you're so right. audiences nowadays expect every technical detail to be perfect - it just wasn't the case back then. tuning was something totally different to the ears of people in 1607. it's the little "imperfections" that can make the music so much more expressive
Monteverdi specifically cautioned his players NOT to over-ornament their parts in this work: he instructed them to play "as simply and correctly as possible, and not with many florid passages or runs." Savall, almost alone among modern conductors, follows this conservative instruction from the composer.
Adèu Montserrat i a revèure. La musica antiga ha quedat orfe. Monserrat i Jordi, heu fet tant per la musica, que mai us ho podrem tornar, ni en tots els primis del món. gràcies.
Dal mio Permesso amato à voi ne vegno, incliti eroi, sangue gentil di regi, di cui narra la Fama eccelsi pregi, nè giugne al ver perch' è troppo alto il segno. Io la Musica son, ch' à i dolci accenti sò far tranquillo ogni turbato core, et hor di nobil ira, et hor d' amore posso infiammar le più gelate menti. Io sù cetera d' or cantando soglio mortal orecchio lusingar talhora e in guisa tal de l' armonia sonora de le rote del ciel più l' alme invoglio. Quinci a dirvi d’Orfeo desìo mi sprona, D’Orfeo che trasse al suo cantar le fere, E servo fè l’Inferno a sue preghiere, Gloria immortal di Pindo e d’Elicona. Or mentre i canti alterno, or lieti, hor mesti, non si mova augellin fra queste piante, nè s' oda in queste rive onda sonante, et ogni Auretta in suo camin s' arresti
Non si può vedere "permesso" scritto minuscolo... A parte questo, il soprano sembra consapevole di cantare ed interpretare il primo vero personaggio dell'Opera, nientemeno 'La Musica', e coinvolge fin quasi alla commozione l'ascoltatore, dando ai versi creati dallo Striggio su ispirazione del grande Guarino, la risonanza solenne sublimata dalla musica di Monteverdi. Uso mirabile della percussione e dei tromboni da parte degli esecutori diretti da Jordi Saval nel prologo.
I get the feeling that this is a very accurate representation of baroque performance. Also, Canadian Brass have done some great recordings of Monteverdi's pieces as instrumentals for all brass. I'm not sure if Monteverdi intended to write for all brass ensembles, but regardless they sound fantastic.
Claudio Monteverdi Né à Crémone le 15 mai 1567 , Décédé à Venise le 29 novembre 1643, Compositeur italien. Ses œuvres, essentiellement vocales, se situent à la charnière de la Renaissance et de la musique baroque. Au cours de sa longue vie, il a produit des pièces appartenant aussi bien au style ancien qu'au nouveau et a apporté d’importants changements dans le style de son époque. Il est considéré comme l'un des créateurs de l'opéra et, avec l'Orfeo, comme l'auteur du premier chef d'œuvre du genre. Il est également le dernier grand représentant de l'école italienne du madrigal, genre auquel il a consacré neuf Livres, ainsi que l'auteur d'une abondante œuvre de musique religieuse (messes, vêpres, motets...) pour tous les détails nombreux de ce compositeur voir le lien : fr.wikipedia.org/wiki/Claudio_Monteverdi
I'm sorry, but I don't agree with you. This is historically informed singing technique. In the Baroque era the singers didn't use to do the vibrato, because it was considered as an embelishment to use rarely . Without vibrato, for the singer, is very difficult to be always in tune, and the audience should forgive some little errors. This performance of Monserrat is perfect in my opinion. May she rest in peace!
