpful Dom. All your vids are. As a novice, it's so much easier to be shown. I know developers do their best - but manuals would appear so often to be written by Martians, thanks once again Dom.
A huge leap forward from the SL9 version, which did poorly in professional mastering. Thanks Dom for the excellent information about the new version 10. 👍I already bought it ... 😀
This is Awesome I didn't know spectra-layers has gotten this good!!! definitely getting one! 🙌🏾
I'd love to see more SL workflow and tips´n tricks videos from you Dom!
This is awesome for when i do live recordings and get just a left right output from the mixer . This really changes everything. Plus i can't wait to get creative with this. Make some nice remixes of original songs
Always special. Thanks Dom.
Hello Dom, just update from 9 to 10. Well I would have interest on how to use all options about this new specter layer properly Thank you very much I appreciate a lot
amazing good stuff🎉 congrats Cubase🎆 after a few hard weeks having 5 or more crashes each day on Macbook M1 2020 this gives hope🙏🏼
And this doesn't even touch on the audio photoshopping, noise reduction, forensics capabilities etc. Awesome stuff.
Like photoshopping but taking every element into a layer and separate them flawlessly. We might not even grasp what this will be able to do.
@@HomerNarr I was working on remastering a song just a few days ago that had a hi-hat with the most super annoying, and distracting frequency, ever. Literally song-ruining.
Considering the recording was 20-something years old and the original mix files were out of the question, it would've been GREAT to isolate the annoying frequency using this program, just totally re-record the hits MYSELF... insert them, mix to taste, AND THEN perform the actual remaster proper. Would've had much more AMAZING results.
This is incredibly controversial, as far as the M.E. field is concerned. More in the realm of Restoration for sure. Buuuut... there is an Art side to this Science, too.
My channel is all about remixing 1960s rock records using this technology, I use Izotope RX instead, but am intrigued how SL can isolate guitars and other. Usually these separation algorithms treat 'other' as the guitar part. But what none can do yet is separate multiple guitars or multiple vocal harmonies. You have to treat the entire guitar mix or vocal mix as one stem. Neither can it separate strings either.
No way…at 7:47 you had me completely. This truly is a game changer and the fact that it’s that much precise is incredible
I'm more blown away by how the wave forms are filling the bar 😅
Dom thanks bro you really rock and make me smile. Amazing video. I’ll have to definitely check this out.
Honestly, I had no idea what SL was and what it does and I was a bit scared to learn it because I thought it has a steep learning curve. However, after paying attention to its functions, I can say that it's an audio mastering magician. It gives me the freedom to manipulate the audio elements within the original audio freely. This is a real game changer. But I have to figure out its accurate workflow. For example, shall I use it after I master the original audio or before?
Great vid Dom! Thanks :)
I don't usually comment on videos, but when I do...... man - thank you for bringing this to everyone's attention! Can you still do this stuff using the Spectral Layers that comes with Cubase 12? Thanks for all your great tips.
Great review and Great song! that makes the review/tutorial very cool. 👍
Wow, such a great feature!
This has been changing the game for all of us with huge analog mixing desks and not being forced to go fully in the box like Andrew Scheps is always still pushing for everyone due to workflow. Sitting blowing out stems for later "maybe" adjustments taking hours per song to do all the variations vs. now having all the unmix functions and tools out there, but this is getting incredible to allow us to thrive in the mainstream mixing world! Dom - always amazing, always uplifting too. - Dayz/David
also - PT religious users only, which I use it - but, they just never have a total clue as to the real software like Yamaha/Steinberg is always blowing out! Or their efforts with Sony Comp Lab w like Backbone...!
ps - @domsigalas thanks for not later in the video going for the easy... more cowbell 😂... the null test is insane to prove out the quality for the level of pro mainstream indie major level!
Great work Dom fascinating and informative your inspiration is a joy to behold, thanks again
Awesome but what a killer song!!! Amazing!!! 🤩
Amazing Dom ! I don't use spectralayer because I can't do something with this ! But now .... Thanks so much for your advertises
Sounds brilliant! - but I would love to know if it can do a similar job where parts have been recorded all together onto one stereo track at home rather than being professionally recorded in a studio. Thanks, Dom
What's the difference between recording at home or studio? What is a professional studio? The people, the talent involved?
As somebody who works on a lot of dialogue for a living, I would like to know how well the “Multiple Voices” function works. The equivalent function, in RX 10, is in its infancy - to put it mildly. It is completely unusable at a professional level. Have you tried it at all, Dom?
Wow, what a piece of music!
İts very excited for people who works on cover songs. i cannot imagine the next steps. But this spectralayers always had its magic to me
Hey Dom,
Many thanks for such extraordinary video content, so i would like very much if you could do a tutorial explaining how we can remove noise on vocal audio, in order to make it very clean, and ready to mix or mastering.
I wonder how the new version works with a "wall of sound". I had some years ago a really badly mixed death metal song with which I experimented in SL and the un-mixing results were unsatisfactory. There were lots of artefacts. The originally distorted bass sounded like a muffled reggae bass and so on.
I guess in this kind of music is also one of the hardest to separate the stems. So I'm really curious how the new version will deal with that.
