“That reminds me of a quote by the late, great, Bill Watrous. Master your instrument. Then, sing through your horn.” I believe that is the level Patrick Bartley has attained.❤️
Incredible. I can't comprehend how Patrick pours so much emotion into the sax line, it's like it wordlessly sings. Patrick's run from around 7:30 and into the heartfelt scream at 7:45 and onwards gives me absolute goosebumps every time.
I love the contagious happiness and sense of humor that emanates from so many of Cohen’s brilliant home sessions. But it seems to me as is Patrick Bartley’s strong presence sometimes inspires a more serious mood in the other players - which certainly also becomes them!
Jaw-dropping performance, brought tears to my eyes. Nothing more needs to be said about the beautiful solos by Emmet & Patrick, but Yasushi and Kyle holding all of it together beautifully was just amazing. Thank you so much for sharing.
Just awesome! Patrick Bartley is the most exciting and lyrical alto player I discovered in 2023 (thanks to Emmet Cohen again and again and again... ) ... I can't wait to see how he's going to grow in the upcoming months and years
Patrick is amazing. Modernised derivation from Bechet, Carter and Hodges for the 2020s A very original and strong identity. A rare pleasure.. Lovely all round.
I really appreciate hearing the jazz lineage in Barley's playing... It may not have been intentional but I heard a lot of Pharoah Sanders, especially in the cadenza which was very spiritual and uplifting. Thank you Patrick for playing from the heart and you never know which jazz legend you will give homage to when you play the spirit of the music.
Patrick Bartley is already such a legend. He was great before, but his playing lately is just something else. Everyone else is great as always too but I cant stop listening to Pat lately. Too 🔥🔥🔥❤️🤘🏼
I listened to this video in the shower and thought I must have misread the video title because Patrick’s tonal quality was so close to a violin at some points that I was actually convinced it was.
If you listen to enough Bechet you begin to understand the saxophone is supposed to mimic the human voice. PB always expresses himself without any obstacles or facades.
Patrick is an amazing technician on the instrument, but the guy also knows how to be soulful and really approach ballads like a vocalist, and that is what sets him apart from a lot of players.
Another beautiful version - th-cam.com/video/oMUp1jQllHs/w-d-xo.html&ab_channel=LouisHayes-Topic - Reharmonization with Giant Steps Steps - Harold Mabern & Frank Strozier
As much as I love Pat, I won't feelin' this one. It seems like, especially for a ballad, too much was done. It still sounds good, but I feel as though his super-smooth tone didn't really get to shine here. I don't even think he really felt it, much more like he knows what people want and carried that on. On that note, it's like James Carter: you can have the most technique possible, but how much does it really mean when you over-apply and don't know when to stop applying? However, there are plenty of both saxophonists' recordings I love. This one just didn't speak to me like I thought it would. Even my wife, noticed how overdone it seemed even straight out the gate. Still a lesson in itself, but not one from Pat. Most definitely sounds like he been in Church recently though, and you can't beat that! All love!
No. Its soulful. Tired of cats pretending it's cool to give such little vibrato. It was hip for Miles. Too many sax players have no personality or style. Bartley is on a whole other level compared to a lot of his contemporaries.
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Patrick sings, cries, loves, feels through his saxophone. Legend in the making
He just sings with the sax, so beautiful.
“That reminds me of a quote by the late, great, Bill Watrous. Master your instrument. Then, sing through your horn.” I believe that is the level Patrick Bartley has attained.❤️
11q1q11
That alto has a heart-wrenching, crying tone...
Incredible. I can't comprehend how Patrick pours so much emotion into the sax line, it's like it wordlessly sings. Patrick's run from around 7:30 and into the heartfelt scream at 7:45 and onwards gives me absolute goosebumps every time.
I love the contagious happiness and sense of humor that emanates from so many of Cohen’s brilliant home sessions. But it seems to me as is Patrick Bartley’s strong presence sometimes inspires a more serious mood in the other players - which certainly also becomes them!
5:06 sends me to another plane of existence every time man . . . beautiful piano playing
boys the best jazz recording of all time has just dropped
Babe wake up, a new Emmet and Patrick Collab just dropped
What???? That was freaking insane!!!!! What an unbelievable performance. Wow.
Jaw-dropping performance, brought tears to my eyes. Nothing more needs to be said about the beautiful solos by Emmet & Patrick, but Yasushi and Kyle holding all of it together beautifully was just amazing. Thank you so much for sharing.
Just awesome! Patrick Bartley is the most exciting and lyrical alto player I discovered in 2023 (thanks to Emmet Cohen again and again and again... ) ... I can't wait to see how he's going to grow in the upcoming months and years
When the performance is so good that it's followed by a moment of silence ...
while the audience is still processing in disbelief.
Patrick is amazing. Modernised derivation from Bechet, Carter and Hodges for the 2020s A very original and strong identity. A rare pleasure.. Lovely all round.
Really heart melting sound, phrasing and feeling. You have all mastered this piece Just pure poetry.
I've always tried my best to sing through my horn, but Pat takes that idea to an almost unbelievable level. Very inspiring!
Somewhere, up there, Sidney Bechet is looking down, and he 's smiling.
Hoagy Carmichael wrote it.