@@michauui the role was initially sung by a castrati, they don’t have a lot of any vibrato and it would be difficult for them to use it. So if you would want you replicate this effect you would suppress your vibrato or use a counter tenor who often don’t have a lot of vibrato either.
performer is Montserrat Figueras: Montserrat Figueras i García (Catalan: [munsəˈrat fiˈɣeɾəs i ɡərˈsi.ə]; 1942-2011) was a Catalan soprano who specialized in early music. en.wikipedia.org/wiki/Montserrat_Figueras
Yes, was pretty happy to find this --would put Savall on the list with Jeremy Barlow, Roy Goodman, Nikolaus Harnoncourt, Paul Hillier, Christopher Hogwood, John Eliot Gardiner, Nicholas McGegan, David Munrow, Andrew Parrott, Trevor Pinnock, etc... Whatever that list would be...
Does any1 know the name of the piece that plays at the very beginning with the strings from 0:00-0:39 secs plz? thanks so much. it plays again when the woman finishes singing her 1st verse
@@jasonhurd4379 it is repeated also at the end of act 2, so it kind of signifies everything that happens above ground - the last thing you hear before going to Hades and again the first thing you hear when you return.
+Sarthak Rastogi No tabs or proper score for that part, that is Basso Continuo, if you find the score of the opera you'll notice that in these recitativos (recitative parts) there are only two staves: one for the singer and one for the Bass. Upon the bass staff you'll notice some numbers, these are figurations for Lute-like or keyboard instruments about what chords to play (in any preferred position) to fill the harmony implied by the music. To play these continuo figurations you just have to learn how to read them, you'll easily find some material on the internet concerning this. It's guided improvisation on a bass line basically.
1 Dal mio Permesso amato a voi ne vegno, 내 사랑하는 페르메소를 떠나 당신께 가오, Incliti eroi, sangue gentil di regi, 위대한 영웅들이나 왕족의 고결한 자손들의 Di cui narra la Fama eccelsi pregi, 눈부신 공적은 너무 높은 곳에 있었으니 Né giugne al ver perch'e troppo alto il segno. 때로 진실성이 결여되어 있다 하네. 2 Io la Musica son, ch'a i dolci accenti 나는 달콤한 음률을 지닌 음악이라 so far tranquillo ogni turbato core, 번민하는 영혼을 평온케 하며, ed or di nobil ira, ed or d'amore 고귀한 노여움과 사랑으로, posso infiammar le più gelate menti. 얼어 붙은 마음을 녹일 수도 있다네. 3 Io su cetera d'or cantando soglio 황금으로 된 리라에 맞추어 노래하면서 mortal orecchio lusingar talora, 나는 이따금씩 생명이 있는 것들의 귀를 매료시킨다오. e in guisa tal de l'armonia sonora 그리하여 천국에서 울려 퍼지는 리라의 소리에 대한 갈망으로 de le rote del ciel più l'alme invoglio. 영혼을 충만케 한다오. 4 Quinci a dirvi d'Orfeo desio mi sprona, 지금 어떠한 욕망이 나로 하여금 말하게 하는군요, d'Orfeo che trasse al suo cantar le fere, 바로 오르페오에 대해, 노래로써 야수들을 길들이고, e servo fe' l'inferno a sue preghiere, 하데스로 하여금 자신의 탄원을 외면치 못하게 한 자, gloria immortal di Pindo e d'Elicona. 핀두스와 헬리콘에서의 그의 불멸의 영광에 대해. 5 Or mentre i canti alterno, or lieti, or mesti, 행복과 슬픔이 엇갈리는 노래를 내가 부르는 동안 non si mova augellin fra queste piante, 이 숲의 새들은 미동도 않고, né s'oda in queste rive onda sonante, 여기 둑의 강물 역시 파랑을 일으키지 않으리, ed ogni auretta in suo camin s'arresti. 그리고 미풍마저도 갈 길을 잠시 멈추리라.
four hundreds years old italian , difficult but still undestandable today , all for a storyteller sitting and tell : now lads listen this story and, shut up!
Pourquoi toujours donner que des fragments, au compte goutte, de cette majestueuse musique? Il me semble que l'orféo de Monteverdi commence par une splendide mini symphonie d'ouverture... Ceci dit bravo à Jordi Savall !!