To show it's real capabilities and weakness SL should be tested on a recording done in a basement by a punk or death metal band and not on a well mixed pop/rock song.
I mean there's nothing done with a demonstration like in the video here, but it doesn't show where the limitations of those algorithms are.
Good, what a good discovery! thanks faithful follower of yours
BANGER TIPS THX MAAN AND KEEP GOING MOORE VIDEOS LIKE THISSS PLS PLS ☄🔥🌪
Extract acapellas from literally anything is crazy
Wow sounds like spectral layers have nailed it
Well, I’ll be…
I never thought I’d see the day! 😂
Great demonstration. I hope to one day use this application to this degree.
Thanks for sharing!
Very nice video. But with all these tools in nowadays, we don't get such good music like the "oldies". I think its time for us, as musicians, as producers, engineers, to have imaginations. We can not say about some new (virgin), but we, as a person, we dont have life experiences. Thanks again Dom, great video. Also is very good, if someone wants to study the tracks so he can learn from the songs he likes.
This is really amazing
many thanx and yes please go the a specific presentation :) now trying on Mike Oldfield, 1976, Incantations part 4, 8:05 to 12:18, this part is full of harmonics... not so simple, no magic but it's a good beginning, maybe more flexibility to filter what we really want to get.
To be fair the hybrid transformer Demucs SL10 now has has been used for a while in the demixing and audio spearation community it's just that it's lived in applications like UVR5 & MVSEP. SL10 is very good though, but not quite the best. It currently lacks GPU support so it lacks some of the functionality and capabilities of UVR5 or using Demucs directly yourself.
Bought spectralayers 10 ! It's awesome!!!!! I did a test, a mix song, in the "best quality" mode, of a 3.15 minute song on 3 different apple computers:
iMac 27 late 2013 - 3.5 GHz Intel Core i7 quad-core 32 gb ram , unmix time : 6.01 minutes
MacBook Air M1 8 gb ram, time 3.53 minutes,
MacBook Pro 16” 2019 2,3 Ghz Intel Core I9 , 16 Gb ram unmix time : 4.38 minutes
Bro that track is LITTTTT 🔥
Pause at 0:33 let me guess: Spectalayers 10? EDIT: 0:44 Yupp, was right, LOL
Why is the Zero cancelling so awesome. Fun thing with waves: identical but reversed waves cancel each other out. If the are absolutely symmetrical and reversed, overlaying them will result in zero. Perfect Noise cancelling! Now if you separate all stems in SL10, remix, reverse them and mix them back again and it still results in Zero, it proofs how incredibly accurate SL10 is working. It’s a lossless process.
As non musician I am overwhelmed by the possibilities. Imagine how every old recording can be taken apart an worked on. It’s like dissecting a body, process organs and put it together again. You could take a mono Beatles recording and mix the hell out of it.
This is insane, no wonder Dom is so exited. It’s mind blowing what this can do with audio.
I’m still using spectral layers five when I only use it to remove noise and artifacts. I use RX 10 advanced for when I separate instruments. Nonetheless version time is very impressive.
damn..this is awesome ..thx for showing us ..I need that !
I love doing spectral edits in REAPER. I see Cubase has it as well. Been a while since I used Cubase properly.
Fantastic technology!
this is full spectralayers not spectralayers one right?
Ok, tested RipX:
extracted RipX stems, do not null with the original track 👆☝
so, very impressive that SL10 can deliver this
will make an own test with sl10
thanks
seems amazing software, also really good video! SUBBED 🤘🤘
I am impressed. Wow.
SpectrLayers takes unmixing layers to a new level and is in a different league to Izotope RX/rebalance 10, quite amazing to be honest and makes you wonder what further improvements are possible? Not only that but once you've done the initial track unmix you put the drums through its own unmix and wow its simply perfect to convert the audio drums to midi.
I am excited about this
I was wondering if it can also split into separate vocal harmonies, or e.g. vocal parts of an acappella song from a vocal group like Pentatonix (to help with transcribing or rehearsal track creation)
Not yet as far as I know. Maybe in the next version? 😃
Also, I work in biomedical sciences and we are using a lot of machine learning and artificial intelligence approaches to analyze data and identify biomarkers to both diagnose and treat patients - the technology is moving at warp speed in this area, and it just seems like machine learning could easily be applied to deconstructing "masters" accurately - you simply show the computer the master and the native instrument tracks for a large number of songs. Anyone aware of companies pursuing this? And if not, PM me and we can start one.
Great, that it nulls, it's amazing! Compared to HitnMix RipX? Never tried, will do so. Would be interesting Thanks!
That's crazy!!! WOW!!
bravo Dom!!!!!
Thank you Dom.
That's a pretty cool song.
Great video and awesome tool. It's a new era in mastering unmix or remix . By the way you sing great too.
Eisai kalos re !!! 🙌👏🙌By the way are the spectral layers 10 included in the Producers variant?
This is crazy 💯
Keep ‘em coming. SL does magic, what else have you discovered?
Honestly Spectral layer full version should be available standard on the cubase pro versions
That would massively increase the price of Cubase though :)
@@DomSigalas it's already expensive for the pro version