Remarkable voice he brings not just playing notes, scratching or vamping unique rendition - very subtle human vibrato
素晴らしいセッション！
Patrickの艶やかな音とヴィブラートが大好きです！
I really appreciate hearing the jazz lineage in Barley's playing... It may not have been intentional but I heard a lot of Pharoah Sanders, especially in the cadenza which was very spiritual and uplifting. Thank you Patrick for playing from the heart and you never know which jazz legend you will give homage to when you play the spirit of the music.
th-cam.com/video/ORJmTuUkIos/w-d-xo.html
One of the greatest players alive
素晴らしいカデンツァ
Patrickのソロは、超越的な存在からのメッセージを聴かせてもらってると毎度思ってる。
Emmet Thanks Uploading
Amazing Patrick never fail to make me rethink about my little skills!!
Spellbinding - all great and Pat particularly shining brightly 🌟
0:51 i love this moment so much
His sound is huge!! But not in a bad way at all!!! He plays quiet in all the right places and his vibrato is freaking perfect!!!Awesome job 🔥🔥🔥🔥
Love this song, and I am collecting every version I find on TH-cam!
Totally GORGEOUS, Patrick. ….And you too, Emmet. 🎹+🎷
Patrick Bartley is already such a legend. He was great before, but his playing lately is just something else. Everyone else is great as always too but I cant stop listening to Pat lately. Too 🔥🔥🔥❤️🤘🏼
Patrick is a monster 🎷🔥
5:13 is an absolutely beautiful passage, stellar job!
I listened to this video in the shower and thought I must have misread the video title because Patrick’s tonal quality was so close to a violin at some points that I was actually convinced it was.
A prayer for a much, much better world. ❤
Last time I was this early to an emmet cohen video was when my pants outgrew my legs!.
Bartley is the best!😍
I just keep coming back to this. It is sooooo good
The way I squealed of joy when this notification appeared
exactly the same haha
Great version , I love his splendid performance this SAXO, thank❤❤❤❤❤❤
Beautiful music nade here ,thank you.❤
Love how Cohen quoted Hamp quoting "Pretty Baby" in his solo.
The moment at 5:19 is amazing and the release at 5:28 is even better!
my video stopped loading at 5:27 LOL
11:23 dont mind me im just saving this here to put on repeat
This was everything 💜
Wonderful. SUPER.
I needed this today!
Beautiful.🎶
Thank you... just thank you
Jaw dropping performance 👏
I need Emmet and Patrick to release a album together
If you listen to enough Bechet you begin to understand the saxophone is supposed to mimic the human voice. PB always expresses himself without any obstacles or facades.
Incredible stuff right here!
Full chills.
Bravissimi!
PB really said "as my saxophone gently weeps..."
Patrick is an amazing technician on the instrument, but the guy also knows how to be soulful and really approach ballads like a vocalist, and that is what sets him apart from a lot of players.
こんな綺麗なstardust マジで奇跡
It`s really great😀
holy shit.
real.
Amazing 👏 🙀
gang i need this on spotify
Stellar❤️💯
absolute banger
I got choked up
OMG Patrick is a monster!
Beautiful song. Sax. Player. Mean. Song reminds me of my beautiful wife Judy. ❤❤❤I. Miss her so much. I love you Yobo 😂❤😂😢 always and forever 😂❤
Another beautiful version - th-cam.com/video/oMUp1jQllHs/w-d-xo.html&ab_channel=LouisHayes-Topic - Reharmonization with Giant Steps Steps - Harold Mabern & Frank Strozier
When will these go on Spotify ☹️
Patrick the best !
🔥🔥🔥
2:49: **jaw on the floor**
Shout out to Kelvin for how incredible this video sounds ✌
💜
Literal stardust. Wow
AHHHHHH
holy smokes
💜💥
That outro
❤️
4:45 you’re as pretty as a picture quote!?
looking for the button that gives 200 likes at once
7:29 - 8:10... great, now both my ears are pregnant 😮💨
Benny Carter revisited? wonderful!
Top💯💯💯💯💯
EXQUISITE!
❤🎉🎉🎉
biurifu
Nobody has a better sound on alto, tell me I'm wrong.
He’s great. I do love the sound of the (late) great Brit Alto player Peter King.
Somehow, it gives me Pharoah Sanders' vibes, too...
Maybe a little Gary Bartz in there (and that's a good thing!).
As much as I love Pat, I won't feelin' this one. It seems like, especially for a ballad, too much was done. It still sounds good, but I feel as though his super-smooth tone didn't really get to shine here. I don't even think he really felt it, much more like he knows what people want and carried that on. On that note, it's like James Carter: you can have the most technique possible, but how much does it really mean when you over-apply and don't know when to stop applying? However, there are plenty of both saxophonists' recordings I love. This one just didn't speak to me like I thought it would. Even my wife, noticed how overdone it seemed even straight out the gate. Still a lesson in itself, but not one from Pat. Most definitely sounds like he been in Church recently though, and you can't beat that! All love!
This is magical. And there's more magic, same song, here:th-cam.com/video/xp3C8Q0xmcw/w-d-xo.html - it's just a great song!
heilige makkaroni
I cant
Db. Interesting
Its written that way
Sidney Bechet is back on alto. Man, please reconsider the enormous vibrato.
No. Its soulful. Tired of cats pretending it's cool to give such little vibrato. It was hip for Miles. Too many sax players have no personality or style. Bartley is on a whole other level compared to a lot of his contemporaries.
Also, if you actually listen, you'll hear he uses it as an effect not a reflex.
why would he want to do that
Awesome for my !!