@@leonorbravo8629 I never said it is not a masterpiece, the only reason I said bs is cause I was basically forced to listen it. I know that there were probably countless hours put into making this piece.
@@idobmx452 well, we cannot all appreciate the same things. Just accept that your teachers needed to show you this to give you a more rounded education and then go and listen to what you like for fun 😊
@@leonorbravo8629 My frustration back then was bigger towards this music cause the exam had 30+ songs i had to recognize by hearing. Now I have bigger respect for this style of music.
Probably the most beautiful opening to any opera.
"Happy is the city that in time of peace thinks of war."
you're so right. audiences nowadays expect every technical detail to be perfect - it just wasn't the case back then. tuning was something totally different to the ears of people in 1607. it's the little "imperfections" that can make the music so much more expressive
Love the baroque hand movements
Monteverdi specifically cautioned his players NOT to over-ornament their parts in this work: he instructed them to play "as simply and correctly as possible, and not with many florid passages or runs." Savall, almost alone among modern conductors, follows this conservative instruction from the composer.
Shut up bro
RIP Montserrat Figueras, and thank you for the beautiful music.
shut up
Adèu Montserrat i a revèure. La musica antiga ha quedat orfe.
Monserrat i Jordi, heu fet tant per la musica, que mai us ho podrem tornar, ni en tots els primis del món.
gràcies.
Dal mio Permesso amato à voi ne vegno,
incliti eroi, sangue gentil di regi,
di cui narra la Fama eccelsi pregi,
nè giugne al ver perch' è troppo alto il segno.
Io la Musica son, ch' à i dolci accenti
sò far tranquillo ogni turbato core,
et hor di nobil ira, et hor d' amore
posso infiammar le più gelate menti.
Io sù cetera d' or cantando soglio
mortal orecchio lusingar talhora
e in guisa tal de l' armonia sonora
de le rote del ciel più l' alme invoglio.
Quinci a dirvi d’Orfeo desìo mi sprona,
D’Orfeo che trasse al suo cantar le fere,
E servo fè l’Inferno a sue preghiere,
Gloria immortal di Pindo e d’Elicona.
Or mentre i canti alterno, or lieti, hor mesti,
non si mova augellin fra queste piante,
nè s' oda in queste rive onda sonante,
et ogni Auretta in suo camin s' arresti
Non si può vedere "permesso" scritto minuscolo... A parte questo, il soprano sembra consapevole di cantare ed interpretare il primo vero personaggio dell'Opera, nientemeno 'La Musica', e coinvolge fin quasi alla commozione l'ascoltatore, dando ai versi creati dallo Striggio su ispirazione del grande Guarino, la risonanza solenne sublimata dalla musica di Monteverdi. Uso mirabile della percussione e dei tromboni da parte degli esecutori diretti da Jordi Saval nel prologo.
I get the feeling that this is a very accurate representation of baroque performance.
Also, Canadian Brass have done some great recordings of Monteverdi's pieces as instrumentals for all brass. I'm not sure if Monteverdi intended to write for all brass ensembles, but regardless they sound fantastic.
Bester Rapper mashalla
True
Love , love , love !
Quelle beauté, quelle grâce...
22fret enfin un français
Je suis très désolé de te décevoir, mais je suis allemand. J'espère que cela ne te dérange pas trop... :D :D
22fret non mais c pas grave tu parle français
Je fais de mon mieux... :D
Amo i musicisti
Claudio Monteverdi
Né à Crémone le 15 mai 1567 ,
Décédé à Venise le 29 novembre 1643,
Compositeur italien.
Ses œuvres, essentiellement vocales, se situent à la charnière de la Renaissance et de la musique baroque. Au cours de sa longue vie, il a produit des pièces appartenant aussi bien au style ancien qu'au nouveau et a apporté d’importants changements dans le style de son époque. Il est considéré comme l'un des créateurs de l'opéra et, avec l'Orfeo, comme l'auteur du premier chef d'œuvre du genre. Il est également le dernier grand représentant de l'école italienne du madrigal, genre auquel il a consacré neuf Livres, ainsi que l'auteur d'une abondante œuvre de musique religieuse (messes, vêpres, motets...) pour tous les détails nombreux de ce compositeur voir le lien :
fr.wikipedia.org/wiki/Claudio_Monteverdi
J'ai pensé il a seulement écrit huit livres du madrigal?
