the thing i did when i wrote a 6/4 melody was focus on making it mainly long notes, which made it sound less like a 3/4 song, but the percussion really made a difference for mine
Personally, I would write divisi on bars 4, 9, 13, 14, and 15 where the instrument is play more than one note, excluding string instruments, xylophone adjucents, and the piano.
dunno sounds more like a slow 6/8 to me. There's definitly a strong and weak beat in each bar. I personally think of 6/8 as being subdivided into groups of 3 while 6/4 has more of a 4+2 feeling imo.
i understand your confusion, but yeah i don’t write music for people to actually play it irl. most of my scores aren’t optimized at all and if this were to be played live there would most definitely be more than 2 oboes playing
This has more of a 6/4 feel than a 3/4 feel to me. The syncopations make counting it in 3/4 feel weird.
i agree! this feels much more 6/4 to me. i’d count this as a success scallop =)
also agreed, def feels 6/4 to me
I feels this at slow 2/2 or slow 2/4 where the beat hits on dotted half note
The melodies are so mesmerizing... the chords at 0:30 kinda remind me of a part in the song "asgore" from undertale
wow! my music being compared to Toby Fox is like a dream for me! So glad you liked it
the thing i did when i wrote a 6/4 melody was focus on making it mainly long notes, which made it sound less like a 3/4 song, but the percussion really made a difference for mine
I have no musical understanding, but it sounds good anyways!
Sometimes you dont achieve your goal but the result is still good. I liked it :)
Glad you liked it!!
Honestly sounds great! I don't think it being in 3/4 or 6/4 really takes away from that
Thanks!🔥
It's a solid waltz, keep it up
thanks!
Personally, I would write divisi on bars 4, 9, 13, 14, and 15 where the instrument is play more than one note, excluding string instruments, xylophone adjucents, and the piano.
dunno sounds more like a slow 6/8 to me. There's definitly a strong and weak beat in each bar.
I personally think of 6/8 as being subdivided into groups of 3 while 6/4 has more of a 4+2 feeling imo.
playing double stops on a woodwind sounds very playable
i understand your confusion, but yeah i don’t write music for people to actually play it irl. most of my scores aren’t optimized at all and if this were to be played live there would most definitely be more than 2 oboes playing
@@shiny_scallop Ah ok