MONTSERRAT e JORDI COPPIA DIVINA❤❤❤❤
LINDA COMO UM ANJO!!!
I'm sorry, but I don't agree with you.
This is historically informed singing technique.
In the Baroque era the singers didn't use to do the vibrato, because it was considered as an embelishment to use rarely . Without vibrato, for the singer, is very difficult to be always in tune, and the audience should forgive some little errors. This performance of Monserrat is perfect in my opinion. May she rest in peace!
Tecniques can change along the time :)
@@michauui the role was initially sung by a castrati, they don’t have a lot of any vibrato and it would be difficult for them to use it. So if you would want you replicate this effect you would suppress your vibrato or use a counter tenor who often don’t have a lot of vibrato either.
@@tyroleanmaiden8484 authentic performance is vital. She sings it perfectly
ME ENCANTA BRAVO BRAVO BRAVOOOO🤣🤣🤣🤣🤣😍😍😍😍😍😍🤩🤩🤩😋😀🤔
I love it
Nice
Fühl ich
performer is Montserrat Figueras: Montserrat Figueras i García (Catalan: [munsəˈrat fiˈɣeɾəs i ɡərˈsi.ə]; 1942-2011) was a Catalan soprano who specialized in early music. en.wikipedia.org/wiki/Montserrat_Figueras
Montserrat , LA DIVINA !!! 😇
Yes, was pretty happy to find this --would put Savall on the list with Jeremy Barlow, Roy Goodman, Nikolaus Harnoncourt, Paul Hillier, Christopher Hogwood, John Eliot Gardiner, Nicholas McGegan, David Munrow, Andrew Parrott, Trevor Pinnock, etc...
Whatever that list would be...
Bello...
this is a good recording :)
amazing!!
Courage amis étudiants pour les partiels
I love Montserrat
L'Orfeo-Prologue Miser O Taccio by Claudio Monteverdi has a opera sort of feel to it
Für den Algorhytmus
Wichtich
d
❤❤
wer kennt das lied auch von tik tok 1 like
Zu wyld
Jo save
Nein, momentan lese ich A History of Western Music.
Angel!
Check out the Telefunken recording..
Does any1 know the name of the piece that plays at the very beginning with the strings from 0:00-0:39 secs plz? thanks so much. it plays again when the woman finishes singing her 1st verse
There is no name. It is a ritornello that Monteverdi intended to symblise the power of music. It appears again at the opening of Act V.
@@jasonhurd4379 it is repeated also at the end of act 2, so it kind of signifies everything that happens above ground - the last thing you hear before going to Hades and again the first thing you hear when you return.
0:40
0:40 노래시작
Dónde se puede conseguir un dvd completo de esta presentación?
DAL MIO PARNASSO AMATO
super!!
lucas11111ist enfin un français
Dal mio Parnasso… what the hell is “dal mio permesso”?! 😁
That's actually the lyrics believe it or not
does anyone know the how the non singing part is played on the guitar? any tabs?
+Sarthak Rastogi No tabs or proper score for that part, that is Basso Continuo, if you find the score of the opera you'll notice that in these recitativos (recitative parts) there are only two staves: one for the singer and one for the Bass. Upon the bass staff you'll notice some numbers, these are figurations for Lute-like or keyboard instruments about what chords to play (in any preferred position) to fill the harmony implied by the music. To play these continuo figurations you just have to learn how to read them, you'll easily find some material on the internet concerning this. It's guided improvisation on a bass line basically.
0:40 시작
1
Dal mio Permesso amato a voi ne vegno,
내 사랑하는 페르메소를 떠나 당신께 가오,
Incliti eroi, sangue gentil di regi,
위대한 영웅들이나 왕족의 고결한 자손들의
Di cui narra la Fama eccelsi pregi,
눈부신 공적은 너무 높은 곳에 있었으니
Né giugne al ver perch'e troppo alto il segno.
때로 진실성이 결여되어 있다 하네.
2
Io la Musica son, ch'a i dolci accenti
나는 달콤한 음률을 지닌 음악이라
so far tranquillo ogni turbato core,
번민하는 영혼을 평온케 하며,
ed or di nobil ira, ed or d'amore
고귀한 노여움과 사랑으로,
posso infiammar le più gelate menti.
얼어 붙은 마음을 녹일 수도 있다네.
3
Io su cetera d'or cantando soglio
황금으로 된 리라에 맞추어 노래하면서
mortal orecchio lusingar talora,
나는 이따금씩 생명이 있는 것들의 귀를 매료시킨다오.
e in guisa tal de l'armonia sonora
그리하여 천국에서 울려 퍼지는 리라의 소리에 대한 갈망으로
de le rote del ciel più l'alme invoglio.
영혼을 충만케 한다오.
4
Quinci a dirvi d'Orfeo desio mi sprona,
지금 어떠한 욕망이 나로 하여금 말하게 하는군요,
d'Orfeo che trasse al suo cantar le fere,
바로 오르페오에 대해, 노래로써 야수들을 길들이고,
e servo fe' l'inferno a sue preghiere,
하데스로 하여금 자신의 탄원을 외면치 못하게 한 자,
gloria immortal di Pindo e d'Elicona.
핀두스와 헬리콘에서의 그의 불멸의 영광에 대해.
5
Or mentre i canti alterno, or lieti, or mesti,
행복과 슬픔이 엇갈리는 노래를 내가 부르는 동안
non si mova augellin fra queste piante,
이 숲의 새들은 미동도 않고,
né s'oda in queste rive onda sonante,
여기 둑의 강물 역시 파랑을 일으키지 않으리,
ed ogni auretta in suo camin s'arresti.
그리고 미풍마저도 갈 길을 잠시 멈추리라.
four hundreds years old italian , difficult but still undestandable today , all for a storyteller sitting and tell : now lads listen this story and, shut up!
감사합니다
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Pourquoi toujours donner que des fragments, au compte goutte, de cette majestueuse musique?
Il me semble que l'orféo de Monteverdi commence par une splendide mini symphonie d'ouverture...
Ceci dit bravo à Jordi Savall !!
1000000
Digga
Ehre
Jooo
may be some ornamentation??? :\
ok
A nu ma está muy chido
Sempre viuràs.
Ok
Somewone tell me who is she,i need her name for a homework and idk who is she🙃
W
wassup
LOL
this is actually really shit
Her voice is still too thin for the richness of the strings, completely out of balance
Uh, pardon? She was in her her 60's here. And she's a light mezzo, she is not "thin". She also was one of the most prolific early music singers.
i dont even like this music era mut i have an exam in music history so i have to listsen to this bs
yeah same.. listening to this bs is literally killing me
Maybe you should keep that to yourself, because calling this masterpiece “bs” only makes you look ignorant.
@@leonorbravo8629 I never said it is not a masterpiece, the only reason I said bs is cause I was basically forced to listen it. I know that there were probably countless hours put into making this piece.
@@idobmx452 well, we cannot all appreciate the same things. Just accept that your teachers needed to show you this to give you a more rounded education and then go and listen to what you like for fun 😊
@@leonorbravo8629 My frustration back then was bigger towards this music cause the exam had 30+ songs i had to recognize by hearing. Now I have bigger respect for this style of music.
M B
Je demande l'orthographe du mot "orféo" , je reçois"Loréal".... Loréal l'assassin de la chevelure de nombreuses femmes!
0:41
0:42